There’s a lot to be said for a name. In the Book of Genesis, around the yea… Read Full Bio ↴There’s a lot to be said for a name. In the Book of Genesis, around the year 2,000 B.C., the Almighty himself changes Jacob’s name to “Israel,” meaning “one who clings to God.” And in a classic example of rising to the calling of a given name, he became the very father of God’s chosen people.
In the year 1995 A.D., two of God’s other countless children, Isaac Carree and Lowell Pye, were young men highly gifted in music and deeply rooted in their faith, with a passion to serve God in song, and in search of the means to fulfill that calling. Joining their talents with those of two other similarly skilled seekers, they found both a sound and a soul connection, and became a gospel vocal group. But they didn’t truly lock into their exact purpose until they too were given a name.
“My mother was a very devout woman, and she called us together one day,” Isaac recalls. “She was very serious. She said, `I have a name for you all, and with this name there will be no compromise. You will have to stay focused, and be an example to others. You will be Men of Standard.”
The young foursome—Isaac, Lowell, Bryan Pierce and Michael Bacon—not only took her seriously, and seriously loved the name, but in one auspicious, almost simultaneous moment, took on that name that over the next decade would carry them to the top of the gospel charts, traveling the country singing for thousands upon thousands of people, and emerging from the ‘90s into the 21st century as one of gospel music’s hottest and most popular young acts. With each member both a distinctive and experienced solo vocalist as well as ensemble member, Men of Standard quickly developed a reputation they maintain to this day for seamlessly moving into and out of lead and background parts, creating a variety of vocal sounds and arrangements that few if any other groups can lay claim to.
Today, Men of Standard—now three in number with the amicable, 2005 departure of Michael Bacon—celebrate their 10th year of making music together with their fifth and latest release, Surrounded, which the group quite emphatically considers to be more than just another great entry on its already hit-heavy resume.
“We’ve just entered into a new season,” says Bryan. “We have a new producer, a new album and a new label. It’s a fresh start. We now have a second wind, and it feels great!” With the solid support of Sony Gospel/Sony Urban Music, and steered by the master’s touch of red-hot producer Warryn Campbell (Kayne West, Missy Elliott, Mary Mary, Michelle Williams), Men of Standard are poised to move to an altogether new and infinitely higher plateau in their already formidable career.
Under Campbell’s steady and sure hand—as well as his co-writing of seven of the album’s eleven cuts—Men of Standard combine the contemporary gospel/R&B sound that has become their signature over the last decade, with an urban, hip-hop edge, and a handful of beautiful ballads of praise and worship. Add that together and what you get is indeed fresh and new—exciting and bold—and decisively, inimitably Men of Standard at every turn. Toss in a few star turns from cutting-edge kingpins, Kirk Franklin, Tye Tribbett, and rapper Heavy D, and it’s clear that with Surrounded, Men of Standard have delivered nothing less than a definitive, career album.
“I Will” is relentlessly driving R&B with a tough, hip-hop bottom end, and Isaac, Lowell and Bryan singing like their very lives hung in the balance. “A lot of times you hear people say things like, `I can’t. I won’t. It’s not possible,’” says Isaac, “but we’re making a promise to God. `Wherever You tell me to go, I will. If You tell me to do something, I will do it.’ Its an upbeat jam, but it’s also a command. We’re taking a stand, and even if no one else will, we will.”
Kirk Franklin joins the group for “Latter Rain,” a gentle but powerful and passionate ballad. “’Latter Rain’ refers to our blessings, our peace, our comfort and joy,” Isaac explains. “We are asking God to replenish us, make us better; restore the joy, remove the pain. Kirk took it to a whole different level. I think it’s a song that your everyday, Sunday-morning church- goers are going to really cling to. It’s a strong message.”
“Yours,” featuring powerhouse vocals from guest Tye Tribbett and the entire group, begins as a soft, reverential ballad that slowly builds from a whisper to a passionate roar. “So often we get caught up in the things of this earth, and so comfortable in these bodies, that we start to think we belong to ourselves,” Isaac says. “This song admits, `I’m used to doing things my way, but I belong to You. I’m yours, Lord. Do what you will what You want.’”
“Power” pairs a cool, retro-soul groove with punchy, urban muscle. “This talks about power on two different levels,” Isaac says. “Everyone acknowledges the power of earthly things…the power in corporate America, and the power of politicians, but we have a different power to talk about. It’s the real power in the world; the wonderful, awesome power of God.”
The album’s title song is a smooth and straight, jazzy R&B gem. “`Surrounded’ is a prayer,” Isaac comments. “`Get all around me, Lord, until what people see in me is You. When people hear my voice I want them to hear Your message.’ It’s a humbling prayer that it would help everyone to pray.”
