Method Man spent a childhood split between separated parents in Long Island and Staten Island, and in an apparent precursor to his career in hip hop was introduced both to playing drums and to poetry by his father. Not only was Method interested in music, he was also fascinated by comic books and particularly Ghost Rider, a fascination which manifested itself years later in several of his many rap aliases. His pre-hip hop adult life was mostly split between drug dealing and low-paid jobs (including a stint working at the Statue of Liberty, along with future Wu-Tang colleague U-God). After becoming well known on the streets for his rhyming abilities, he joined with 8 friends to form the Wu-Tang Clan in the early 1992.
Since the Wu-Tang Clan's ascendancy to hip hop stardom, Method Man has always been one of the most visible members of the collective. He was one of only two of the group to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allows its members to release albums under any record label (Method chose to sign with legendary rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and extremely popular, entering the American charts at #4 and eventually selling in excess of one million copies.
He soon collaborated with Mary J. Blige and Redman with a series of hit singles, one of which (the Blige duet "I'll Be There For You/You're All I Need To Get By") won a Grammy, before recording the second Wu-Tang album, Wu-Tang Forever.
His second solo album was Tical 2000: Judgement Day (1998), which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured a vast amount of guest appearances, from his fellow Clansmen to Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman and even Donald Trump. The album sold even better than his first, though reviews were mixed and its long running time and the abundance of between-song comedy skits were criticised by many.
Method Man then toured with Jay-Z and recorded Blackout! with Redman, a light-hearted, fun record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows of the two MCs.
In the twenty-first century, Method Man forged a successful career in acting. As well as his 1998 appearance in the film Belly along with fellow rappers Nas and DMX, Method has also appeared in 187 Oz, How High (a stoner film with Redman), The Wire, My Baby's Daddy, Garden State and Soul Plane, while continuing to record with the Wu-Tang Clan. He also co-starred with Redman in his own Fox sitcom called Method & Red, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track.
In 2004, Meth released his third album Tical 0: The Prequel, which spawned a successful single in "What's Happenin" with Busta Rhymes, but was poorly received both by critics and fans. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars of the time Missy Elliot, P. Diddy and Ludacris. However, the album sold reasonably well, selling more than any of the other Wu-Tang solo projects released at around the same time. There was good news in early 2005 for fans who were disappointed with The Prequel as Method Man announced that a new RZA-produced album would be released later in the year. The album ultimately never materialized in 2005, though RZA and Meth continue to work on the album and are now aiming for a mid-2006 release date.
Aliases
Big John Stud
The Ghost Rider (from the comic Ghost Rider)
Hot Nickelz
Hot Nixon
Iron Lung
John-John
Johnny Blaze (from the comic Ghost Rider)
Johnny Dangerous
John-John Blaizini
Methtical (Meth-tical)
Meth
Mr. Meth
MZA ("The Mizza")
The Panty Raider
Shakwon (5% Nation "righteous name")
Tical
Ticallion Stallion
Albums
1994 Tical (Platinum)
1998 Tical 2000: Judgement Day (Platinum)
1999 Blackout! (with Redman) (Platinum)
2004 Tical 0: The Prequel
2006 4:21 The Day After
2009 Blackout! 2 (with Redman)
Singles and EPs
1994 "Bring The Pain"
1995 "I'll Be There For You/You're All I Need To Get By" (with Mary J. Blige)
1995 "Release Yo' Delf"
1998 "Break Ups 2 Make Ups"
1998 "Judgement Day"'
1998 "Grand Finale" (with DMX, Nas & Ja Rule)
1999 "Tear It Off" (Method Man & Redman)
1999 "Da Rockwilder" (Method Man & Redman)
1999 "Y.O.U." (Method Man & Redman)
2004 "What's Happenin" (with Busta Rhymes)
2005 "The Show"
Appears On
1993 Enter the Wu-Tang: 36 Chambers (album by the Wu-Tang Clan)
1994 "The What" (from the The Notorious B.I.G. album Ready to Die)
1995 "Dirty Dancin" (from the Ol' Dirty Bastard album Return To The 36 Chambers: The Dirty Version)
1995 "Got The Flava" (from the Showbiz & AG album Goodfellas)
1995 "Wu-Gambinos" & "Ice Cream" (from the Raekwon album Only Built 4 Cuban Linx)
1995 "Living In The World Today", "Shadowboxin" & "Gold" (from the GZA album Liquid Swords)
1995 "The Riddler" (from the Batman Forever Soundtrack)
1996 "Box In Hand" (from the Ghostface Killah album Ironman)
1996 "Box In Hand (Remix)" (Ghostface Killah single)
1996 "Got My Mind Made Up" (from the 2Pac album All Eyez On Me)
1996 "Do What Ya Feel" (from the Redman album Muddy Waters)
1996 "Extortion" (from the Mobb Deep album Hell On Earth)
1996 "Hit 'Em High" (from the Space Jam soundtrack)
1997 Wu-Tang Forever (album by the Wu-Tang Clan)
1997 "Milk The Cow", "Supa Ninjaz" & "Dart Throwing" (from the Cappadonna album The Pillage)
