Meat Puppets started as a punk rock band, but like most of their labelmates on SST Records, they established their own unique style, blending punk with country and psychedelic rock, and featuring Curt's warbling vocals. Meat Puppets later gained significant exposure when the Kirkwood brothers served as guest musicians on Nirvana's MTV Unplugged performance in 1993. The band's 1994 album Too High to Die subsequently became their most successful release. The band broke up twice, in 1996 and 2002, but reunited again in 2006.
Meat Puppets has influenced a number of rock bands including Nirvana, Soundgarden, Dinosaur Jr, Sebadoh and Pavement.
Their early works (the In A Car EP and Meat Puppets LP) were wholeheartedly punk, with vocals so feral in their delivery they were often indecipherable, but ultimately humorous and clever once deciphered. The musicianship was mostly thrash, yet the songs were tinged with a subtle, haunting element like that of a long abandoned ghost town. Their brand of cathartic, explosive hardcore attracted the attention of legendary punk label SST, who released their first record in 1982.
Unsatisfied with the result, the band spent plenty of time in the studio before the release of 1983's Meat Puppets II. The band's exciting experimentation with psychedelia, acid rock, and quieter tunes on top of a core western-style thrash sound, gave them their one acknowledged classic album, and propelled the record to legendary status. Meat Puppets II turned Meat Puppets into the one of the leading bands in SST Records league and, along with Violent Femmes, the Gun Club and others, helped establish country punk.
The Meat Puppets' burgeoning musicality led to more intricate and melodic efforts on 1985's Up on the Sun, which was a cohesive collage of songs that further demonstrated their abilities to capture a sound that had all of the wonder of the desert. The band's sound and vision became closely aligned with the legacy of The Byrds; some of the group's fans accused the Meat Puppets of becoming dangerously hippy-sounding (this appreciation of "hippy" music was hardly a sudden development: Curt's guitar solos were, from the beginning of his career, often reminiscent of Jerry Garcia). However, Up On The Sun demonstrated strong musicianship, accompanied by an unfading ability to write sophisticated and intriguing songs. This album generated the band's first major mainstream exposure, and many fans still consider it to be their masterpiece.
Over the next decade, the Meat Puppets remained on SST and released a series of albums, touring almost relentlessly on the underground circuit. After the release of Out My Way in 1986, however, the band was briefly sidelined by an accident when Curt's finger was broken after being slammed in their touring van's door. The accident delayed the band's next album, the psychedelic Mirage, until the next year. The final result was a meticulously crafted release in early 1987, and their most polished sound to date. Mirage at the time was hailed by some mainstream critics as the Puppet's best work yet.
Subsequently, their next album, the heavier, power-trio-rooted Huevos came out less than six months afterward, in late summer of 1987. In stark contrast to its predecessor, Huevos was recorded in a swift, fiery fashion, with many first takes, and minimal second guessing. The album was named, not only after the Spanish word for eggs, but was also a reference to the Spanish slang use of the word "Huevos" to mean "testicles." This was significant not only with regard to the songs themselves, but to the bold, rough manner in which they were recorded. These recordings were completed in only a matter of days, and along with a few drawings and one of Curt's paintings taken from the wall to serve as cover art (a dish of three boiled eggs, a green pepper, and a bottle of Tabasco sauce), was all sent to SST shortly before the band returned to the road en route to their next gig.
Monsters was released in 1989, featuring Curt-as-guitar-hero on such extended jams as "Touchdown King" and "Flight of the Fire Weasel."
