In 1992, Blige released her debut album What's The 411?. The album sold 3.4 million copies on the strength of singles You Remind Me, Real Love, Reminisce, Sweet Thing, and Love No Limit. The album pioneered a new genre known as Hip-Hop Soul and is credited with influencing the marriage of Hip-Hop and R&B.
In 1994, Blige released her sophomore album My Life. Blige wrote or co-wrote fourteen of the seventeen album tracks. Supported by singles Be Happy, Mary Jane (All Night Long), I'm Goin' Down, and You Bring Me Joy, the album sold over three million copies and was certified 3x platinum by the RIAA in 1996. It has since been included in Rolling Stone's 500 Greatest Albums of All Time.
Not Gon' Cry, a 1996 single written and produced by Babyface for Waiting To Exhale soundtrack (1995), peaked at #2 on the Billboard Hot 100, becoming Blige's highest charting single of the 1990s. The same year, Blige won her first Grammy for Best Rap Performance by a Duo or Group for her performance on I'll Be There for You/You're All I Need to Get By by Method Man.
On April 22, 1997, Blige released her third album, Share My World on MCA Records. Blige cut ties with producers Sean Combs and Chucky Thompson and worked with the likes of Jimmy Jam & Terry Lewis, Rodney Jerkins, Babyface, R. Kelly, and Poke & Tone. The album debuted at number one on the US Billboard 200 with sales of 240,000 copies, Blige's first to do so. Supported by singles Love Is All We Need, I Can Love You, Everything, Missing You, and Seven Days. Share My World was certified 3x platinum by the RIAA and sold nearly 4 million copies in U.S.
In Summer 1998, Blige embarked on the Share My World Tour, which resulted in a Gold-certified live album released later that year, simply titled The Tour. The album spawned one single, Misty Blue.
On August 17, 1999, Blige's fourth album, titled Mary was released. It marked a departure from her more familiar hip hop-oriented sound; this set featured a more earthy, whimsical, and adult contemporary-tinged collection of songs. The album debuted at number two on the Billboard 200 chart, selling 239,000 copies in its first week. It spent 57 weeks on the chart and produced four charting singles: All That I Can Say, Deep Inside, Give Me You, and Your Child. Though not as successful as prior releases, the album still sold 2.1 million copies in the U.S. and was nominated for a Grammy for Best R&B Album.
On August 28, 2001, MCA released Blige's fifth studio album, No More Drama. The album's first single, Family Affair (produced by Dr. Dre) became her first number-one single on the Billboard Hot 100, where it remained for six consecutive weeks. Two other singles, Dance For Me and No More Drama were released, with the latter becoming a Top 20 hit. On January 29, 2002, the album re-released and featured three new songs, one being Rainy Dayz, which was released as a single and became another Top 20 hit for Blige. No More Drama has since sold 3.2 million copies in the U.S. and 5 million copies worldwide.
In 2003, Blige won her second Grammy (and first as a lead artist) for Best Female R&B Vocal Performance for "He Think I Don't Know".
On August 26, 2003, Blige's sixth album Love & Life was released on Geffen Records (which had absorbed MCA Records.) Blige reunited with producer Sean Combs for the album. Despite the album debuting at number one on the Billboard 200 and becoming Blige's fourth consecutive UK top ten album, Love & Life became Blige's then lowest selling album selling 1 million copies. Still, it was nominated for Grammy Best Contemporary R&B Album.
Geffen Records released Blige's seventh studio album, The Breakthrough on December 20, 2005. For the album, Blige collaborated with J.U.S.T.I.C.E. League, Rodney Jerkins, will.i.am, Bryan-Michael Cox, 9th Wonder, Jimmy Jam & Terry Lewis, Raphael Saadiq, Cool and Dre, and Dre & Vidal. It debuted at number one on both the Billboard 200 and Top R&B/Hip-Hop Albums charts. Selling 727,000 copies in its first week, it became the biggest first-week sales for an R&B solo female artist in SoundScan history. The official lead single, Be Without You peaked at number three on the Billboard Hot 100, while peaking at number one on the R&B chart for a record-setting fifteen consecutive weeks. In March 2017, Billboard Magazine ranked "Be Without You" as the most successful R&B/Hip-Hop Song of all time. The song was nominated for Record of the Year and Song of the Year and won the Best R&B Song and Best Female R&B Vocal Performance categories at the 2007 Grammy Awards. Other singles included Top 40 Hit Enough Cryin, Top Five R&B song Take Me As I Am, and UK Top Three Hit One. The Breakthrough won the Grammy for Best R&B Album in 2007.
