Method Man (born Clifford Smith, 2 March 1971 in Hempstead, Long Island, Ne… Read Full Bio ↴Method Man (born Clifford Smith, 2 March 1971 in Hempstead, Long Island, New York) is an American rapper and member of the hip-hop collective, Wu-Tang Clan. He is also well-known for his work both as a solo artist and with frequent collaborator Redman, as well as for recent forays into acting.

Method Man spent a childhood split between separated parents in Long Island and Staten Island, and in an apparent precursor to his career in hip hop was introduced both to playing drums and to poetry by his father. Not only was Method interested in music, he was also fascinated by comic books and particularly Ghost Rider, a fascination which manifested itself years later in several of his many rap aliases. His pre-hip hop adult life was mostly split between drug dealing and low-paid jobs (including a stint working at the Statue of Liberty, along with future Wu-Tang colleague U-God). After becoming well known on the streets for his rhyming abilities, he joined with 8 friends to form the Wu-Tang Clan in the early 1992.

Since the Wu-Tang Clan's ascendancy to hip hop stardom, Method Man has always been one of the most visible members of the collective. He was one of only two of the group to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allows its members to release albums under any record label (Method chose to sign with legendary rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and extremely popular, entering the American charts at #4 and eventually selling in excess of one million copies.

He soon collaborated with Mary J. Blige and Redman with a series of hit singles, one of which (the Blige duet "I'll Be There For You/You're All I Need To Get By") won a Grammy, before recording the second Wu-Tang album, Wu-Tang Forever.

His second solo album was Tical 2000: Judgement Day (1998), which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured a vast amount of guest appearances, from his fellow Clansmen to Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman and even Donald Trump. The album sold even better than his first, though reviews were mixed and its long running time and the abundance of between-song comedy skits were criticised by many.

Method Man then toured with Jay-Z and recorded Blackout! with Redman, a light-hearted, fun record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows of the two MCs.

In the twenty-first century, Method Man forged a successful career in acting. As well as his 1998 appearance in the film Belly along with fellow rappers Nas and DMX, Method has also appeared in 187 Oz, How High (a stoner film with Redman), The Wire, My Baby's Daddy, Garden State and Soul Plane, while continuing to record with the Wu-Tang Clan. He also co-starred with Redman in his own Fox sitcom called Method & Red, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track.

In 2004, Meth released his third album Tical 0: The Prequel, which spawned a successful single in "What's Happenin" with Busta Rhymes, but was poorly received both by critics and fans. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars of the time Missy Elliot, P. Diddy and Ludacris. However, the album sold reasonably well, selling more than any of the other Wu-Tang solo projects released at around the same time. There was good news in early 2005 for fans who were disappointed with The Prequel as Method Man announced that a new RZA-produced album would be released later in the year. The album ultimately never materialized in 2005, though RZA and Meth continue to work on the album and are now aiming for a mid-2006 release date.

Aliases
Big John Stud
The Ghost Rider (from the comic Ghost Rider)
Hot Nickelz
Hot Nixon
Iron Lung
John-John
Johnny Blaze (from the comic Ghost Rider)
Johnny Dangerous
John-John Blaizini
Methtical (Meth-tical)
Meth
Mr. Meth
MZA ("The Mizza")
The Panty Raider
Shakwon (5% Nation "righteous name")
Tical
Ticallion Stallion

Albums
1994 Tical (Platinum)
1998 Tical 2000: Judgement Day (Platinum)
1999 Blackout! (with Redman) (Platinum)
2004 Tical 0: The Prequel
2006 4:21 The Day After
2009 Blackout! 2 (with Redman)

Singles and EPs
1994 "Bring The Pain"
1995 "I'll Be There For You/You're All I Need To Get By" (with Mary J. Blige)
1995 "Release Yo' Delf"
1998 "Break Ups 2 Make Ups"
1998 "Judgement Day"'
1998 "Grand Finale" (with DMX, Nas & Ja Rule)
1999 "Tear It Off" (Method Man & Redman)
1999 "Da Rockwilder" (Method Man & Redman)
1999 "Y.O.U." (Method Man & Redman)
2004 "What's Happenin" (with Busta Rhymes)
2005 "The Show"