Major label career (1991-1995)
As numerous bands from the seminal SST label, and other kindred punk-oriented indies, grappled with the "going major" decision, so did the 'Pups. Two years after their final studio recording for SST, 1989's Monsters, the trio released its major label debut, Forbidden Places, on the indie-friendly London Records. A three-year break saw the band's studio return with 1994's Too High To Die, produced by Butthole Surfers guitarist Paul Leary. The album featured "Backwater", a hit on alternative radio, and a hidden-track update of "Lake of Fire." Too High To Die earned the 'Pups a gold record (over 500,000 sold), outselling their previous records combined. That same year saw the 'Pups in their brightest mainstream spotlight as the band achieved sudden popularity when Nirvana's Kurt Cobain invited Cris and Curt to join him on MTV for acoustic performances of "Plateau", "Oh Me" and "Lake of Fire" (all originally from Meat Puppets II). The resulting album, MTV Unplugged in New York, served as a swan-song for Nirvana, as Cobain died six months after the concert. "Lake of Fire" became a cult favorite for its particularly wrenching vocal performance from Cobain. Subsequently, the Nirvana exposure and the strength of the single "Backwater" (their only charting single) helped lift the Meat Puppets to new commercial heights.
1995's No Joke! would be the final album recorded by the original Meat Puppets lineup. Unfortunately, Cris Kirkwood was now a heroin addict, whose heavy and compulsive use of the drug increasingly dominated his life. This was a major departure from the psychedelic drugs with which the Meat Puppets had always been associated; his erratic behavior soon became too much for the band to cope with. The first single from No Joke!, "Scum", charted briefly on the modern rock charts, but ultimately the album paled in success to its predecessor.
First hiatus and reunion (1996-2000)
Derrick recorded a solo EP under the moniker Today's Sounds in 1996, and later on in 1999 took charge of re-issuing the Puppets' original seven records on Rykodisc as well as putting out their first live album, Live in Montana. Curt formed a new band in Austin, TX called the Royal Neanderthal Orchestra, but they changed their name to Meat Puppets to release a promotional EP entitled You Love Me in 1999, Golden Lies in 2000 and Live in 2002. The line-up was Curt (voc/git), Kyle Ellison (voc/git), Andrew Duplantis (voc/bass) and Shandon Sahm (drums). Sahm's father was the legendary fiddler-singer-songwriter Doug Sahm of The Sir Douglas Quintet and Texas Tornados. The concluding track to Classic Puppets entitled "New Leaf" also dates from this incarnation of the band.
Break up (2001-2005)
Around 2001-2002, the Meat Puppets dissolved as Curt has gone on to release albums with the groups Eyes Adrift and Volcano. In 2005, he released his first solo album entitled Snow.
His brother Cris was arrested in December 2003 for attacking a security guard at a post office with the guard's baton. The guard shot Kirkwood during the melee. Kirkwood was subsequently denied bail, the judge citing Kirkwood's previous drug arrests and parole violations. He eventually went to prison for felony assault. He was released in July of 2005.
Derrick Bostrom began a home page (www.meatpuppets.com) for the band about six months before the original trio stopped working together. The site went through many different permutations before it was essentially mothballed in 2003. In late 2005, Bostrom revamped it once again, this time as a "blog" for his recollections and as a place to share pieces of Meat Puppets history.
Second reunion (2006-present)
On March 24, 2006, Curt Kirkwood polled fans at his MySpace page with the following bulletin: "Question for all! Would the original line up of the Meat Puppets interest anyone? Feedback is good - do you want a reunion?!" The response from fans was overwhelmingly positive within a couple of hours, leading to speculation of a full-blown Meat Puppets reunion in the near future. However, a post made by Derrick Bostrom on the official Meat Puppets site dismissed the notion.
An April 26, 2006 billboard.com story reported that the Kirkwood brothers would reunite as the Meat Puppets without original drummer Derrick Bostrom. Primus drummer Tim Alexander was announced as Bostrom's replacement. Curt mentioned that a new Meat Puppets album was written, but it has not yet been recorded. Curt continued to tour on his solo material with his son Elmo.
Tim Alexander never ended up drumming with the Meat Puppets. Instead, Ted Marcus is the band's current drummer.