In December 2006, a compilation called Reflections (A Retrospective) was released. It contained many of Blige's greatest hits and four new songs, including the worldwide lead single We Ride (I See the Future). The album peaked at number nine in the U.S, selling over 170,000 copies in its first week, while reaching number forty in the UK. It has sold more than 1.6 million copies.
Blige's eighth studio album, Growing Pains, was released on December 18, 2007, debuting at number two on the Billboard 200 and at number one on the Top R&B/Hip-Hop Albums chart. It sold 629,000 copies in its week and was certified Platinum by the RIAA. The album won Grammy for Best Contemporary R&B Album in 2009. It spawned the Top 40 Hit Just Fine.
Blige's ninth studio album, Stronger with Each Tear, was released on December 21, 2009, debuting at number two on the Billboard 200 and at number one on the Top R&B/Hip-Hop Albums chart, selling 332,000 units in its first week of release. The album had sold 726,100 copies in the United States by April 2010, and was certified Gold by the RIAA on January 6, 2011.
Blige was honored at the 2009 BET Honors Ceremony and was paid tribute by Anita Baker and Monica.
Blige's tenth studio album, My Life II... The Journey Continues (Act 1), was released in November 2011. The album debuted at #5 on the Billboard 200, selling 156,000 copies in the first week; it was eventually certified Gold in 2012 and has sold 763,000 in the US.
A Mary Christmas, Blige's first holiday album, was released on October 15, 2013 through Matriarch and Verve Records. In early December, A Mary Christmas became Blige's 12th top ten album after it rose to #10 in its eighth week and was certified Gold by the RIAA.
Think Like A Man Too, which serves as Blige's 12th studio album, was released on June 17, 2014. On Billboard's Top R&B/Hip-Hop Albums chart, the soundtrack album charted at number six, marking Blige's 16th top ten entry on the chart, tying her with Mariah Carey for the second-most top tens by a female artist.
Following her concert date at the Essence Festival, on July 9, 2014 it was announced Blige would move to London to experiment with a new sound for her new album. Blige spent a month in London recording her album in RAK Studios with a host of young British acts, including Disclosure, Naughty Boy, Emeli SandΓ© and Sam Smith. Twelve new songs, co-written and recorded by the singer, were released on November 24, 2014 on an album entitled The London Sessions. The album received acclaim and was included on many Best Albums of 2014 lists. The album debuted at number nine on the Billboard 200 and number one on Top R&B/Hip-Hop Albums, with 55,000 albums sold and 2,000 shifted in album-equivalent units. It became her 13th top ten entry on the Billboard 200 and her tenth number one entry on Top R&B/Hip-Hop albums.
Following a heavily publicized divorce from her husband and manager Kendu Isaacs, Blige released her thirteenth studio album Strength of a Woman on April 28, 2017. Supported by Urban AC hit singles Thick of It and U + Me (Love Lesson), Strength of a Woman debuted at number three on the US Billboard 200 on the issue dated ending May 20, 2017, with 78,000 album-equivalent units, selling 72,000 standard copies in its first week. It became Blige's highest-charting album since 2009's Stronger with Each Tear, and her tenth top five entry on the chart.
In 2017, Blige starred in the period drama film Mudbound directed by Dee Rees. Playing Florence Jackson, the matriarch of her family. For her performance in Mudbound, Blige was nominated for the Academy Award for Best Supporting Actress and Golden Globe Award for Best Supporting Actress. She also received nominations for Best Original Song for Mighty River, becoming the first person nominated for an Academy Award for acting and original song in the same year.
On July 12, 2018, Blige released a new single, titled Only Love.
Be Without You
Mary J. Blige Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Oh, oh, oh, oh)
I wanna be with you, gotta be with you, need to be with you
(Oh, oh, oh, oh)
Ooo, oh, oh, oh, oh, ooo
Chemistry was crazy from the get-go
Neither one of us knew why
'Cause a love like this takes some time
People swore it off as a phase
Said we can't see that
Now from top to bottom
They see that we did that (yes)
It's so true that (yes)
We've been through it (yes)
We got real shit (yes)
See, baby, we been
Too strong for too long (and I can't be without you, baby)
And I'll be waiting up until you get home ('cause I can't sleep without you, baby)
Anybody who's ever loved ya know just what I feel
Too hard to fake it, nothing can replace it
Call the radio if you just can't be without your baby
I got a question for ya
See I already know the answer
But still I wanna ask you
Would you lie? (No)
Make me cry? (No)
Do somethin' behind my back and then try to cover it up?