All the Men of Standard were raised as classic “church boys,” with lives that revolved around preaching, music, or other ministries and activities of their local congregations. In fact, all three had abundant gifts that manifested themselves at extraordinarily young ages. Brian was preaching by the age of nine. Lowell was singing with a gospel quartet of grown men when he was four, dressed in a miniature version of their matching suits and ties, and Isaac—albeit at the strong prodding of his mother—was standing before the congregation singing solos by his fifth birthday. Each man has maintained those childhood commitments into their adult lives, with Brian pastoring his own church today, and Lowell and Isaac praise & worship leaders at their respective home churches.
The three grew up in entirely different parts of the country—Isaac in North Carolina, Lowell in Detroit, and Bryan a native of New Orleans. Isaac and Lowell first crossed paths in their late teens, under the auspices of gospel great, John P. Kee, who was working on putting together a male vocal group to perform with his choir. Though the group never quite made it to realization, the two young men formed a fast friendship, and cut their teeth in the business of music during the four years they spent with Kee.
Upon leaving John P. Kee, both took on routine “day jobs” for a while, in a process that Isaac now reflects on as a time of preparation and molding by God for the ministry He had in store for them. After only two months, Isaac got a part in the road company performing several of popular gospel playwright Michael Matthews productions, where he met and became friends with Bryan. While John P. Kee’s vision for a male vocal group had fizzled, the idea still had roots in the spirit and imaginations Isaac and Lowell. Bryan was both a good vocal match and a willing volunteer. When a mutual friend in Dallas introduced Isaac to Michael, the last musical piece was in place, and though Isaac laughs today at the recollection of that group’s early days of “living life on a wing and a prayer,” it was little more than a year before they had signed a major label recording deal.
That association led to four albums between 1996 and 2004, with the group’s second effort, the JMoss-produced Feels Like Rain, scoring big in 1998, peaking at No. 11 on the Billboard magazine gospel chart, and landing two Stellar Awards. Men of Standard experienced continued success through the ten-year tenure of that contract, with their final effort, 2004’s It’s A New Day beating their previous chart high by a point, peaking at No. 11. Still, the group felt frustrated. Beginning to write and produce more and more of their albums, from one to the next, they increasingly felt like a young, progressive vocal group not fully understood by those for whom they worked. When their contract finally expired in 2004, Isaac says the group felt a sense of creative freedom simply being an unsigned act for the year of 2005, before finding the “perfect fit” they were seeking, at Sony Gospel/Sony Urban Music.
In almost immediate prelude to the release of Surrounded, Men of Standard received massive national exposure as a featured act on the second leg on Kirk Franklin’s Hero tour, playing to packed coliseums and arenas across America. And as they prepare for the next giant step forward in their ongoing journey, their eyes are clearly focused on higher purposes.
“Our albums, and all our songs convey positive messages…that there is a better way,” Isaac concludes. “We are out here as messengers to show people that Jesus is real. Living right is real and crucial. When you see us in the malls, in our homes with our families, in our churches, we want people to see that we live the life style we sing about. We are faithful to our wives, take care of our kids, and take care of our homes. We are faithful to our local ministry, pay our tithes; we do community service work. And we do those things because we love people, and we love God. It’s not just something you’ll see on stage or videos, or hear on a CD. It’s the life we live.”
Biography courtesty of MenofStandardMusic.com
In the year 1995 A.D., two of God’s other countless children, Isaac Carree and Lowell Pye, were young men highly gifted in music and deeply rooted in their faith, with a passion to serve God in song, and in search of the means to fulfill that calling. Joining their talents with those of two other similarly skilled seekers, they found both a sound and a soul connection, and became a gospel vocal group. But they didn’t truly lock into their exact purpose until they too were given a name.
“My mother was a very devout woman, and she called us together one day,” Isaac recalls. “She was very serious. She said, `I have a name for you all, and with this name there will be no compromise. You will have to stay focused, and be an example to others. You will be Men of Standard.”
The young foursome—Isaac, Lowell, Bryan Pierce and Michael Bacon—not only took her seriously, and seriously loved the name, but in one auspicious, almost simultaneous moment, took on that name that over the next decade would carry them to the top of the gospel charts, traveling the country singing for thousands upon thousands of people, and emerging from the ‘90s into the 21st century as one of gospel music’s hottest and most popular young acts. With each member both a distinctive and experienced solo vocalist as well as ensemble member, Men of Standard quickly developed a reputation they maintain to this day for seamlessly moving into and out of lead and background parts, creating a variety of vocal sounds and arrangements that few if any other groups can lay claim to.
Today, Men of Standard—now three in number with the amicable, 2005 departure of Michael Bacon—celebrate their 10th year of making music together with their fifth and latest release, Surrounded, which the group quite emphatically considers to be more than just another great entry on its already hit-heavy resume.
