Mauro Giuliani (1781–1829) was a guitarist and composer, considered to be o… Read Full Bio ↴Mauro Giuliani (1781–1829) was a guitarist and composer, considered to be one of the leading guitar virtuosi of the nineteenth century.
Born in Bisceglie, Italy, Giuliani studied in Barletta where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello - an instrument which he never completely abandoned - and he probably also studied the violin. Subsequently he devoted himself to the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown, and we cannot be sure of his exact movements in Italy.
In Vienna he became acquainted with the classical instrumental style. In 1807 Giuliani began to publish compositions in the classical style. His concert tours took him all over Europe. Everywhere he went he was acclaimed for his virtuosity and musical taste. He achieved great success and became a musical celebrity, equal to the best of the many instrumentalists and composers who were active in the Austrian capital city at the beginning of the nineteenth century.
Giuliani defined a new role for the guitar in the context of European music. He was acquainted with the highest figures of Austrian society and with notable composers such as Rossini and Beethoven, and cooperated with the best active concert musicians in Vienna. In 1815 he appeared with Johann Nepomuk Hummel (followed later by Ignaz Moscheles), the violinist Joseph Mayseder and the cellist Joseph Merk, in a series of chamber concerts in the botanical gardens of Schönbrunn Palace, concerts that were called the "Dukaten Concerte", after the price of the ticket, which was a ducat. This exposure gave Giuliani prominence in the musical environment of the city. Also in 1815, he was the official concert artist for the celebrations of the Congress in Vienna. Two years earlier, on the 8th of December 1813, he had played (probably cello) in an orchestra for the first performance of Beethoven's Seventh Symphony.
Born in Bisceglie, Italy, Giuliani studied in Barletta where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello - an instrument which he never completely abandoned - and he probably also studied the violin. Subsequently he devoted himself to the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown, and we cannot be sure of his exact movements in Italy.
In Vienna he became acquainted with the classical instrumental style. In 1807 Giuliani began to publish compositions in the classical style. His concert tours took him all over Europe. Everywhere he went he was acclaimed for his virtuosity and musical taste. He achieved great success and became a musical celebrity, equal to the best of the many instrumentalists and composers who were active in the Austrian capital city at the beginning of the nineteenth century.
Giuliani defined a new role for the guitar in the context of European music. He was acquainted with the highest figures of Austrian society and with notable composers such as Rossini and Beethoven, and cooperated with the best active concert musicians in Vienna. In 1815 he appeared with Johann Nepomuk Hummel (followed later by Ignaz Moscheles), the violinist Joseph Mayseder and the cellist Joseph Merk, in a series of chamber concerts in the botanical gardens of Schönbrunn Palace, concerts that were called the "Dukaten Concerte", after the price of the ticket, which was a ducat. This exposure gave Giuliani prominence in the musical environment of the city. Also in 1815, he was the official concert artist for the celebrations of the Congress in Vienna. Two years earlier, on the 8th of December 1813, he had played (probably cello) in an orchestra for the first performance of Beethoven's Seventh Symphony.
Grand Potpourri Op. 53
Mauro Giuliani Lyrics
We have lyrics for these tracks by Mauro Giuliani:
Grand Overture Op. 61 May′pa sa akong mga damgo, Aduna pa'y ikaw ug ako Ohh kon…
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@joshuajohnson2216
Delle belle che amò il padron mio;
un catalogo egli è che ho fatt'io;
Osservate, leggete con me.
In Italia seicento e quaranta;
In Almagna duecento e trentuna;
Cento in Francia, in Turchia novantuna;
Ma in Ispagna son già mille e tre.
My dear lady! This is the catalogue of the women my master has loved. It's a list that I've compiled – look at it; read it over with me! In Italy, six hundred and forty; in Germany, two hundred and thirty-one; a hundred in France; ninety-one in Turkey – but in Spain there are already a thousand and three.
I'm the first who sent you one of Don Giovanni quotes.😃
@JasmineChoi
How many quotes from Don Giovanni can you find?😄
@joshuajohnson2216
Delle belle che amò il padron mio;
un catalogo egli è che ho fatt'io;
Osservate, leggete con me.
In Italia seicento e quaranta;
In Almagna duecento e trentuna;
Cento in Francia, in Turchia novantuna;
Ma in Ispagna son già mille e tre.
My dear lady! This is the catalogue of the women my master has loved. It's a list that I've compiled – look at it; read it over with me! In Italy, six hundred and forty; in Germany, two hundred and thirty-one; a hundred in France; ninety-one in Turkey – but in Spain there are already a thousand and three.
I'm the first who sent you one of Don Giovanni quotes.😃
@user-qg2dj7jq5o
세종체임버홀에서 연주했을 때가 생각나네요
다시 들으니 또 행복이 ᆢ
@anna-pz3ox
너무 듣기 좋아요
관악기가 이렇게 아름다울수가 있다니...
최고 이십니다
@neilbrie8972
Sublime. Thank for this beautiful moment. You have a lot of concerts this year, but none in UK England London 🙁. Please come in London in 2024! I would love to see you live.
@delsonmanchan1367
The best 🤩🤩🤩
@enriquetesovilar325
It is fantastic to see and to hear two great masters of flute and guitar playing together with a performance so excellent. I recently saw live Kyuhee Park in Madrid. I would like to see you live too. It wolud be wonderful. Thank you very much for sharing.
@jonpalombi
Most lovely and exquisite! Melting... 🥰
@5tgv1plm
쟈스민 고맙습니다 ~건강하세요 ~👏👏👏⚘💕
@joshuajohnson2216
Wonderful.