Meat Puppets started as a punk rock band, but like most of their labelmates on SST Records, they established their own unique style, blending punk with country and psychedelic rock, and featuring Curt's warbling vocals. Meat Puppets later gained significant exposure when the Kirkwood brothers served as guest musicians on Nirvana's MTV Unplugged performance in 1993. The band's 1994 album Too High to Die subsequently became their most successful release. The band broke up twice, in 1996 and 2002, but reunited again in 2006.
Meat Puppets has influenced a number of rock bands including Nirvana, Soundgarden, Dinosaur Jr, Sebadoh and Pavement.
Their early works (the In A Car EP and Meat Puppets LP) were wholeheartedly punk, with vocals so feral in their delivery they were often indecipherable, but ultimately humorous and clever once deciphered. The musicianship was mostly thrash, yet the songs were tinged with a subtle, haunting element like that of a long abandoned ghost town. Their brand of cathartic, explosive hardcore attracted the attention of legendary punk label SST, who released their first record in 1982.
Unsatisfied with the result, the band spent plenty of time in the studio before the release of 1983's Meat Puppets II. The band's exciting experimentation with psychedelia, acid rock, and quieter tunes on top of a core western-style thrash sound, gave them their one acknowledged classic album, and propelled the record to legendary status. Meat Puppets II turned Meat Puppets into the one of the leading bands in SST Records league and, along with Violent Femmes, the Gun Club and others, helped establish country punk.
The Meat Puppets' burgeoning musicality led to more intricate and melodic efforts on 1985's Up on the Sun, which was a cohesive collage of songs that further demonstrated their abilities to capture a sound that had all of the wonder of the desert. The band's sound and vision became closely aligned with the legacy of The Byrds; some of the group's fans accused the Meat Puppets of becoming dangerously hippy-sounding (this appreciation of "hippy" music was hardly a sudden development: Curt's guitar solos were, from the beginning of his career, often reminiscent of Jerry Garcia). However, Up On The Sun demonstrated strong musicianship, accompanied by an unfading ability to write sophisticated and intriguing songs. This album generated the band's first major mainstream exposure, and many fans still consider it to be their masterpiece.
Over the next decade, the Meat Puppets remained on SST and released a series of albums, touring almost relentlessly on the underground circuit. After the release of Out My Way in 1986, however, the band was briefly sidelined by an accident when Curt's finger was broken after being slammed in their touring van's door. The accident delayed the band's next album, the psychedelic Mirage, until the next year. The final result was a meticulously crafted release in early 1987, and their most polished sound to date. Mirage at the time was hailed by some mainstream critics as the Puppet's best work yet.
Subsequently, their next album, the heavier, power-trio-rooted Huevos came out less than six months afterward, in late summer of 1987. In stark contrast to its predecessor, Huevos was recorded in a swift, fiery fashion, with many first takes, and minimal second guessing. The album was named, not only after the Spanish word for eggs, but was also a reference to the Spanish slang use of the word "Huevos" to mean "testicles." This was significant not only with regard to the songs themselves, but to the bold, rough manner in which they were recorded. These recordings were completed in only a matter of days, and along with a few drawings and one of Curt's paintings taken from the wall to serve as cover art (a dish of three boiled eggs, a green pepper, and a bottle of Tabasco sauce), was all sent to SST shortly before the band returned to the road en route to their next gig.
Monsters was released in 1989, featuring Curt-as-guitar-hero on such extended jams as "Touchdown King" and "Flight of the Fire Weasel."
Major label career (1991-1995)
As numerous bands from the seminal SST label, and other kindred punk-oriented indies, grappled with the "going major" decision, so did the 'Pups. Two years after their final studio recording for SST, 1989's Monsters, the trio released its major label debut, Forbidden Places, on the indie-friendly London Records. A three-year break saw the band's studio return with 1994's Too High To Die, produced by Butthole Surfers guitarist Paul Leary. The album featured "Backwater", a hit on alternative radio, and a hidden-track update of "Lake of Fire." Too High To Die earned the 'Pups a gold record (over 500,000 sold), outselling their previous records combined. That same year saw the 'Pups in their brightest mainstream spotlight as the band achieved sudden popularity when Nirvana's Kurt Cobain invited Cris and Curt to join him on MTV for acoustic performances of "Plateau", "Oh Me" and "Lake of Fire" (all originally from Meat Puppets II). The resulting album, MTV Unplugged in New York, served as a swan-song for Nirvana, as Cobain died six months after the concert. "Lake of Fire" became a cult favorite for its particularly wrenching vocal performance from Cobain. Subsequently, the Nirvana exposure and the strength of the single "Backwater" (their only charting single) helped lift the Meat Puppets to new commercial heights.
1995's No Joke! would be the final album recorded by the original Meat Puppets lineup. Unfortunately, Cris Kirkwood was now a heroin addict, whose heavy and compulsive use of the drug increasingly dominated his life. This was a major departure from the psychedelic drugs with which the Meat Puppets had always been associated; his erratic behavior soon became too much for the band to cope with. The first single from No Joke!, "Scum", charted briefly on the modern rock charts, but ultimately the album paled in success to its predecessor.
First hiatus and reunion (1996-2000)
Derrick recorded a solo EP under the moniker Today's Sounds in 1996, and later on in 1999 took charge of re-issuing the Puppets' original seven records on Rykodisc as well as putting out their first live album, Live in Montana. Curt formed a new band in Austin, TX called the Royal Neanderthal Orchestra, but they changed their name to Meat Puppets to release a promotional EP entitled You Love Me in 1999, Golden Lies in 2000 and Live in 2002. The line-up was Curt (voc/git), Kyle Ellison (voc/git), Andrew Duplantis (voc/bass) and Shandon Sahm (drums). Sahm's father was the legendary fiddler-singer-songwriter Doug Sahm of The Sir Douglas Quintet and Texas Tornados. The concluding track to Classic Puppets entitled "New Leaf" also dates from this incarnation of the band.