“We’ve just entered into a new season,” says Bryan. “We have a new producer, a new album and a new label. It’s a fresh start. We now have a second wind, and it feels great!” With the solid support of Sony Gospel/Sony Urban Music, and steered by the master’s touch of red-hot producer Warryn Campbell (Kayne West, Missy Elliott, Mary Mary, Michelle Williams), Men of Standard are poised to move to an altogether new and infinitely higher plateau in their already formidable career.
Under Campbell’s steady and sure hand—as well as his co-writing of seven of the album’s eleven cuts—Men of Standard combine the contemporary gospel/R&B sound that has become their signature over the last decade, with an urban, hip-hop edge, and a handful of beautiful ballads of praise and worship. Add that together and what you get is indeed fresh and new—exciting and bold—and decisively, inimitably Men of Standard at every turn. Toss in a few star turns from cutting-edge kingpins, Kirk Franklin, Tye Tribbett, and rapper Heavy D, and it’s clear that with Surrounded, Men of Standard have delivered nothing less than a definitive, career album.
“I Will” is relentlessly driving R&B with a tough, hip-hop bottom end, and Isaac, Lowell and Bryan singing like their very lives hung in the balance. “A lot of times you hear people say things like, `I can’t. I won’t. It’s not possible,’” says Isaac, “but we’re making a promise to God. `Wherever You tell me to go, I will. If You tell me to do something, I will do it.’ Its an upbeat jam, but it’s also a command. We’re taking a stand, and even if no one else will, we will.”
Kirk Franklin joins the group for “Latter Rain,” a gentle but powerful and passionate ballad. “’Latter Rain’ refers to our blessings, our peace, our comfort and joy,” Isaac explains. “We are asking God to replenish us, make us better; restore the joy, remove the pain. Kirk took it to a whole different level. I think it’s a song that your everyday, Sunday-morning church- goers are going to really cling to. It’s a strong message.”
“Yours,” featuring powerhouse vocals from guest Tye Tribbett and the entire group, begins as a soft, reverential ballad that slowly builds from a whisper to a passionate roar. “So often we get caught up in the things of this earth, and so comfortable in these bodies, that we start to think we belong to ourselves,” Isaac says. “This song admits, `I’m used to doing things my way, but I belong to You. I’m yours, Lord. Do what you will what You want.’”
“Power” pairs a cool, retro-soul groove with punchy, urban muscle. “This talks about power on two different levels,” Isaac says. “Everyone acknowledges the power of earthly things…the power in corporate America, and the power of politicians, but we have a different power to talk about. It’s the real power in the world; the wonderful, awesome power of God.”
The album’s title song is a smooth and straight, jazzy R&B gem. “`Surrounded’ is a prayer,” Isaac comments. “`Get all around me, Lord, until what people see in me is You. When people hear my voice I want them to hear Your message.’ It’s a humbling prayer that it would help everyone to pray.”
All the Men of Standard were raised as classic “church boys,” with lives that revolved around preaching, music, or other ministries and activities of their local congregations. In fact, all three had abundant gifts that manifested themselves at extraordinarily young ages. Brian was preaching by the age of nine. Lowell was singing with a gospel quartet of grown men when he was four, dressed in a miniature version of their matching suits and ties, and Isaac—albeit at the strong prodding of his mother—was standing before the congregation singing solos by his fifth birthday. Each man has maintained those childhood commitments into their adult lives, with Brian pastoring his own church today, and Lowell and Isaac praise & worship leaders at their respective home churches.
The three grew up in entirely different parts of the country—Isaac in North Carolina, Lowell in Detroit, and Bryan a native of New Orleans. Isaac and Lowell first crossed paths in their late teens, under the auspices of gospel great, John P. Kee, who was working on putting together a male vocal group to perform with his choir. Though the group never quite made it to realization, the two young men formed a fast friendship, and cut their teeth in the business of music during the four years they spent with Kee.
Upon leaving John P. Kee, both took on routine “day jobs” for a while, in a process that Isaac now reflects on as a time of preparation and molding by God for the ministry He had in store for them. After only two months, Isaac got a part in the road company performing several of popular gospel playwright Michael Matthews productions, where he met and became friends with Bryan. While John P. Kee’s vision for a male vocal group had fizzled, the idea still had roots in the spirit and imaginations Isaac and Lowell. Bryan was both a good vocal match and a willing volunteer. When a mutual friend in Dallas introduced Isaac to Michael, the last musical piece was in place, and though Isaac laughs today at the recollection of that group’s early days of “living life on a wing and a prayer,” it was little more than a year before they had signed a major label recording deal.
