Meat Puppets is an American rock band formed in January 1980 in Phoenix, Ar… Read Full Bio ↴Meat Puppets is an American rock band formed in January 1980 in Phoenix, Arizona. The group's original lineup was Curt Kirkwood (guitar/vocals), his brother Cris Kirkwood (bass guitar), and Derrick Bostrom (drums). The Kirkwood brothers met Bostrom while attending Brophy Prep High School in Phoenix. The three then moved to Tempe, Arizona (a Phoenix suburb and home to Arizona State University) where the Kirkwood brothers purchased two adjacent homes, one of which had a shed in the back where they regularly practiced.
Meat Puppets started as a punk rock band, but like most of their labelmates on SST Records, they established their own unique style, blending punk with country and psychedelic rock, and featuring Curt's warbling vocals. Meat Puppets later gained significant exposure when the Kirkwood brothers served as guest musicians on Nirvana's MTV Unplugged performance in 1993. The band's 1994 album Too High to Die subsequently became their most successful release. The band broke up twice, in 1996 and 2002, but reunited again in 2006.
Meat Puppets has influenced a number of rock bands including Nirvana, Soundgarden, Dinosaur Jr, Sebadoh and Pavement.
Their early works (the In A Car EP and Meat Puppets LP) were wholeheartedly punk, with vocals so feral in their delivery they were often indecipherable, but ultimately humorous and clever once deciphered. The musicianship was mostly thrash, yet the songs were tinged with a subtle, haunting element like that of a long abandoned ghost town. Their brand of cathartic, explosive hardcore attracted the attention of legendary punk label SST, who released their first record in 1982.
Unsatisfied with the result, the band spent plenty of time in the studio before the release of 1983's Meat Puppets II. The band's exciting experimentation with psychedelia, acid rock, and quieter tunes on top of a core western-style thrash sound, gave them their one acknowledged classic album, and propelled the record to legendary status. Meat Puppets II turned Meat Puppets into the one of the leading bands in SST Records league and, along with Violent Femmes, the Gun Club and others, helped establish country punk.
The Meat Puppets' burgeoning musicality led to more intricate and melodic efforts on 1985's Up on the Sun, which was a cohesive collage of songs that further demonstrated their abilities to capture a sound that had all of the wonder of the desert. The band's sound and vision became closely aligned with the legacy of The Byrds; some of the group's fans accused the Meat Puppets of becoming dangerously hippy-sounding (this appreciation of "hippy" music was hardly a sudden development: Curt's guitar solos were, from the beginning of his career, often reminiscent of Jerry Garcia). However, Up On The Sun demonstrated strong musicianship, accompanied by an unfading ability to write sophisticated and intriguing songs. This album generated the band's first major mainstream exposure, and many fans still consider it to be their masterpiece.
Over the next decade, the Meat Puppets remained on SST and released a series of albums, touring almost relentlessly on the underground circuit. After the release of Out My Way in 1986, however, the band was briefly sidelined by an accident when Curt's finger was broken after being slammed in their touring van's door. The accident delayed the band's next album, the psychedelic Mirage, until the next year. The final result was a meticulously crafted release in early 1987, and their most polished sound to date. Mirage at the time was hailed by some mainstream critics as the Puppet's best work yet.
Subsequently, their next album, the heavier, power-trio-rooted Huevos came out less than six months afterward, in late summer of 1987. In stark contrast to its predecessor, Huevos was recorded in a swift, fiery fashion, with many first takes, and minimal second guessing. The album was named, not only after the Spanish word for eggs, but was also a reference to the Spanish slang use of the word "Huevos" to mean "testicles." This was significant not only with regard to the songs themselves, but to the bold, rough manner in which they were recorded. These recordings were completed in only a matter of days, and along with a few drawings and one of Curt's paintings taken from the wall to serve as cover art (a dish of three boiled eggs, a green pepper, and a bottle of Tabasco sauce), was all sent to SST shortly before the band returned to the road en route to their next gig.
Monsters was released in 1989, featuring Curt-as-guitar-hero on such extended jams as "Touchdown King" and "Flight of the Fire Weasel."
Major label career (1991-1995)
As numerous bands from the seminal SST label, and other kindred punk-oriented indies, grappled with the "going major" decision, so did the 'Pups. Two years after their final studio recording for SST, 1989's Monsters, the trio released its major label debut, Forbidden Places, on the indie-friendly London Records. A three-year break saw the band's studio return with 1994's Too High To Die, produced by Butthole Surfers guitarist Paul Leary. The album featured "Backwater", a hit on alternative radio, and a hidden-track update of "Lake of Fire." Too High To Die earned the 'Pups a gold record (over 500,000 sold), outselling their previous records combined. That same year saw the 'Pups in their brightest mainstream spotlight as the band achieved sudden popularity when Nirvana's Kurt Cobain invited Cris and Curt to join him on MTV for acoustic performances of "Plateau", "Oh Me" and "Lake of Fire" (all originally from Meat Puppets II). The resulting album, MTV Unplugged in New York, served as a swan-song for Nirvana, as Cobain died six months after the concert. "Lake of Fire" became a cult favorite for its particularly wrenching vocal performance from Cobain. Subsequently, the Nirvana exposure and the strength of the single "Backwater" (their only charting single) helped lift the Meat Puppets to new commercial heights.
