Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church.
Other influences included listening to American street quartets, pop tunes by Nat King Cole and Frankie Laine, Sarah Vaughn, Billy Eckstein, Frank Sinatra and Ella Fitzgerald with their jazz contributions, and the early calypsoes of Lord Melody, Lord Kitchener, Lord Christo, Lord Invader (of Rum and Coca Cola fame) and the Mighty Spoiler, to name a few.
At the tender age of 20, Sparrow emerged, as the leading Calypsonian with his record-breaking hit, Jean and Dinah. (Yankees Gone, 1956 covered by Harry Belafonte). Throughout the years he managed to showcase his diversity each year with the release of at least one album dating from the catchy Jean and Dinah. in 1956 to Carnival Boycott (1957, a song responsible for the many changes and improvement for mass men, calypsonians and steelband men). This song was eventually responsible for the formation of the Carnival Development Committee. An organization to assist calypsonians, steelband men and mas men. This committee was fully endorsed by the Founding Father of Trinidad and Tobago, Dr. Eric Eustace Williams.
In 1958 he became the only calypsonian to have had a triple win, in the same year, in the Road March Competition. The calypsoes were P.A.Y.E. (Pay As You Earn, a song that enabled the citizens of Trinidad and Tobago, to understand the importance of paying taxes). Russian Satellite (a song reflecting on the act of cruelty to animals) and Theresa (a number where, for the first time in his career, he utilized other languages). In an unprecedented move, he was awarded a cash prize by the Carnival Development Committee, for winning the Road March Competition that year.
In 1959 he released Federation, (a song that reflected his disappointment over the breaking up of the proposed Caribbean Federation). In 1960 his career continued to soar with the melodious May May and Leave the damn Doctor, Royal Jail and Ten to one is Murder followed in 1961. In 1962 he presented us with Sparrow Come Back Home and Model Nation. Dan is the Man in the Van came in 1963 and the Village Ram in 1964.
In 1965 we experienced Congo Man. In that same year Sparrow proved himself a balladeer with his remake of Arthur Prysock's original, Only A Fool Breaks His Own Heart accompanied by Byron Lee and the Dragonaires. This rendition won him a Gold Record in Holland. He also recorded Frank Sinatra's My Way and Lucho Gatica's "El Reloj".
In 1966, He won the Road March Competition again with Melda and 1967 he advised the youth on the importance of Education. Mr. Walker was his hit in 1968, he won the Road March Competition again in 1969 with Sa Sa Yea and in 1970 he appealed to the people of this world to Love one Another and Lend A Hand. These songs appealed to the country for unity "Unity somehow if Trinidad ever needed you is now".
In 1971 Good Citizen followed and in 1972 he won the Calypso Monarch and Road March Competitions with Drunk and Disorderly. No Kind of Man at all was released in 1973 and We Pass That Stage (a strong social commentary in 1974. In 1975 he gave us a psychological analysis, showing where the rich is envious of the poor with Neurosis of the Rich. The Mayor of Detroit, Coleman Young, also presented him with the keys to the city.
In 1976 we got the humorous Salt Fish, and in 1977 he lead the Caribbean with a tribute to Hasley Crawford, the Olympic Gold Medallist. In the same year, during FESTAC, in Nigeria, Sparrow received the honorary title of Chief of the Yorubas, (which is Chief Omo Wale of Ikoyi).
In 1978 he paid tribute to Penny Commissiong (the first black Miss Universe) with The First Black Miss Universe, and chided Idi Amin Dada, tyrant in Africa. Kerry Packer (a song about the cricket revolution) followed in 1979 and in 1980 the Shah of Iran (Wanted Dead or Alive ). This number was covered by the popular American group, Manhattan Transfer.
Sparrow continued to climb the ladder of success while becoming the most popular caypsonian of all time. He demonstrated year after year, with his social commentaries that the calypsonian is really the eyes and ears of the people. In 1981 he registered his social/political Commentaries. We Like It So and his first chutney contribution Sexy Marajhin another liguistic inclusion. In 1982 he gave us Human Rights and in 1983 another powerful, State of the Union address Capitalism Gone Mad. He added another Road March title to his record in 1984 with Doh Back Back and in 1985 he demonstrated to the youth in the business that he can step up to another level when necessary with Soca Pressure.
Around this same time, Mayor Ed Koch of New York proclaimed March 18th, The Mighty Sparrow Day. He dealt with another evil of society in 1986 advising the vulnerable that Coke Is Not It. In 1987 he thrilled the world with another classic, the humorous Lying Excuses. He made another appearance in Nigeria, this time as Chief Omo Wale of Ikoyi, during his National Tour of Afirca and upon his return he was awarded an Honorary Doctorate Degree, Doctor of Letters, from the University of the West Indies. Hence, the reason for Dr. Bird his chronicling of the event at the University of the West Indies, (using humor again as he always does She had a headache and this Dr. Bird performed a myomectamy on her) in 1988.
