Known for blending traditional Jewish themes with Reggae, rock and hip hop sounds, Matisyahu is most recognizable for being an orthodox Jew and writing a number of songs based on his faith and beliefs. Since 2004, he has released four studio albums as well as one live album, two remix CDs and one DVD featuring a live concert, and a number of interviews. Through his short career, Matisyahu has teamed up with some of the biggest names in reggae production including Bill Laswell and duo Sly & Robbie. The Tel Aviv'n Songfacts states several tracks of his fourth studio album, Spark Seeker, were recorded in Tel Aviv, Israel.
Since his debut, Matisyahu has received positive reviews from both rock and reggae outlets. Most recently, he was named Top Reggae Artist of 2006 by Billboard as well as being named a spokesperson for Kenneth Cole.
Matthew Miller was born in West Chester, Pennsylvania, USA on June 30th 1979, corresponding to the Jewish date of the 5th of Tamuz 5740. Shortly after his birth, the Miller family moved to Berkeley, CA and eventually settled in White Plains, NY. Growing up, Matisyahu's parents sent him to Hebrew School a couple of times a week, but like many kids, he resisted the additional school hours and was frequently threatened with expulsion for disrupting the lessons.
By the age of 14, Matthew Miller slid comfortably into the laid-back lifestyle of a teenage hippie. Having fallen in with the "Dead-Head" crowd, he grew dreadlocks and wore his Birkenstocks all winter long. He played his bongos in the lunchroom and learned how to beat-box in the back of class. By 11th grade, despite his carefree days, Matisyahu couldn't ignore the void in his life. After nearly burning down his chemistry class, he knew his mission must begin immediately. He decided to set off on a camping trip in Colorado. Away from his suburban life in White Plains, Matisyahu had the opportunity to take an introspective look at himself and contemplate his environment. It was there in the awe-inspiring landscape of the Rocky Mountains, that Matisyahu had an eye-opening realization: there is a God.
After Colorado, his spiritual curiosity piqued and Matisyahu took his first trip to Israel. There, for the first time in his life, he felt a connection to the God he discovered in Colorado. Israel was a major turning point. Matisyahu relished the time he spent there, praying, exploring, and dancing in Jerusalem. In every nook he encountered, his dormant Jewish identity stirred into consciousness.
Leaving Israel proved to be a difficult transition. Once back in White Plains, Matisyahu didn't know how to maintain his new connection with Judaism. Feeling dejected, he fatefully dropped out of high school and began following Phish on a national tour. On the road, Matisyahu thought seriously about his life, his music, and his thirst for Judaism.
After a few months, burnt out and broke, he returned home. By this time his parents insisted that Matisyahu go and "straighten" himself out at a wilderness school in Bend, Oregon. The school encouraged artistic pursuits and Matisyahu took advantage of this time to delve further into his music. He studied up on reggae and hip-hop. He attended a weekly open-mic where he rapped, sang, beat-boxed, and did almost anything he could to stay creatively charged. It was then that he started to develop the unique reggae-hip hop sound for which he would one day become known.
After 2 years in the "sticks," the 19-year old Matisyahu returned to New York a changed man. He moved to the city to attend The New School where he continued honing his musical craft, and also dabbled in the theater. During this time, he happened on the Carlebach Shul, a synagogue on the Upper West Side, well known for its hippie-friendly vibe and exuberant singing. This encounter further fueled his soul-fire, turning him on to the mystical power of song in Hasidic Judaism. Now, instead of beat boxing in the back of the classroom, he was leaving the classroom to pray on the school's roof. (Religious or not, this guy ain't made for the classrooms.)
While studying at New School, Matisyahu wrote a play entitled "Echad" (One). The play was about a boy who meets a Hasidic rabbi in Washington Square Park and through him becomes religious. Shortly after the play's performance, Matisyahu's life strangely imitated his art. Indeed, years after the initial sparks were lit, Matisyahu met a Lubavitcher rabbi in the park, spurring his transformation from Matthew to Matisyahu.
