Born in New York City to Russian-Jewish immigrants, and raised in Sheepshead Bay, she had her first television appearance in 1988 in a commercial for Wisk Detergent. She went on to feature in over 100 more commercials.
Her first credited role came in 1993. She played Nona F. Mecklenberg in The Adventures of Pete & Pete from 1994 until 1996. During the same period she played the second Lily Montgomery in All My Children. It was on All My Children that Trachtenberg first worked with future Buffy co-star, Sarah Michelle Gellar.
Trachtenberg's film career began in 1996 with the lead role in Harriet the Spy. She then returned to television for Meego, for which she won a Young Artist Award. She returned to film in 1999 for Inspector Gadget, as the gadget-master's niece, Penny. She also starred in the film Can't Be Heaven.
In the summer of 2000, Trachtenberg took up the role of Dawn Summers in Buffy the Vampire Slayer. She remained in the role until the show ended in 2003.
Since Buffy, she has returned to film, with the recent Eurotrip, co-starring Scott Mechlowicz and Travis Wester and directed by Jeff Schaffer. She also had a recurring role in the HBO series Six Feet Under as Celeste, a spoiled pop star for whom Keith serves as a bodyguard.
Her latest role in a feature film came in the summer of 2005, where she played the title character in Walt Disney Pictures' family comedy/drama Ice Princess with Kim Cattrall. In this film, Trachtenberg plays a science whiz named Casey Carlyle who gives up her future academic life in order to chase her lifelong dream of being a professional figure skater. The film also stars Joan Cusack as Casey's mother and Cattrall as Casey's strict coach, Tina Harwood.
What You Feel
Michelle Trachtenberg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't you like my style?
Why don't you come and play?
I guarantee a great big smile
I come from the imagination
And I'm here strictly by your invocation
So what do you say?
I'm the heart of swing
I'm the twist and shout
When you gotta sing,
When you gotta let it out
You call me and I come a-running
I turn the music on; I bring the fun in
Now, we're partying
That's what it's all about
Cause I know, what you feel, girl
I know just what you feel, girl
Oh, so you're like a good demon? Bringing the fun in?
All these melodies, they go on too long
Then that energy starts to come on way too strong
All those hearts lay open; that must sting
Plus, some customers just die combusting
That's the penalty when life is but a song
You brought me down and doomed this town
So, when we blow this scene,
Back we will go to my kingdom below and you will be my queen
Cause I know what you feel, girl
No, you see
You and me
Wouldn't be very regal
I'll make it real, girl
What I mean
I'm fifteen
So, this queen thing's illegal
I can bring whole cities to ruin
And still have time to get a soft-shoe in
Well, that's great
But I'm late
And I'd hate to delay her
Something's cooking, I'm at the griddle
I bought Nero his very first fiddle
She'll get pissed
If I'm missed
See, my sister's the Slayer
The Slayer?
Yuh-huh.
Find her. Tell her
Tell her everything.
Just get her here.
I want to see the Slayer burn.
Now we're partying
That's what it's all about
The lyrics of "What You Feel" by Michelle Trachtenberg explore the complex ideas of identity, rebellion, and resistance through the metaphor of dancing. The song begins with a series of questions directed towards the subject of the song, with the singer asking why they ran away, and inviting them to come dance. The singer describes themselves as being from the imagination, and being present solely by the subject's invocation. They bring the fun in, and they turn the music on, as the lyrics suggest.
The song then turns to a more critical tone, condemning the way that some people respond to the music. The lyrics suggest that some people lose control, and that this is dangerous. The idea of life being a song is explored, and the singer declares that they can bring whole cities to ruin while still dancing.
Finally, the song turns to a more menacing tone. The singer declares that they want to see the Slayer burn. It is unclear who the Slayer is or why they need to burn, but it is clear that the singer is motivated by revenge and destruction. The final lines of the song echo those of the opening verse, suggesting that, for the singer, it is all about partying.
Line by Line Meaning
Why'd you run away?
Asks why the listener is running away.
Don't you like my style?
Asks if the listener likes the singer's style.
Why don't you come and play?
Asks the listener to come play.
I guarantee a great big smile
Promises the listener a good time.
I come from the imagination
The artist is a creation of the listener's imagination.
And I'm here strictly by your invocation
The listener created the singer.
So what do you say?
Asks the listener to respond.
Why don't we dance awhile?
Suggests dancing as an activity.
I'm the heart of swing
The artist represents the heart of swing music.
I'm the twist and shout
The artist represents the energy of dancing.
When you gotta sing,
Refers to singing as an expression.
When you gotta let it out
Refers to expressing emotions.
You call me and I come a-running
The singer responds eagerly to the listener's summons.
I turn the music on; I bring the fun in
The singer is responsible for creating a good time.
Now, we're partying
There is now a party atmosphere.
That's what it's all about
This is what the artist believes the purpose of life is.
Cause I know, what you feel, girl
The artist knows what the listener is feeling.
