Method Man spent a childhood split between separated parents in Long Island and Staten Island, and in an apparent precursor to his career in hip hop was introduced both to playing drums and to poetry by his father. Not only was Method interested in music, he was also fascinated by comic books and particularly Ghost Rider, a fascination which manifested itself years later in several of his many rap aliases. His pre-hip hop adult life was mostly split between drug dealing and low-paid jobs (including a stint working at the Statue of Liberty, along with future Wu-Tang colleague U-God). After becoming well known on the streets for his rhyming abilities, he joined with 8 friends to form the Wu-Tang Clan in the early 1992.
Since the Wu-Tang Clan's ascendancy to hip hop stardom, Method Man has always been one of the most visible members of the collective. He was one of only two of the group to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allows its members to release albums under any record label (Method chose to sign with legendary rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and extremely popular, entering the American charts at #4 and eventually selling in excess of one million copies.
He soon collaborated with Mary J. Blige and Redman with a series of hit singles, one of which (the Blige duet "I'll Be There For You/You're All I Need To Get By") won a Grammy, before recording the second Wu-Tang album, Wu-Tang Forever.
His second solo album was Tical 2000: Judgement Day (1998), which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured a vast amount of guest appearances, from his fellow Clansmen to Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman and even Donald Trump. The album sold even better than his first, though reviews were mixed and its long running time and the abundance of between-song comedy skits were criticised by many.
Method Man then toured with Jay-Z and recorded Blackout! with Redman, a light-hearted, fun record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows of the two MCs.
In the twenty-first century, Method Man forged a successful career in acting. As well as his 1998 appearance in the film Belly along with fellow rappers Nas and DMX, Method has also appeared in 187 Oz, How High (a stoner film with Redman), The Wire, My Baby's Daddy, Garden State and Soul Plane, while continuing to record with the Wu-Tang Clan. He also co-starred with Redman in his own Fox sitcom called Method & Red, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track.
In 2004, Meth released his third album Tical 0: The Prequel, which spawned a successful single in "What's Happenin" with Busta Rhymes, but was poorly received both by critics and fans. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars of the time Missy Elliot, P. Diddy and Ludacris. However, the album sold reasonably well, selling more than any of the other Wu-Tang solo projects released at around the same time. There was good news in early 2005 for fans who were disappointed with The Prequel as Method Man announced that a new RZA-produced album would be released later in the year. The album ultimately never materialized in 2005, though RZA and Meth continue to work on the album and are now aiming for a mid-2006 release date.
Aliases
Big John Stud
The Ghost Rider (from the comic Ghost Rider)
Hot Nickelz
Hot Nixon
Iron Lung
John-John
Johnny Blaze (from the comic Ghost Rider)
Johnny Dangerous
John-John Blaizini
Methtical (Meth-tical)
Meth
Mr. Meth
MZA ("The Mizza")
The Panty Raider
Shakwon (5% Nation "righteous name")
Tical
Ticallion Stallion
Albums
1994 Tical (Platinum)
1998 Tical 2000: Judgement Day (Platinum)
1999 Blackout! (with Redman) (Platinum)
2004 Tical 0: The Prequel
2006 4:21 The Day After
2009 Blackout! 2 (with Redman)
Singles and EPs
1994 "Bring The Pain"
1995 "I'll Be There For You/You're All I Need To Get By" (with Mary J. Blige)
1995 "Release Yo' Delf"
1998 "Break Ups 2 Make Ups"
1998 "Judgement Day"'
1998 "Grand Finale" (with DMX, Nas & Ja Rule)
1999 "Tear It Off" (Method Man & Redman)
1999 "Da Rockwilder" (Method Man & Redman)
1999 "Y.O.U." (Method Man & Redman)
2004 "What's Happenin" (with Busta Rhymes)
2005 "The Show"
Appears On