Manjhay, and Dutch Romance (which gave us a touch of French and Dutch languages) in 1989. In 1990 he gave us Let the Music Play and was inducted into the SUNSHINE Awards Calypso and Steelband Music Hall of Fame on June 24th. That same day the Brooklyn Borough President, Howard Golder proclaimed the day The Mighty Sparrow Day. Another strong social commentary, We Could Make It Easy If We Try and Precious a dedication to his daughter followed in 1991.
Sparrow continued to define the true meaning of "The Calypso King of the World. In 1992 with Both of Them, Crown Heights Justice and Man will Survive. All making a big impact in the Caribbean and the United States.
In 1993 he sang Put On Your Dancing Shoes and More the Merrier and in 1994 told the youth on his heels that Age Is Just A Number and Salvation, underscoring his roots as a choirboy in the church. In 1995 he gave us a course in history where once again he kept the linguistic involvement Democracy In Haiti (Liberte) and a keen sense of observation with the social situation at home This Is Madness, ("Why have we cast aside intelligence and abandon common sense with unprecedented violence for which there is no known defense"). Incidentally these gems earned him third place in the Calypso Monarch Competition. He gave us OJ (the juice is loose) and the Royal Divorce in 1996 and an assortment of Soca Ballads in 1997.
This illustrious lyricist/composer/singer/comedian/entertainer is an 11 time Calypso Monarch. This includes winning the King of Kings Competition (where every monarch in the calypso world is invited to compete against the Mighty Sparrow, each time suffering total defeat at his hands) in Trinidad. He also won the Trinidad and Tobago's Carnival Road March Competition eight (8) times, second only to the Lord Kitchener, (his songs were selected and played most often by the bands in this category). Sparrow received many other University citations and awards from Governments and organizations too numerous to mention.
Now in 1998, The Mighty Sparrow, continues to rule the Calypso/Soca world with his voice, lyrics and melodies. He is demonstrating once more that he is the King. His new release, The Supreme Serenader is full of dance, humor and facts. The first track Paramaribo is not only a beautiful rendition of how he was captivated by the girls in Surinam but it also demonstrates the depth of his thoughts and his gratitude for a land of style and grace.
Santo Domingo is a track full of dance and proof positive that the King is truly global with his music. He will be embraced by the Latino communities around the world for this one. Racism is a very powerful social commentary, both lyrically and musically. In this song, Sparrow once again deals with an issue of international concern while at the same time reflecting on those who have been in the forefront of the struggle.
Willie Dead is a humorously and classically executed double entendre, so convincing that you will mourn for Willie. Another powerful and appealing social commentary is Raperman. The King assumes the role of messenger and protector of women and underscores his position with the following tracks, Born To Love, and Don't Give It Up.
The Mighty Sparrow has proved himself as the Quintessential Calypsonian, par excellence, with over seventy (70) albums to his credit. He is richly endowed with many gifts. He possesses an amazing ability not only to put into works and tempo the exploits of society, but to crown it all with showmanship and appeal. His great contribution to the artform and our lives has unraveled the mysteries of Caribbean life, leaving the professionally trained sociologist and economist befuddled.
A combination of talent, hard work and opportunity enabled Sparrow's ascendance to Calypso King of the World. He brought honor, glory and dignity to an indigenous art form that was once scorned upon by the elite of Caribbean society. He is one extraordinary entertainer who utilizes the medium he masters not just to entertain but also to edify, enlighten, and educate.
The King is currently preparing for the new millennium when he will re-enter the World Monarch and Road March Competitions for a cataclysmic encounter with his competitors.
Without doubt, as The Mighty Sparrow, The King of Kings, is the real Supreme Serenader.
Carnival
Mighty Sparrow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I am a non-participant
Year after year they rioting
When they go start uniting?
To go to a nightclub or a dance
Or any kind of fête is a big chance
You ain′t sure to walk out from the place
Unless a dagger stick in your waist
I ain't have no band, I ain′t in no gang
I ain't want no confusion with no hooligan
My friends are sociable, very very respectable
And we ain't want no bacchanal for this carnival
Aye aye aye!
So many people are afraid
To join in the carnival parade
Although they ain′t looking for nuttin′
Something terrible might happen
And then you can't depend on the police
Instead of making arrest they making peace
So before you end up in casualty
Ah think you better play your mas like me
I ain′t have no band, I ain't in no gang
Who the hell want confusion with them hooligan?
My friends are sociable, very very respectable people
And we ain′t want no bacchanal for this carnival
The word is "mas", according to him!
Play mas!
Useless fighting don't make sense
I believe in non-violence
Don′t lick down people just because
You want to show them you could break the laws
Have some regard for human life
Don't be too quick to pull your knife
"Live and let live" that's what I say
Try as you want, you know crime doesn′t pay
I ain′t have no band, I ain't in no gang
And meh ain′t want no confusion with them hooligan
My friends are sociable and very respectable
And we ain't want no bacchanal for this carnival
Woh yo yo!
Sing it if you swing it, aye aye aye!
Too many gang what′s too much clash
You many daggers and cutlaash
Too many reach the hospital
Too many people end up in funeral
What is the reason for all this?
