Mick Gordon (born 9 July 1985) is an Australian composer and sound designer… Read Full Bio ↴Mick Gordon (born 9 July 1985) is an Australian composer and sound designer whose compositions aim to transcend the perceptual boundary between music and its context. Mick’s work considers the role of music as a translation of the world in which it exists rather than a simple accompaniment. Through creativity, interpretation and collaboration he develops a meaningful exchange between the visual world and music culminating in the authorship of a unified original work of art.
Mick utilises a broad range of modern musical sound design and traditional composition techniques in order to be unconstrained by any singular genre. His music is inspired by the connection between the audience and the experience and seeks to overcome the separation between music and the world in which it exists.
Recently, Mick scored the video game DOOM - the return of id Software’s seminal first-person shooter. To illustrate the game’s portrayal of Hell and its insidious power he explored the role of energy in sound production and how the physical properties of analogue equipment can be imparted onto digital sources.
His award-winning interactive score for Microsoft’s reboot of KILLER INSTINCT featured a myriad of performers from around the globe. Mick collaborated with a viking choir in Sweden, representatives of the Nez Perce tribe in Idaho and numerous other performers, vocalists, lyricists and translators to produce its Amazon best-selling soundtrack.
Mick’s score for the video game, WOLFENSTEIN: THE NEW ORDER interweaves modern musical sound design techniques with 1960s style record production. He synthesised field recordings and transformed them into new physically playable instruments to create unique musical palettes. The score explores the role of distortion as a modern musical device. The process of overdriving various pieces of analogue equipment into extremes to create tension was used to represent the game’s chaotic villain, Deathshead. Additionally, to musically represent the rebellious plight of the heroes against their oppressors, Mick utilised vintage instruments, microphones and recording equipment to create music inspired by protest and freedom movement songs of the 1960s.
Mick Gordon is represented by the Gorfaine Schwartz agency.
Mick utilises a broad range of modern musical sound design and traditional composition techniques in order to be unconstrained by any singular genre. His music is inspired by the connection between the audience and the experience and seeks to overcome the separation between music and the world in which it exists.
Recently, Mick scored the video game DOOM - the return of id Software’s seminal first-person shooter. To illustrate the game’s portrayal of Hell and its insidious power he explored the role of energy in sound production and how the physical properties of analogue equipment can be imparted onto digital sources.
His award-winning interactive score for Microsoft’s reboot of KILLER INSTINCT featured a myriad of performers from around the globe. Mick collaborated with a viking choir in Sweden, representatives of the Nez Perce tribe in Idaho and numerous other performers, vocalists, lyricists and translators to produce its Amazon best-selling soundtrack.
Mick’s score for the video game, WOLFENSTEIN: THE NEW ORDER interweaves modern musical sound design techniques with 1960s style record production. He synthesised field recordings and transformed them into new physically playable instruments to create unique musical palettes. The score explores the role of distortion as a modern musical device. The process of overdriving various pieces of analogue equipment into extremes to create tension was used to represent the game’s chaotic villain, Deathshead. Additionally, to musically represent the rebellious plight of the heroes against their oppressors, Mick utilised vintage instruments, microphones and recording equipment to create music inspired by protest and freedom movement songs of the 1960s.
Mick Gordon is represented by the Gorfaine Schwartz agency.
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Mick Gordon Lyrics
We have lyrics for these tracks by Mick Gordon:
A Fridge Called Nora Баю-баюшки-баю, не ложися на краю Придет серенький волчок и …
I'm Back I use to be the flashiest star Chilling with cash and…
I. Dogma In the first age, in the first battle, when the…
III. Dakhma They knew he would come, as he always had, as…
Polemos Μάχη, Πόλεμος, Νίκη, Πόνος Δίκη, Πόλεμος, τρόμος παντού Μάχη…
Touch Me and I'll Break Your Face Woo, come on, yeah! Come and get it. Woo, yeah! Yeah come on…
Warlord Kung och Furste (King and Prince) Krigare (Warrior) Kejsare …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Susanoo 8474
Tried this song on a Bluetooth Speaker. THE BASS IS SNARLING AND MAKES THE WHOLE THING MOVE ON ITS OWN!
Maxamillion
Doom ligit about to pour into this lad's house
Mikołaj
your speaker was possessed by demons xD
MagePumpkin
the music made it sentient
Luke Bilto
@Magni Thorsson grabs shotgun
Magni Thorsson
Demonic energy. Prepare to rip and tear.
Ezequiel Hernandez
Playing this while playing Tetris has never been so intense
magnumZ
Listen to this while being the tagger in tag is the most effective energy fueling
meowfrav plays meowfrav Meow
Finally I'm not the only one! Lol best feeling in my life
Mr. Hank
lol