Metric is an indie rock/New Wave band formed in 1998 in Toronto, Canada. Th… Read Full Bio ↴Metric is an indie rock/New Wave band formed in 1998 in Toronto, Canada. The band members are Emily Haines (vocals, synths, guitar, tambourine), James Shaw (guitar, synths, theremin, backing vocals), Josh Winstead (bass, synths, backing vocals) and Joules Scott-Key (drums). The band name was inspired after a sound called "Metric" that was programmed by Shaw on his keyboard. They were based at various times at Toronto, Montreal, London, NYC and LA.
So far, Metric has released eight studio albums: Old World Underground, Where Are You Now? (2003), Live It Out (2005), Grow Up and Blow Away (2007), Fantasies (2009), Synthetica (2012), Pagans in Vegas (2015), Art of Doubt (2018), and Formentera (2022).
Besides Metric, Emily Haines and James Shaw also perform with Broken Social Scene. Joules Scott-Key and Joshua Winstead have their own side project, Bang Lime. Emily Haines released her debut album Cut in Half and Also Double in 1996 and two records under the moniker Emily Haines & the Soft Skeleton: the album Knives Don't Have Your Back in 2006 and the 6-track EP What Is Free to a Good Home? in 2007. She also has been a guest on albums by Stars, The Crystal Method, KC Accidental, Delerium, The Stills and Jason Collett.
Emily Haines was born in New Delhi, India and raised since the age of 3 in Peterborough, Ontario. The daughter of poet Paul Haines grew up as a dual citizen of Canada and India. Her father would often make cassettes of rare and eclectic music for his daughter to listen to and her early influences included Carla Bley and Robert Wyatt. By her teens she followed her parents' footsteps by attending the Etobicoke School of the Arts. There she met Amy Millan and Kevin Drew, with whom she would later collaborate in hHead. Haines and Millan briefly formed their first band around 1990 while at ESA and with songs later written and recorded while at the University of British Columbia in Vancouver in 1992–1993, at Toronto in 1995 and at Concordia University in Montreal in 1995–1996, Haines distributed in 1996 an early effort called Cut in Half and Also Double with a limited number of copies.
James Shaw was born in the UK. He was a student at a Boston music school and was friends with Torquil Campbell, a vocalist who would later form Stars and Chris Seligman, the future synthesizer player of Stars. Torquil had plans to move to New York City and on his suggestion Shaw applied to Juilliard Music School and moved to New York with him. In 1998, Shaw and Torquil returned to Toronto, where Haines met Shaw through mutual friends in the local music scene. Shaw moved to Montreal where Haines was still living and the two worked on filling out each other's projects. The first song made by Shaw and Haines was "Butcher" and eventually they had completed in 1998 several other tracks in their home studio, gathered on Mainstream EP, a collection of demos with an overall downtempo and electronic feel.
In the fall of 1998, Shaw moved back to New York City, this time accompanied by Haines, Campbell and Seligman. There they shared a loft in the Williamsburg section of Brooklyn. During their two-year stay at the loft, Haines and Shaw were erstwhile room mates with future members of the Yeah Yeah Yeahs, Liars and TV on the Radio.
Haines and Shaw set off to London in early 2000 and signed a publishing deal with Chrysalis Records. With the help of producer Stephen Hague, Metric worked on a new batch of New Wave/electropop drum-machine paced songs that would form the nucleus of their debut album. The effort dubbed Grow Up and Blow Away, revealed a more musically-layered and mature sound than the earlier Mainstream EP. Haines and Shaw completed the album in April 2001 and by this time had found a label for their release, Restless Records. The album was delayed for years by their record label.
The band performed in New York in early Spring and late Summer 2001, personally circulating handmade CD-R copies of their unreleased music to fans at shows and by mail, eventually giving the music away for free on the internet. Metric at the time was for the most part a studio band and live shows approximated the synthesizer-centered and drum-machine driven sound of the recordings. In the same year they issued a 5-track EP entitled Static Anonymity and two promo singles: "Grow Up and Blow Away" and "Raw Sugar".