1993 Enter the Wu-Tang: 36 Chambers (album by the Wu-Tang Clan)
1994 "The What" (from the The Notorious B.I.G. album Ready to Die)
1995 "Dirty Dancin" (from the Ol' Dirty Bastard album Return To The 36 Chambers: The Dirty Version)
1995 "Got The Flava" (from the Showbiz & AG album Goodfellas)
1995 "Wu-Gambinos" & "Ice Cream" (from the Raekwon album Only Built 4 Cuban Linx)
1995 "Living In The World Today", "Shadowboxin" & "Gold" (from the GZA album Liquid Swords)
1995 "The Riddler" (from the Batman Forever Soundtrack)
1996 "Box In Hand" (from the Ghostface Killah album Ironman)
1996 "Box In Hand (Remix)" (Ghostface Killah single)
1996 "Got My Mind Made Up" (from the 2Pac album All Eyez On Me)
1996 "Do What Ya Feel" (from the Redman album Muddy Waters)
1996 "Extortion" (from the Mobb Deep album Hell On Earth)
1996 "Hit 'Em High" (from the Space Jam soundtrack)
1997 Wu-Tang Forever (album by the Wu-Tang Clan)
1997 "Milk The Cow", "Supa Ninjaz" & "Dart Throwing" (from the Cappadonna album The Pillage)
1997 "Next Up" & "Collaboration 98" (from the Sunz Of Man album The Last Shall Be First)
1997 "4,3,2,1" (from the LL Cool J album Phenonemon)
1998 "Well All Rite Cha" (from the Redman album Doc's Da Name 2000)
1998 "Pussy Pop" (from the Xzibit album 40 Dayz & 40 Nightz)
1998 "Whatcha Gonna Do" (from the Jayo Felony album Whatcha Gonna Do)
1998 "The Worst" (from the Onyx album Shut 'Em Down)
1999 "Rumble" (from the U-God album The Golden Arms Redemption)
1999 "Am I My Brother's Keeper" (from the Shyheim album Manchild)
1999 "Fuck Them" (from the Raekwon album Immobilarity)
1999 "Left & Right" (from the D'Angelo album Voodoo)
1999 "Stringplay" (from the GZA album Beneath The Surface)
1999 "N 2 Gether Now" (from the Limp Bizkit album Significant Other)
1999 "Half Man Half Amazin" (from the Pete Rock album Soul Survivor)
1999 "Three Amigos (If It's On)" (from the Popa Wu album Visions Of The Tenth Chamber)
1999 "NYC Everything" (from the RZA album Bobby Digital In Stereo)
1999 "Simon Says (Remix)" (from the Pharoahe Monch album Internal Affairs)
2000 "Buck 50" (from the Ghostface Killah album Supreme Clientele)
2000 "Fuhgidabowdit" (from the LL Cool J album G.O.A.T.)
2000 "Rollin' (Urban Assault Vehicle)" (from the Limp Bizkit album Chocolate Starfish and the Hot Dog Flavored Water)
2000 The W (album by the Wu-Tang Clan)
2000 "Ghetto Celebrity" (from the album In The Mode by Roni Size & Reprazent
2001 "La Rhumba" & "Glocko Pop" (from the RZA album Digital Bullet)
2001 "Enjoy Da Ride" (from the Redman album Malpractice)
2001 "Dog In Heat" (from the Missy Elliott album Miss E...So Addictive)
2001 "Party & Bullshit" (from the Rush Hour 2 soundtrack)
2001 Iron Flag (album by the Wu-Tang Clan)
2001 "Red Meth And Bee" (from the Cypress Hill album Stoned Raiders)
2002 "Flowers" (from the Ghostface Killah album Bulletproof Wallets)
2003 "Respect Mine" (from the Mathematics album Love, Hell Or Right)
2003 "Love @ 1st Sight" (from the Mary J. Blige album Love & Life)
2003 "We Pop (Remix)" (RZA single)
2003 "Bring The Pain" (from the Missy Elliott album This Is Not A Test!)
2003 "Ice Cream Part 2" (from the Raekwon album Lex Diamonds Story)
2003 "Noble Art" (from the IAM album Revoir Un Printemps)
2003 "Rock 'N' Roll" (from the Naughty By Nature album Icons)
2004 "Secret Rivals" (from the Masta Killa album No Said Date)
2004 "The Drummer" (from the Theodore Unit album 718)
2004 Disciples of the 36 Chambers: Chapter 1 (album by the Wu-Tang Clan)
2005 "Head Rush", "John 3:16" & "Spot Lite" (from the Mathematics album The Problem)
2005 "All My Niggas", "Shoot On Sight (S.O S.)" & "Street Education" (from the Streetlife album Street Education)
2005 "High Rollers" (from the Proof album Searching for Jerry Garcia)
2005 "Still On It" (from the Ashanti album Collectables by Ashanti)
2006 "9 Milli Bros." (from the Ghostface Killah album Fishscale)
Judgement Day
Method Man Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Anarchy, genocide, starvation
Then when it seemed like shit couldn't get any more fucked up
We got the plague
The living death
Closing his icy grip around the whole planet
Then the rumors started
The last hardcore MC's were working on a cure
I like the death
I like the misery
I like this world!
