He left home at the age of 14 and worked on a sugar plantation outside Clarendon, cleaning out irrigation ditches, before winning a local talent competition when he was 18; prompting a move to the capital, Kingston, in order to achieve a successful musical career.
In 1965 he joined up with Kenneth Knight and Lloyd Shakespeare in The Emotions, whilst also working as a record plugger for Ken Lack's Caltone label. The group were unsuccessful in auditions for other producers, but Lack offered them an audition after overhearing Smith singing to himself as he worked one day. In 1966, the group had their first hit, with the Lack-produced, "Buy You a Rainbow". The Emotions went on to have several hit singles and by 1968, the singer, by this point known as Max Romeo, felt confident enough to launch a solo career. Working with producer Bunny Lee, the young star recorded a number of pop songs, mainly love ballads, but they failed to be popular and so he returned to The Emotions, now recording for Phil Pratt. During this time he began work as a sales representative for Bunny Lee and did some recording with The Hippy Boys, which would later became The Upsetters.
Later on in 1968, Romeo wrote new lyrics for the rhythm track of Derrick Morgan's "Hold You Jack" and handed them over to Lee. Morgan, who was due to add his vocals to the track, ultimately gave it a miss, as did several other vocalists (including John Holt and Slim Smith), leading the producer to turn to Romeo to sing the lyrics he had written. The result, "Wet Dream", was an instant hit in Jamaica, although in the UK it was met with a BBC Radio ban, despite Romeo's somewhat-disingenuous claim that the song was actually about a roof that has a leak. Still, the ban only made it more popular and the single charted in the Top Ten, in the UK Singles Chart, spending almost six months therein, before featuring on his LP, A Dream, which included several follow-up singles in a similar vein, such as "Mini Skirt Version", "Fish in the Pot", "Belly Woman", and "Wine Her Goosie". A UK tour also met with Romeo being banned from performing at several venues, although many allowed him to play, the singer staying in the UK for eighteen months.
In 1970, Romeo returned to Jamaica and set-up Romax, an unsuccessful record label and sound system. Following which, he recorded several singles, mainly with old producer Bunny Lee, before going on to work a host of other producers including Niney Holness. This was followed by a period of which saw the release of a series of politically charged singles, most advocating the democratic socialist People's National Party (PNP), which chose his song, "Let The Power Fall On I", as their campaign theme for the 1972 Jamaican general election. Romeo joined the PNP Musical Bandwagon, travelling around Jamaica, playing on the back of a truck. After this, Romeo recorded a number of religious songs, until he worked with producer Lee "Scratch" Perry, producing the classic singles "Three Blind Mice" (an adaptation of the nursery rhyme with lyrics about a police raid on a party), "Sipple Out Deh", and "Chase the Devil". A remixed version of "Sipple Out Deh", entitled "War Ina Babylon", was another popular track in the UK, the first fruits of his deal with Island Records, and was followed by an album of the same name, and a follow-up single "One Step Forward". Shortly after this the pair fell out, leaving Romeo to self-produce his follow-up album, Reconstruction, which could not match the success of its predecessor. Perry's animosity towards Romeo was demonstrated by his single "White Belly Rat", with Perry also writing the word 'Judas' over a photograph of Romeo on the wall of his Black Ark studio.
He moved to New York City in 1978, where he co-wrote (with Hair producer Michael Butler) the musical, Reggae, which he also starred in. In 1980 he appeared as a backing vocalist on "Dance" on The Rolling Stones album Emotional Rescue. In 1981, the favour was returned when Keith Richards (of The Rolling Stones) co-produced and played on Romeo's album, Holding Out My Love to You. The rest of his output during the decade went practically unnoticed, with Romeo finding work at a New York electronics store. He returned to Jamaica in 1990, and began touring and recording more regularly.
He visited the UK again in 1992, recording the albums Far I Captain of My Ship and Our Rights with Jah Shaka. In 1995 he recorded Cross of the Gun with Tappa Zukie, and he joined up with UK rhythm section/production team Mafia & Fluxy in 1999 for the album Selassie I Forever.
His music has been sampled by other artists; The Prodigy sampled his track "Chase the Devil" for their 1992 UK Top Ten hit "Out of Space". Kanye West has also used samples from it to produce Jay-Z's hit song "Lucifer", which appeared on Jay-Z's 2003 release - The Black Album.
"Chase the Devil" is featured on the reggae radio station K-JAH Radio West in a popular videogame Grand Theft Auto San Andreas, released in October 2004. Romeo's single "Sipple Out Deh" appeared in John Peel's Record Box.