1997 "Next Up" & "Collaboration 98" (from the Sunz Of Man album The Last Shall Be First)
1997 "4,3,2,1" (from the LL Cool J album Phenonemon)
1998 "Well All Rite Cha" (from the Redman album Doc's Da Name 2000)
1998 "Pussy Pop" (from the Xzibit album 40 Dayz & 40 Nightz)
1998 "Whatcha Gonna Do" (from the Jayo Felony album Whatcha Gonna Do)
1998 "The Worst" (from the Onyx album Shut 'Em Down)
1999 "Rumble" (from the U-God album The Golden Arms Redemption)
1999 "Am I My Brother's Keeper" (from the Shyheim album Manchild)
1999 "Fuck Them" (from the Raekwon album Immobilarity)
1999 "Left & Right" (from the D'Angelo album Voodoo)
1999 "Stringplay" (from the GZA album Beneath The Surface)
1999 "N 2 Gether Now" (from the Limp Bizkit album Significant Other)
1999 "Half Man Half Amazin" (from the Pete Rock album Soul Survivor)
1999 "Three Amigos (If It's On)" (from the Popa Wu album Visions Of The Tenth Chamber)
1999 "NYC Everything" (from the RZA album Bobby Digital In Stereo)
1999 "Simon Says (Remix)" (from the Pharoahe Monch album Internal Affairs)
2000 "Buck 50" (from the Ghostface Killah album Supreme Clientele)
2000 "Fuhgidabowdit" (from the LL Cool J album G.O.A.T.)
2000 "Rollin' (Urban Assault Vehicle)" (from the Limp Bizkit album Chocolate Starfish and the Hot Dog Flavored Water)
2000 The W (album by the Wu-Tang Clan)
2000 "Ghetto Celebrity" (from the album In The Mode by Roni Size & Reprazent
2001 "La Rhumba" & "Glocko Pop" (from the RZA album Digital Bullet)
2001 "Enjoy Da Ride" (from the Redman album Malpractice)
2001 "Dog In Heat" (from the Missy Elliott album Miss E...So Addictive)
2001 "Party & Bullshit" (from the Rush Hour 2 soundtrack)
2001 Iron Flag (album by the Wu-Tang Clan)
2001 "Red Meth And Bee" (from the Cypress Hill album Stoned Raiders)
2002 "Flowers" (from the Ghostface Killah album Bulletproof Wallets)
2003 "Respect Mine" (from the Mathematics album Love, Hell Or Right)
2003 "Love @ 1st Sight" (from the Mary J. Blige album Love & Life)
2003 "We Pop (Remix)" (RZA single)
2003 "Bring The Pain" (from the Missy Elliott album This Is Not A Test!)
2003 "Ice Cream Part 2" (from the Raekwon album Lex Diamonds Story)
2003 "Noble Art" (from the IAM album Revoir Un Printemps)
2003 "Rock 'N' Roll" (from the Naughty By Nature album Icons)
2004 "Secret Rivals" (from the Masta Killa album No Said Date)
2004 "The Drummer" (from the Theodore Unit album 718)
2004 Disciples of the 36 Chambers: Chapter 1 (album by the Wu-Tang Clan)
2005 "Head Rush", "John 3:16" & "Spot Lite" (from the Mathematics album The Problem)
2005 "All My Niggas", "Shoot On Sight (S.O S.)" & "Street Education" (from the Streetlife album Street Education)
2005 "High Rollers" (from the Proof album Searching for Jerry Garcia)
2005 "Still On It" (from the Ashanti album Collectables by Ashanti)
2006 "9 Milli Bros." (from the Ghostface Killah album Fishscale)
Intro
Method Man Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And y'all was dumb enough to think that Method's number's up
Pockets so fat, they need a tummy tuck, you hungry fucks
Can sum it up, I give my money up, spit at a honey
Then split a honey Dutch, roll it up, can't roll with us
If you can't hold your liquor, throw it up, y'all know what up
See we them niggas, ain't no ho in us, the flow is nuts
I'm off the meter, momma wished that I was off the reefer
Plus, the silverback gorilla swigger, shot of Tequila to the gut
Nigga, trust, I got that Killa up
What y'all ain't feelin' us? Ain't feelin' ya
When half ya niggas posing similar, yea
Ladies and gents, I think this game need a enema, yea
It's "common sense", I Used 2 Love H.E.R., now they pimpin' her, yeah
But if you Enter the Wu-Tang, you tripping
Like somebody tied together your shoestring, now listen
I'm the, real deal, come on, come back to get ya like bad karma
Y'all niggas is throwing rocks with glass armor
Fuck the court system, pleading the fifth
And if Def Jam is deaf, start reading my lips
I'm cocky, possibly I got my reasons and shit
They ain't built a man that can stop me from feeding my kids
And if you don't know where I'm coming from, never know where I been
Most likely, where ya start at will be the place where you end
And anybody hating on him, hating on them
That's right, anybody hating on him, hating on them, motherfuckers
Method Man's song Intro is an unapologetic introduction to the artist and his crew's style and attitude. The lyrics start by challenging the listener's preconceptions, revealing that even after being in the rap game for a long time, Method Man isn't going anywhere, and his pockets are still "fat." He goes on to mention his affinity for women, weed, and liquor, implying that he and his crew can party hardier than most people could handle. He makes it clear that he and his crew are no "hoes," and their flows are different from other rappers. He also takes a moment to criticize the current state of the game, saying that it needs an enema and references a piece from Common Sense's album "I Used 2 Love H.E.R." by saying "now they pimpin' her." Method Man concludes the song by warning anyone who hates on him or his crew that they're also hating on themselves.