1995's No Joke! would be the final album recorded by the original Meat Puppets lineup. Unfortunately, Cris Kirkwood was now a heroin addict, whose heavy and compulsive use of the drug increasingly dominated his life. This was a major departure from the psychedelic drugs with which the Meat Puppets had always been associated; his erratic behavior soon became too much for the band to cope with. The first single from No Joke!, "Scum", charted briefly on the modern rock charts, but ultimately the album paled in success to its predecessor.
First hiatus and reunion (1996-2000)
Derrick recorded a solo EP under the moniker Today's Sounds in 1996, and later on in 1999 took charge of re-issuing the Puppets' original seven records on Rykodisc as well as putting out their first live album, Live in Montana. Curt formed a new band in Austin, TX called the Royal Neanderthal Orchestra, but they changed their name to Meat Puppets to release a promotional EP entitled You Love Me in 1999, Golden Lies in 2000 and Live in 2002. The line-up was Curt (voc/git), Kyle Ellison (voc/git), Andrew Duplantis (voc/bass) and Shandon Sahm (drums). Sahm's father was the legendary fiddler-singer-songwriter Doug Sahm of The Sir Douglas Quintet and Texas Tornados. The concluding track to Classic Puppets entitled "New Leaf" also dates from this incarnation of the band.
Break up (2001-2005)
Around 2001-2002, the Meat Puppets dissolved as Curt has gone on to release albums with the groups Eyes Adrift and Volcano. In 2005, he released his first solo album entitled Snow.
His brother Cris was arrested in December 2003 for attacking a security guard at a post office with the guard's baton. The guard shot Kirkwood during the melee. Kirkwood was subsequently denied bail, the judge citing Kirkwood's previous drug arrests and parole violations. He eventually went to prison for felony assault. He was released in July of 2005.
Derrick Bostrom began a home page (www.meatpuppets.com) for the band about six months before the original trio stopped working together. The site went through many different permutations before it was essentially mothballed in 2003. In late 2005, Bostrom revamped it once again, this time as a "blog" for his recollections and as a place to share pieces of Meat Puppets history.
Second reunion (2006-present)
On March 24, 2006, Curt Kirkwood polled fans at his MySpace page with the following bulletin: "Question for all! Would the original line up of the Meat Puppets interest anyone? Feedback is good - do you want a reunion?!" The response from fans was overwhelmingly positive within a couple of hours, leading to speculation of a full-blown Meat Puppets reunion in the near future. However, a post made by Derrick Bostrom on the official Meat Puppets site dismissed the notion.
An April 26, 2006 billboard.com story reported that the Kirkwood brothers would reunite as the Meat Puppets without original drummer Derrick Bostrom. Primus drummer Tim Alexander was announced as Bostrom's replacement. Curt mentioned that a new Meat Puppets album was written, but it has not yet been recorded. Curt continued to tour on his solo material with his son Elmo.
Tim Alexander never ended up drumming with the Meat Puppets. Instead, Ted Marcus is the band's current drummer.
Read more
Meat Puppets started as a punk rock band, but like most of their labelmates on SST Records, they established their own unique style, blending punk with country and psychedelic rock, and featuring Curt's warbling vocals. Meat Puppets later gained significant exposure when the Kirkwood brothers served as guest musicians on Nirvana's MTV Unplugged performance in 1993. The band's 1994 album Too High to Die subsequently became their most successful release. The band broke up twice, in 1996 and 2002, but reunited again in 2006.
Meat Puppets has influenced a number of rock bands including Nirvana, Soundgarden, Dinosaur Jr, Sebadoh and Pavement.
Their early works (the In A Car EP and Meat Puppets LP) were wholeheartedly punk, with vocals so feral in their delivery they were often indecipherable, but ultimately humorous and clever once deciphered. The musicianship was mostly thrash, yet the songs were tinged with a subtle, haunting element like that of a long abandoned ghost town. Their brand of cathartic, explosive hardcore attracted the attention of legendary punk label SST, who released their first record in 1982.
Unsatisfied with the result, the band spent plenty of time in the studio before the release of 1983's Meat Puppets II. The band's exciting experimentation with psychedelia, acid rock, and quieter tunes on top of a core western-style thrash sound, gave them their one acknowledged classic album, and propelled the record to legendary status. Meat Puppets II turned Meat Puppets into the one of the leading bands in SST Records league and, along with Violent Femmes, the Gun Club and others, helped establish country punk.
