Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer: 3. Sequentia: Recordare
Maurizio Pollini (born January 5, 1942) is an Italian classical pianist.
Read Full Bio ↴Maurizio Pollini (born January 5, 1942) is an Italian classical pianist.
He was born in Milan, the son of the Italian rationalist architect Gino Pollini. Maurizio studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won the International Frederick Chopin Piano Competition in Warsaw in 1960, after which he studied under Arturo Benedetti Michelangeli.
Since the mid-1960s, he has given recitals and appeared with major orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974.
Regarded as one of the greatest pianists of our age, he is especially noted for his performances of Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen. Important modern works were composed for Pollini, notably Nono’s …sofferte onde serene…, Giacomo Manzoni’s Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's fifth sonata. He displays an absolute technical sovereignty over the piano, but is sometimes criticized for his emotional conservatism. He has conducted both opera and orchestral music, sometimes leading the orchestra from the keyboard in concertos. His first recordings for Deutsche Grammophon in 1971 included Stravinsky’s Three Movements from “Petrushka” and Prokofiev’s Seventh Sonata and is still considered a landmark of twentieth century piano discography. Since then he has been one of Deutsche Grammophon's leading pianists. In 1985, on occasion of Bach's tricentennial, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete Beethoven Piano Concertos in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra’s Honorary Ring. In 1993/1994 he played his first complete Beethoven Piano Sonata cycles in Berlin and Munich and later also in New York, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the “Progetto Pollini”, a series of concerts in which old and new works are juxtaposed. An analogous experience will be done at Carnegie Hall in 2000/2001 with “Perspectives: Maurizio Pollini”. In 1996 he received the prestigious Ernst von Siemens Music Prize. In 2001 his recording of Beethoven’s Diabelli Variations won the Diapason d’or. In 2002 Deutsche Grammophon released a 13 CD commemorative edition to celebrate the pianist's 60th birthday.
In 2007, Pollini received the Grammy Award for Best Instrumental Soloist Performance (without orchestra) for his Deutsche Grammophon recording of Chopin nocturnes.
Read Full Bio ↴Maurizio Pollini (born January 5, 1942) is an Italian classical pianist.
He was born in Milan, the son of the Italian rationalist architect Gino Pollini. Maurizio studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won the International Frederick Chopin Piano Competition in Warsaw in 1960, after which he studied under Arturo Benedetti Michelangeli.
Since the mid-1960s, he has given recitals and appeared with major orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974.
Regarded as one of the greatest pianists of our age, he is especially noted for his performances of Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen. Important modern works were composed for Pollini, notably Nono’s …sofferte onde serene…, Giacomo Manzoni’s Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's fifth sonata. He displays an absolute technical sovereignty over the piano, but is sometimes criticized for his emotional conservatism. He has conducted both opera and orchestral music, sometimes leading the orchestra from the keyboard in concertos. His first recordings for Deutsche Grammophon in 1971 included Stravinsky’s Three Movements from “Petrushka” and Prokofiev’s Seventh Sonata and is still considered a landmark of twentieth century piano discography. Since then he has been one of Deutsche Grammophon's leading pianists. In 1985, on occasion of Bach's tricentennial, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete Beethoven Piano Concertos in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra’s Honorary Ring. In 1993/1994 he played his first complete Beethoven Piano Sonata cycles in Berlin and Munich and later also in New York, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the “Progetto Pollini”, a series of concerts in which old and new works are juxtaposed. An analogous experience will be done at Carnegie Hall in 2000/2001 with “Perspectives: Maurizio Pollini”. In 1996 he received the prestigious Ernst von Siemens Music Prize. In 2001 his recording of Beethoven’s Diabelli Variations won the Diapason d’or. In 2002 Deutsche Grammophon released a 13 CD commemorative edition to celebrate the pianist's 60th birthday.
In 2007, Pollini received the Grammy Award for Best Instrumental Soloist Performance (without orchestra) for his Deutsche Grammophon recording of Chopin nocturnes.
