Matan Zohar (a.k.a Mat Zo, Unripelemon, Reif, MRSA) was born in April of 19… Read Full Bio ↴Matan Zohar (a.k.a Mat Zo, Unripelemon, Reif, MRSA) was born in April of 1990 into a musical family. Throughout his childhood, music was a huge part of his daily life. He was pressured by his parents at an early age to take up an instrument, and when he picked up his first guitar in 1998, he quickly showed a talent for it. During this time he developed a love for Daft Punk. In 2001 he moved in with his dad in London. There he got his first computer and was able to kindle his interest for electronic music. Through the internet Matan discovered the vast world of music production. He then got hold of some production software and started developing his own flavour. Matan explored the styles of trance, drum and bass, house, currently going with a more progressive sound. After 3 years, his productions are played by high profile DJs such as DJ Tarkan, Perry O'neil, and Swedish Egil.
By 2006, when he was only 16 years old, Matan had his first signing of a track, but it was after he won the Baroque Remix Competition with Lustral's "In My Life" that many world-class DJs and producers began to notice this young producer's great talents.
By mid-2007, Mat Zo had remixed the likes of Andy Moor and Markus Schulz. He became a DJ household name after Tiesto hired him to remix "Driving To Heaven", and the remix appeared on Tiësto's internationally recognized "In Search Of Sunrise 7" CD compilation.
Mat Zo quickly worked up the ranks to become one of the most sought after progressive dance music producers in history. He has played in countries like Holland, Germany, Ukraine, Ibiza, India, and various cities in England. Mat Zo's global reach multiplied when his Zoned monthly radio program was picked up by Afterhours.fm the summer of 2008.
Mat Zo has gained tremendous support by the world's top DJs, including Armin van Buuren, Tiesto, Above & Beyond, Markus Schulz, Ferry Corsten, Andy Moor, and Airwave. He has numerous releases out on such labels as Intuition Recordings, Armada Music, and Anjunabeats. He continues to produce varied electronic music, ranging from drum and bass, to trance and progressive house. His 'Zoned' radio program can be heard monthly on afterhours fm (ah.fm), and his guest mixes can be heard on numerous highly rated radio stations.
By 2006, when he was only 16 years old, Matan had his first signing of a track, but it was after he won the Baroque Remix Competition with Lustral's "In My Life" that many world-class DJs and producers began to notice this young producer's great talents.
By mid-2007, Mat Zo had remixed the likes of Andy Moor and Markus Schulz. He became a DJ household name after Tiesto hired him to remix "Driving To Heaven", and the remix appeared on Tiësto's internationally recognized "In Search Of Sunrise 7" CD compilation.
Mat Zo quickly worked up the ranks to become one of the most sought after progressive dance music producers in history. He has played in countries like Holland, Germany, Ukraine, Ibiza, India, and various cities in England. Mat Zo's global reach multiplied when his Zoned monthly radio program was picked up by Afterhours.fm the summer of 2008.
Mat Zo has gained tremendous support by the world's top DJs, including Armin van Buuren, Tiesto, Above & Beyond, Markus Schulz, Ferry Corsten, Andy Moor, and Airwave. He has numerous releases out on such labels as Intuition Recordings, Armada Music, and Anjunabeats. He continues to produce varied electronic music, ranging from drum and bass, to trance and progressive house. His 'Zoned' radio program can be heard monthly on afterhours fm (ah.fm), and his guest mixes can be heard on numerous highly rated radio stations.
The Fractal Universe
Mat Zo Lyrics
We have lyrics for these tracks by Mat Zo:
Colours You say that you're just passing through That you'…
Easy 'Cause lovin' you is easy Feel so in love in every…
Fall Into Dreams Fly Fly fly, Rest your weary bones and glide and fall…
Fly While You're Still Free Fly, while you're still free Like the wind from the sea Fly…
Hurricane Slamming doors, uncover lies Shifting loyalties and tearful…
Love Songs Lately I've been singing love song by myself Lately I've bee…
Motivate Get ready Get ready Get ready Time to motivate Too many thi…
Only For You Watch me watch you, I have a colour for you. Beautiful morni…
The Sky Feel the world beneath me As if a was the sky Hold…
Time On Your Side Hold on, be true to you, it's your song, don't let them brea…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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GaNAs
Everytime I listen to this I marvel at how complete the composition is. The melody, harmony, beat, everything is there for a reason--layered and complex yet measured and minimalist where it needs to be. The melody is almost polyphonic at times which really takes skill to compose, so I hear. All in all just perfect
RaddKojack
Every time when I feel low and want everything just go to hell, I play this track ,this BRILLIANT, incomparable piece of musical art. Which came out of world's most brilliant EDM producer. Mat Zo, you'll have my eternal respect and endless gratitude for making my life better.
sound wave
One of my favourite trance tracks, divine melody 2:53, epic tune 4:50
Vishnu Suresh
2:53 and 4:50
sound wave
One of those songs you listen to from the start to the end thanks to their perfection
PrettyBlueThings
indeed, this is one of the most well constructed trance tunes around, absolutely <3 it ^_^
Anders Vik
EDM artist's should think more like mat zo, no stressing about here <3
TM Trance Music
This is one of the greatest trance track. That doesn't change even now.
Rich Lawson
Takes me back to '99. Mat must have listened to all the masters of late 90s Trance. Decent ambientish track.
Andrew Kerr
I must admit. I am very likely responsible for at LEAST 5,000 of the plays on this video. #1 electronic track of all time for me. Its ahead of Aphex Twin - Girl boy song, and Mat Zo - Rush 2009.
I have yet to hear a song with such intentional composition that goes against commonly accepted techniques.
(reference my comments in the reply to Gregory Peel post below)