That association led to four albums between 1996 and 2004, with the group’s second effort, the JMoss-produced Feels Like Rain, scoring big in 1998, peaking at No. 11 on the Billboard magazine gospel chart, and landing two Stellar Awards. Men of Standard experienced continued success through the ten-year tenure of that contract, with their final effort, 2004’s It’s A New Day beating their previous chart high by a point, peaking at No. 11. Still, the group felt frustrated. Beginning to write and produce more and more of their albums, from one to the next, they increasingly felt like a young, progressive vocal group not fully understood by those for whom they worked. When their contract finally expired in 2004, Isaac says the group felt a sense of creative freedom simply being an unsigned act for the year of 2005, before finding the “perfect fit” they were seeking, at Sony Gospel/Sony Urban Music.
In almost immediate prelude to the release of Surrounded, Men of Standard received massive national exposure as a featured act on the second leg on Kirk Franklin’s Hero tour, playing to packed coliseums and arenas across America. And as they prepare for the next giant step forward in their ongoing journey, their eyes are clearly focused on higher purposes.
“Our albums, and all our songs convey positive messages…that there is a better way,” Isaac concludes. “We are out here as messengers to show people that Jesus is real. Living right is real and crucial. When you see us in the malls, in our homes with our families, in our churches, we want people to see that we live the life style we sing about. We are faithful to our wives, take care of our kids, and take care of our homes. We are faithful to our local ministry, pay our tithes; we do community service work. And we do those things because we love people, and we love God. It’s not just something you’ll see on stage or videos, or hear on a CD. It’s the life we live.”
Biography courtesty of MenofStandardMusic.com
Yeah Yeah
Men Of Standard Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If you could blow up the world with the flick of a switch
Would you do it?
If you could make everybody poor just so you could be rich
Would you do it?
If you could watch everybody work while you just lay on your back
Would you do it?
If you could take all the love without giving any back
Would you do it?
And so we cannot know ourselves or what we'd really do
With all your power
With all your power
With all your power
What would you do?
If you could make your own money and then give it to everybody
Would you do it?
If you knew all the answers and could give it to the masses
Would you do it?
No no no no no no are you crazy?
It's a very dangerous thing to do exactly what you want
Because you cannot know yourself or what you'd really do
With all your power
With all your power
With all your power
What would you do?
Would you do it?
If you could make everybody poor just so you could be rich
Would you do it?
If you could watch everybody work while you just lay on your back
Would you do it?
If you could take all the love without giving any back
Would you do it?
With all your power
With all your power
With all your power
What would you do?
If you could make your own money and then give it to everybody
Would you do it?
If you knew all the answers and could give it to the masses
Would you do it?
No no no no no no are you crazy?
It's a very dangerous thing to do exactly what you want
Because you cannot know yourself or what you'd really do
With all your power
With all your power
With all your power
What would you do?
The song "Yeah Yeah" by Men of Standard is an inquiry into the nature of power and what one would do if they had it. The lyrics are posed as questions, asking what one would do in hypothetical situations if they had the power to control the world. The first set of questions challenge the moral compass of the listener, asking if they would use their power to harm others for their own gain. The second set of questions ask if the listener would use their power to help others or if they would hoard their knowledge.
The overarching theme of the song is a cautionary tale about the dangers of unchecked power. The lyrics suggest that having too much power can lead to a loss of self-awareness and a lack of understanding about one's own motivations. The chorus repeats the phrase "with all your power, what would you do?" challenging the listener to consider the implications of their actions if they had unlimited power.
In conclusion, "Yeah Yeah" is a thought-provoking song that raises important questions about power and its use. It encourages listeners to reflect on their own values and consider the consequences of their actions if they were given limitless power.
Line by Line Meaning
If you could blow up the world with the flick of a switch
If you had the ability to destroy the world in the blink of an eye
Would you do it?
Would you actually go through with it?
If you could make everybody poor just so you could be rich
If you had the power to make everyone else poor just so you could be wealthy
If you could watch everybody work while you just lay on your back
If you could make others work while you take it easy
If you could take all the love without giving any back
If you could receive love without ever giving any in return
And so we cannot know ourselves or what we'd really do
We can't truly understand ourselves or predict our actions
With all your power
Considering your immense power
What would you do?
What actions would you take?
If you could make your own money and then give it to everybody
If you could create wealth and distribute it evenly among all people
If you knew all the answers and could give it to the masses
If you had knowledge of all solutions and could provide them to everyone
No no no no no no are you crazy?
That would be reckless and unwise
It's a very dangerous thing to do exactly what you want
Acting purely on one's desires can be risky
Because you cannot know yourself or what you'd really do
You cannot accurately predict your own behavior or tendencies
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: JOSEPH CARTAGENA, REMY SMITH, LALO SCHIFRIN, MARC SHEMER
Lyrics Licensed & Provided by LyricFind
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