Well, neither would I, baby
My love is only your love (yes)
I'll be faithful (yes)
I'm for real (yes)
And with us you'll always know the deal
We've been
Too strong for too long (and I can't be without you, baby)
And I'll be waiting up until you get home ('cause I can't sleep without you, baby)
Anybody who's ever loved ya know just what I feel
Too hard to fake it, nothing can replace it
Call the radio if you just can't be without your baby
See this is real talk
I'm a always stay (no matter what)
Good or bad (thick and thin)
Right or wrong (all day, everyday)
Now if you're down on love, or don't believe
This ain't for you (no, this ain't for you)
And if you got it deep in your heart
And deep down you know that it's true (come on, come on, come on)
Well, let me see you put your hands up (hands up)
(Fellas, tell your lady she's the one)
Fellas, tell your lady she's the one, oh
Put your hands up (hands up)
(Ladies, let him know he's got your love)
Look him right in his eyes and tell him
We've been
Too strong for too long (and I can't be without you, baby)
And I'll be waiting up until you get home ('cause I can't sleep without you, baby)
Anybody who's ever loved ya know just what I feel
Too hard to fake it, nothing can replace it
Call the radio if you just can't be without your baby
I wanna be with you, gotta be with you, need to be with you
I wanna be with you, gotta be with you, need to be with you
I wanna be with you, gotta be with you, need to be with you
I wanna be with you, gotta be with you, need to be with you
I wanna be with you, gotta be with you, need to be with you
Mary J. Bligeβs βBe Without Youβ is a song about the strength and endurance of love. The lyrics focus on the chemistry between two people that grew slowly over time and ultimately became too strong to deny. The singer asks a rhetorical question about the depth of the love shared between her and her partner, setting up the refrain βToo strong for too long, and I canβt be without you, baby.β
The song explores the depth of the love between the two people, declaring the commitment to both good times and bad times. Blige asks if her partner would do something hurtful to her, but she already knows that he wouldnβt. The implication is that their love is so strong and secure that cheating or betrayal wouldnβt be an issue. The song ends on a celebratory note, with Blige encouraging her listeners to put their hands up in the air and declare their own love stories.
In summary, the lyrics of βBe Without Youβ emphasize the importance of loyalty, commitment, and trust in a relationship. The song suggests that true love takes time to develop, but once it does, it can endure any challenges that come its way.
Line by Line Meaning
I wanna be with you, gotta be with you, need to be with you
(Oh, oh, oh, oh)
I wanna be with you, gotta be with you, need to be with you
(Oh, oh, oh, oh)
Ooo, oh, oh, oh, oh, ooo
The singer strongly desires to be with her partner and cannot bear to be without them.
Chemistry was crazy from the get-go
Neither one of us knew why
We didn't build nothing overnight
'Cause a love like this takes some time
People swore it off as a phase
Said we can't see that
Now from top to bottom
They see that we did that (yes)
It's so true that (yes)
We've been through it (yes)
We got real shit (yes)
See, baby, we been
The singer reflects on her relationship, which started with an indefinable chemistry and slowly developed into something real despite initial skepticism from others.
Too strong for too long (and I can't be without you, baby)
And I'll be waiting up until you get home ('cause I can't sleep without you, baby)
Anybody who's ever loved ya know just what I feel
Too hard to fake it, nothing can replace it
Call the radio if you just can't be without your baby
The singer confesses her dependency on her partner and her inability to function without them. She advises others in similar situations to seek comfort in others through calling the radio.
I got a question for ya
See I already know the answer
But still I wanna ask you
Would you lie? (No)
Make me cry? (No)
Do somethin' behind my back and then try to cover it up?
Well, neither would I, baby
My love is only your love (yes)
I'll be faithful (yes)
I'm for real (yes)
And with us you'll always know the deal
We've been
The singer assures her partner of her loyalty and faithfulness, expressing her disdain for cheating and dishonesty in relationships.
See this is real talk
I'm a always stay (no matter what)
Good or bad (thick and thin)
Right or wrong (all day, everyday)
Now if you're down on love, or don't believe
This ain't for you (no, this ain't for you)
And if you got it deep in your heart
And deep down you know that it's true (come on, come on, come on)
Well, let me see you put your hands up (hands up)
(Fellas, tell your lady she's the one)
Fellas, tell your lady she's the one, oh
Put your hands up (hands up)
(Ladies, let him know he's got your love)
Look him right in his eyes and tell him
We've been
The singer affirms her commitment to her relationship no matter the circumstances, and encourages others who share this sentiment to express it to their partners without fear or hesitation.
Lyrics Β© BMG Rights Management, Universal Music Publishing Group, REACH MUSIC PUBLISHING, Warner Chappell Music, Inc.
Written by: Bryan Michael Cox, Mary J. Blige, Johnta M. Austin, Jason Lamont Perry
Lyrics Licensed & Provided by LyricFind
@frankjones6609
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1:07
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U2