A person who was once skeptical of authority and rules, Matisyahu began to explore and eventually fully take on the Lubavitch Hasidic lifestyle. He thrived on the discipline and structure of Judaism, making every attempt to abide by Jewish Law. The Chabad-Lubavitch philosophy proved to be a powerful guide for Matisyahu. It surrounded him with the spiritual dialogue and intellectual challenge he had been seeking for the past decade. The turmoil and frustration of his search subsided, and now, 2 years later, Matisyahu lives in Crown Heights, splitting his time between the stage and his yeshiva.
Drawing from the sounds of Bob Marley, Shlomo Carlebach, Buju Banton, and Sizzla, yet remaining wholly original, Matisyahu's performance is an uplifting, powerful experience for all in his presence. Even the most pessimistic in his audience is inspired by his ability to so honestly convey such a delicate topic as faith/spirituality. It is his dedication to his belief and openness to others that compels one to respect his artistry and message. It's in that fleeting moment when our skepticism melts and our souls open up, that Matisyahu enters with his booming sound of faith.
http://www.matisyahuworld.com/
Late Night in Zion
Matisyahu Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We come from the infinite place of limatation.
Rejoice in these days, make our corrections,
We're the completion.
Lights out,
I'm down for the count,
I can't get up, and
And the legs of the king are taggled up in a rut,
Fallen pieces, lost sparks, hearts cut.
We're not alone in the madness,
If we're here, the so are you,
Deepest caverns underground,
We've been taken for the truth,
Scraped my knees on the hurdles, face down in a puddle.
Only one will get us out of this mess,
The one that put us here.
I got a spear driven through my ear,
Can't you hear the sound, crystal clear, crystals crashing chandliers.
Long for brooks of water like a deer.
A man is just a man,
Full of faults and weakness,
4 am, jerusalem all alone and speechless.
And night time, no bodies home, roam streets in darkness.
I feel I'm just a man, flesh and bones, homeless.
A man is just a man,
Full of faults and weakness,
4 am, jerusalem all alone and speechless.
And night time, no bodies home, roam streets in darkness.
I feel I'm just a man, flesh and bones, homeless.
Planting seeds, they won't sink in.
I'm dried up, like the desert earth, how do these seeds give birth.
Water me down, liquify, so that I may not be cursed.
From one into a billion disperse.
Wisdom rains like water from the heavens to below.
Crush my earth, seeds grow, gardens starts to grow.
You know you gotta rise, although you like to flow.
You can't keep staring out the window.
Earth, water, wind, fire we stay low while getting higher.
Spark in night, a fight, tireously.
While yidden lighten loads.
Fly alive, weep, wail, change, grounded out inside.
Energized by my last thought as children pass me by.
Rise, to the occassion.
Keep these hearts all blazin.
Build your life on a river of wax.
Melt into space, we've been here since the beginning, not going away.
Not going away.....
A man is just a man,
Full of faults and weakness,
4 am, jerusalem all alone and speechless.
And night time, no bodies home, roam streets in darkness.
I feel I'm just a man, flesh and bones, homeless.
The lyrics of Matisyahu's song Late Night in Zion explore themes of imperfection, struggle, and the need for spiritual growth and renewal. The opening lines of the song, "We're the reflection of imperfection, we come from the infinite place of limitation," suggest that humanity is inherently flawed and limited, but also capable of transcending these limitations through spiritual growth and self-improvement. The chorus, "A man is just a man, full of faults and weakness," reinforces this idea, emphasizing the need for humility, self-awareness, and the recognition that no one is perfect.
The song also touches on the idea of being lost or directionless, symbolized by the image of wandering through the streets of Jerusalem at night. The lines "4 am, Jerusalem, all alone and speechless / And nighttime, no bodies home, roam streets in darkness" create a sense of detachment and disconnection, suggesting a feeling of being adrift in the world. However, the song also offers hope in the form of spiritual transcendence and connection to a higher power. The lines "Only one will get us out of this mess / The one that put us here" suggest that redemption and salvation come from a divine source, and that by connecting with this source we can find our way out of spiritual darkness.
Overall, Late Night in Zion is a song that explores deep spiritual themes, delving into questions of human nature, the meaning of life, and the search for transcendence and connection. Through its powerful imagery and moving lyrics, the song invites listeners to reflect on their own spiritual journeys and to search for meaning and purpose in their lives.