Read more
That's How It Goes
Meat Puppets Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Maybe you won't try to slap me for lying
I did what you heard and I can admit
That I'd do it again in a second tomorrow
Little or nothing makes much of a difference
So I took the chance not to bother with trifles
You mind your business and I'll pick the slack up
And you'll never notice how much I have borrowed
And we stay, watching the mess that we've made as it grows
I took a long drink of some kind of water
That ate up my thoughts and dried up my conscience
I'd be the first to admit what my faults are
But change is a problem and I'll be resistant
Little or nowhere is closer than ever
And I got the feeling we're stuck till tomorrow
Carry on fishing and I'll keep my hat on
And together we'll see just how much we can borrow
And we say, "That's how it goes"
And we stay, watching the mess that we've made as it grows
Maybe you won't have to hit me again
Maybe you won't try to slap me for lying
I did what you heard and I can admit
That I'd do it again in a second tomorrow
Little or nothing makes much of a difference
So I took the chance not to bother with trifles
You mind your business and I'll pick the slack up
And you'll never notice how much I have borrowed
And we say, "That's how it goes"
And we stay, watching the mess that we've made as it grows
And we say, "That's how it goes"
And we stay, watching the mess that we've made as it grows
Meat Puppets's "That's How It Goes" is a song that speaks to the cyclical nature of human behavior and the way in which we often find ourselves repeating the same mistakes over and over again. The lyrics are directed towards a partner or lover, and the singer seems to be acknowledging their own faults and the mistakes they've made in the past. After all, they "did what [the other person] heard" and they "can admit" it. But despite this recognition, the singer is resigned to the fact that they will likely make the same mistakes again in the future. They even go so far as to say that they would do it again "in a second tomorrow."
The second half of the song seems to shift the focus away from the specific transgressions of the singer and towards a more general sense of apathy and resignation. They talk of "little or nothing" making much of a difference and taking the chance "not to bother with trifles," suggesting a general lack of concern or investment in the world around them. The repeated refrain of "That's how it goes" further emphasizes this feeling of inevitability and resignation. The song ends with a repetition of the opening verses, suggesting a circularity to the singer's worldview and behavior.
Overall, "That's How It Goes" is a bleak but insightful commentary on the ways in which we repeat patterns of behavior and the sense of hopelessness that can result from that repetition. Despite the somewhat nihilistic tone of the lyrics, there is a sense of honesty and self-awareness that saves the song from feeling completely hopeless.
Line by Line Meaning
Maybe you won't have to hit me again
I hope you won't resort to violence if I make mistakes
Maybe you won't try to slap me for lying
I hope you won't physically hurt me for being dishonest
I did what you heard and I can admit
I'm confessing to doing what you accuse me of
That I'd do it again in a second tomorrow
I wouldn't hesitate to do it again tomorrow
Little or nothing makes much of a difference
Small things don't matter much in the grand scheme of things
So I took the chance not to bother with trifles
I decided it wasn't worth worrying about minor issues
You mind your business and I'll pick the slack up
You can focus on your responsibilities while I take care of mine
And you'll never notice how much I have borrowed
You won't realize how much I've taken from you
And we say, "That's how it goes,"
We acknowledge that life can be messy and unpredictable
And we stay, watching the mess that we've made as it grows
We observe the consequences of our actions as the situation worsens
I took a long drink of some kind of water
I consumed something that affected my thoughts and morals
That ate up my thoughts and dried up my conscience
It clouded my judgment and made me less inclined to do the right thing
I'd be the first to admit what my faults are
I'm willing to acknowledge and take responsibility for my mistakes
But change is a problem and I'll be resistant
I struggle with making improvements and resist making changes
Little or nowhere is closer than ever
We're getting nowhere and making little progress
And I got the feeling we're stuck till tomorrow
I don't see a way out of our current predicament
Carry on fishing and I'll keep my hat on
You can continue what you're doing and I'll stay out of the way
And together we'll see just how much we can borrow
We'll push our luck and take as much as we can get away with
And we say, "That's how it goes"
We accept that life has its ups and downs and we must deal with the consequences
And we stay, watching the mess that we've made as it grows
We observe the fallout of our actions as things get worse
Lyrics © Kanjian Music, Universal Music Publishing Group
Written by: CURTIS MATHEW KIRKWOOD
Lyrics Licensed & Provided by LyricFind