Method Man spent a childhood split between separated parents in Long Island and Staten Island, and in an apparent precursor to his career in hip hop was introduced both to playing drums and to poetry by his father. Not only was Method interested in music, he was also fascinated by comic books and particularly Ghost Rider, a fascination which manifested itself years later in several of his many rap aliases. His pre-hip hop adult life was mostly split between drug dealing and low-paid jobs (including a stint working at the Statue of Liberty, along with future Wu-Tang colleague U-God). After becoming well known on the streets for his rhyming abilities, he joined with 8 friends to form the Wu-Tang Clan in the early 1992.
Since the Wu-Tang Clan's ascendancy to hip hop stardom, Method Man has always been one of the most visible members of the collective. He was one of only two of the group to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allows its members to release albums under any record label (Method chose to sign with legendary rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and extremely popular, entering the American charts at #4 and eventually selling in excess of one million copies.
He soon collaborated with Mary J. Blige and Redman with a series of hit singles, one of which (the Blige duet "I'll Be There For You/You're All I Need To Get By") won a Grammy, before recording the second Wu-Tang album, Wu-Tang Forever.
His second solo album was Tical 2000: Judgement Day (1998), which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured a vast amount of guest appearances, from his fellow Clansmen to Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman and even Donald Trump. The album sold even better than his first, though reviews were mixed and its long running time and the abundance of between-song comedy skits were criticised by many.
Method Man then toured with Jay-Z and recorded Blackout! with Redman, a light-hearted, fun record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows of the two MCs.
In the twenty-first century, Method Man forged a successful career in acting. As well as his 1998 appearance in the film Belly along with fellow rappers Nas and DMX, Method has also appeared in 187 Oz, How High (a stoner film with Redman), The Wire, My Baby's Daddy, Garden State and Soul Plane, while continuing to record with the Wu-Tang Clan. He also co-starred with Redman in his own Fox sitcom called Method & Red, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track.
In 2004, Meth released his third album Tical 0: The Prequel, which spawned a successful single in "What's Happenin" with Busta Rhymes, but was poorly received both by critics and fans. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars of the time Missy Elliot, P. Diddy and Ludacris. However, the album sold reasonably well, selling more than any of the other Wu-Tang solo projects released at around the same time. There was good news in early 2005 for fans who were disappointed with The Prequel as Method Man announced that a new RZA-produced album would be released later in the year. The album ultimately never materialized in 2005, though RZA and Meth continue to work on the album and are now aiming for a mid-2006 release date.
Aliases
Big John Stud
The Ghost Rider (from the comic Ghost Rider)
Hot Nickelz
Hot Nixon
Iron Lung
John-John
Johnny Blaze (from the comic Ghost Rider)
Johnny Dangerous
John-John Blaizini
Methtical (Meth-tical)
Meth
Mr. Meth
MZA ("The Mizza")
The Panty Raider
Shakwon (5% Nation "righteous name")
Tical
Ticallion Stallion
Albums
1994 Tical (Platinum)
1998 Tical 2000: Judgement Day (Platinum)