The Final Frontier
These are the voy-voy-voyages of the Starship TICAL
As I walk in the shadow of death
Sixteen men on a dead man's chest
Your host this even Mr H-O-T
N-i-x, you get splashed with the Tec
Nobody go 'til the God say so
You got a second or more to run for the door
Before I blow back off the map, contact
You didn't know Stat' could get down like that
Who want them test rocket launcher, yes
Mr. Meth, hold the fort, most def
Cats is dead wrong, song's too long
Get swung on, can't we all get along?
See my pinkie, see my thumb
See that kid with the pump shot gun?
Bust your gums, leave your whole shit numb
Hmm, now what's this? Smell like fish
Mr. Big Mouth, the gat be trout
You need to douche out your style no doubt
Johnny struck through the Shaolin slum
Prum-prum-prum on my Shaolin drum
Niggas don't dare to step in the square
Kids ain't playing over here, playa
Only one way, and that's my way
Grim Reaper calling, Judgement Day
Ten, let the countdown begin
Nine, I was born in the mind
Eight, take the head of a snake
Seven, behold Armageddon
Six, ain't no love for the rich
Five, only strong will survive
Four, 'cause we live by the sword
Three, plus sixty degrees
Two, for the black and the blue
One, for the sun, step into millennium
The name of this one is Judgement Day
No more B.S., can't come out and play
Don't blame me, blame society
Type of chemistry for a live MC
Hands in the air like you just don't care
You all get a share, there's a party over here
Year 2000, keep bouncing
T-minus, thirty seconds and counting
New York's finest, still wilding, Shaolin
At the full moon howling
Get 'til it's gone, Killa Bee kills
Only time will reveal like the words in the song
Cause love's what I feel for my crew, bust steel
Niggas don't got to pay my bills
P.l.o. Pack the slingshot flow
Plant the seed, let the garden grow
And stick that rhyme where the sun don't shine
Darts pierce your heart like a Valentine
This my Tale From the Crypt that's sick
Bloodbath, body bags and shit
Ufc fighting championships
G.i. Joes with the Kung-Fu Grip
Now you don't dare, to step in the square
Kids ain't playing over here, playa
Only one way, and that's my way
Grim Reaper calling, Judgement Day
Come on, I said come on
Ten, let the countdown begin
Nine, I was born in the mind
Eight, take the head of a snake
Seven, behold Armageddon
Six, ain't no love for the rich
Five, only strong will survive
Four, 'cause we live by the sword
Three, plus sixty degrees
Two, for the black and the blue
One, for the sun, step into millennium
As I walk in the shadow of death
Sixteen men on a dead man's chest
Your host this even Mr H-O-T
N-i-x, you get splashed with the Tec
Nobody go 'til the God say so
You got a second or more to run for the door
Before I blow back off the map, contact
You didn't know Stat' could get down like that
Who want them test rocket launcher, yes
Mr. Meth, hold the fort, most def
Cats is dead wrong, song's too long
Get swung on, can't we all get along?
See my pinkie, see my thumb
See that kid with the pump shot gun?
Bust your gums, leave your whole shit numb
Hmm, now what's this? Smell like fish
Mr. Big Mouth, the gat be trout
You need to douche out your style no doubt
Johnny struck through the Shaolin slum
Prum-prum-prum on my Shaolin drum
Niggas don't dare to step in the square
Kids ain't playing over here, playa
Only one way, and that's my way
Grim Reaper calling, Judgement Day
Ten, let the countdown begin
Nine, I was born in the mind
Eight, take the head of a snake
Seven, behold Armageddon
Six, ain't no love for the rich
Five, only strong will survive
Four, 'cause we live by the sword
Three, plus sixty degrees
Two, for the black and the blue
One, for the sun, step into millennium
Ten
Nine
Eight
Seven
Six
Five
Four
Three
Two
One
Step into millennium
Let the countdown begin
I was born in the mind
Take the head of a snake
Behold Armageddon
Ain't no love for the rich
Only strong will survive
'Cause we live by the sword
Plus sixty degrees
For the black and the blue
For the sun, Judgment Day
"Judgement Day" by Method Man is a song that explores the end of the world, both in terms of a plague that wipes out civilization and the aftermath of that plague. Meth mentions that after the collapse of society and the spread of disease, the last hardcore MC's began working on a cure that would end the pestilence. Meth, however, admits that he likes this world of death and misery. Then Meth introduces the theme of the final frontier by saying "These are the voyages of the Starship TICAL." This line conjures images of a spaceship emblazoned with the TICAL moniker flying off into space, ready to conquer new worlds.