The Meat Puppets' burgeoning musicality led to more intricate and melodic efforts on 1985's Up on the Sun, which was a cohesive collage of songs that further demonstrated their abilities to capture a sound that had all of the wonder of the desert. The band's sound and vision became closely aligned with the legacy of The Byrds; some of the group's fans accused the Meat Puppets of becoming dangerously hippy-sounding (this appreciation of "hippy" music was hardly a sudden development: Curt's guitar solos were, from the beginning of his career, often reminiscent of Jerry Garcia). However, Up On The Sun demonstrated strong musicianship, accompanied by an unfading ability to write sophisticated and intriguing songs. This album generated the band's first major mainstream exposure, and many fans still consider it to be their masterpiece.
Over the next decade, the Meat Puppets remained on SST and released a series of albums, touring almost relentlessly on the underground circuit. After the release of Out My Way in 1986, however, the band was briefly sidelined by an accident when Curt's finger was broken after being slammed in their touring van's door. The accident delayed the band's next album, the psychedelic Mirage, until the next year. The final result was a meticulously crafted release in early 1987, and their most polished sound to date. Mirage at the time was hailed by some mainstream critics as the Puppet's best work yet.
Subsequently, their next album, the heavier, power-trio-rooted Huevos came out less than six months afterward, in late summer of 1987. In stark contrast to its predecessor, Huevos was recorded in a swift, fiery fashion, with many first takes, and minimal second guessing. The album was named, not only after the Spanish word for eggs, but was also a reference to the Spanish slang use of the word "Huevos" to mean "testicles." This was significant not only with regard to the songs themselves, but to the bold, rough manner in which they were recorded. These recordings were completed in only a matter of days, and along with a few drawings and one of Curt's paintings taken from the wall to serve as cover art (a dish of three boiled eggs, a green pepper, and a bottle of Tabasco sauce), was all sent to SST shortly before the band returned to the road en route to their next gig.
Monsters was released in 1989, featuring Curt-as-guitar-hero on such extended jams as "Touchdown King" and "Flight of the Fire Weasel."
Major label career (1991-1995)
As numerous bands from the seminal SST label, and other kindred punk-oriented indies, grappled with the "going major" decision, so did the 'Pups. Two years after their final studio recording for SST, 1989's Monsters, the trio released its major label debut, Forbidden Places, on the indie-friendly London Records. A three-year break saw the band's studio return with 1994's Too High To Die, produced by Butthole Surfers guitarist Paul Leary. The album featured "Backwater", a hit on alternative radio, and a hidden-track update of "Lake of Fire." Too High To Die earned the 'Pups a gold record (over 500,000 sold), outselling their previous records combined. That same year saw the 'Pups in their brightest mainstream spotlight as the band achieved sudden popularity when Nirvana's Kurt Cobain invited Cris and Curt to join him on MTV for acoustic performances of "Plateau", "Oh Me" and "Lake of Fire" (all originally from Meat Puppets II). The resulting album, MTV Unplugged in New York, served as a swan-song for Nirvana, as Cobain died six months after the concert. "Lake of Fire" became a cult favorite for its particularly wrenching vocal performance from Cobain. Subsequently, the Nirvana exposure and the strength of the single "Backwater" (their only charting single) helped lift the Meat Puppets to new commercial heights.
1995's No Joke! would be the final album recorded by the original Meat Puppets lineup. Unfortunately, Cris Kirkwood was now a heroin addict, whose heavy and compulsive use of the drug increasingly dominated his life. This was a major departure from the psychedelic drugs with which the Meat Puppets had always been associated; his erratic behavior soon became too much for the band to cope with. The first single from No Joke!, "Scum", charted briefly on the modern rock charts, but ultimately the album paled in success to its predecessor.
First hiatus and reunion (1996-2000)
Derrick recorded a solo EP under the moniker Today's Sounds in 1996, and later on in 1999 took charge of re-issuing the Puppets' original seven records on Rykodisc as well as putting out their first live album, Live in Montana. Curt formed a new band in Austin, TX called the Royal Neanderthal Orchestra, but they changed their name to Meat Puppets to release a promotional EP entitled You Love Me in 1999, Golden Lies in 2000 and Live in 2002. The line-up was Curt (voc/git), Kyle Ellison (voc/git), Andrew Duplantis (voc/bass) and Shandon Sahm (drums). Sahm's father was the legendary fiddler-singer-songwriter Doug Sahm of The Sir Douglas Quintet and Texas Tornados. The concluding track to Classic Puppets entitled "New Leaf" also dates from this incarnation of the band.
