On September 19, 2006, Matt released his third studio album, Everything In Between.
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An excerpt from the Matt Wertz facebook fan page (as of 12/17/09)
Hi. My name is Matt Wertz, and this is my bio. Usually these aren’t written by the artist, at least at this level- but as I was trying to decide who could tell my story the best, I felt like that person was me. So, I’d like to be the one to tell you where I come from, why I write music, what I’ve seen happen along the way, and where I see things going according to my finite vision.
I’m from Liberty, Missouri, but have called Nashville, Tennessee, home for the last seven years. It seems fitting that I would be writing my own biography on the cusp of my first major label release, just as I did eight years ago before releasing my first independent album. This time, though, I’m not trying to play it off like I didn’t write it.
I grew up in a home where I was encouraged to explore and dive into whatever grabbed my attention. Sports? Sure. Art? You bet. Girls? Yep. Music? Obviously. There was no expectation other than to do my best “and let God do the rest,” as my Mom always says. With that kind of freedom end encouragement, I did just that—I played sports for the fun of them, made art because I loved to create, and eventually, I wrote and performed music… because I had to.
My love for visual art led me eight hours from home to the University of Illinois, where I studied Industrial Design. As a result of that experience, music became my respite—my escape from the responsibility of class work. Dorm life served to provide a small, built–in audience who graciously embraced my first attempts at songwriting. Before I knew it, I was recording versions of those songs on my roommate’s computer and burning copies for my new cohabiting fans. Eventually I started playing concerts outside the walls of Scott Hall and made the leap to register my name as a dot-com. That may not seem like a big deal today, but at the time, those were the early, shaky steps I took toward a full-fledged career in the music industry.
Early on, I was shown many graces—like a loan from my parents to pay for the first 1,000 copies of my debut record, Somedays (2001). To assuage their fear that I was throwing my life away, I democratically assured them that I’d get a job after the summer was over. Needless to say, that never happened.
What did happen was that my summer burst at the seams with bookings at camps for high schoolers… which spilled over into a fall schedule of touring their hometowns… which set up a spring full of shows at colleges… followed by more summer camps. Rinse, wash, repeat—and you have the first few years of my career.
The days between then and now have been a series of “baby steps” that have somehow afforded me success as an independent artist. All these things really kicked into gear after the release of Twenty Three Places (2003), the first record I recorded with producer and friend, Ed Cash. The album featured some of the songs that set the tone for the rest of my career—“Everything’s Right,” “Marianne,” “Red Meets Blue,” and “Counting to 100”— songs that are still staples in my set today.
On the heels of the Twenty Three Places release, people started taking notice. Creative Artists Agency got involved booking my shows. Nettwerk took over my management. And a bunch of record labels started knocking down my door. But none of them felt like a good fit. So what did I do? I did what I’d always done: I recorded another record on my own and kept touring.
Ed and I began working on Everything in Between in February 2005, hitting the studio sporadically whenever I had breaks from the road. “The Way I Feel” was the first song we approached and it provided the compass for the record, ushering in an energy and musical depth that redirected my career to a new level. The tone of the record was my musical response to what I learned playing hundreds of clubs a year—I realized the need for up-tempo, lively songs to get the room going. The album also meant a lot to me personally—it was written and recorded during my first dating relationship since college, and much of the album followed the progress of the relationship. “5:19” was written on July 7, 2005, at 5:19 p.m., while I waited for the phone call that would inevitably be the end of that relationship.
Everything in Between was the first record I released with any kind of organized push behind it. We came out of the gates strong, charting high on the iTunes pop charts and filming a video for the song “Carolina.” Some of the songs landed in unexpected places—on TV’s “Brothers and Sisters” and in theaters via movies like My Super Ex-Girlfriend.
Since the start of my career, I’ve sold around 75,000 albums, played shows with Ben Folds, Jamie Cullum, and One Republic, as well as headlined sold-out clubs around the country. This was all done, mind you, as an independent artist. Over time, momentum built and more labels took notice, including Universal Republic. Finally I encountered a label that felt right, a label that could pull the trigger, a label that understood where I was coming from. And so, I signed.