The song then takes on a rap/hip-hop form, with Meth spitting lyrics in his signature style. Meth is known for his smooth flow and heavy use of imagery, rhythm and rhyme, and all of these techniques are on display in this song. The lyrics touch on a wide range of topics, including violence, hip hop culture, and the importance of sticking together as a community in trying times. The countdown towards the end of the world is also featured heavily throughout the song, serving as a constant reminder of the inevitability of the end of the world and the need to keep pushing forward despite this.
Line by Line Meaning
First there was the collapse of civilization
The beginning of everything started with the loss of the established way of life and values.
Anarchy, genocide, starvation
This further led to chaos, mass killings, and hunger.
Then when it seemed like shit couldn't get any more fucked up
The situation kept on worsening, and there seemed to be no respite.
We got the plague
Finally, there came an epidemic, affecting the entire planet.
The living death
The disease was deadly and affected people worldwide, making them more susceptible to death.
Closing his icy grip around the whole planet
The epidemic's grip tightened, affecting every living creature on the planet.
Then the rumors started
There were rumors that some hardcore MCs were trying to find a cure to the epidemic.
The last hardcore MC's were working on a cure
Few great artists were reportedly trying to come up with a solution to end the epidemic.
That would end the pestilence. Why?
The cure could end the disease, thereby providing a respite to the people.
I like the death
The artist has a fascination with death.
I like the misery
The singer is drawn to the feeling of agony and pain.
I like this world!
The artist has a liking towards the world's misery and death.
The Final Frontier
This line refers to the space beyond the earth, which is unknown and infinite.
These are the voy-voy-voyages of the Starship TICAL
This line is a reference to space travel and exploration of the unknown.
As I walk in the shadow of death
The singer seems to be surrounded by death and darkness.
Sixteen men on a dead man's chest
It is unclear what this line is referring to, but it could be a reference to a pirate song.
Your host this even Mr H-O-T
The artist is introducing himself with the moniker Hot.
N-i-x, you get splashed with the Tec
The singer is warning someone with the name N-i-x and threatening to use a Tec gun against them.
Nobody go 'til the God say so
The singer is saying that nobody should leave until he says so because he is the boss or ruler.
You got a second or more to run for the door
The artist is warning someone to run for their life to escape before he takes action.
Before I blow back off the map, contact
The artist is saying that he will inflict physical harm or even kill the other person.
You didn't know Stat' could get down like that
The artist is saying that the other person did not know he was capable of such action.
Who want them test rocket launcher, yes
The singer is challenging someone to face his rocket launcher.
Mr. Meth, hold the fort, most def
The artist is referring to himself as Meth and providing directions to hold the fort.
Cats is dead wrong, song's too long
The singer is suggesting that someone else is incorrect or mistaken and that the song is too lengthy.
Get swung on, can't we all get along?
The singer is asking why people cannot coexist peacefully without getting into fights or arguments.
See my pinkie, see my thumb
The singer is pointing at his fingers, indicating a playful hand gesture.
See that kid with the pump shot gun?
The artist is pointing towards a child wielding a shotgun.
Bust your gums, leave your whole shit numb
The artist is threatening to shoot the person and render them immobile.
Hmm, now what's this? Smell like fish
The singer is jokingly questioning what the odd smell is and suggesting that it is fish-like.
Mr. Big Mouth, the gat be trout
The singer is mocking someone for having a big mouth, using gun-related wordplay.
You need to douche out your style no doubt
The artist is suggesting that someone needs to clean up or change their ways.
Johnny struck through the Shaolin slum
The artist is referring to a person named Johnny who has traveled through the Shaolin area.
Prum-prum-prum on my Shaolin drum
The artist is making a drumming sound associated with Shaolin area.
Niggas don't dare to step in the square
The singer is implying that others are afraid to approach him or enter this area.
Kids ain't playing over here, playa
The artist is warning that this is a serious area, and people should not joke about things here.
Only one way, and that's my way
The singer is suggesting that others should only follow his lead and no other way is possible.
Grim Reaper calling, Judgement Day
The singer is referring to an impending doom and that the Reaper is coming for everyone.
Ten, let the countdown begin
The singer is starting a countdown with ten as the starting point.
Nine, I was born in the mind
The artist got the idea from his mind's creativity.
Eight, take the head of a snake
The artist is probably referring to taking down the problem at its root, which is similar to cutting off a snake's head.
Seven, behold Armageddon
The singer is referring to the battle of Armageddon, a Biblical reference to an end of the world event.
Six, ain't no love for the rich
The singer is implying that people don't care about the wealthy.
Five, only strong will survive
The artist is saying that only those who are strong will make it out alive.
Four, 'cause we live by the sword
The artist is referencing the famous phrase, 'live by the sword, die by the sword.'