Line by Line Meaning
We're the reflection of imperfection,
We are not perfect, we have flaws and make mistakes.
We come from the infinite place of limatation.
Despite being flawed, we come from a vast and endless source of potential.
Rejoice in these days, make our corrections,
We should take joy in the opportunity to make changes and improvements in our lives.
We're the completion.
Despite our imperfections, we are whole and complete.
Lights out,
It is dark, metaphorically and literally.
I'm down for the count,
I am defeated and unable to continue fighting.
I can't get up,
I am powerless in my current situation.
Meanwhile the enemy schemes to spoil your stuff,
While I am weak, my adversaries are working to undermine and destroy me.
And the legs of the king are taggled up in a rut,
Even those in positions of authority and power can become stuck and vulnerable.
Fallen pieces, lost sparks, hearts cut.
There is destruction and pain all around, and we feel it deeply.
We're not alone in the madness,
We are not the only ones struggling and suffering.
If we're here, the so are you,
We are all in this together.
Deepest caverns underground,
Even in the darkest and most hidden places, we can find growth and potential.
We've been taken for the truth,
It is easy to accept lies and half-truths as the real thing.
Scraped my knees on the hurdles, face down in a puddle.
We encounter obstacles and setbacks that can be painful and demoralizing.
Only one will get us out of this mess,
There is only one solution to our problems.
The one that put us here.
Our creator is the one who has the power to save us.
I got a spear driven through my ear,
I am aware of my own limitations and shortcomings.
Can't you hear the sound, crystal clear, crystals crashing chandliers.
There is pain and destruction all around us.
Long for brooks of water like a deer.
We desire sources of renewal and refreshment.
A man is just a man,
No matter who we are or what we achieve, we are all human and subject to our own weaknesses.
Full of faults and weakness,
We are far from perfect.
4 am, jerusalem all alone and speechless.
There are moments of darkness and loneliness in life.
And night time, no bodies home, roam streets in darkness.
It can be scary and unsettling to be alone at night.
I feel I'm just a man, flesh and bones, homeless.
I am trying to find my place and purpose in the world, but it is not always easy.
Planting seeds, they won't sink in.
It can be difficult to create change and growth in ourselves and others.
I'm dried up, like the desert earth, how do these seeds give birth.
It can be hard to see how things can improve when we are struggling and feel hopeless.
Water me down, liquify, so that I may not be cursed.
Sometimes we need to be broken down in order to be built up again.
From one into a billion disperse.
Small actions can lead to big changes and have a ripple effect.
Wisdom rains like water from the heavens to below.
There is a source of guidance and insight available to us if we seek it out.
Crush my earth, seeds grow, gardens starts to grow.
Sometimes it takes hardship and pain to create new growth.
You know you gotta rise, although you like to flow.
Sometimes we need to step out of our comfort zones and take action in order to find success and happiness.
You can't keep staring out the window.
We need to take action and make changes in order to create the life we want.
Earth, water, wind, fire we stay low while getting higher.
We are grounded in the physical world, but can also reach for higher spiritual and emotional heights.
Spark in night, a fight, tireously.
Sometimes it is hard to find hope in the midst of darkness and struggle.
While yidden lighten loads.
We can find strength and comfort in the support of others.
Fly alive, weep, wail, change, grounded out inside.
We can be both grounded and rooted, but also free to fly and pursue our dreams.
Energized by my last thought as children pass me by.
We can find inspiration and motivation in the examples of those around us, especially children.
Rise, to the occassion.
We should not shy away from challenging situations, but rise up to meet them.
Keep these hearts all blazin.
We should keep our passion and drive alive even in difficult times.
Build your life on a river of wax.
We should create a foundation for our lives that is strong, but also adaptable and able to change.
Melt into space, we've been here since the beginning, not going away.
We are a part of something larger and more enduring than ourselves, and that should give us hope.
Not going away.....
We will endure, we will persist, we will keep moving forward.
Lyrics © CONCORD MUSIC PUBLISHING LLC, Peermusic Publishing
Written by: AARON DUGAN, MATTHEW MILLER
Lyrics Licensed & Provided by LyricFind
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nice ang ganda talaga ng mga kanta ni MATISYAHU sound trip pa more