Metronomy is an electropop group which formed in 1999 in Totnes, Devon, Uni… Read Full Bio ↴Metronomy is an electropop group which formed in 1999 in Totnes, Devon, United Kingdom, originally as the solo project of Joseph Mount. The project later expanded into a full band, which currently consists of Joseph Mount (vocals, keyboards, guitar), Oscar Cash (keyboards, saxophone, vocals), Gbenga Adelekan (bass, vocals) and Anna Prior (drums, vocals). The band has released five albums: "Pip Paine (Pay The £5000 You Owe)" (2006), "Nights Out" (2008), "The English Riviera" (2011), "Love Letters" (2014) and "Summer 08" (2016).
Metronomy began in the tiny, bohemian market town of Totnes, Devon, when Joseph’s Dad sold his son a computer so he could sit in his bedroom and make electronic music. He was inspired by the likes of Autechre, LFO and Aphex Twin, more as a creative hobby than a pop masterplan.
After decamping to Brighton for Uni, Metronomy released their debut album in June 2006. It was called Pip Paine (Pay The £5000 You Owe), and its obtuse but fascinating, largely instrumental electro-pop reflected the eccentricity of its title, and the enduring influence of Totnes.
Joseph admits that he only, finally, saw the commercial possibilities of Metronomy when DJ, producer, Trash founder and electro-punk avatar Erol Alkan began to feature the single You Could Easily Have Me in his sets, and asked Metronomy to play at his club. Cue the need for a proper live show, and the additions of Gabriel Stebbing, Oscar Cash, dance routines and clothes that blink.
Move on 2 years and Nights Out a wonky love-child of Giorgio Moroder, New Order, Pet Shop Boys and Unfinished Sympathy is a second album that feels like a debut. The first to be vocal-led, with the self-effacing Joseph stepping up and grabbing the mic for most of the tracks; and, crucially, the first to introduce Metronomy as a fully live propsition, rather than a pseudonym for Joseph‘s solo work.
As Metronomy’s busy touring schedule built a buzz amongst kids who instinctively get the dance/art crossover, In April 2009 the Metronomy show took another leap in its evolution, with the addition for the first time of a live drummer in Anna Prior, and bassist Gbenga Adelekan. The new Metronomy was completely live, proving it is possible for electronic bands to put on show as authentic as any rock band.
Meanwhile Joseph has embarked on a series of prestigious remixes for the likes of Klaxons, Franz Ferdinand, Gorillaz and collaborations with Kate Nash and Florence and The Machine. Metronomy produced part of the highly acclaimed Roots Manuva album Slime and Reason.
Metronomy began in the tiny, bohemian market town of Totnes, Devon, when Joseph’s Dad sold his son a computer so he could sit in his bedroom and make electronic music. He was inspired by the likes of Autechre, LFO and Aphex Twin, more as a creative hobby than a pop masterplan.
After decamping to Brighton for Uni, Metronomy released their debut album in June 2006. It was called Pip Paine (Pay The £5000 You Owe), and its obtuse but fascinating, largely instrumental electro-pop reflected the eccentricity of its title, and the enduring influence of Totnes.
Joseph admits that he only, finally, saw the commercial possibilities of Metronomy when DJ, producer, Trash founder and electro-punk avatar Erol Alkan began to feature the single You Could Easily Have Me in his sets, and asked Metronomy to play at his club. Cue the need for a proper live show, and the additions of Gabriel Stebbing, Oscar Cash, dance routines and clothes that blink.
Move on 2 years and Nights Out a wonky love-child of Giorgio Moroder, New Order, Pet Shop Boys and Unfinished Sympathy is a second album that feels like a debut. The first to be vocal-led, with the self-effacing Joseph stepping up and grabbing the mic for most of the tracks; and, crucially, the first to introduce Metronomy as a fully live propsition, rather than a pseudonym for Joseph‘s solo work.
As Metronomy’s busy touring schedule built a buzz amongst kids who instinctively get the dance/art crossover, In April 2009 the Metronomy show took another leap in its evolution, with the addition for the first time of a live drummer in Anna Prior, and bassist Gbenga Adelekan. The new Metronomy was completely live, proving it is possible for electronic bands to put on show as authentic as any rock band.
Meanwhile Joseph has embarked on a series of prestigious remixes for the likes of Klaxons, Franz Ferdinand, Gorillaz and collaborations with Kate Nash and Florence and The Machine. Metronomy produced part of the highly acclaimed Roots Manuva album Slime and Reason.
The End Of You Too
Metronomy Lyrics
Instrumental
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@NonExistingName
This entire album has a really weird merry-melancholic vibe to it. Like, I could absolutely dance to this, but would probably have an emotional breakdown half way through
@ixelparedes4976
exactly
@DiscoveryWonders
DANCE PARTEYYYYY hey seriously imagine a roundhouse london dance party or any other venue like this. AND AFTER THE CONCERT PART ANNA AND JO and the crew could pop the electronic version of it once more lol
@ramonawonderland5281
lol crying at the club rn but it's actually just my bedroom. I get double points for dancing whilst emotional damage
@TTGHAST
10 years and Metronomy still rocks.
Eterno!!!
@onehalomen
This song just goes all over the place and I love it.
@ESTESATM
This song still means so much to me. Whenever I went out with friends at like 2am during covid ( which I realize now we probably shouldn't have done), we would always take a long drive to the only mcdonalds that would be open in our area. On the drive there and back, this song would play a lot, and it always boosted everyone's energy in the car. Truly some of the few amazing memories with friends around the beginning of covid, but it still means the world to me.
@kaitlinpepin1879
This is still I think one of the best songs I ever heard, since I heard it in 2012. There’s so many layers to it, and all presented very carefully. Brilliant. Been trying to map out ways to play this live with only a few people but it’s wicked hard!!!
@stas458
first 20 sec r like "wtf is that", but then u realises that it's ur new favourite song :)
@HuggableWinter
This is such an underrated album. Such a unique sound and every song feels like it has something special about it