Da Rockwilder
Method Man Lyrics

Oh, my God
The singer exclaims in excitement or surprise.

Oh, my God
The singer repeats their exclamation of excitement or surprise.

(Ow) boo
The singer makes a brief sound of pain or discomfort.

Uh, uh, yo, uh
The artist prepares to begin the song with a rhythmic introduction.

Microphone checka, swingin' sword lecture
The artist is introducing themselves as a skilled rapper, ready to deliver a powerful message with precise rhymes.

Closin' down the sector, supreme neck protector
The singer is establishing their authority and ability to protect themselves against any threats or opposition.

Better warn 'em kid, Mr. Meth's a boiling pot
The singer warns their opponents that they are about to face an intense and explosive performance from themselves, also known as Mr. Meth.

'Bout to blow his lid from the pressure, too hot for TV
The artist emphasizes that their lyrical talent and intensity is so high that it cannot be contained or broadcasted on television.

Fo' sheezy, too many wanna be hard, be easy
The artist is ridiculing those who are trying too hard to appear tough or intimidating, encouraging them to relax and be themselves.

It's all in together, going all out together
The artist is promoting unity and togetherness, emphasizing that everyone should work together to achieve their goals, no matter how difficult it may seem.

It don't take much to please me
The singer indicates that they are easily satisfied and do not require much to be content.

Still homes, I'm never satisfied like the Stones
The artist reveals that they are still unhappy and restless with their current situation, despite claiming to be easily pleased. They liken themselves to the Rolling Stones, who were known for their discontent and search for satisfaction.

We don't condone bitin', see them skull and crossbones
The singer does not approve of those who copy or plagiarize other artists' work and warns that they may face consequences symbolized by the skull and crossbones.

Protecting what I'm writing
The singer is guarding their artistic creation, possibly from imitators or others who may try to steal their ideas.

Don't clash with the Titan who blast with a license
The singer is warning their opponents not to challenge them - they are a powerful force who can use their lyrical skills to overcome any obstacles with ease.

To kill rap recitings
The artist implies that they are so skilled at rapping that they can destroy others' attempts to perform or create music.

Come on, in the zone with ya nigga from the group home
The artist invites their audience to immerse themselves in the song and join them in the creative 'zone' where they perform. They also reference their own humble origins, having lived in a group home.

Tical (fuck your lifestyle)
The singer is using their signature catchphrase, 'Tical,' which may have personal significance or meaning. They also swear at their opponents, indicating disrespect or contempt for their way of life.

Put your lights out
The singer is threatening their opponents, suggesting that they will defeat or humiliate them in a way that will make them wish they had never started the conflict.

Get the shit to crackin', got you fiendin' with your pipes out
The artist is confident that their performance will be so impressive that their listeners will become addicted to it like drug fiends, expressing their appreciation by holding up their lighters or pipes.

Time for some action, surfin' the avenue
The artist is ready to perform and eager to showcase their talent. 'Surfing the avenue' could be a metaphor for navigating the urban landscape and facing new challenges head-on.

Mad at you, where I used to battle crews
The artist reminisces about past battles and confrontations they have had with other groups, possibly indicating that they have overcome these obstacles in the past and are ready for new challenges.

Back when Antoinette had that attitude
The singer references Antoinette, a female rapper from the 1980s and 1990s known for her lyrical skill and attitude, suggesting that they are from the same era or influenced by her work.

Cover me I'm going in, walls closing in
The artist is preparing to perform and asks for support or backup from their crew. They also convey a sense of urgency and pressure, feeling like the environment or situation is closing in on them.

Got us bustin' off these pistols
The singer and their crew are metaphorically 'firing shots' or delivering a powerful performance, using their 'pistols' or voices to create an impact and leave a lasting impression.

My niggas got issues, again (woo), same song
The singer acknowledges that their crew has their own problems or difficulties, but they will continue to persevere and overcome them through their music. They repeat the phrase 'same song' to emphasize that these issues are ongoing and persistent.

