With a back catalogue boasting such gems as 'Rainmaker' and 'Fully Qualified Survivor' (featuring Mick Ronson, Rick Kemp, and others), it remains a mystery to all why he wasn't afforded more mainstream recognition. With his often quirky songs and vocal style sometimes eerily reminiscent of David Bowie, one can only assume that Chapman's hardy reluctance to bow to the commercial pressures of his record companies served only to afford him scant recognition from the record-buying public. With a muse falling somewhere between Kevin Ayers and Warren Zevon, Chapman was a folk-rock, psychedelic-jazz troubadour.
Chapman first appeared on the London and Cornwall folk music circuits in 1967, including the Piper's Folk Club in Penzance, alongside John Martyn and Roy Harper. His first album was "Rainmaker" in 1969.
His 1970 second album, "Fully Qualified Survivor", again produced by Gus Dudgeon with lush strings arranged by Paul Buckmaster, received much critical acclaim from the likes of BBC Radio 1 DJ John Peel, and featured his best-known track, "Postcards of Scarborough".
After a tour of the United States with Rick Kemp, Chapman signed to Decca's subsidiary, Deram, recording an increasingly rockier set of albums. Championed by Charles Shaar Murray and John Peel, he continued to have a high profile, being a lively draw on the college circuit in the UK and across mainland Europe.
1977 saw the end of Chapman's Decca deal, and the beginning of an association with Criminal Records in 1978; both record labels released versions of The Man Who Hated Mornings. He continued to gig and record consistently, varying styles and sounds, sometimes working with a full group, more often working with Rick Kemp alone.
The 1980s was a quieter time for Chapman. He continued to make recordings that straddled musical genres and pushed his guitar playing to the fore, but had neither the profile nor sales of the previous decade.
The late 1990s onwards represented a period of continued rebirth for Chapman. He embraced the 'elder statesman' role and enjoyed critical acclaim for albums like Navigation, Dreaming Out Loud and Still Making Rain (a wry pun title that looked back to his debut album). With the 1997 release of Dreaming Out Loud, Chapman was releasing albums at the rate of one every two years, and still attracting high praise, if not great sales.
The 21st century saw Chapman exploring his guitar player roots and releasing instrumental albums alongside his song-based sets. Americana and Words Fail Me feature soundscapes that recalled travels in America, and featured a dexterity and inventiveness on the guitar equal to the classic Harvest and Decca periods.
A tribute album titled Oh Michael, Look What You've Done: Friends Play Michael Chapman was released in 2012 on Tompkins Square Records. It includes contributions from Lucinda Williams, Maddy Prior, William Tyler, Hiss Golden Messenger and Sonic Youth's Thurston Moore.
In 2016, Chapman celebrated fifty years as a professional musician. Towards the end of his life he still played professionally and regularly toured in the UK, Europe and US.
I'm Sober Now
Michael Chapman Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And ran it round this town
Now you find your circus
Needs a brand new clown
And I don't mind playin' anytime
You all can get me drunk
But baby, I'm sober now
They say some folks can make it
Livin' on their own
But the only ones I've heard of
Was either Saints or Stones
Remember I cheated
Don't forget that I lied
What you don't know
Is how hard I tried
In "I'm Sober Now," Michael Chapman delves into the complexities of love, regret, and personal redemption. The opening lines, “You took my little heart / And ran it round this town,” evoke a sense of betrayal and heartache, suggesting that the singer feels exploited by someone they trusted. This figure of a heart being taken and tossed around implies a sense of vulnerability and loss of control, as if the singer’s emotions have been manipulated for someone else's amusement. The phrase "your circus needs a brand new clown" indicates the idea that relationships can become performative, where one partner is left to entertain the other while they seek their own satisfaction elsewhere. The imagery of a circus suggests a chaotic and frivolous environment, further accentuating the singer's feelings of being used and side-lined.
The refrain “And I don’t mind playin’ anytime / You all can get me drunk / But baby, I'm sober now” signifies a pivotal moment of realization and empowerment. Here, the singer acknowledges their willingness to participate in the emotional games of love but clarifies that they have reached a point of clarity; they are no longer intoxicated by the chaos of their previous experiences. This sobriety symbolizes not just the absence of substance use but also a sense of emotional awakening. The phrasing suggests that they were once caught up in the intoxicating thrills of intimacy and drama but have now stepped back, affirming their independence. This reflects a desire to take control of their own emotional state rather than being subject to the whims of others.
In the following stanza, the exploration of solitude is introduced with “They say some folks can make it / Livin’ on their own.” Here, Chapman contemplates the complexity of independence and the societal expectations surrounding it. The singer juxtaposes the narrative of living alone with the notion of being a "Saint" or a "Stone," implying that success in solitude is rare and often extremes characterize it. The reference to saints evokes purity and moral high ground, while “stones” could symbolize a hardened, emotional detachment. This creates a dichotomy between the ideals of self-reliance and the emotional scars that often accompany such paths, projecting an understanding that personal strength often comes with its own set of sacrifices and struggles.
The final lines—“Remember I cheated / Don’t forget that I lied / What you don’t know / Is how hard I tried”—reveal the singer's grappling with their past mistakes. These admissions of infidelity and deceit create a sense of vulnerability, as the singer acknowledges their flaws without evasion. The statement “what you don’t know / Is how hard I tried” conveys the internal conflict of wanting to make things work while also reflecting on their failures; it highlights the complexities of relationships that involve effort, disappointment, and forgiveness. This confessional tone adds depth to the exploration of personal integrity, suggesting that behind every misdeed is someone striving to navigate their emotions and the expectations of love. Ultimately, Chapman's lyrics paint a nuanced perspective on the challenges of intimacy, the struggle for personal redemption, and the bittersweet acceptance of one's past.
Line by Line Meaning
You took my little heart
You captured my affection and emotions with your charm.
And ran it round this town
You paraded those feelings around carelessly, affecting others in the community.
Now you find your circus
Now you realize your life is chaotic, filled with drama and distractions.
Needs a brand new clown
Your situation requires someone else to entertain or distract you from your troubles.
And I don't mind playin' anytime
I’m willing to step back into your life and fulfill a familiar role for you whenever needed.
You all can get me drunk
You have the ability to intoxicate me emotionally or socially through your actions.
But baby, I'm sober now
However, I've regained clarity and self-awareness, moving away from past dependencies.
They say some folks can make it
It's often said that some individuals can thrive independently.
Livin' on their own
Surviving and thriving without relying on others for support.
But the only ones I've heard of
Yet the only examples I've come across in life...
Was either Saints or Stones
...are extraordinary individuals, either virtuous or completely hardened.
Remember I cheated
Recall that I betrayed your trust in our relationship.
Don't forget that I lied
Don't overlook the lies I told that further damaged our connection.
What you don't know
There's more beneath the surface that you may not be aware of.
Is how hard I tried
What remains unseen is the immense effort I put forth to make things work.
Lyrics © O/B/O APRA AMCOS
Written by: Michael Chapman
Lyrics Licensed & Provided by LyricFind