- Albums:
A Dream (1970) Trojan
Let The Power Fall (1972) Dynamic
Revelation Time (1975) Black World
War Ina Babylon (1976) Island
Reconstruction (1979) Island
I Love My Music (1979) Wackies
Rondos (1980) King Kong
Holding Out My Love to You (1981) Shanachie
Transition (1989) Rohit
Fari - Captain of My Ship (1992) Jah Shaka
Our Rights (1992) Jah Shaka
Cross or the Gun (1995) Tappa Zukie
Selassie I Forever (1999) Mafia & Fluxy
Love Message (1999) Warriors
Something is Wrong (1999) Warriors
In This Time (2001) 3D (Max Romeo & Tribu Acustica)
Pocomania Songs (2007) Ariwa Sounds
- Compilations:
Max Romeo Meets Owen Gray At King Tubby's Studio (1984) Culture Press (with Owen Gray)
Max Romeo and the Upsetters (1989)
Wet Dream (1993) Crocodisc
McCabee Version (1995) Sonic Sounds
Open The Iron Gate (1999) Blood & Fire
The Many Moods of Max Romeo (1999) Jamaican Gold
Pray For Me: The Best of Max Romeo 1967-73 (2000) Trojan Records
Perilous Times (2000) Charmax
On The Beach (2001) Culture Press
The Coming of Jah (2002) Trojan
Ultimate Collection (2003) (compiled by David Katz)
Holy Zion (2003) Burning Bush
Wet Dream: The Best of Max Romeo (2004) Trojan
Crazy World of Dub (2005) Jamaican Recordings
One of Jamaica's most provocative lyricists, a singer who gave us such enduring songs as 'Chase The Devil' (which was sampled in the song 'Out of Space' by The Prodigy and the song 'Lucifer' by Jay-Z), 'Public Enemy Number One', 'One Step Forward' and 'Three Blind Mice'. It was Romeo who first introduced Britain to the concept of rude reggae with 'Wet Dream', which, despite a total radio ban, reached number 10 in the UK charts in May 1969.
In 1972 Romeo began working with producer Lee "Scratch" Perry. 'Babylon Burning', 'Three Blind Mice' and 'The Coming Of Jah' all maintained his star status in Jamaica between 1972 and 1975. Revelation Time was one of the best albums of 1975, and 1976's War Ina Babylon was hailed by the rock press as an all-time classic reggae album. Two outstanding contributions that will remain classic recordings from the so-called ‘golden age’ of Jamaican reggae music.
Black Equality
Max Romeo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
For your children to get justice? Oh, for right
What's going to happen to this coming generation?
What's gonna happen to this wicked nation?
Step in, oh, for right, please step in
Show your power, oh, for right, show your power
How long shall we live under police brutality?
The time is now, oh, for right, the time is now
Separate the wolves from the sheep
Save your children, oh, for right, save your children
Save them from the wicked while they sleep
We have suffered enough, oh, for right
But how long will it last, oh, for right
Politicians chew their cigars as they drive in their big cars
Show them power, oh, for right, show them power
The time is now for right, the time is now
Separate the wolves from the sheep
Save your children, oh for right, save your children
Save them from the wicked while they sleep
We have suffered enough, oh, for right
But how long will it last? Oh, for right
Politicians chew their cigars as they drive in their big cars
If their wicked, oh, for right, smack them down
Show them power, oh, for right, show them power
The song "Black Equality" by Max Romeo is a powerful call for justice and equality for black people. The lyrics express frustration over the ongoing struggle for justice and the mistreatment of black people by law enforcement and government officials. The questions posed in the lyrics, such as "How long shall we live under police brutality?" and "What's gonna happen to this wicked nation?" reflect the sense of urgency and need for change.
The chorus, "Step in, oh, for right, please step in," is a plea for divine intervention and intervention from those in power to address the injustices faced by black people. The repetition of "for right" emphasizes the importance of seeking justice and doing what is right.
The verse "Politicians chew their cigars as they drive in their big cars" is a commentary on the indifference and lack of action from those in positions of power. It highlights the need for accountability and action from those in government to make meaningful changes towards equality and justice.
Overall, "Black Equality" is a powerful and timely reminder of the ongoing struggle for justice and equality for black people, urging us to continue the fight for a just and equal society.
Line by Line Meaning
How long will it take? Oh, for right
Asking when will justice come for black people
For your children to get justice? Oh, for right
Questioning when will black people's children get justice
What's going to happen to this coming generation?
Questioning about the future of upcoming generations
What's gonna happen to this wicked nation?
Questioning about the future of the nation that does not treat black people equally
Step in, oh, for right, please step in
Asking for someone powerful to intervene and make things right
Show your power, oh, for right, show your power
Asking for a demonstration of power to show the oppressors
How long shall we live under police brutality?
Questioning how long black people will suffer under police violence
I think it's time for black man to get equality
Expressing that it's time for black people to be treated equally
The time is now, oh, for right, the time is now
Stressing the urgency of the situation and the need for change now
Separate the wolves from the sheep
Advocating to distinguish the good from the bad
Save your children, oh, for right, save your children
Urging to protect black children from injustice and oppression
Save them from the wicked while they sleep
Emphasizing the importance of protecting black children from harm
We have suffered enough, oh, for right
Expressing the pain black people have gone through
But how long will it last, oh, for right
Questioning how long will black people suffer
Politicians chew their cigars as they drive in their big cars
Critiquing politicians for not making changes despite their power
If their wicked, oh, for right, smack them down
Advocating for punishment of the oppressors who are making life harder for black people
Show them power, oh, for right, show them power
Advocating for a demonstration of power to shift the power dynamic
Lyrics © O/B/O APRA AMCOS
Written by: MAXIE SMITH
Lyrics Licensed & Provided by LyricFind