1999 Blackout! (with Redman) (Platinum)
2004 Tical 0: The Prequel
2006 4:21 The Day After
2009 Blackout! 2 (with Redman)
Singles and EPs
1994 "Bring The Pain"
1995 "I'll Be There For You/You're All I Need To Get By" (with Mary J. Blige)
1995 "Release Yo' Delf"
1998 "Break Ups 2 Make Ups"
1998 "Judgement Day"'
1998 "Grand Finale" (with DMX, Nas & Ja Rule)
1999 "Tear It Off" (Method Man & Redman)
1999 "Da Rockwilder" (Method Man & Redman)
1999 "Y.O.U." (Method Man & Redman)
2004 "What's Happenin" (with Busta Rhymes)
2005 "The Show"
Appears On
1993 Enter the Wu-Tang: 36 Chambers (album by the Wu-Tang Clan)
1994 "The What" (from the The Notorious B.I.G. album Ready to Die)
1995 "Dirty Dancin" (from the Ol' Dirty Bastard album Return To The 36 Chambers: The Dirty Version)
1995 "Got The Flava" (from the Showbiz & AG album Goodfellas)
1995 "Wu-Gambinos" & "Ice Cream" (from the Raekwon album Only Built 4 Cuban Linx)
1995 "Living In The World Today", "Shadowboxin" & "Gold" (from the GZA album Liquid Swords)
1995 "The Riddler" (from the Batman Forever Soundtrack)
1996 "Box In Hand" (from the Ghostface Killah album Ironman)
1996 "Box In Hand (Remix)" (Ghostface Killah single)
1996 "Got My Mind Made Up" (from the 2Pac album All Eyez On Me)
1996 "Do What Ya Feel" (from the Redman album Muddy Waters)
1996 "Extortion" (from the Mobb Deep album Hell On Earth)
1996 "Hit 'Em High" (from the Space Jam soundtrack)
1997 Wu-Tang Forever (album by the Wu-Tang Clan)
1997 "Milk The Cow", "Supa Ninjaz" & "Dart Throwing" (from the Cappadonna album The Pillage)
1997 "Next Up" & "Collaboration 98" (from the Sunz Of Man album The Last Shall Be First)
1997 "4,3,2,1" (from the LL Cool J album Phenonemon)
1998 "Well All Rite Cha" (from the Redman album Doc's Da Name 2000)
1998 "Pussy Pop" (from the Xzibit album 40 Dayz & 40 Nightz)
1998 "Whatcha Gonna Do" (from the Jayo Felony album Whatcha Gonna Do)
1998 "The Worst" (from the Onyx album Shut 'Em Down)
1999 "Rumble" (from the U-God album The Golden Arms Redemption)
1999 "Am I My Brother's Keeper" (from the Shyheim album Manchild)
1999 "Fuck Them" (from the Raekwon album Immobilarity)
1999 "Left & Right" (from the D'Angelo album Voodoo)
1999 "Stringplay" (from the GZA album Beneath The Surface)
1999 "N 2 Gether Now" (from the Limp Bizkit album Significant Other)
1999 "Half Man Half Amazin" (from the Pete Rock album Soul Survivor)
1999 "Three Amigos (If It's On)" (from the Popa Wu album Visions Of The Tenth Chamber)
1999 "NYC Everything" (from the RZA album Bobby Digital In Stereo)
1999 "Simon Says (Remix)" (from the Pharoahe Monch album Internal Affairs)
2000 "Buck 50" (from the Ghostface Killah album Supreme Clientele)
2000 "Fuhgidabowdit" (from the LL Cool J album G.O.A.T.)
2000 "Rollin' (Urban Assault Vehicle)" (from the Limp Bizkit album Chocolate Starfish and the Hot Dog Flavored Water)
2000 The W (album by the Wu-Tang Clan)
2000 "Ghetto Celebrity" (from the album In The Mode by Roni Size & Reprazent
2001 "La Rhumba" & "Glocko Pop" (from the RZA album Digital Bullet)
2001 "Enjoy Da Ride" (from the Redman album Malpractice)
2001 "Dog In Heat" (from the Missy Elliott album Miss E...So Addictive)
2001 "Party & Bullshit" (from the Rush Hour 2 soundtrack)
2001 Iron Flag (album by the Wu-Tang Clan)
2001 "Red Meth And Bee" (from the Cypress Hill album Stoned Raiders)
2002 "Flowers" (from the Ghostface Killah album Bulletproof Wallets)
2003 "Respect Mine" (from the Mathematics album Love, Hell Or Right)
2003 "Love @ 1st Sight" (from the Mary J. Blige album Love & Life)
2003 "We Pop (Remix)" (RZA single)
2003 "Bring The Pain" (from the Missy Elliott album This Is Not A Test!)