Cut out this blinking foolishness
Jump in the crowd and play your mas
But don't bring no razor and cutlaash
Look, I ain′t have no band, I ain't in no gang
Who the hell want confusion with them hooligan?
My friends are sociable, very very respectable
And we ain't want no bacchanal for this carnival
Woh yo yo!
In Mighty Sparrow's song "Carnival," the lyrics convey a strong message against violence and conflict during the Carnival festivities. The singer starts by rejecting the idea of getting involved in fights, stating that he is a non-participant. He criticizes the frequent riots that occur year after year and questions why people don't come together instead of fighting. The singer highlights the dangers of attending nightclubs or parties, where violence is prevalent and one's safety is not guaranteed. He emphasizes the need for a peaceful and enjoyable Carnival experience, distancing himself from bands and gangs associated with chaos and hooliganism.
The second verse portrays the fear that people have of participating in the Carnival parade due to potential violence or accidents. Rather than relying on the police for protection, the singer suggests that individuals should take responsibility for their own safety and avoid getting caught up in the casualties of the celebrations. He reiterates his preference for a peaceful Carnival experience, surrounded by sociable and respectable friends.
The final verse emphasizes the importance of non-violence and the value of human life. The singer advocates for a live and let live mentality, discouraging the use of weapons and promoting harmony. He expresses his faith in non-violence and asserts that crime doesn't pay. The chorus reinforces the singer's refusal to be involved in fights or chaos, preferring a peaceful and enjoyable Carnival experience with friends.
Overall, "Carnival" is a call for unity, non-violence, and respect during the Carnival celebrations, urging individuals to prioritize a safe and enjoyable experience rather than engaging in conflict.
Line by Line Meaning
Oh let them fight if they want
Let them engage in conflicts if they desire
I am a non-participant
I choose not to get involved
Year after year they rioting
They engage in violent disturbances repeatedly
When they go start uniting?
When will they begin coming together?
To go to a nightclub or a dance
To attend social gatherings and parties
Or any kind of fête is a big chance
Any celebration holds great risk
You ain't sure to walk out from the place
It's uncertain if you'll leave unharmed
Unless a dagger stick in your waist
Unless you are carrying a weapon for protection
I ain't have no band, I ain't in no gang
I don't have a group or affiliation
I ain't want no confusion with no hooligan
I don't desire any involvement with troublemakers
My friends are sociable, very very respectable
My acquaintances are friendly and highly regarded
And we ain't want no bacchanal for this carnival
And we don't want any chaotic revelry for this carnival
So many people are afraid
Numerous individuals are afraid
To join in the carnival parade
To participate in the carnival procession
Although they ain't looking for nuttin'
Even though they aren't seeking anything
Something terrible might happen
Something dreadful could occur
And then you can't depend on the police
And then you can't rely on the police
Instead of making arrest they making peace
Instead of making arrests, they are promoting peace
So before you end up in casualty
So before you end up in a casualty ward
Ah think you better play your mas like me
I believe it's better to participate in the carnival as I do
The word is "mas", according to him!
The term is "masquerade", as he claims!
Play mas!
Participate in the masquerade!
Useless fighting don't make sense
Engaging in meaningless fights is illogical
I believe in non-violence
I have faith in peaceful conflict resolution
Don't lick down people just because
Don't attack individuals simply because
You want to show them you could break the laws
You want to demonstrate your ability to defy laws
Have some regard for human life
Show some respect for human life
Don't be too quick to pull your knife
Don't be too hasty to draw your weapon
"Live and let live" that's what I say
"Respect others' way of living" is my motto
Try as you want, you know crime doesn't pay
No matter how hard you try, you know crime is not profitable
Too many gang what's too much clash
There are too many gangs causing excessive conflict
You many daggers and cutlaash
There are many weapons like daggers and cutlasses
Too many reach the hospital
Too many individuals end up in hospitals
Too many people end up in funeral
Too many individuals end up in funerals
What is the reason for all this?
What is the cause behind all these incidents?
Cut out this blinking foolishness
Stop this foolishness immediately
Jump in the crowd and play your mas
Join the crowd and participate in the masquerade
But don't bring no razor and cutlaash
But don't carry any razors or cutlasses
Woh yo yo!
Expressing excitement or enthusiasm
Sing it if you swing it, aye aye aye!
Sing it if you enjoy it, expressing excitement
Writer(s): Slinger Francisco
Contributed by Audrey E. Suggest a correction in the comments below.
Joy A.
on Capitalism gone Mad
I hope there's a 2020 appearance in NYC!
I will definitely get tickets!
Amina Phillip
on Education Is Essential
I love your video and it is a good calypso that Ican makeone about education to
Bokaille Bodlo
on Witch Doctor
Bokaille Bodlo
Who could send me The lyrics of WITCH DOCTOR from Mighty Sparrow.
Thank you.
Bokaille Bodlo
on Witch Doctor
Who could send me The lyrics of WITCH DOCTOR from Mighty Sparrow.
Thank you.