In the winter of 2001, Metric had gained two new bandmates: the drummer Joules Scott-Key (born in Flint, Michigan) and the bass player Joshua Winstead. Joules Scott-Key was attending college in Texas was in town with his friend Joshua Winstead performing in the local music scene. Scott-Key and Winstead had known each other for about a decade and they met Shaw and Haines at the Brooklyn loft and at local performances.
On 2 September 2003, Metric released their first official studio album Old World Underground, Where Are You Now? on Last Gang Records. The album was received with positive reviews and it has gone gold in Canada. They released 2 singles from the album, "Combat Baby" and "Dead Disco".
On 27 September 2005, the band released their second studio album, Live It Out on Last Gang Records. The album was well received and has since gone twice platinum in Canada, selling over 200,000 units. They issued 4 singles: "Monster Hospital", "Poster of a Girl", and "Empty". The band has toured the world extensively for several years. They also opened for The Rolling Stones in NYC.
On 26 June 2007, Last Gang Records released Metric's 2001 album Grow Up and Blow Away, after purchasing the rights to the album from band's previous label. In 2007 they released a live EP entitled Live at Metropolis followed a year later by a DVD with the same name featuring a concert recorded from Montreal.
On 7 April 2009, Metric released their fourth album Fantasies on their own label, Metric Music International. In the US it debuted at #1 on Billboard's Top Heatseekers and peaked at #76 on the Billboard 200, in Canada it debuted at #13 on the Canadian Albums Chart and peaked at #6 and in Australia, the album debuted at #48. The album received mostly positive reviews and it's their most successful record to date. They released 6 singles: "Help I'm Alive", "Front Row", "Gimme Sympathy", "Sick Muse", "Gold Guns Girls" and "Stadium Love".
Amazon.com listed Fantasies in eleventh in its "Best Albums of 2009" list. This album was a shortlisted nominee for the 2009 Polaris Music Prize and also won two Casby Awards, the NXNE favourite new indie release award and favourite new album award. On 18 April 2010, the album won the Juno Award for Alternative Album of the Year at the 2010 Awards, as well as the band winning Group of the Year.
On 27 October 2009, Metric released a 5-track EP called Plug In Plug Out containing acoustic versions of five songs from Fantasies. During the 2010 Winter Olympics, Metric, along with several other Canadian music acts, came together in Vancouver to re-record K'Naan's song "Wavin' Flag" to benefit Haiti in a movement called Young Artists for Haiti.
In 2010, the band contributed to Twilight: Eclipse movie soundtrack with a song entitled "Eclipse (All Yours)". In the same year, a previously unreleased song "Black Sheep" was used on the soundtrack of the movie Scott Pilgrim vs. the World. In 2011, Metric issued the live EP iTunes Session.
On 18 September 2015, Metric released their sixth album, Pagans in Vegas.
On September 21, 2018, Metric released their seventh album, Art of Doubt.
On July 8, 2022, Metric released their eighth album, Formentera .
On October 13, 2023, Metric released their ninth album, Formentera II.
EPs
Mainstream EP (1998)
Static Anonymity (2001)
Live at Metropolis (2007)
Plug In, Plug Out (2009)
Spotify Acoustic EP (2010)
Spotify Covers EP (2010)
iTunes Session EP (2011)
The Shade EP [Cassette only] (2015)
were featured in:
3 films
The Twilight Saga: Eclipse
Scott Pilgrim vs. the World
Cosmopolis
"Handshakes" and "Gold Guns Girls" were used as a radio soundtrack in Test Drive Unlimited.
Official site: http://www.ilovemetric.com
So far, Metric has released eight studio albums: Old World Underground, Where Are You Now? (2003), Live It Out (2005), Grow Up and Blow Away (2007), Fantasies (2009), Synthetica (2012), Pagans in Vegas (2015), Art of Doubt (2018), and Formentera (2022).