2003 "Ice Cream Part 2" (from the Raekwon album Lex Diamonds Story)
2003 "Noble Art" (from the IAM album Revoir Un Printemps)
2003 "Rock 'N' Roll" (from the Naughty By Nature album Icons)
2004 "Secret Rivals" (from the Masta Killa album No Said Date)
2004 "The Drummer" (from the Theodore Unit album 718)
2004 Disciples of the 36 Chambers: Chapter 1 (album by the Wu-Tang Clan)
2005 "Head Rush", "John 3:16" & "Spot Lite" (from the Mathematics album The Problem)
2005 "All My Niggas", "Shoot On Sight (S.O S.)" & "Street Education" (from the Streetlife album Street Education)
2005 "High Rollers" (from the Proof album Searching for Jerry Garcia)
2005 "Still On It" (from the Ashanti album Collectables by Ashanti)
2006 "9 Milli Bros." (from the Ghostface Killah album Fishscale)
cheka
Method Man Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Steppin' out; the crowd throwin' bolos
Flicki-di-flame, owh!
When chrome forty-fours
Loadin' it up, packin' it back; ready to splash for real
Spit flows out the gail
God tried to bail
It's hectic
That's more dollars in them tongues
In them go-go chicks
Bitch, I'm drunk, pumpin' slugs out of cannon
Shot ya after-party down with Meth and Red in
Check it, Bricks and Shaolin, no joke!
And when I hit the pussy, call me Daddy Long Stroke
Or Ana, I'm hittin' pigeons out in Atlanta
Banana-split, hot to spit!
Oh shit!
Spickin' ya, rippin' ya four or ya funds
I wet ya like a one forty-one watergunz
Cocky like Rocky; got ya scared to death!
So hold on, ya bitches, 'cause here come Red-Meth!
Microphone-check, mirco-microphone checka!
Microphone-check, mirco-microphone checka!
Microphone-check, mirco-microphone checka!
Fuck with me and Meth, and we break ya fuckin' neck
Rememba these?
Microphone-check, mirco-microphone checka! Rememba these?
Microphone-check, mirco-microphone checka! Rememba these?
Microphone-check, mirco-microphone checka! Rememba these?
Microphone-check, mirco-microphone checka!
Okay, the 'hey hey' baby
Me and Doc about to blow
My Saturday night's so special
And they pointin' at yo' nose
Aiyyo, save the speculations and the rumours
Comin' sooner then you think
I knock a phat bitch outta bloomers
Givin' tumors, hardcore
Givin' it to 'em raw
Landshark, southpaw, so kids say I jap-a-jaw
One-two, no ending or beginning to my cipher
I'm winning; tell the news like Peter
Depending on any givin' day I'm representin'
The struggle; my great grand who lived through the linchin'
Oh yes, y'all, if you got the weed, who got the blunts?
Take a guess, y'all
Kool-Aid bustin' through the wall
Mr. Meth y'all
Hah-chu! Comment allez-vous
I used to hawk chickens; now I'm maxin' with Badu
I represent Wu
My uzi weighs a ton
I'm swingin' a track from Staten
'Cause that is where I'm from
Microphone-check, mirco-microphone checka!
Microphone-check, mirco-microphone checka!
Microphone-check, mirco-microphone checka!
Fuck with me and Meth, and we break ya fuckin' neck
Rememba these?
Microphone-check, mirco-microphone checka! Rememba these?
Microphone-check, mirco-microphone checka! Rememba these?
Microphone-check, mirco-microphone checka! Rememba these?
Microphone-check, mirco-microphone checka!
The lyrics to "Cheka" by Method Man and Redman are focused on their rap skills and the various ways they can dominate the microphone. The song begins with a call to attention, as the rappers step out to the crowd and prepare to unleash their fiery flows. They boast about their ability to load up their guns and spit flows without hesitation, while also referencing their reputation for starting fights and shutting down after-parties. The use of onomatopoeia in the opening line ("Bricki-di-roaw!") adds to the overall energy and intensity of the song.
As the song progresses, the rappers continue to showcase their lyrical prowess and street smarts. They name-drop various locations, including Shaolin and Atlanta, and make references to their sexual conquests ("When I hit the pussy, call me Daddy Long Stroke"). They also shout-out their roots and represent for Wu Tang Clan, as well as their love for Kool-Aid and marijuana.
Overall, "Cheka" is a high-energy, braggadocious track that highlights Method Man and Redman's skills as hip-hop artists. The lyrics are packed with clever wordplay and references, making it a popular track among fans of '90s rap.
