Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church.
Other influences included listening to American street quartets, pop tunes by Nat King Cole and Frankie Laine, Sarah Vaughn, Billy Eckstein, Frank Sinatra and Ella Fitzgerald with their jazz contributions, and the early calypsoes of Lord Melody, Lord Kitchener, Lord Christo, Lord Invader (of Rum and Coca Cola fame) and the Mighty Spoiler, to name a few.
At the tender age of 20, Sparrow emerged, as the leading Calypsonian with his record-breaking hit, Jean and Dinah. (Yankees Gone, 1956 covered by Harry Belafonte). Throughout the years he managed to showcase his diversity each year with the release of at least one album dating from the catchy Jean and Dinah. in 1956 to Carnival Boycott (1957, a song responsible for the many changes and improvement for mass men, calypsonians and steelband men). This song was eventually responsible for the formation of the Carnival Development Committee. An organization to assist calypsonians, steelband men and mas men. This committee was fully endorsed by the Founding Father of Trinidad and Tobago, Dr. Eric Eustace Williams.
In 1958 he became the only calypsonian to have had a triple win, in the same year, in the Road March Competition. The calypsoes were P.A.Y.E. (Pay As You Earn, a song that enabled the citizens of Trinidad and Tobago, to understand the importance of paying taxes). Russian Satellite (a song reflecting on the act of cruelty to animals) and Theresa (a number where, for the first time in his career, he utilized other languages). In an unprecedented move, he was awarded a cash prize by the Carnival Development Committee, for winning the Road March Competition that year.
In 1959 he released Federation, (a song that reflected his disappointment over the breaking up of the proposed Caribbean Federation). In 1960 his career continued to soar with the melodious May May and Leave the damn Doctor, Royal Jail and Ten to one is Murder followed in 1961. In 1962 he presented us with Sparrow Come Back Home and Model Nation. Dan is the Man in the Van came in 1963 and the Village Ram in 1964.
In 1965 we experienced Congo Man. In that same year Sparrow proved himself a balladeer with his remake of Arthur Prysock's original, Only A Fool Breaks His Own Heart accompanied by Byron Lee and the Dragonaires. This rendition won him a Gold Record in Holland. He also recorded Frank Sinatra's My Way and Lucho Gatica's "El Reloj".
In 1966, He won the Road March Competition again with Melda and 1967 he advised the youth on the importance of Education. Mr. Walker was his hit in 1968, he won the Road March Competition again in 1969 with Sa Sa Yea and in 1970 he appealed to the people of this world to Love one Another and Lend A Hand. These songs appealed to the country for unity "Unity somehow if Trinidad ever needed you is now".
In 1971 Good Citizen followed and in 1972 he won the Calypso Monarch and Road March Competitions with Drunk and Disorderly. No Kind of Man at all was released in 1973 and We Pass That Stage (a strong social commentary in 1974. In 1975 he gave us a psychological analysis, showing where the rich is envious of the poor with Neurosis of the Rich. The Mayor of Detroit, Coleman Young, also presented him with the keys to the city.
In 1976 we got the humorous Salt Fish, and in 1977 he lead the Caribbean with a tribute to Hasley Crawford, the Olympic Gold Medallist. In the same year, during FESTAC, in Nigeria, Sparrow received the honorary title of Chief of the Yorubas, (which is Chief Omo Wale of Ikoyi).
In 1978 he paid tribute to Penny Commissiong (the first black Miss Universe) with The First Black Miss Universe, and chided Idi Amin Dada, tyrant in Africa. Kerry Packer (a song about the cricket revolution) followed in 1979 and in 1980 the Shah of Iran (Wanted Dead or Alive ). This number was covered by the popular American group, Manhattan Transfer.
Sparrow continued to climb the ladder of success while becoming the most popular caypsonian of all time. He demonstrated year after year, with his social commentaries that the calypsonian is really the eyes and ears of the people. In 1981 he registered his social/political Commentaries. We Like It So and his first chutney contribution Sexy Marajhin another liguistic inclusion. In 1982 he gave us Human Rights and in 1983 another powerful, State of the Union address Capitalism Gone Mad. He added another Road March title to his record in 1984 with Doh Back Back and in 1985 he demonstrated to the youth in the business that he can step up to another level when necessary with Soca Pressure.
Around this same time, Mayor Ed Koch of New York proclaimed March 18th, The Mighty Sparrow Day. He dealt with another evil of society in 1986 advising the vulnerable that Coke Is Not It. In 1987 he thrilled the world with another classic, the humorous Lying Excuses. He made another appearance in Nigeria, this time as Chief Omo Wale of Ikoyi, during his National Tour of Afirca and upon his return he was awarded an Honorary Doctorate Degree, Doctor of Letters, from the University of the West Indies. Hence, the reason for Dr. Bird his chronicling of the event at the University of the West Indies, (using humor again as he always does She had a headache and this Dr. Bird performed a myomectamy on her) in 1988.