Appears On
1993 Enter the Wu-Tang: 36 Chambers (album by the Wu-Tang Clan)
1994 "The What" (from the The Notorious B.I.G. album Ready to Die)
1995 "Dirty Dancin" (from the Ol' Dirty Bastard album Return To The 36 Chambers: The Dirty Version)
1995 "Got The Flava" (from the Showbiz & AG album Goodfellas)
1995 "Wu-Gambinos" & "Ice Cream" (from the Raekwon album Only Built 4 Cuban Linx)
1995 "Living In The World Today", "Shadowboxin" & "Gold" (from the GZA album Liquid Swords)
1995 "The Riddler" (from the Batman Forever Soundtrack)
1996 "Box In Hand" (from the Ghostface Killah album Ironman)
1996 "Box In Hand (Remix)" (Ghostface Killah single)
1996 "Got My Mind Made Up" (from the 2Pac album All Eyez On Me)
1996 "Do What Ya Feel" (from the Redman album Muddy Waters)
1996 "Extortion" (from the Mobb Deep album Hell On Earth)
1996 "Hit 'Em High" (from the Space Jam soundtrack)
1997 Wu-Tang Forever (album by the Wu-Tang Clan)
1997 "Milk The Cow", "Supa Ninjaz" & "Dart Throwing" (from the Cappadonna album The Pillage)
1997 "Next Up" & "Collaboration 98" (from the Sunz Of Man album The Last Shall Be First)
1997 "4,3,2,1" (from the LL Cool J album Phenonemon)
1998 "Well All Rite Cha" (from the Redman album Doc's Da Name 2000)
1998 "Pussy Pop" (from the Xzibit album 40 Dayz & 40 Nightz)
1998 "Whatcha Gonna Do" (from the Jayo Felony album Whatcha Gonna Do)
1998 "The Worst" (from the Onyx album Shut 'Em Down)
1999 "Rumble" (from the U-God album The Golden Arms Redemption)
1999 "Am I My Brother's Keeper" (from the Shyheim album Manchild)
1999 "Fuck Them" (from the Raekwon album Immobilarity)
1999 "Left & Right" (from the D'Angelo album Voodoo)
1999 "Stringplay" (from the GZA album Beneath The Surface)
1999 "N 2 Gether Now" (from the Limp Bizkit album Significant Other)
1999 "Half Man Half Amazin" (from the Pete Rock album Soul Survivor)
1999 "Three Amigos (If It's On)" (from the Popa Wu album Visions Of The Tenth Chamber)
1999 "NYC Everything" (from the RZA album Bobby Digital In Stereo)
1999 "Simon Says (Remix)" (from the Pharoahe Monch album Internal Affairs)
2000 "Buck 50" (from the Ghostface Killah album Supreme Clientele)
2000 "Fuhgidabowdit" (from the LL Cool J album G.O.A.T.)
2000 "Rollin' (Urban Assault Vehicle)" (from the Limp Bizkit album Chocolate Starfish and the Hot Dog Flavored Water)
2000 The W (album by the Wu-Tang Clan)
2000 "Ghetto Celebrity" (from the album In The Mode by Roni Size & Reprazent
2001 "La Rhumba" & "Glocko Pop" (from the RZA album Digital Bullet)
2001 "Enjoy Da Ride" (from the Redman album Malpractice)
2001 "Dog In Heat" (from the Missy Elliott album Miss E...So Addictive)
2001 "Party & Bullshit" (from the Rush Hour 2 soundtrack)
2001 Iron Flag (album by the Wu-Tang Clan)
2001 "Red Meth And Bee" (from the Cypress Hill album Stoned Raiders)
2002 "Flowers" (from the Ghostface Killah album Bulletproof Wallets)
2003 "Respect Mine" (from the Mathematics album Love, Hell Or Right)
2003 "Love @ 1st Sight" (from the Mary J. Blige album Love & Life)
2003 "We Pop (Remix)" (RZA single)
2003 "Bring The Pain" (from the Missy Elliott album This Is Not A Test!)
2003 "Ice Cream Part 2" (from the Raekwon album Lex Diamonds Story)
2003 "Noble Art" (from the IAM album Revoir Un Printemps)
2003 "Rock 'N' Roll" (from the Naughty By Nature album Icons)
2004 "Secret Rivals" (from the Masta Killa album No Said Date)
2004 "The Drummer" (from the Theodore Unit album 718)
2004 Disciples of the 36 Chambers: Chapter 1 (album by the Wu-Tang Clan)
2005 "Head Rush", "John 3:16" & "Spot Lite" (from the Mathematics album The Problem)
2005 "All My Niggas", "Shoot On Sight (S.O S.)" & "Street Education" (from the Streetlife album Street Education)
2005 "High Rollers" (from the Proof album Searching for Jerry Garcia)
2005 "Still On It" (from the Ashanti album Collectables by Ashanti)
2006 "9 Milli Bros." (from the Ghostface Killah album Fishscale)