The record that will be released on Universal Republic is called Under Summer Sun and it is a combination of my favorite songs from my first few independent releases, like “5:19” and “Everything’s Right,” as well as four new songs. Among the new tracks are “Waiting,” an introspective bedroom song that deals with the fear that I’m “growing old but not quite growing up,” and “Summer Sun,” my best effort at a nostalgic summer love song in the vein of Stevie Wonder musically and Don Henley emotionally. And the rest of the songs will strike a chord with anyone who enjoys soulful, carefree, singer-songwriter pop music.
How do I know? Because these songs emanate from the pages of my life, and I’ve seen first-hand the way that people have connected with them from their own experiences. In eight years of touring through hundreds of venues, playing three albums’ worth of songs for thousands of listeners, that connection is what fuels my passion. Ultimately, the thing that you and I have here—between the words and the chords and the lights and the beats—that is the thing that encourages me to keep singing.
With You Tonight
Matt Wertz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lie between, the two of us
And telephones, they can't replace
Me with you, face to face.
You gotta tell me it's true
That you feel the same
I'm so much better when
CHORUS:
Let me be with you tonight
Everything will be just fine
With you tonight
When Streetlights kissed, upon your lips
My jealous eyes, saw all of it
Losing sleep, we learned to be
Me with you, you with me
CHORUS
You gotta tell me it's true
That you feel the same
I'm so much better when
I say your name
CHORUS (x2)
The lyrics of Matt Wertz's song "With You Tonight" captures the longing and desire of a long-distance relationship. The first verse suggests the geographic distance between the two lovers, who are 600 miles apart. Despite the availability of technology like telephones, it cannot replace the physical presence of being with each other. The songwriter yearns for his lover to confirm that their feeling is mutual, so he can feel complete, saying "You gotta tell me it's true, that you feel the same. I'm so much better when I say your name." The chorus reassures his lover that everything will be okay if they are together tonight.
The second verse gives a glimpse of the insecurity that comes with distance as the songwriter mentions being jealous of the streetlights that kiss his lover's lips. Despite the distance, they have learned to cope and manage their sleep, but being with each other is still the ultimate goal. The repetition of the chorus amplifies this desire, with the songwriter asking to be with his love tonight to make everything just fine.
Overall, "With You Tonight" conveys the raw emotions of a long-distance relationship and the desire to be physically present with the other person. The song captures the longing, comfort, and even the jealousy that comes with a love that is geographically separated.
Line by Line Meaning
Saturday, 600 miles
We are separated by long distance and time, as it is Saturday and there are 600 miles between us.
Lie between, the two of us
The distance and circumstances are causing a physical and emotional gap between us.
And telephones, they can't replace
As much as we may try, technology cannot replace the intimacy and connection of being together in person.
Me with you, face to face.
The artist wants nothing more than to be with the person they miss, looking them in the eye and being present in the moment together.
You gotta tell me it's true
The artist needs reassurance that the other person feels the same way and is truly invested in the relationship.
That you feel the same
The artist desires mutual feelings of love and commitment.
I'm so much better when
The artist feels complete and alive when they are with the other person.
I say your name
The mere mention of the other person's name brings the artist joy and comfort.
When Streetlights kissed, upon your lips
The artist feels jealous and longs for intimacy as they imagine someone else sharing a moment of tenderness with the person they miss.
My jealous eyes, saw all of it
The artist's jealousy causes them pain and they cannot help but observe every detail of the intimacy they are not a part of.
Losing sleep, we learned to be
Despite the distance and heartache, the artist and the other person are learning how to maintain their relationship and deal with the struggles of being apart.
Me with you, you with me
The hope and desire is to ultimately be together, by each other's side and filling the void of distance and separation.
Let me be with you tonight
The artist begs for one night together, to find comfort and hope in the presence of the person they love.
Everything will be just fine
The artist believes that everything will be alright as long as they are together, even if for just one night.
With you tonight
Being together in person, even for a brief moment, is the artist's biggest and most important desire.
CHORUS (x2)
The chorus is a plea for love and connection, acknowledging the struggles of distance and separation but holding onto hope for a future together.
Lyrics © BMG Rights Management, Songtrust Ave, Warner Chappell Music, Inc.
Written by: DAVE BARNES, MATT WERTZ
Lyrics Licensed & Provided by LyricFind