Requiem In D Minor K.626
Maurizio Pollini Lyrics
We have lyrics for 'Requiem In D Minor K.626' by these artists:
Wolfgang Amadeus Mozart Dies iræ, dies illa Solvet sæclum in favilla Teste David cum…
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@user-nn7np6vv7c
Счастья и здоровья ,успехов!!!
Слушайте настоящую музыку и будете счастливы и здоровы. / Listen to real music and be happy and healthy!!! https://www.youtube.com/channel/UCN4ocByPdisi-fcrHGeTTNg/videos
П.И. Чайковский "Средь шумного бала" _ Наталия Михалева ,сопрано/ Ирина Васильева ,фортепиано https://youtu.be/3CYetKGvLIA
П. Чайковский "Закатилось солнце"_ Наталья Михалева, сопрано / Ирина Васильева, фортепиано https://youtu.be/G7xMwgx2Y_c
Natalia Mikhaleva-Lisa THE QUEEN OF SPADES TCHAIKOVSKY https://youtu.be/j-7yve3zjQw
Беллини Каста Дива/ Casta Diva Vincenzo Bellini https://www.youtube.com/watch?v=1xqoT3xJvy4
Natalia Mikhaleva _G Verdi Aida / Наталия Михалёва _Дж Верди ария из оперы Аида https://www.youtube.com/watch?v=HhFoUVnxeSE
Cavatina di Leonora Tacea la notte placida Verdi Il Trovator https://www.youtube.com/watch?v=9EMSvlhcA3Y
Natalia MIKHALEVA - Si mi chiamano Mimi- La Bohème Puccini
https://youtu.be/oE6ftg04hhU
В .А .Моцарт Наталья Михалева _ария Графини из оперы "Свадьба Фигаро" W A Mozart Natalia Mikhaleva as Contessa sings Dove sono from Nozze https://youtu.be/QoZPrByrwHE
41 видео https://www.youtube.com/channel/UCN4ocByPdisi-fcrHGeTTNg/videos
@Timmmmartin
Every bar of Mozart's Requiem is pure gold. Just imagine how many other amazingly beautiful masterpieces were never composed, because the great man died so young.
@SimonRaahauge1973
The was the total rock star of his age. He was buried with all the pomp and circumstance possible for a non-royalty.
@staalman1226
@Simon Raahauge Excuse me if I'm wrong, but his burial wasn't very well attended. A few reports say that a few musicians were present, but others say none attended, which was the custom at the time. He was buried in a "commoners' grave", but not a common grave, as sometimes reported. However, there were countless memorial services and concerts that more accurately reflected how he was viewed at the time.
Yet again, aristocracy screws something up. Although without the aristocracy, it would've been a lot harder for many composers, to be fair.
@nurullazizah8774
it is true that many young orchestras died before their work was completed
@wNNdSharK
@Timmmmartin Actually they were composed...in his head. And we'll never know just how many they were. He even composed a piece in his mind while "copying out" a completely different one, and, again, by musical memory note by note. He didn't like writing anything down, the only reason he did it is so the people who ordered the piece could play or conduct it...
@gringonoglue749
He actually never finished Requiem. I believe another composer at the time completed it for him since he had died before seeing out his true masterpiece. Really sucks seeing an ending that isn’t Mozart but someone else.
@Cieron33
This is one of the best performances of Mozart's Requiem I have heard. It's exactly how I think it should be performed, with beauty, drama and passion. I will now need to look out for other James Gaffigan performances.
@pyehrra
Probably not as visually aesthetic but my favorite has been a version uploaded by Gans S, originally recorded by BBC I believe. The choir for that performance is breathtaking. This definitely has some drama and jealous of the setting but interms of the actual sound, that other one is perfect.
@tanime_man6535
We can hear this anytime now... Imagine in 18th century when they dropped this masterpiece you need to wait to hear it again. And imagine the first audience who heard this. We have been attuned to music from our birth but for them this would have sounded like heaven... I would have cried right there. What humanity is capable of. I feel so proud.
@katrinat.3032
I cry all the time at the beauty of classical music