Meshuggah, whose name is taken from the Hebrew and Yiddish word for “crazy”… Read Full Bio ↴Meshuggah, whose name is taken from the Hebrew and Yiddish word for “crazy”, is a five-piece band from Umeå, Sweden, founded in 1987. The band's style is most easily described as djent or groove metal with some jazz influence. They use extended polymetric passages, polyrhythmic drum patterns, angular, dissonant guitar riffs, and harsh vocals. Their lineup has always been consistent, apart from bass which has been handled by many people since the band’s inception. Their current lineup consists of Jens Kidman (vocals), Fredrik Thordendal (lead/rhythm guitar + backup vocals), Mårten Hagström (rhythm guitar + backup vocals), Dick Lövgren (bass) and Tomas Haake (drums).
Meshuggah is widely acknowledged as an influence on many modern metal bands from Textures to Tool. They are regarded as pioneers by critics and musicians alike.
Discography
Psykisk Testbild (EP, 1989)
Contradictions Collapse (1991)
None (EP, 1994)
Selfcaged (1995)
Destroy Erase Improve (1995)
The True Human Design (1997)
Chaosphere (1998)
Contradictions Collapse and None (1999)
Rare Trax (2001)
Nothing (2002)
I (EP, 2004)
Catch Thirty-Three (2005)
Nothing (Re-Release With DVD) (2006)
obZen (2008)
Alive (2010)
Koloss (2012)
Pitch Black (2013)
The Violent Sleep Of Reason (2016)
Immutable (2022)
Band history
Meshuggah was formed in Umeå in 1987; two years later, the band released their first record, an EP entitled Psykisk Testbild (which can be roughly translated as "Psychological test image". This recording displayed a straightforward thrash metal influenced sound, with some strains along the lines of Metallica's concurrent releases. There were also hints of more complex music in the songwriting. As the group grew older, they further refined the technicality of their musicianship and songwriting. This led to a harsher sound, utilizing strong seven string guitar (and later eight string guitar) rhythms, manic sounding vocals, and a combination of jazz fusion elements as well. This caused the band's style to border on the lines of an esoteric feel. This style has shown to be hard to appreciate by some but it is widely embraced by Meshuggah fans.
While the band's music is extremely intense and aggressive, the members often demonstrate a strong sense of humour: their video for "New Millennium Cyanide Christ" consisted of the five band members sitting inside their tour bus headbanging and air guitaring to the song. Promotional photos of the band often include comical grimacing.
In late 2005, Meshuggah were nominated for a Swedish Grammy for the album Catch Thirty-Three.
Bands such as Dream Theater, God Forbid, Deftones, Textures , Lamb of God, The Safety Fire and Tool have cited Meshuggah as an influence.
Style
Among the band's most recognizable qualities are lead guitar player Fredrik Thordendal's abrasive, chaotic and dischordant solos, singer Jens Kidman's vocals, which resemble manic screams and shouts; the churning, dissonant rhythm guitars and the polymetric drum beats. In a typical Meshuggah song, drummer Tomas Haake plays two separate rhythms: a standard 4/4 beat with his hands, and a completely different metrical subdivision with his feet. The guitars mostly follow the bass drum work, creating an awkwardly pulsating rhythmic pattern to work as the basis of the song.
To give an example, the main riff of the song "New Millennium Cyanide Christ" from their 1998 album Chaosphere follows the aforementioned blueprint. Haake beats a rather slow 4/4 rhythm with his hands, while the bass drums and guitars play a repetitive 23/16 rhythm pattern on top of it. As the subdivided pattern is repeated, the pattern's accents shift to different beats on each repetition. After repeating the 23/16 pattern five times, a shorter 13/16 pattern is played once. These patterns sum up to 128 16th notes, which equals exactly 8 measures in 4/4 meter.
The band has evolved through a number of stylisitic periods. Contradictions Collapse and None have a sound similar to Metallica's concurrent albums. Destroy Erase Improve and Chaosphere have a more distinct off-time influence along with the thrash metal sound. Nothing and Catch Thirty-Three have a sound close to the vein of groove metal, consisting of droning and slow grooves.