Line by Line Meaning
Bricki-di-roaw!
An exclamation, possibly to hype oneself up
Steppin' out; the crowd throwin' bolos
Performing on stage with the crowd showing support through throwing objects
Flicki-di-flame, owh!
Another exclamation, possibly indicating a hype moment
When chrome forty-fours
Referring to guns
Loadin' it up, packin' it back; ready to splash for real
Preparing to use the guns and potentially harm people
Spit flows out the gail
Rapping or freestyling with ease and skill
God tried to bail
God tried to leave the situation or help but couldn't do much
It's hectic
The situation is chaotic and intense
4-5-6, gimme ya grips
Asking for money or valuables from someone
That's more dollars in them tongues
Acquiring more wealth
In them go-go chicks
Referring to women dancing on stage
Bitch, I'm drunk, pumpin' slugs out of cannon
Drunk and shooting from a gun
Shot ya after-party down with Meth and Red in
Attending a party and potentially causing damage with Method Man and Redman
Check it, Bricks and Shaolin, no joke!
A declaration that the area they're from is serious and shouldn't be messed with
And when I hit the pussy, call me Daddy Long Stroke
Referring to sexual prowess
Or Ana, I'm hittin' pigeons out in Atlanta
Potentially referring to shooting people in Atlanta
Banana-split, hot to spit!
Another hype moment with wordplay
Oh shit!
An expression of excitement or surprise
Spickin' ya, rippin' ya four or ya funds
Potentially causing harm and taking someone's money
I wet ya like a one forty-one watergunz
Potentially using a small gun to harm someone
Cocky like Rocky; got ya scared to death!
Feeling confident and instilling fear in others
So hold on, ya bitches, 'cause here come Red-Meth!
Announcing the arrival of Method Man and Redman
Microphone-check, mirco-microphone checka!
Checking the microphone before performing
Fuck with me and Meth, and we break ya fuckin' neck
A threat to anyone who crosses them
Rememba these?
Asking the audience to remember these words or moments
Okay, the 'hey hey' baby
Starting a new section or verse
Me and Doc about to blow
Referring to himself and another person named Doc planning on doing something big
My Saturday night's so special
Potentially referring to a great night
And they pointin' at yo' nose
People noticing or calling attention to something about you
Aiyyo, save the speculations and the rumours
Asking people to stop spreading rumors or making assumptions
Comin' sooner then you think
Something is going to happen soon
I knock a phat bitch outta bloomers
Potentially referring to punching someone
Givin' tumors, hardcore
Potentially causing harm to others and being tough
Givin' it to 'em raw
Being honest and real
Landshark, southpaw, so kids say I jap-a-jaw
Potentially referring to being aggressive and known for fighting
One-two, no ending or beginning to my cipher
Being unstoppable and having a continuous flow
I'm winning; tell the news like Peter
Being successful and reporting on it like news anchor Peter Jennings
Depending on any givin' day I'm representin'
Being a representative of something or someone on any given day
The struggle; my great grand who lived through the linchin'
Referencing personal history and struggle
Oh yes, y'all, if you got the weed, who got the blunts?
Asking if someone has a way to smoke weed
Take a guess, y'all
Asking for a response or a prediction
Kool-Aid bustin' through the wall
Potentially referring to something or someone breaking through an obstacle
Mr. Meth y'all
A self-proclaimed title
Hah-chu! Comment allez-vous
A sneeze followed by asking how someone is doing in French
I used to hawk chickens; now I'm maxin' with Badu
Referencing personal progress and success
I represent Wu
Identifying with Wu-Tang Clan
My uzi weighs a ton
Having a powerful weapon or force
I'm swingin' a track from Staten
Creating and performing a song from Staten Island
Lyrics © CARLIN AMERICA INC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: WILLIAM D HINES, ANDRE G WESTON, JAMES BROWN, CHRISTOPHER ALLEN CHARITY, DEREK FRANCISCO LYNCH, JOHN H STARKS, FRED WESLEY, LOWMAN PAULING
Lyrics Licensed & Provided by LyricFind