Besides Metric, Emily Haines and James Shaw also perform with Broken Social Scene. Joules Scott-Key and Joshua Winstead have their own side project, Bang Lime. Emily Haines released her debut album Cut in Half and Also Double in 1996 and two records under the moniker Emily Haines & the Soft Skeleton: the album Knives Don't Have Your Back in 2006 and the 6-track EP What Is Free to a Good Home? in 2007. She also has been a guest on albums by Stars, The Crystal Method, KC Accidental, Delerium, The Stills and Jason Collett.
Emily Haines was born in New Delhi, India and raised since the age of 3 in Peterborough, Ontario. The daughter of poet Paul Haines grew up as a dual citizen of Canada and India. Her father would often make cassettes of rare and eclectic music for his daughter to listen to and her early influences included Carla Bley and Robert Wyatt. By her teens she followed her parents' footsteps by attending the Etobicoke School of the Arts. There she met Amy Millan and Kevin Drew, with whom she would later collaborate in hHead. Haines and Millan briefly formed their first band around 1990 while at ESA and with songs later written and recorded while at the University of British Columbia in Vancouver in 1992–1993, at Toronto in 1995 and at Concordia University in Montreal in 1995–1996, Haines distributed in 1996 an early effort called Cut in Half and Also Double with a limited number of copies.
James Shaw was born in the UK. He was a student at a Boston music school and was friends with Torquil Campbell, a vocalist who would later form Stars and Chris Seligman, the future synthesizer player of Stars. Torquil had plans to move to New York City and on his suggestion Shaw applied to Juilliard Music School and moved to New York with him. In 1998, Shaw and Torquil returned to Toronto, where Haines met Shaw through mutual friends in the local music scene. Shaw moved to Montreal where Haines was still living and the two worked on filling out each other's projects. The first song made by Shaw and Haines was "Butcher" and eventually they had completed in 1998 several other tracks in their home studio, gathered on Mainstream EP, a collection of demos with an overall downtempo and electronic feel.
In the fall of 1998, Shaw moved back to New York City, this time accompanied by Haines, Campbell and Seligman. There they shared a loft in the Williamsburg section of Brooklyn. During their two-year stay at the loft, Haines and Shaw were erstwhile room mates with future members of the Yeah Yeah Yeahs, Liars and TV on the Radio.
Haines and Shaw set off to London in early 2000 and signed a publishing deal with Chrysalis Records. With the help of producer Stephen Hague, Metric worked on a new batch of New Wave/electropop drum-machine paced songs that would form the nucleus of their debut album. The effort dubbed Grow Up and Blow Away, revealed a more musically-layered and mature sound than the earlier Mainstream EP. Haines and Shaw completed the album in April 2001 and by this time had found a label for their release, Restless Records. The album was delayed for years by their record label.
The band performed in New York in early Spring and late Summer 2001, personally circulating handmade CD-R copies of their unreleased music to fans at shows and by mail, eventually giving the music away for free on the internet. Metric at the time was for the most part a studio band and live shows approximated the synthesizer-centered and drum-machine driven sound of the recordings. In the same year they issued a 5-track EP entitled Static Anonymity and two promo singles: "Grow Up and Blow Away" and "Raw Sugar".
In the winter of 2001, Metric had gained two new bandmates: the drummer Joules Scott-Key (born in Flint, Michigan) and the bass player Joshua Winstead. Joules Scott-Key was attending college in Texas was in town with his friend Joshua Winstead performing in the local music scene. Scott-Key and Winstead had known each other for about a decade and they met Shaw and Haines at the Brooklyn loft and at local performances.
On 2 September 2003, Metric released their first official studio album Old World Underground, Where Are You Now? on Last Gang Records. The album was received with positive reviews and it has gone gold in Canada. They released 2 singles from the album, "Combat Baby" and "Dead Disco".