Break up (2001-2005)
Around 2001-2002, the Meat Puppets dissolved as Curt has gone on to release albums with the groups Eyes Adrift and Volcano. In 2005, he released his first solo album entitled Snow.
His brother Cris was arrested in December 2003 for attacking a security guard at a post office with the guard's baton. The guard shot Kirkwood during the melee. Kirkwood was subsequently denied bail, the judge citing Kirkwood's previous drug arrests and parole violations. He eventually went to prison for felony assault. He was released in July of 2005.
Derrick Bostrom began a home page (www.meatpuppets.com) for the band about six months before the original trio stopped working together. The site went through many different permutations before it was essentially mothballed in 2003. In late 2005, Bostrom revamped it once again, this time as a "blog" for his recollections and as a place to share pieces of Meat Puppets history.
Second reunion (2006-present)
On March 24, 2006, Curt Kirkwood polled fans at his MySpace page with the following bulletin: "Question for all! Would the original line up of the Meat Puppets interest anyone? Feedback is good - do you want a reunion?!" The response from fans was overwhelmingly positive within a couple of hours, leading to speculation of a full-blown Meat Puppets reunion in the near future. However, a post made by Derrick Bostrom on the official Meat Puppets site dismissed the notion.
An April 26, 2006 billboard.com story reported that the Kirkwood brothers would reunite as the Meat Puppets without original drummer Derrick Bostrom. Primus drummer Tim Alexander was announced as Bostrom's replacement. Curt mentioned that a new Meat Puppets album was written, but it has not yet been recorded. Curt continued to tour on his solo material with his son Elmo.
Tim Alexander never ended up drumming with the Meat Puppets. Instead, Ted Marcus is the band's current drummer.
Read more
Lost
Meat Puppets Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lost on the freeway again
Lookin' for means to an end
Nobody knows which way it's gonna bend
Lost on the freeway again
Walkin' the breezeways again
Lookin' for something my friend
I've grown tired of living Nixon's mess
Walkin' the breezeways again
I know there'll come a day
When you say that you don't know me
I know there'll come a time
When there's nothing anybody owes me anymore
Locked in the attic again
Out of the shallow and into the deep end
I've got a wound I know will never mend
Locked in the attic again
I know there'll come a day
When you say that you don't know me
I know there'll come a time
When there's nothing anybody owes me anymore
Lookin' for means to an end
Nobody knows which way it's gonna bend
Lost on the freeway again
Walkin' the breezeways again
Lookin' for something my friend
I've grown tired of living Nixon's mess
I know there'll come a day
When you say that you don't know me
I know there'll come a time
When there's nothing anybody owes me anymore
Locked in the attic again
Out of the shallow and into the deep end
I've got a wound I know will never mend
Locked in the attic again
I know there'll come a day
When you say that you don't know me
I know there'll come a time
When there's nothing anybody owes me anymore
The lyrics of Meat Puppets' song "Lost" present a picture of wandering and searching, both physically and emotionally. The first verse talks about being lost on the freeway, desperately searching for answers or some purpose in life. It seems as though the singer is in a place of confusion and uncertainty, without any clear direction or guidance. The second verse continues this theme, mentioning the weariness that comes from living in a world that is divided and confused. The reference to "Nixon's mess" suggests a disillusionment with politics and society as a whole.
The chorus speaks to a sense of impending separation from others. The singer knows that there will come a day when they will no longer be understood or appreciated. It's a feeling of being out of sync with the world and everyone in it. The final verse uses the metaphor of being "Locked in the attic" as a way of depicting emotional isolation and pain. The wound that will never mend suggests that the singer has experienced some kind of trauma or heartbreak that has left a permanent mark.
Overall, the lyrics of "Lost" create a mood of searching, disappointment, and loneliness. It's a song that speaks to the uncertainty and confusion that many people experience in life, and the hopelessness that can come from feeling disconnected from others.
Line by Line Meaning
Lost on the freeway again
Feeling directionless and aimless in life
Lookin' for means to an end
Searching for purpose and fulfillment
Nobody knows which way it's gonna bend
Uncertain about the future and where life will take us
Walkin' the breezeways again
Continuing to wander through life
Lookin' for something my friend
Hoping to find something or someone to provide guidance and support
I've grown tired of living Nixon's mess
Becoming disillusioned with the state of the world and the problems caused by those in power
I know there'll come a day
Anticipating a future event
When you say that you don't know me
Feeling alienated from those around us
I know there'll come a time
Expecting a future circumstance
When there's nothing anybody owes me anymore
Realizing that we must rely solely on ourselves for our own well-being
Locked in the attic again
Feeling trapped and isolated
Out of the shallow and into the deep end
Taking on a more challenging situation or task
I've got a wound I know will never mend
Carrying emotional pain that will never fully heal
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: C. KIRKWOOD
Lyrics Licensed & Provided by LyricFind
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