Mauro Giuliani (1781–1829) was a guitarist and composer, considered to be o… Read Full Bio ↴Mauro Giuliani (1781–1829) was a guitarist and composer, considered to be one of the leading guitar virtuosi of the nineteenth century.
Born in Bisceglie, Italy, Giuliani studied in Barletta where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello - an instrument which he never completely abandoned - and he probably also studied the violin. Subsequently he devoted himself to the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown, and we cannot be sure of his exact movements in Italy.
In Vienna he became acquainted with the classical instrumental style. In 1807 Giuliani began to publish compositions in the classical style. His concert tours took him all over Europe. Everywhere he went he was acclaimed for his virtuosity and musical taste. He achieved great success and became a musical celebrity, equal to the best of the many instrumentalists and composers who were active in the Austrian capital city at the beginning of the nineteenth century.
Giuliani defined a new role for the guitar in the context of European music. He was acquainted with the highest figures of Austrian society and with notable composers such as Rossini and Beethoven, and cooperated with the best active concert musicians in Vienna. In 1815 he appeared with Johann Nepomuk Hummel (followed later by Ignaz Moscheles), the violinist Joseph Mayseder and the cellist Joseph Merk, in a series of chamber concerts in the botanical gardens of Schönbrunn Palace, concerts that were called the "Dukaten Concerte", after the price of the ticket, which was a ducat. This exposure gave Giuliani prominence in the musical environment of the city. Also in 1815, he was the official concert artist for the celebrations of the Congress in Vienna. Two years earlier, on the 8th of December 1813, he had played (probably cello) in an orchestra for the first performance of Beethoven's Seventh Symphony.
Born in Bisceglie, Italy, Giuliani studied in Barletta where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello - an instrument which he never completely abandoned - and he probably also studied the violin. Subsequently he devoted himself to the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown, and we cannot be sure of his exact movements in Italy.
In Vienna he became acquainted with the classical instrumental style. In 1807 Giuliani began to publish compositions in the classical style. His concert tours took him all over Europe. Everywhere he went he was acclaimed for his virtuosity and musical taste. He achieved great success and became a musical celebrity, equal to the best of the many instrumentalists and composers who were active in the Austrian capital city at the beginning of the nineteenth century.
Giuliani defined a new role for the guitar in the context of European music. He was acquainted with the highest figures of Austrian society and with notable composers such as Rossini and Beethoven, and cooperated with the best active concert musicians in Vienna. In 1815 he appeared with Johann Nepomuk Hummel (followed later by Ignaz Moscheles), the violinist Joseph Mayseder and the cellist Joseph Merk, in a series of chamber concerts in the botanical gardens of Schönbrunn Palace, concerts that were called the "Dukaten Concerte", after the price of the ticket, which was a ducat. This exposure gave Giuliani prominence in the musical environment of the city. Also in 1815, he was the official concert artist for the celebrations of the Congress in Vienna. Two years earlier, on the 8th of December 1813, he had played (probably cello) in an orchestra for the first performance of Beethoven's Seventh Symphony.
Sonata Eroica Op. 150
Mauro Giuliani Lyrics
We have lyrics for these tracks by Mauro Giuliani:
Grand Overture Op. 61 May′pa sa akong mga damgo, Aduna pa'y ikaw ug ako Ohh kon…
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@HBSuccess
I've been listening to this since she recorded it and it's still utterly unbelievable how musically she plays. The suble voice leading and dynamics, the unconscious tiny shifts in attack to bring out whichever voice she wants to emphasize. Coupled with unrestricted technical ability. This is as good as it gets.
@user-gl5no7mb6y
Спасибо , очень хорошо прозвучала соната !!! Эмоционально и музыкально , и грамотно. Гитара хорошо сбалансирована по басам и верхам! Слушала с удовольствием. Россия. Санкт-Петербург 👋👋👋🌹🌹🌹💖💖💖
@rokobaroko896
Besprekorno. Talenat, sluh i suptilnost krase ovu mladu hrvatsku umetnicu ! Kapa dole, mora se priznati !
@christopherd6399
No one can play at a higher level. Everything was perfect. What a magical night
@rockoosooty
Just Amazing playing. Heavenly. I love Mauro Giuliani and you play this piece so well. I wish you a long, successful career delighting us with your incredible playing. You are a major source of inspiration. God bless you always and keep playing. !
@thefitchemist2123
My god, the playing is just immaculate, the setting is surreal. There is something about a soloist center stage playing their heart out and letting the audience into their musical soul. I aspire to be able to do this one day.
@thefitchemist2123
Jack Cotton I really appreciate that!!! My goal is to go to an open mic night sometime next year and start with being able to play at one. I’ve found a few that give you 15 mins so that would be a great little mini recital. Lots of work to do still but I am proud of where I am at and this Ana gives me so much inspiration
@arlizan6473
What can even be said? A few thousand words into one?... Bravo.
@everthcruz-kz3uj
Ana Vidovic... Naturalmente Es...Una Diosa
Clasica...Divina...Eroica...De La Guitarra...
Creo...Que Estoy Enamorado...De Ella...Y...De Su Trabajo... Giuliani Comprendera...!!!!
🌹 🌹 🌹 🌹... 💕 💕 💕 💕...!!!!
@Guitarschoolat
What a beautiful legato tone, no stroke noices, the pure sound... wow!