On 27 September 2005, the band released their second studio album, Live It Out on Last Gang Records. The album was well received and has since gone twice platinum in Canada, selling over 200,000 units. They issued 4 singles: "Monster Hospital", "Poster of a Girl", and "Empty". The band has toured the world extensively for several years. They also opened for The Rolling Stones in NYC.
On 26 June 2007, Last Gang Records released Metric's 2001 album Grow Up and Blow Away, after purchasing the rights to the album from band's previous label. In 2007 they released a live EP entitled Live at Metropolis followed a year later by a DVD with the same name featuring a concert recorded from Montreal.
On 7 April 2009, Metric released their fourth album Fantasies on their own label, Metric Music International. In the US it debuted at #1 on Billboard's Top Heatseekers and peaked at #76 on the Billboard 200, in Canada it debuted at #13 on the Canadian Albums Chart and peaked at #6 and in Australia, the album debuted at #48. The album received mostly positive reviews and it's their most successful record to date. They released 6 singles: "Help I'm Alive", "Front Row", "Gimme Sympathy", "Sick Muse", "Gold Guns Girls" and "Stadium Love".
Amazon.com listed Fantasies in eleventh in its "Best Albums of 2009" list. This album was a shortlisted nominee for the 2009 Polaris Music Prize and also won two Casby Awards, the NXNE favourite new indie release award and favourite new album award. On 18 April 2010, the album won the Juno Award for Alternative Album of the Year at the 2010 Awards, as well as the band winning Group of the Year.
On 27 October 2009, Metric released a 5-track EP called Plug In Plug Out containing acoustic versions of five songs from Fantasies. During the 2010 Winter Olympics, Metric, along with several other Canadian music acts, came together in Vancouver to re-record K'Naan's song "Wavin' Flag" to benefit Haiti in a movement called Young Artists for Haiti.
In 2010, the band contributed to Twilight: Eclipse movie soundtrack with a song entitled "Eclipse (All Yours)". In the same year, a previously unreleased song "Black Sheep" was used on the soundtrack of the movie Scott Pilgrim vs. the World. In 2011, Metric issued the live EP iTunes Session.
On 18 September 2015, Metric released their sixth album, Pagans in Vegas.
On September 21, 2018, Metric released their seventh album, Art of Doubt.
On July 8, 2022, Metric released their eighth album, Formentera .
On October 13, 2023, Metric released their ninth album, Formentera II.
EPs
Mainstream EP (1998)
Static Anonymity (2001)
Live at Metropolis (2007)
Plug In, Plug Out (2009)
Spotify Acoustic EP (2010)
Spotify Covers EP (2010)
iTunes Session EP (2011)
The Shade EP [Cassette only] (2015)
were featured in:
3 films
The Twilight Saga: Eclipse
Scott Pilgrim vs. the World
Cosmopolis
"Handshakes" and "Gold Guns Girls" were used as a radio soundtrack in Test Drive Unlimited.
Official site: http://www.ilovemetric.com
Collect Call
Metric Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If the fire's out baby, How you gonna keep me warm?
Supposing you let me, with the door wide open no one can leave
I know its a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes we'll buy some place
For wishing you could
Keep me closer, I'm a lazy dancer, when you move I move with you
Keep me closer, I'm a lazy dancer, when you move I move with you
If somebody's got soul
You've got to make them move
I know it's a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes we'll buy some place
For wishing you could
Keep me closer, I'm a lazy dancer, when you move I move with you
Keep me closer, I'm a lazy dancer, when you move I move with you
Supposing you let me, with the door wide open no one can leave
I know its a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes we'll buy some place
For wishing you could
Keep me closer, I'm a lazy dancer, when you move I move with you
If somebody's got soul
You've got to make them move
I know it's a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes we'll buy some place
For wishing you could
Keep me closer, I'm a lazy dancer, when you move I move with you
Keep me closer, I'm a lazy dancer, when you move I move with you
In this song, Emily Haines of Metric is singing about longing for someone's love and attention. The opening line, "If the fire's out baby, how you gonna keep me warm?" is a metaphor for a relationship that has lost its spark. She's questioning how the relationship can continue if they have lost their passion for each other. The chorus, "Keep me closer, I'm a lazy dancer, when you move I move with you" implies that she's willing to go wherever the other person wants to go, and follow their lead in the relationship. She wants to stay close to them, but her nature is to be a "lazy dancer," meaning that she needs to be motivated to put in effort. The line "If somebody's got soul, you've got to make them move" could refer to the idea that passion is infectious - if someone has "soul," or a strong and vibrant energy, then it's up to you to match it and keep up with it.