Line by Line Meaning
Stop look and listen, guess who coming up?
Attention please, can you guess who is about to make a grand entrance?
And y'all was dumb enough to think that Method's number's up
You all were foolish to believe that Method Man was down and out.
Pockets so fat, they need a tummy tuck, you hungry fucks
I'm so wealthy that even my pockets are overweight, while you all remain hungry.
Can sum it up, I give my money up, spit at a honey
In short, I am generous and enjoy spending my money and flirting with women.
Then split a honey Dutch, roll it up, can't roll with us
After flirting, I roll up some marijuana and you can't hang with us if you can't handle it.
If you can't hold your liquor, throw it up, y'all know what up
If you can't handle alcohol, don't try to keep up with us.
See we them niggas, ain't no ho in us, the flow is nuts
We're the real dudes and not fakes, our rap style is out of this world.
I'm off the meter, momma wished that I was off the reefer
My creativity is beyond measure and my mother wishes I didn't smoke marijuana.
But, for now, I got this game up in the cobra clutch
At present, I have the rap game under my control.
Plus, the silverback gorilla swigger, shot of Tequila to the gut
Additionally, I'm a strong and dominant rapper, like a silverback gorilla, and I can handle my alcohol.
Nigga, trust, I got that Killa up
Trust me, I have the skill and talent to kill it on the mic.
What y'all ain't feelin' us? Ain't feelin' ya
Are you not appreciating our music? Well, we're not feeling you either.
When half ya niggas posing similar, yea
It's clear that half of you rappers are trying to copy our style.
Ladies and gents, I think this game need a enema, yea
Ladies and gentlemen, I believe the rap game needs a cleansing.
It's "common sense", I Used 2 Love H.E.R., now they pimpin' her, yeah
It's obvious that the rap industry has changed since Common's song "I Used 2 Love H.E.R." and is now exploiting the genre.
But if you Enter the Wu-Tang, you tripping
However, if you dare to mess with the Wu-Tang Clan, then you're asking for trouble.
Like somebody tied together your shoestring, now listen
It's as if someone has sabotaged your shoes and you're now in trouble. Pay attention.
I'm the, real deal, come on, come back to get ya like bad karma
I am the genuine article and I'll make sure you get what's coming to you, like bad karma.
Y'all niggas is throwing rocks with glass armor
You guys are trying to attack us, but you're not strong enough and will only hurt yourselves.
Fuck the court system, pleading the fifth
I have no respect for the legal system and will not incriminate myself.
And if Def Jam is deaf, start reading my lips
If the record label Def Jam is not listening to me, then they should read my lips.
I'm cocky, possibly I got my reasons and shit
I'm confident in my abilities and I have valid reasons for feeling that way.
They ain't built a man that can stop me from feeding my kids
No one can prevent me from providing for my children.
And if you don't know where I'm coming from, never know where I been
If you don't understand my background, then you'll never understand my perspective.
Most likely, where ya start at will be the place where you end
Where you come from will likely determine where you'll end up in life.
And anybody hating on him, hating on them
If someone hates on me, they're also hating on my crew.
That's right, anybody hating on him, hating on them, motherfuckers
Yes, if you're hating on me, you're also hating on my crew, you motherfuckers.
Lyrics © BMG Rights Management
Written by: Burt F Bacharach, Hal David
Lyrics Licensed & Provided by LyricFind