Manjhay, and Dutch Romance (which gave us a touch of French and Dutch languages) in 1989. In 1990 he gave us Let the Music Play and was inducted into the SUNSHINE Awards Calypso and Steelband Music Hall of Fame on June 24th. That same day the Brooklyn Borough President, Howard Golder proclaimed the day The Mighty Sparrow Day. Another strong social commentary, We Could Make It Easy If We Try and Precious a dedication to his daughter followed in 1991.
Sparrow continued to define the true meaning of "The Calypso King of the World. In 1992 with Both of Them, Crown Heights Justice and Man will Survive. All making a big impact in the Caribbean and the United States.
In 1993 he sang Put On Your Dancing Shoes and More the Merrier and in 1994 told the youth on his heels that Age Is Just A Number and Salvation, underscoring his roots as a choirboy in the church. In 1995 he gave us a course in history where once again he kept the linguistic involvement Democracy In Haiti (Liberte) and a keen sense of observation with the social situation at home This Is Madness, ("Why have we cast aside intelligence and abandon common sense with unprecedented violence for which there is no known defense"). Incidentally these gems earned him third place in the Calypso Monarch Competition. He gave us OJ (the juice is loose) and the Royal Divorce in 1996 and an assortment of Soca Ballads in 1997.
This illustrious lyricist/composer/singer/comedian/entertainer is an 11 time Calypso Monarch. This includes winning the King of Kings Competition (where every monarch in the calypso world is invited to compete against the Mighty Sparrow, each time suffering total defeat at his hands) in Trinidad. He also won the Trinidad and Tobago's Carnival Road March Competition eight (8) times, second only to the Lord Kitchener, (his songs were selected and played most often by the bands in this category). Sparrow received many other University citations and awards from Governments and organizations too numerous to mention.
Now in 1998, The Mighty Sparrow, continues to rule the Calypso/Soca world with his voice, lyrics and melodies. He is demonstrating once more that he is the King. His new release, The Supreme Serenader is full of dance, humor and facts. The first track Paramaribo is not only a beautiful rendition of how he was captivated by the girls in Surinam but it also demonstrates the depth of his thoughts and his gratitude for a land of style and grace.
Santo Domingo is a track full of dance and proof positive that the King is truly global with his music. He will be embraced by the Latino communities around the world for this one. Racism is a very powerful social commentary, both lyrically and musically. In this song, Sparrow once again deals with an issue of international concern while at the same time reflecting on those who have been in the forefront of the struggle.
Willie Dead is a humorously and classically executed double entendre, so convincing that you will mourn for Willie. Another powerful and appealing social commentary is Raperman. The King assumes the role of messenger and protector of women and underscores his position with the following tracks, Born To Love, and Don't Give It Up.
The Mighty Sparrow has proved himself as the Quintessential Calypsonian, par excellence, with over seventy (70) albums to his credit. He is richly endowed with many gifts. He possesses an amazing ability not only to put into works and tempo the exploits of society, but to crown it all with showmanship and appeal. His great contribution to the artform and our lives has unraveled the mysteries of Caribbean life, leaving the professionally trained sociologist and economist befuddled.
A combination of talent, hard work and opportunity enabled Sparrow's ascendance to Calypso King of the World. He brought honor, glory and dignity to an indigenous art form that was once scorned upon by the elite of Caribbean society. He is one extraordinary entertainer who utilizes the medium he masters not just to entertain but also to edify, enlighten, and educate.
The King is currently preparing for the new millennium when he will re-enter the World Monarch and Road March Competitions for a cataclysmic encounter with his competitors.
Without doubt, as The Mighty Sparrow, The King of Kings, is the real Supreme Serenader.
Bunny Grant vs Charnley
Mighty Sparrow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The night when Dave Charnley come
Boxing in the stadium
The night when Dave Charnley come
Bunny posing quietly
This time he first see Dave Charnley
Trying to box pretty
Bunny catch him and right-hook he in the belly
And the crowd bawling...
Him too facety, him too fass
Hit him in him high
Ain′t no shame to rhaatid
Him too fiercely, what make him so bad
Hit him in him high
Nyam him to rhaatid
The Englishman get so red
Help him jab at Bunny head
This time the Jamaican boy
Crouch up like a morocoy
Charnley throw some good right hand
But Bunny is a tough Jamaican
He had old Charnley mouth shell
Before the knock-out punch he was saved by the bell
Him too facety, him too fass
Hit him in him high
Ain't no shame to rhaatid
Him too fiercely, what make him so bad
Hit him in him high
Nyam him to rhaatid
This time if you see footwork
Bunny Grant ain′t making joke
Moving cool and gracefully
Hitting hard like Joe Lewis
The stadium has stop, too much crowd
People turned back, no more allowed
Charnley complained 'bout it
But the damn doctors, "Too much ah licks to eat"
If you hear me...