I know just what you feel, girl
The singer is certain about their knowledge of the listener's feelings.
All these melodies, they go on too long
Music can sometimes be tedious.
Then that energy starts to come on way too strong
A buildup of emotions can sometimes be overwhelming.
All those hearts lay open; that must sting
Revealing one's emotions can be painful.
Plus, some customers just die combusting
Some people can't handle too much excitement.
That's the penalty when life is but a song
There are consequences to living life in a carefree manner.
You brought me down and doomed this town
The listener is responsible for the downfall of the town.
So, when we blow this scene,
When they leave this place...
Back we will go to my kingdom below and you will be my queen
They will go back to the listener's imagination and be their ruler.
Cause I know what you feel, girl
The singer is certain of their knowledge of the listener's feelings.
No, you see
Counterpoint to the previous line.
You and me
The artist is referring to themselves and the listener.
Wouldn't be very regal
The singer's idea of leadership is not conventional.
I'll make it real, girl
The singer will make their idea of leadership happen for the listener.
What I mean
Saying that the following will make their point clear.
I'm fifteen
The artist is young.
So, this queen thing's illegal
Claiming they can't make the listener a queen because of their age.
I can bring whole cities to ruin
The singer has destructive potential.
And still have time to get a soft-shoe in
They are confident in their ability to both destroy and entertain.
Well, that's great
Sarcastic comment indicating they don't care.
But I'm late
They have somewhere to be.
And I'd hate to delay her
They don't want to keep someone waiting.
Something's cooking, I'm at the griddle
They are busy with their own agenda.
I bought Nero his very first fiddle
They have made a major contribution to history.
She'll get pissed
Referring to another person's reaction.
If I'm missed
If they don't show up.
See, my sister's the Slayer
The artist has a sister who is a skilled fighter.
The Slayer?
Surprised reaction to the listener knowing about the Slayer.
Yuh-huh.
Confirmation of the existence of the Slayer.
Find her. Tell her
Giving instructions.
Tell her everything.
Be completely honest with the Slayer.
Just get her here.
The singer wants to see the Slayer in person.
I want to see the Slayer burn.
The singer has hostile intentions towards the Slayer.
Now we're partying
Despite the hostility, the party continues.
That's what it's all about
Reiterating the purpose of the partying lifestyle.
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: JOSS HILL WHEDON
Lyrics Licensed & Provided by LyricFind
@Robert-fd2cc
LYRICS!
SWEET:
Why'd you run away?
Don't you like my style?
Why don't you come and play?
I guarantee a great big smile
I come from the imagination
And I'm here strictly by your invocation
So what do you say?
Why don't we dance awhile?
I'm the heart of swing
I'm the twist and shout
When you gotta sing,
When you gotta let it out
You call me and I come a-running
I turn the music on; I bring the fun in
Now, we're partying
That's what it's all about
'Cuz I know, what you feel, girl
I know just what you feel, girl
DAWN (spoken):
Oh, so you're like a good demon? Bringing the fun in?
SWEET:
All these melodies, they go on too long
Then that energy starts to come on way too strong
All those hearts lay open; that must sting
Plus, some customers just start combusting
That's the penalty when life is but a song
You brought me down and doomed this town
So, when we blow this scene,
Back we will go to my kingdom below and you will be my queen
Cuz I know what you feel, girl
DAWN:
No, you see
You and me
Wouldn't be very regal
SWEET:
I'll make it real, girl
DAWN:
What I mean
I'm fifteen
So, this queen thing's illegal
SWEET:
I can bring whole cities to ruin
And still have time to get a soft-shoe in
DAWN:
Well, that's great
But I'm late
And I'd hate to delay her
SWEET:
Something's cooking, I'm at the griddle
I bought Nero his very first fiddle
DAWN:
She'll get pissed
If I'm missed
See, my sister's the Slayer...
SWEET (spoken):
The Slayer?
DAWN (spoken):
Yuh-huh.
SWEET:
(spoken)
Find her. Tell her...tell her everything. Just get her here. I want to see the Slayer burn.
(sung)
Now we're partying
That's what it's all about
@esopillar34
Jumping back to say RIP Hinton Battle. Tony winner, should have had a special guest Emmy for this.
@lasombramagister2668
Buon Anima
@catm6289
“so you’re like a good demon? bringing the fun in?” she sounded so hopeful lmao i wish she met Lorne from Angel
@Renagade2332
Imagine if we had gotten full blown crossovers with both Buffy and Angel casts!!!
@ATACXGYMCAPOEIRA
Exactly! Well said.
@kirbystarnino4199
Lornes head would have exploded if he had been in Sunnydale at this time lol
@davids2427
The guy who played Lorn was pretty cool as well ....RIP
@HouseCatTV
And now this actor has passed away too... 😢
@METerrell
Rest in peace Hinton Battle. 1956-2024
@davidallen3158
The best part is Michelle's facial expressions saying WTF am I doing while she dances perfectly.