Michael 'Mick' Softley (South Woodford, Essex, 1941 - 1 September 2017) was… Read Full Bio ↴Michael 'Mick' Softley (South Woodford, Essex, 1941 - 1 September 2017) was a British singer-songwriter and guitarist. A figurehead during the British folk scene, Softley set up his own folk club, released three albums and has been known to work with Mac MacLeod, Donovan Leitch and Maddy Prior. Donovan even covered two of Softley's songs ("Goldwatch Blues" and "The War Drags On") on his early recordings.
Softley grew up in Essex near Epping Forest. His mother was of Irish origin (from County Cork) and his father had East Anglian tinker roots, going back to a few generations. Softley first took up trombone in school and became interested in traditional jazz. He was later persuaded to become a singer by one of his school teachers, and this led to him listening to Big Bill Broonzy and promptly changed his attitude to music, to the extent of him buying a mail-order guitar and some tutorial books and teaching himself to play. By 1959, Mick Softley had left his job and home and spent time travelling around Europe on his motorbike, with a friend, Mick Rippingale. He ended up in Paris, where he came into the company of musicians such as Clive Palmer, Ramblin' Jack Elliott and Wizz Jones. Here he improved his guitar skills and spent time busking with friends until his return to England in the early 1960s. He set up a folk club at The Spinning Wheel in Hemel Hempstead.
Softley began singing in 'The Cock', a pub in St Albans, which was a hang out for beatniks and hippies and attracted musicians down from London. Informal sessions were common. This was where he met a young Donovan Leitch, whom he started to teach cross-picking guitar techniques. (Leitch later cited Softley as a "major influence"). Donovan was soon snapped up by a record label and shot to stardom, but this enabled him to bring Softley to the attention of producers and record companies. His first release was the 1965 single "I'm So Confused", released by Immediate Records. He then worked with Peter Eden and Geoff Stephens, and his debut album Songs For Swinging Survivors , which was a purely folk record. The album featured only Softley and his acoustic guitar and includes the songs "The War Drags On" (covered by Donovan on his Universal Soldier EP), and Softley's own interpretations of Billie Holiday's "Strange Fruit", and Woody Guthrie's "The Plains of the Buffalo".
In 1964 he opened a folk club, in the Spinning Wheel restaurant in Hemel Hempstead. It was shut down by the police after only a year, however, for "various reasons", mainly health and safety; a very small basement room, with only one way in (and out). Softley does not look back on this time favourably claiming during production he had gone "through a lot of hells and no heavens, a terrifying amount of personal pain" to the extent that he quit the music business for over four years. During this time he survived as a market trader in Hemel Hempstead, fathered two children, in 1963 and 1964 and still played gigs frequently in folk clubs around the south east. He returned to life on the road in 1968. Due to contractual issues he never received any royalties in the later years.
After his absence, Softley returned with an electric group, Soft Cloud, Loud Earth. The group was soon trimmed down to a duo consisting of Softley and Mac MacLeod called Soft Cloud. They only performed a few times before they split up and Softley went on to pursue a solo career. Meeting Donovan again, he was persuaded to record for a second time. This time Tony Cox was on board for production and Softley claimed that "everybody all along the line was really good. Totally different to what I'd been through five years before – No-one was trying to make a fast penny out of me, and they were prepared to let me do everything exactly how I wanted to". Softley recorded three albums during this period, which have a very different tone from the first album, due to the variety of instruments and styles showcased on these albums, from upbeat rock ("Can You Hear me Now?") and folk ("Goldwatch Blues") to eastern-inspired sitar pieces ("Love Colours") and skiffle ("Ragtime Mama"). In 1971 he performed on French television programme Grande Affiche.
Avoiding capitalising on the opportunity of stardom, Softley continued to travel and play for free, preferring to watch people enjoy his music than make money. He moved to County Fermanagh, Northern Ireland in 1984, eventually settling in Enniskillen. He was a well recognised character in the town and he also performed occasionally at the Belfast Folk Festival. In recent years he had concentrated on writing poetry, some of which has been published.
In 2011 Softley suffered a head injury after falling from his bicycle and spent a considerable time in hospital recovering. In an effort to counter the unfounded rumours of his passing a Facebook page was set up and it now has a following of over 1,000 friends from all around the world. In August 2011 an evening of entertainment featuring Softley's music and poetry was held in Cafe Merlot in Enniskillen with all proceeds being donated to the brain injury unit at Altnagelvin Hospital.
Mick Softley died 1 September 2017 in Enniskillen, Northern Ireland.
Albums
Songs For Swingin' Survivors (1965), Columbia – reissued on CD in 2003 by Hux Records and as part of The Folk Eve Recordings CD (2014)
Sunrise (1970), CBS
Street Singer (1971), CBS
C'est la Fête à Malataverne (1971), Expression Spontanée – one track, "Time Machine" record live in French folk festival
Any Mother Doesn't Grumble (1972), CBS
Capital (1976), Doll Records
Mensa (1978), Doll Records
War Memorials (1985), Doll Records
Note: Sunrise and Street Singer were reissued as a two-CD set on BGO Records, 2009
Softley grew up in Essex near Epping Forest. His mother was of Irish origin (from County Cork) and his father had East Anglian tinker roots, going back to a few generations. Softley first took up trombone in school and became interested in traditional jazz. He was later persuaded to become a singer by one of his school teachers, and this led to him listening to Big Bill Broonzy and promptly changed his attitude to music, to the extent of him buying a mail-order guitar and some tutorial books and teaching himself to play. By 1959, Mick Softley had left his job and home and spent time travelling around Europe on his motorbike, with a friend, Mick Rippingale. He ended up in Paris, where he came into the company of musicians such as Clive Palmer, Ramblin' Jack Elliott and Wizz Jones. Here he improved his guitar skills and spent time busking with friends until his return to England in the early 1960s. He set up a folk club at The Spinning Wheel in Hemel Hempstead.