Him too facety, him too fass
Hit him in him high
Bunny ain't no shame to rhaatid
Him too fiercely, what make him so bad
Hit him in him high
Nyam him to rhaatid
The British Empire champ
Lost the crown to Bunny Grant
It was just Independence time
History was made, everything was fine
When Charnley come out the ring
Everybody was clapping
The fool even raise he hand
First time I feel sorry for an Englishman
But if you hear me...
Him too facety, him too fass
Hit him in him high
Bunny ain′t no shame to rhaatid
Him too fiercely, what make him so bad
Hit him in him high
Nyam him to rhaatid
The Mighty Sparrow's song "Bunny Grant vs Charnley" depicts the night when Jamaican boxer Bunny Grant defeated British boxer Dave Charnley. The song describes the boxing match held in the stadium as the two boxers took to the ring. Bunny Grant, who had never seen or fought against Charnley before, was initially quiet and seemed to be trying to box pretty. However, Bunny's cautious approach didn't last long as he caught Charnley with a powerful right hook to the belly, causing the crowd to go wild.
Charnley, who was known for being too fierce and arrogant, tried to fight back but Bunny proved to be a tough Jamaican that couldn't be easily defeated. The song describes Charnley getting so red that he needed help to jab at Bunny's head. Despite his efforts, Bunny had a shell around his mouth and couldn't be knocked out with Charnley's punches. The third verse describes Bunny's beautiful footwork and powerful punches, which left the whole stadium in awe. In the end, Bunny defeated Charnley, causing history to be made as it was just Independence time.
The song is an ode to Bunny Grant and his victory against Dave Charnley, who was a very popular and fierce boxer hailing from the British Empire. The Mighty Sparrow's lyrics are full of metaphors and similes that depict the ferocity and power of the two boxers. Through his lyrics, he highlights Bunny Grant's strength and agility, which helped him defeat his opponent.
Line by Line Meaning
Boxing in the stadium
The scene is set in a boxing stadium
The night when Dave Charnley come
It was the night when Dave Charnley arrived to fight
Bunny posing quietly
Bunny was standing calmly and quietly
This time he first see Dave Charnley
This was the first time he saw Dave Charnley
Trying to box pretty
Bunny was trying to box with finesse and style
Bunny catch him and right-hook he in the belly
Bunny caught him and hit him with a right-hook to the stomach
And the crowd bawling...
The crowd was shouting and cheering loudly
Him too facety, him too fass
He was too arrogant, he was too fast
Hit him in him high
Hit him in the head
Ain′t no shame to rhaatid
There is no shame in beating him badly
Him too fiercely, what make him so bad
He was too aggressive, what made him so bad
Nyam him to rhaatid
Completely beat him up
The Englishman get so red
The Englishman turned red with anger
Help him jab at Bunny head
His corner helped him to aim punches at Bunny's head
This time the Jamaican boy
This time the Jamaican boy
Crouch up like a morocoy
He crouched up like a turtle
Charnley throw some good right hand
Charnley threw some good right-handed punches
But Bunny is a tough Jamaican
But Bunny is a tough Jamaican
He had old Charnley mouth shell
He had Charnley's mouth in poor shape
Before the knock-out punch he was saved by the bell
Before the knockout punch, the bell rang to end the round
This time if you see footwork
If you witness the footwork this time
Bunny Grant ain′t making joke
Bunny Grant isn't making any jokes
Moving cool and gracefully
He was moving in a cool and graceful manner
Hitting hard like Joe Lewis
He was hitting hard like Joe Lewis
The stadium has stopped, too much crowd
The stadium has stopped, there are too many people in the crowd
People turned back, no more allowed
People turned back, no more were allowed in
Charnley complained 'bout it
Charnley complained about it
But the damn doctors, "Too much ah licks to eat"
But the damn doctors said, "Too many blows to the head"
The British Empire champ
The British Empire champion
Lost the crown to Bunny Grant
Lost the championship belt to Bunny Grant
It was just Independence time
It was just after Independence Day
History was made, everything was fine
History was made, everything was fine
When Charnley come out the ring
When Charnley came out of the ring
Everybody was clapping
Everyone was clapping
The fool even raise he hand
The fool even raised his hand
First time I feel sorry for an Englishman
First time I feel sorry for an Englishman
Writer(s): Slinger Francisco
Contributed by Joseph P. Suggest a correction in the comments below.
Joy A.
on Capitalism gone Mad
I hope there's a 2020 appearance in NYC!
I will definitely get tickets!
Amina Phillip
on Education Is Essential
I love your video and it is a good calypso that Ican makeone about education to
Bokaille Bodlo
on Witch Doctor
Bokaille Bodlo
Who could send me The lyrics of WITCH DOCTOR from Mighty Sparrow.
Thank you.
Bokaille Bodlo
on Witch Doctor
Who could send me The lyrics of WITCH DOCTOR from Mighty Sparrow.
Thank you.