Raised in Washington, D.C., Meshell Suhaila Bashir Shakur (as she became known) adopted the surname Ndegéocello, which means "free like a bird", while still in her teens. She has been hailed in the music press as a redeemer of soul music. Her music incorporates funk, soul, hip-hop, reggae, rock and jazz. She has been nominated for 9 Grammys. She has frequently toured with Lilith Fair.
Ndegeocello honed her chops on the D.C. Go-go circuit in the late 1980s before venturing out as a solo artist. She emerged as a recording artist in 1993 on Maverick Records/Sire Records with her debut, Plantation Lullabies. This recording presented a distinctly androgynous persona. Her music has been featured in a number of film soundtracks including How Stella Got Her Groove Back and Batman and Robin. She has also appeared on recordings by Basement Jaxx and The Blind Boys of Alabama, among others. Her biggest hit is a duet with John Cougar Mellencamp, a cover version of Van Morrison's Wild Night, which reached #3 on the Billboard charts.
Her singles If That's Your Boyfriend (He Wasn't Last Night), Leviticus: Faggot, and her cover of Bill Withers Who Is He and What Is He To You? have all charted in the Billboard top 20. She sang background vocals on the song I'd Rather be Your Lover by Madonna, on her album Bedtime Stories. She also sang with Chaka Khan on the single Never Miss the Water, as well as providing her typical solid bass skills.
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Two Lonely Hearts
Me'Shell Ndegéocello Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tryin' to find something to brighten up my day
Maybe I could talk to you
Or you could talk to me
Your eyes seem to call out for some comfort
Is it the everyday racism
Or a pain from deep within
You could talk to me
Or we could just sit here and daydream
Say, you headin' my way
Two lonely hearts on the subway
Singin' the blues on the subway train
Black black yes it's hard
And that's a fact
But I can rise above
When I have love
Here comes the train
Please don't turn and walk away â?? stay
We could read some Ntozake Shange
And I loose myself in the book
I escape to my heavenly tomb
Or we could read The Voice
It's your choice
I just want to get to know you
Your lovely black face
Accompanied by some strictly roots
As we venture
It's just nice to be near you
The lyrics of Me'Shell Ndegéocello's song "Two Lonely Hearts" convey the subtle nuances of loneliness, isolation, and the quest for companionship in the humdrum of everyday life. The lyrics offer a glimpse into the mind of a person who finds beauty in unexpected places, even in the dreariness of a subway ride. The opening lines "Excuse me, you headin' my way? / Tryin' to find something to brighten up my day" reveal the singer's yearning for human connection and an eventual escape from the familiar confines of his/her surroundings. The singer then notices the person's eyes and ponders if it's because of the "everyday racism" or some deep-rooted pain. The singer offers solace, saying that they don't necessarily have to understand the person's plight, but they can talk about it if they want to or simply be in each other's company.
The chorus - "Say, you headin' my way / Two lonely hearts on the subway / Singin' the blues on the subway train" - captures the essence of their loneliness and reinforces the idea that both of them are in the same boat. The lines "Black black yes it's hard / And that's a fact / But I can rise above / When I have love" speak to the collective struggles of marginalized people and their ability to overcome with love and companionship. The singer suggests that they could read some books by black feminist writers such as Ntozake Shange or The Voice if the person wants to get to know them better. The song concludes on a hopeful note, where the singer finds comfort in merely being around the person and enjoying their proximity amidst the chaos of the city.
Line by Line Meaning
Excuse me, you headin' my way?
As the singer seeks companionship, she asks the person if they are going in her direction.
Tryin' to find something to brighten up my day
The singer is looking for something that will bring joy or happiness to her day.
Maybe I could talk to you
The singer considers striking up a conversation with the person she's addressing.
Or you could talk to me
Alternatively, the artist is open to the person initiating a conversation with her.
Your eyes seem to call out for some comfort
The artist perceives a sense of longing or sadness in the person's eyes.
Is it the everyday racism
The singer poses a question about whether the person's discomfort may stem from experiencing racism in their daily life.
Or a pain from deep within
Alternatively, the singer wonders if the person is dealing with an internal struggle or emotional pain.
I may not understand now but then again
Although the artist doesn't know what the other person may be going through, she's willing to listen and offer support.
Say, you headin' my way
The artist repeats her inquiry to get a conversation started.
Two lonely hearts on the subway
The artist and the person she's addressing share a feeling of isolation and loneliness in their surroundings.
Singin' the blues on the subway train
Despite their shared loneliness, the singer and the other person are on opposite ends of the train car, singing their own private 'blues.'
Black black yes it's hard
The artist acknowledges the challenges of being black in a society where racism exists.
And that's a fact
She is firm in her belief that racism is an undeniable part of life for black people.
But I can rise above
Despite the hardships, the singer has found a way to transcend the negativity she's encountered.
When I have love
The presence of love in the singer's life has helped her to overcome adversity.
Here comes the train
The artist's attention turns to the approaching train.
Please don't turn and walk away – stay
She implores the other person not to leave the train and miss the chance for connection.
We could read some Ntozake Shange
The singer suggests that they read some literature by Ntozake Shange, an African American playwright and poet.
And I loose myself in the book
Reading provides the singer with an escape, allowing her to forget about the stress of daily life.
I escape to my heavenly tomb
Reading, in this case, is like a form of mental burial, a way of achieving spiritual liberation.
Or we could read The Voice
Alternatively, the artist proposes that they read a publication called The Voice, which was an important newspaper during the Civil Rights era.
It's your choice
The artist is flexible and willing to let the other person decide which literature to read.
I just want to get to know you
Above all, the singer desires to form a personal connection with the person she's addressing.
Your lovely black face
The artist finds beauty in the person's blackness.
Accompanied by some strictly roots
The musical genre strictly roots emphasizes black consciousness and resistance to oppression.
As we venture
The singer sees their time together as a journey, an adventure into the unknown.
It's just nice to be near you
Regardless of what they do or don't do, the singer appreciates the proximity of the other person.
Lyrics © Warner/Chappell Music, Inc.
Written by: MESHELL NDEGEOCELLO
Lyrics Licensed & Provided by LyricFind