While live drums were obviously not abandoned, a unique decision was made to use programmed drum patterns using Toontrack's "Drumkit From Hell" (developed in co-operation with Tomas Haake and Morgan Ågren) sample library on the latest album Catch Thirty-Three, not only providing a more precise and mechanized drumscape, but also making drum beat creativity a more collaborative effort amongst all of the band members. It cemented the album as one of the band's most complex works to date. The band members have, however, stated in several interviews that the decision to use programmed drums was due to the lack of time given by their label to produce the record.
On all records since Nothing, guitarists Thordendal and Hagström use custom-made Nevborn, and custom Ibanez eight string guitars. These guitars add two low strings to allow the crushing, heavy riffs to be played in even lower registers. They currently use Line 6's Vetta II Amps.
In regards to lyrics, the main lyricist of Meshuggah is drummer Tomas Haake, who uses complex, but precise, vocabulary and metaphorical styling. Through abstract descriptions, Haake's lyrics discuss such topics as the self, society, mendaciousness, and the human condition, all with an overarching theme that intertwines with metaphysical concepts relating to the psychedelic experience. While Haake tends to write the majority of the lyrics, guitarist Mårten Hagström also contributes to some songs.
Meshuggah is widely acknowledged as an influence on many modern metal bands from Textures to Tool. They are regarded as pioneers by critics and musicians alike.
Discography
Psykisk Testbild (EP, 1989)
Contradictions Collapse (1991)
None (EP, 1994)
Selfcaged (1995)
Destroy Erase Improve (1995)
The True Human Design (1997)
Chaosphere (1998)
Contradictions Collapse and None (1999)
Rare Trax (2001)
Nothing (2002)
I (EP, 2004)
Catch Thirty-Three (2005)
Nothing (Re-Release With DVD) (2006)
obZen (2008)
Alive (2010)
Koloss (2012)
Pitch Black (2013)
The Violent Sleep Of Reason (2016)
Immutable (2022)
Band history
Meshuggah was formed in Umeå in 1987; two years later, the band released their first record, an EP entitled Psykisk Testbild (which can be roughly translated as "Psychological test image". This recording displayed a straightforward thrash metal influenced sound, with some strains along the lines of Metallica's concurrent releases. There were also hints of more complex music in the songwriting. As the group grew older, they further refined the technicality of their musicianship and songwriting. This led to a harsher sound, utilizing strong seven string guitar (and later eight string guitar) rhythms, manic sounding vocals, and a combination of jazz fusion elements as well. This caused the band's style to border on the lines of an esoteric feel. This style has shown to be hard to appreciate by some but it is widely embraced by Meshuggah fans.
While the band's music is extremely intense and aggressive, the members often demonstrate a strong sense of humour: their video for "New Millennium Cyanide Christ" consisted of the five band members sitting inside their tour bus headbanging and air guitaring to the song. Promotional photos of the band often include comical grimacing.
In late 2005, Meshuggah were nominated for a Swedish Grammy for the album Catch Thirty-Three.
Bands such as Dream Theater, God Forbid, Deftones, Textures , Lamb of God, The Safety Fire and Tool have cited Meshuggah as an influence.
Style
Among the band's most recognizable qualities are lead guitar player Fredrik Thordendal's abrasive, chaotic and dischordant solos, singer Jens Kidman's vocals, which resemble manic screams and shouts; the churning, dissonant rhythm guitars and the polymetric drum beats. In a typical Meshuggah song, drummer Tomas Haake plays two separate rhythms: a standard 4/4 beat with his hands, and a completely different metrical subdivision with his feet. The guitars mostly follow the bass drum work, creating an awkwardly pulsating rhythmic pattern to work as the basis of the song.