Armed with the mega bomb
The singer is equipped with powerful rhymes or lyrics, using their music as a weapon to make an impact and create change.

Blow you out the frame, then I'm gone
The artist will deliver a performance so powerful that it will leave their opponents speechless or defeated. They will then move on to other challenges and opportunities.

Yo, I was going too but we roam, cellular phones
The artist was originally planning to go out or perform but ended up moving around or traveling with their crew. They communicate with each other using mobile phones.

Doc, Meth back in the flesh, blood and bones
The singer refers to himself and his crewmate, Method Man, as 'Doc' and 'Meth.' They are back in action, delivering a performance that is authentic and tangible.

Don't condone (uh), spent bank loans on homegrown
The singer does not approve of certain behaviors or actions, possibly related to drug use or criminal activity. They also reveal that they have invested a lot of money in high-quality cannabis.

Suckers break like Turbo and Ozone
The artist compares their opponents to characters from the movie 'Breakin',' which features breakdancing and other forms of hip-hop culture. Turbo and Ozone were two skilled breakdancers who defeated their opponents through their talent and creativity.

When I grab the broom
The artist is using a broom as a metaphor for their microphone, indicating that they are ready to perform and take control of the situation.

Moon-walk platoon hawk, my goons bark
The artist references Michael Jackson's moonwalk dance move, indicating that they have their own unique style and moves. Their crew members are ready to support and defend them if necessary, also known as 'goons.'

Leave you in a blue lagoon lost (true)
The singer threatens their opponents, suggesting they will be left feeling disoriented and lost like the characters in the film 'Blue Lagoon.' They emphasize that this is true and will happen.

Three nines and a glove with Masu, D-Don and The Gov'
The artist lists names of their crewmates or associates who are ready to support them. 'Three nines' may refer to guns or ammunition, while the glove could be used for handling or using them safely.

Right behind on a bus
The singer's crew is following them on a bus, possibly indicating that they are on their way to perform or make an appearance somewhere.

Haters don't touch (what?)
The singer is warning their opponents not to mess with them or their crew. They ask a rhetorical question to emphasize their point.

Weigh us both up
The singer challenges their opponents to compare themselves to him and his crew, indicating that they will come up short in comparison.

Now my neighbor doped up
The artist references someone nearby who is under the influence of drugs, possibly indicating a negative or dangerous environment.

Got the cable hooked up, all channels
The artist reveals that they have cable television and access to all channels, possibly indicating that they have become successful or wealthy.

Lift my shirt all, mammal
The singer lifts their shirt to reveal their body, possibly indicating that they are in good shape or proud of their appearance. The word 'mammal' could be a reference to the scientific classification of humans as mammals.

You ship off keys and we ship Grand Pianos
The singer implies that their opponents are involved in illegal drug trafficking, while they themselves are involved in the music industry. They metaphorically compare drug shipments to music shipments, with their 'grand pianos' representing high-quality, valuable productions.

Sawed off shotgun (yeah)
The artist refers to a sawed-off shotgun, a type of firearm that is modified for easier use and concealment. They express excitement or enthusiasm for it.

Hand on the pump, sippin' on a forty
The artist is holding a pump-action shotgun and drinking a 40-ounce bottle of alcohol, possibly indicating a dangerous or reckless lifestyle.

Yo, smokin' on a blunt
The artist reveals that they are smoking cannabis, possibly indicating a connection to hip-hop culture or a rebellious attitude.

Bust my gun off
The singer fires their shotgun, possibly indicating involvement in criminal activity or a dangerous environment.

Red and Meth didn't jump
The artist and their crewmate, Redman and Method Man, did not back down from a challenge or confrontation, indicating their courage and bravery.

La-la-la-la-la-la-la-la
The singer and their crew are making a playful or musical sound, adding to the rhythm and energy of the song.

Yeah, come on, Red and Meth didn't jump
The singer repeats their previous line, emphasizing their courage and bravery in the face of conflict.

La-la-la-la-la-la-la-la
The singer and their crew continue to make a playful or musical sound, adding to the rhythm and energy of the song.