Three, plus sixty degrees
This line is unclear but could be a reference to a specific temperature or a particular angle.
Two, for the black and the blue
The singer is probably referring to the black and blue-colored bruises that come from violence.
One, for the sun, step into millennium
The artist is saying that the new millennium is dawning, and a new phase is beginning.
The name of this one is Judgement Day
The title of the song is 'Judgement Day.'
No more B.S., can't come out and play
The singer is done with pointless banter and wants to move on from such childish behavior.
Don't blame me, blame society
The singer is pushing back against being blamed for problems in society, instead putting the responsibility on the larger community.
Type of chemistry for a live MC
The artist is referencing a type of chemistry that exists between two or more people who work together on a successful project or performance.
Hands in the air like you just don't care
The artist is encouraging the audience to put their hands up in the air and dance.
You all get a share, there's a party over here
The singer is implying that everyone will get a piece of the action, and the party is happening at his location.
Year 2000, keep bouncing
The song was released in 1998, so the singer is encouraging people to 'bounce' or dance when the new millennium arrives.
T-minus, thirty seconds and counting
The artist is counting down the final seconds until something happens or is about to happen.
New York's finest, still wilding, Shaolin
The artist is referencing the police department in New York City and the reputation of Shaolin's crime rate.
At the full moon howling
The artist is suggesting that people are in a primal state and howling in response to the full moon.
Get 'til it's gone, Killa Bee kills
The singer is saying that people should keep going until something is gone, and the Wu-Tang Clan is killing it (doing well).
Only time will reveal like the words in the song
The artist is saying that only time will reveal how successful the song (or any endeavor) will be, much like how the song's lyrics will be revealed over time.
Cause love's what I feel for my crew, bust steel
The singer is saying that the love he has for his group is so strong that he is willing to use deadly force to protect them.
Niggas don't got to pay my bills
The singer is saying that others are not responsible for his bills or expenses.
P.l.o. Pack the slingshot flow
The singer is referencing P.L.O. (Palestine Liberation Organization) and referencing their militant activities.
Plant the seed, let the garden grow
The artist is saying that one should plant good ideas in one's mind, and the positive results will follow.
And stick that rhyme where the sun don't shine
The artist is saying to take the lyrics and beat and make something new and unique.
Darts pierce your heart like a Valentine
The singer is saying that his rhyming skills are so sharp that they can cut like an arrow into a heart like a Valentine's Day gift would.
This my Tale From the Crypt that's sick
The singer is comparing his message to an episode of the horror television show 'Tales from the Crypt.'
Bloodbath, body bags and shit
The artist is making a reference to violence and death.
Ufc fighting championships
The artist is referencing the Ultimate Fighting Championship, which is a popular mixed martial arts organization and event.
G.i. Joes with the Kung-Fu Grip
The artist is referencing a popular toy from the 1970s called G.I. Joes with a special Kung Fu grip hand.
Now you don't dare, to step in the square
The singer is trying to intimidate others from entering his area.
Come on, I said come on
The artist is encouraging someone to approach him.
Step into millennium
The singer is welcoming the new millennium and encouraging others to join in.
Lyrics Β© Universal Music Publishing Group
Written by: CLIFFORD SMITH, SELWYN DAJUAN BOUGARD
Lyrics Licensed & Provided by LyricFind
@johnmorrow6082
π₯~Ten, let the countdown begin
Nine, I was born in the mind
Eight, take the head of a snake
Seven, behold Armageddon
Six, ain't no love for the rich
Five, only strong will survive
Four, 'cause we live by the sword
Three, plus sixty degrees
Two, for the black and the blue
One, for the sun, step into millennium~π₯
@livethroughthis3863
Whoβs still listening in 2023?ππ
@Jethrobro
Yeah everytime homey ahah
the base with big B .... hummm
@dosanjos8297
π₯π₯ππ»ππ»
@gosplayer1137
Me
@vaaksvakuums
Oldschool 4eva : ) true sh#t
@nanashands8166
2022 βπ½π€£
@wr34l-15
This is the pinnacle...Rap at its finest...pushed to it's limit... this format of rap will never be replicated again... respect to the Golden Era...βπΎππ―π₯
@NW7386
I say the same thing man. This is like hip hop to the core. It's like a party song with battle rhymes...this is what we would be dancing to in the clubs if hip hop was ruled by the culture first instead of pop rap. There's not many hip hop songs that sound like this and the video was dope af! This whole album is a classic to me.
@bumpnuglies
Wu Tang was dark the heavy metal of hip hop we were built different in the 90's. This generation is too sooffffft
@traceybonner7956
β@@nicholaswoods7386β€