Softley began singing in 'The Cock', a pub in St Albans, which was a hang out for beatniks and hippies and attracted musicians down from London. Informal sessions were common. This was where he met a young Donovan Leitch, whom he started to teach cross-picking guitar techniques. (Leitch later cited Softley as a "major influence"). Donovan was soon snapped up by a record label and shot to stardom, but this enabled him to bring Softley to the attention of producers and record companies. His first release was the 1965 single "I'm So Confused", released by Immediate Records. He then worked with Peter Eden and Geoff Stephens, and his debut album Songs For Swinging Survivors , which was a purely folk record. The album featured only Softley and his acoustic guitar and includes the songs "The War Drags On" (covered by Donovan on his Universal Soldier EP), and Softley's own interpretations of Billie Holiday's "Strange Fruit", and Woody Guthrie's "The Plains of the Buffalo".
In 1964 he opened a folk club, in the Spinning Wheel restaurant in Hemel Hempstead. It was shut down by the police after only a year, however, for "various reasons", mainly health and safety; a very small basement room, with only one way in (and out). Softley does not look back on this time favourably claiming during production he had gone "through a lot of hells and no heavens, a terrifying amount of personal pain" to the extent that he quit the music business for over four years. During this time he survived as a market trader in Hemel Hempstead, fathered two children, in 1963 and 1964 and still played gigs frequently in folk clubs around the south east. He returned to life on the road in 1968. Due to contractual issues he never received any royalties in the later years.
After his absence, Softley returned with an electric group, Soft Cloud, Loud Earth. The group was soon trimmed down to a duo consisting of Softley and Mac MacLeod called Soft Cloud. They only performed a few times before they split up and Softley went on to pursue a solo career. Meeting Donovan again, he was persuaded to record for a second time. This time Tony Cox was on board for production and Softley claimed that "everybody all along the line was really good. Totally different to what I'd been through five years before – No-one was trying to make a fast penny out of me, and they were prepared to let me do everything exactly how I wanted to". Softley recorded three albums during this period, which have a very different tone from the first album, due to the variety of instruments and styles showcased on these albums, from upbeat rock ("Can You Hear me Now?") and folk ("Goldwatch Blues") to eastern-inspired sitar pieces ("Love Colours") and skiffle ("Ragtime Mama"). In 1971 he performed on French television programme Grande Affiche.
Avoiding capitalising on the opportunity of stardom, Softley continued to travel and play for free, preferring to watch people enjoy his music than make money. He moved to County Fermanagh, Northern Ireland in 1984, eventually settling in Enniskillen. He was a well recognised character in the town and he also performed occasionally at the Belfast Folk Festival. In recent years he had concentrated on writing poetry, some of which has been published.
In 2011 Softley suffered a head injury after falling from his bicycle and spent a considerable time in hospital recovering. In an effort to counter the unfounded rumours of his passing a Facebook page was set up and it now has a following of over 1,000 friends from all around the world. In August 2011 an evening of entertainment featuring Softley's music and poetry was held in Cafe Merlot in Enniskillen with all proceeds being donated to the brain injury unit at Altnagelvin Hospital.
Mick Softley died 1 September 2017 in Enniskillen, Northern Ireland.
Albums
Songs For Swingin' Survivors (1965), Columbia – reissued on CD in 2003 by Hux Records and as part of The Folk Eve Recordings CD (2014)
Sunrise (1970), CBS
Street Singer (1971), CBS
C'est la Fête à Malataverne (1971), Expression Spontanée – one track, "Time Machine" record live in French folk festival
Any Mother Doesn't Grumble (1972), CBS
Capital (1976), Doll Records
Mensa (1978), Doll Records
War Memorials (1985), Doll Records
Note: Sunrise and Street Singer were reissued as a two-CD set on BGO Records, 2009
I'm So Confused
Mick Softley Lyrics
We have lyrics for 'I'm So Confused' by these artists:
Jonathan Richman Sometimes I think of only her Sometimes no I'm feeling delic…
Lonely Enclave I'm so confused Just don't know what I should do Thought I…
theresa sweetheart I'm so confused And really scared And it's not chill at all …
We have lyrics for these tracks by Mick Softley:
Time Machine Well, hey there baby, do you want to make the…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@phatato
This is great! 60s music never stops giving
@adrianmadden
Amazing song.........always telling people about it !!!!!
@DokterKattenbakvulling
When God's clear bell rings out, says to love one and all
I'm so confused, for the same bell rings out and says go to war
I hope before the bullets fly for me to die
That He who made me will be the one to save me
When God's myriad mouths honor'd from the pulpit pray for peace
I'm so confused, for the same mouths call out for the amnesties to cease
I hope before the armies move and bullets start to fly
That He who made me will be the one to save me
When salvation in a cloak with hands outstretched praise the souls
I'm so confused, for the same hands bless the armies as they go to war
I hope before the soldiers die and I begin to cry
That He who made me will be the one to save me
When the altar of the Lord offers life after death
I'm so confused, for life is such a precious thing, why waste a drop of it?
And as I look around the lifeless battlefield
Up goes the crying "Ad majorem Dei gloriam!"
@phatato
Thank you for posting this
@renatoaraujo9595
Many thanks for posting the lyrics. Cheers
@gervang6527
Thank you thank you! The lyrics are not found anywhere else.
@DokterKattenbakvulling
@@gervang6527 I had the same problem, this is my own transcription!
@Johnnralph
Rip : Mick Softley (1939 – 1 September 2017)
@samfrost6246
What a song, and what an album.
@spots35
Superb