To give an example, the main riff of the song "New Millennium Cyanide Christ" from their 1998 album Chaosphere follows the aforementioned blueprint. Haake beats a rather slow 4/4 rhythm with his hands, while the bass drums and guitars play a repetitive 23/16 rhythm pattern on top of it. As the subdivided pattern is repeated, the pattern's accents shift to different beats on each repetition. After repeating the 23/16 pattern five times, a shorter 13/16 pattern is played once. These patterns sum up to 128 16th notes, which equals exactly 8 measures in 4/4 meter.
The band has evolved through a number of stylisitic periods. Contradictions Collapse and None have a sound similar to Metallica's concurrent albums. Destroy Erase Improve and Chaosphere have a more distinct off-time influence along with the thrash metal sound. Nothing and Catch Thirty-Three have a sound close to the vein of groove metal, consisting of droning and slow grooves.
While live drums were obviously not abandoned, a unique decision was made to use programmed drum patterns using Toontrack's "Drumkit From Hell" (developed in co-operation with Tomas Haake and Morgan Ågren) sample library on the latest album Catch Thirty-Three, not only providing a more precise and mechanized drumscape, but also making drum beat creativity a more collaborative effort amongst all of the band members. It cemented the album as one of the band's most complex works to date. The band members have, however, stated in several interviews that the decision to use programmed drums was due to the lack of time given by their label to produce the record.
On all records since Nothing, guitarists Thordendal and Hagström use custom-made Nevborn, and custom Ibanez eight string guitars. These guitars add two low strings to allow the crushing, heavy riffs to be played in even lower registers. They currently use Line 6's Vetta II Amps.
In regards to lyrics, the main lyricist of Meshuggah is drummer Tomas Haake, who uses complex, but precise, vocabulary and metaphorical styling. Through abstract descriptions, Haake's lyrics discuss such topics as the self, society, mendaciousness, and the human condition, all with an overarching theme that intertwines with metaphysical concepts relating to the psychedelic experience. While Haake tends to write the majority of the lyrics, guitarist Mårten Hagström also contributes to some songs.
Re-Inanimate
Meshuggah Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My ignorance cast in the mold of all things absolute
I sustain forever my gaze. A stare fixed on the distant oblivion
Resting in the inverted state of being dead, non sensory matter
As all the earth, the wind, the wind, the sea behold and learn to pity me
I sustain forever my gaze. A stare fixed on the distant oblivion
Resting in the inverted state of being dead, non sensory matter
As all the earth, the wind, the wind, the sea behold and learn to pity me
The lyrics of Meshuggah's song Re-Inanimate depict the idea of absolute ignorance leading to a state of being dead or non-sensory matter. The singer speaks of sustaining forever his gaze fixed on the distant oblivion, which can be interpreted as a metaphor for a lack of knowledge or understanding about the vastness of the world. This ignorance is likened to being dead, as if the singer has shut themselves off from the world and all its wonders. The singer also comments on the pity they receive from the earth, the wind, and the sea, suggesting that their ignorance is evident to all and is something to be pitied.
Overall, the lyrics speak to the dangers of assuming that one has all the answers or that their way of thinking is the only way. It warns against becoming so fixed in one's beliefs that they become ignorant to new and different ideas.
Line by Line Meaning
My ignorance cast in the mold of all things absolute
I am completely entrenched in my ignorance and believe that everything I know is absolute truth.
I sustain forever my gaze. A stare fixed on the distant oblivion
I am so deeply focused on my beliefs that I cannot see beyond them, even into the vast void of oblivion.
Resting in the inverted state of being dead, non sensory matter
I am content with being emotionless and lifeless, like a piece of non-sensory matter.
As all the earth, the wind, the wind, the sea behold and learn to pity me
Everyone and everything around me looks on with pity, seeing how my narrow-mindedness has left me empty and lifeless.
Lyrics © Warner Chappell Music, Inc.
Written by: FREDRIK THORDENDAL, JENS KIDMAN, MAARTEN HAGSTROEM, M�RTEN HAGSTR�M, TOMAS HAAKE
Lyrics Licensed & Provided by LyricFind
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