The verses continue the metaphor of the relationship being a journey or a ride, with the rest of it "riding on you" - meaning that the success of the relationship is up to the other person. She knows that the idea of the relationship working might be a lie, but she wants it to be true anyway. She imagines going somewhere new with the other person, a place where they can wish for things to be different. Overall, the song is about the vulnerability and uncertainty of love, and the hope that it can be rekindled in spite of its challenges.
Line by Line Meaning
If the fire's out baby, How you gonna keep me warm?
If our passion has dwindled, how will you maintain our connection?
Supposing you let me, with the door wide open no one can leave
If you trust me completely, no one can harm our love.
I know its a lie, I want it to be true
I understand that what I desire may not be realistic, but I still hope for it.
The rest of the ride is riding on you
Our future together depends on your actions and efforts.
Over goodbyes we'll buy some place
Rather than saying farewell, let's find somewhere to make new memories.
For wishing you could
I desire to be closer to you.
Keep me closer, I'm a lazy dancer, when you move I move with you
I may be hesitant, but I will follow your lead and be there for you.
If somebody's got soul, You've got to make them move
If someone has passion and energy, you should ignite and inspire them to act on it.
Lyrics © BMG Rights Management
Written by: Emily Haines, James Shaw
Lyrics Licensed & Provided by LyricFind
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@alecannas1972
LYRICS
If the fire's out baby, How you gonna keep me warm?
Supposing you let me, with the door wide open no one can leave
I know its a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes we'll buy some place
For wishing you could
Keep me closer, I'm a lazy dancer, when you move I move with you
Keep me closer, I'm a lazy dancer, when you move I move with you
If somebody's got soul
You've got to make them move
I know it's a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes we'll buy some place
For wishing you could
Keep me closer, I'm a lazy dancer, when you move I move with you
Keep me closer, I'm a lazy dancer, when you move I move with you
@salmeleons
If the fire's out, baby
How you gonna keep me warm?
Supposing you let me
With the door wide open, no one can leave
I know it's a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes, we'll buy some place for...
Wishing you could keep me closer
I'm a lazy dancer
When you move, I move with you
Wishing you could keep me closer
I'm a lazy dancer
When you move, I move with you
If somebody's got soul
If somebody's got soul
If somebody's got soul
You've got to make them move
Make them move
I know it's a lie, I want it to be true
The rest of the ride is riding on you
Over goodbyes, we'll buy some place for...
Wishing you could keep me closer
I'm a lazy dancer
When you move, I move with you
Wishing you could keep me closer
I'm a lazy dancer
When you move, I move with you
Wishing you could keep me closer
I'm a lazy dancer
When you move, I move with you
Wishing you could keep me closer
I'm a lazy dancer
When you move, I move with you
@rrbar14
This song is one of the most beautiful ones I’ve ever heard - and that’s saying something! Long live metric
@Badm00nrRising
Yup❤
@valeriamorillo3535
This is that kind of song that you listen at night, inside a car, looking at the city lights
@13ss13ss13ss
yes!!
@spiderheads7325
Ikr
@justaguy9681
blushmallet?
@AlexRealify
yes
@13ss13ss13ss
si
@jb44421
If somebody's got soul, you gotta make the mooooove! That line just changed my life: so genuine. Took my mind to a level above the atmosphere.
@LouLou-gd1rr
Same here! I can't explain what I feel when I hear that part