Break up (2001-2005)
Around 2001-2002, the Meat Puppets dissolved as Curt has gone on to release albums with the groups Eyes Adrift and Volcano. In 2005, he released his first solo album entitled Snow.
His brother Cris was arrested in December 2003 for attacking a security guard at a post office with the guard's baton. The guard shot Kirkwood during the melee. Kirkwood was subsequently denied bail, the judge citing Kirkwood's previous drug arrests and parole violations. He eventually went to prison for felony assault. He was released in July of 2005.
Derrick Bostrom began a home page (www.meatpuppets.com) for the band about six months before the original trio stopped working together. The site went through many different permutations before it was essentially mothballed in 2003. In late 2005, Bostrom revamped it once again, this time as a "blog" for his recollections and as a place to share pieces of Meat Puppets history.
Second reunion (2006-present)
On March 24, 2006, Curt Kirkwood polled fans at his MySpace page with the following bulletin: "Question for all! Would the original line up of the Meat Puppets interest anyone? Feedback is good - do you want a reunion?!" The response from fans was overwhelmingly positive within a couple of hours, leading to speculation of a full-blown Meat Puppets reunion in the near future. However, a post made by Derrick Bostrom on the official Meat Puppets site dismissed the notion.
An April 26, 2006 billboard.com story reported that the Kirkwood brothers would reunite as the Meat Puppets without original drummer Derrick Bostrom. Primus drummer Tim Alexander was announced as Bostrom's replacement. Curt mentioned that a new Meat Puppets album was written, but it has not yet been recorded. Curt continued to tour on his solo material with his son Elmo.
Tim Alexander never ended up drumming with the Meat Puppets. Instead, Ted Marcus is the band's current drummer.
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Ice
Meat Puppets Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And here inside these raging roads, these deformed fires have been defused
All across the faceless plain the winds have grown to feed the flame
And here beside this flowery pond the snakes have come to feed upon
Bridge:
And the wind blew away in fear
And the smoke blew from here to here
Chorus:
(The)Ice is on the vine
Smoke is on the wire
Eyes on fire
X2
How could they begin to see the smoke across the stokey tree
And here inside the faceless plain the winds have blown to feed the flame
Drag into this flowery pond the snakes have come to feed upon
Beneath the limbs and giant leaves the storm is raging on unseen
Bridge
Chorus
Drag into this flowery pond the snakes have come to feed upon
Beneath the limbs and giant leaves the storm is raging on unseen
Bridge
Chorus x5
Ice on Fire x3
The lyrics to "Ice" by Meat Puppets are quite enigmatic and open to many interpretations. The song is full of vivid imagery that paints a picture of chaos and destruction. The opening lines seem to suggest a sense of disorientation as the singer tries to reconcile the sea with a fence across a smokey field. The use of an oxymoron like "deformed fires" adds to the sense of confusion and disorientation. The next line seems to suggest that the chaos extends beyond the singer's immediate surroundings, as the winds grow stronger and the flames continue to spread. The final line of the first verse brings in an unexpected image of snakes feeding beside a flowery pond.
The bridge of the song seems to suggest that nature itself is afraid of the chaos and destruction that is taking place. The wind and smoke are almost personified as entities that are fleeing from the scene. The chorus repeats the phrase "ice is on the vine" which is open to multiple interpretations. It could be a metaphor for a sort of paralyzing fear or a more literal reference to the destructive effects of ice on vegetation. The line "smoke is on the wire" suggest that the destruction is spreading and affecting everything in its path. Finally, the phrase "eyes on fire" further emphasizes the sense of chaos and destruction.
The second verse seems to continue with similar themes as the first. The singer is trying to make sense of what is happening around them, but the chaos and destruction are pervasive. The final lines of the song "Beneath the limbs and giant leaves the storm is raging on unseen" seems to suggest that despite the chaos being so visible, there is still a sense that there is even more happening beneath the surface that might not be immediately apparent.
Line by Line Meaning
How could they be in the sea, the fence across the smokey field
It is unclear how they ended up in the sea while the fence still remains across the smoky field.
And here inside these raging roads, these deformed fires have been defused
The fires that were once deformed and wild have now been calmed down and diffused.
All across the faceless plain the winds have grown to feed the flame
The winds have picked up and are now fueling the fire across the barren plain.
And here beside this flowery pond the snakes have come to feed upon
The snakes have gathered near the flowery pond to feed.
And the wind blew away in fear
The wind was scared and blew away.
And the smoke blew from here to here
The smoke was blown in all directions.
The ice is on the vine
Ice has formed on the vine.
Smoke is on the wire
Smoke can be seen on the wire.
Eyes on fire
Their eyes are burning with intensity.
How could they begin to see the smoke across the smokey tree
They are wondering how they were able to see the smoke despite it being across the smoky tree.
And here inside the faceless plain the winds have blown to feed the flame
The winds continue to blow, fueling the fire across the barren plain.
Drag into this flowery pond the snakes have come to feed upon
The snakes have been drawn into the flowery pond to feed.
Beneath the limbs and giant leaves the storm is raging on unseen
The storm continues to rage on, hidden beneath the branches and large leaves.
Ice on fire
The ice is so cold that it feels like it's burning.
Lyrics © BMG Rights Management
Written by: CURTIS MATTHEW KIRKWOOD
Lyrics Licensed & Provided by LyricFind