Ridin
Method Man Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Three young cats strapped with gats decided to ride out one night
The in-flight drug used to induce, the hindsight was dust
The moonlight was robust but they couldn't see the beauty in it
Their duty in it was to carry out another senseless killin'

Senses and feelings distorted, they boarded their vessel Nessel
Discreet in crotches and underneath seats they tuck heat
To complete the mission they had no decision in

No longer do they use our light and dark used to create
The vision in our towns but now, they red and blue override our brown skin

We've been conditioned to let off them rounds
When we see another color rag or hear another brother brag
About what set he claimin', poverty, drugs and poor
Education should be the target but we won't stay gamin' that

We'll kill and maim another cat like there's no shame
In that like there's fame in that, we hang out them car windows
And bust them slugs in the name of genocide in disguise
So we don't take blame for that but if there's honor amongst

You thieves in life then what the fuck you hidin' for?
Recognize your deed to trife and decide what the fuck you ridin' for

Overall Meaning

The lyrics of Method Man's song "Ridin' For Outro" addresses the senseless violence that often plagues the inner cities. The song starts off describing three young men who are armed and are heading out with a mission to kill someone. The in-flight drug that they have taken has distorted their senses and feelings, making them blind to the beauty of the moonlight. Their sole duty is to carry out another senseless killing, and they have no decision in it. The song discusses the impact of poverty, drugs, and lack of education on the lives of individuals in the inner cities.

Method Man lays bare how people in these communities have been conditioned to let off rounds without any thought when they see other color rags or hear another brother brag about the set he's claiming. He points out that red and blue now override our brown skin. Often, these crimes are masked in the guise of honor or fame, and people take pride in being part of genocide. However, he reminds everyone that there should be shame in that kind of behavior, and they should recognize their deeds to live a better life.

Overall, the song is a powerful commentary on senseless violence and the need for change in the inner cities. It calls on individuals to recognize their worth, stop the violence, and take control of their lives while they still have time.

Line by Line Meaning

Three young cats strapped with gats decided to ride out one night
Three young men, armed with guns, made the decision to go out one night

The in-flight drug used to induce, the hindsight was dust
They were under the influence of drugs, blinding them to the potential consequences of their actions

The moonlight was robust but they couldn't see the beauty in it
Despite the beautiful moonlight, they were unable to appreciate it due to their preoccupation with violence

Their duty in it was to carry out another senseless killin'
Their purpose was to commit yet another unnecessary act of violence

Senses and feelings distorted, they boarded their vessel Nessel
Their senses and emotions were warped, and they got into their mode of transportation

Discreet in crotches and underneath seats they tuck heat
They concealed their guns in various places in the car

To complete the mission they had no decision in
They felt compelled to carry out their violent mission

No longer do they use our light and dark used to create
They no longer use their perception of light and dark to understand and navigate the world

The vision in our towns but now, they red and blue override our brown skin
Instead, their perceptions are shaped by gang colors, which take precedence over their racial identity

We've been conditioned to let off them rounds
They have been socialized to use violence as a means of resolving conflicts

When we see another color rag or hear another brother brag
When they encounter a person wearing a rival gang's colors or bragging about their own gang

About what set he claimin', poverty, drugs and poor
Or talking about the struggles they face due to poverty and drugs

Education should be the target but we won't stay gamin' that
While education should be a priority, they are not focused on improving their situation through peaceful means

We'll kill and maim another cat like there's no shame
They are willing to take another person's life or cause them serious harm without remorse or hesitation

In that like there's fame in that, we hang out them car windows
They see violence as a way to gain notoriety and will literally hang out of car windows to commit it

And bust them slugs in the name of genocide in disguise
They justify their actions as being necessary to eradicate their rivals, but it is really a form of genocide

So we don't take blame for that but if there's honor amongst
They want to shirk responsibility for their violent actions, but appeal to the idea of honor among thieves

You thieves in life then what the fuck you hidin' for?
If they are truly criminals, then why do they bother hiding their guilt?

Recognize your deed to trife and decide what the fuck you ridin' for
They should acknowledge their connection to a life of crime and reflect on whether it is worth it

Lyrics © Universal Music Publishing Group
Written by: JEREMY A. GRAHAM, LAMAR AHMAD MANSON

Lyrics Licensed & Provided by LyricFind

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