Slinger Francisco, better known as The Mighty Sparrow, affectionately dubbe… Read Full Bio ↴Slinger Francisco, better known as The Mighty Sparrow, affectionately dubbed, The Birdie is the unrivaled Calypso King of the World, with a career that spans over 40 years and counting. This artist par excellence has earned his rightful place as "King of the Calypso World" by defeating every other competitor/pretender to his throne. He has entertained audiences across the globe, including, the Caribbean, Europe, Asia, Africa, North and South America, to name but a few.
Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church.
Other influences included listening to American street quartets, pop tunes by Nat King Cole and Frankie Laine, Sarah Vaughn, Billy Eckstein, Frank Sinatra and Ella Fitzgerald with their jazz contributions, and the early calypsoes of Lord Melody, Lord Kitchener, Lord Christo, Lord Invader (of Rum and Coca Cola fame) and the Mighty Spoiler, to name a few.
At the tender age of 20, Sparrow emerged, as the leading Calypsonian with his record-breaking hit, Jean and Dinah. (Yankees Gone, 1956 covered by Harry Belafonte). Throughout the years he managed to showcase his diversity each year with the release of at least one album dating from the catchy Jean and Dinah. in 1956 to Carnival Boycott (1957, a song responsible for the many changes and improvement for mass men, calypsonians and steelband men). This song was eventually responsible for the formation of the Carnival Development Committee. An organization to assist calypsonians, steelband men and mas men. This committee was fully endorsed by the Founding Father of Trinidad and Tobago, Dr. Eric Eustace Williams.
In 1958 he became the only calypsonian to have had a triple win, in the same year, in the Road March Competition. The calypsoes were P.A.Y.E. (Pay As You Earn, a song that enabled the citizens of Trinidad and Tobago, to understand the importance of paying taxes). Russian Satellite (a song reflecting on the act of cruelty to animals) and Theresa (a number where, for the first time in his career, he utilized other languages). In an unprecedented move, he was awarded a cash prize by the Carnival Development Committee, for winning the Road March Competition that year.
In 1959 he released Federation, (a song that reflected his disappointment over the breaking up of the proposed Caribbean Federation). In 1960 his career continued to soar with the melodious May May and Leave the damn Doctor, Royal Jail and Ten to one is Murder followed in 1961. In 1962 he presented us with Sparrow Come Back Home and Model Nation. Dan is the Man in the Van came in 1963 and the Village Ram in 1964.
In 1965 we experienced Congo Man. In that same year Sparrow proved himself a balladeer with his remake of Arthur Prysock's original, Only A Fool Breaks His Own Heart accompanied by Byron Lee and the Dragonaires. This rendition won him a Gold Record in Holland. He also recorded Frank Sinatra's My Way and Lucho Gatica's "El Reloj".
In 1966, He won the Road March Competition again with Melda and 1967 he advised the youth on the importance of Education. Mr. Walker was his hit in 1968, he won the Road March Competition again in 1969 with Sa Sa Yea and in 1970 he appealed to the people of this world to Love one Another and Lend A Hand. These songs appealed to the country for unity "Unity somehow if Trinidad ever needed you is now".
In 1971 Good Citizen followed and in 1972 he won the Calypso Monarch and Road March Competitions with Drunk and Disorderly. No Kind of Man at all was released in 1973 and We Pass That Stage (a strong social commentary in 1974. In 1975 he gave us a psychological analysis, showing where the rich is envious of the poor with Neurosis of the Rich. The Mayor of Detroit, Coleman Young, also presented him with the keys to the city.
In 1976 we got the humorous Salt Fish, and in 1977 he lead the Caribbean with a tribute to Hasley Crawford, the Olympic Gold Medallist. In the same year, during FESTAC, in Nigeria, Sparrow received the honorary title of Chief of the Yorubas, (which is Chief Omo Wale of Ikoyi).
In 1978 he paid tribute to Penny Commissiong (the first black Miss Universe) with The First Black Miss Universe, and chided Idi Amin Dada, tyrant in Africa. Kerry Packer (a song about the cricket revolution) followed in 1979 and in 1980 the Shah of Iran (Wanted Dead or Alive ). This number was covered by the popular American group, Manhattan Transfer.
Sparrow continued to climb the ladder of success while becoming the most popular caypsonian of all time. He demonstrated year after year, with his social commentaries that the calypsonian is really the eyes and ears of the people. In 1981 he registered his social/political Commentaries. We Like It So and his first chutney contribution Sexy Marajhin another liguistic inclusion. In 1982 he gave us Human Rights and in 1983 another powerful, State of the Union address Capitalism Gone Mad. He added another Road March title to his record in 1984 with Doh Back Back and in 1985 he demonstrated to the youth in the business that he can step up to another level when necessary with Soca Pressure.
Around this same time, Mayor Ed Koch of New York proclaimed March 18th, The Mighty Sparrow Day. He dealt with another evil of society in 1986 advising the vulnerable that Coke Is Not It. In 1987 he thrilled the world with another classic, the humorous Lying Excuses. He made another appearance in Nigeria, this time as Chief Omo Wale of Ikoyi, during his National Tour of Afirca and upon his return he was awarded an Honorary Doctorate Degree, Doctor of Letters, from the University of the West Indies. Hence, the reason for Dr. Bird his chronicling of the event at the University of the West Indies, (using humor again as he always does She had a headache and this Dr. Bird performed a myomectamy on her) in 1988.
Manjhay, and Dutch Romance (which gave us a touch of French and Dutch languages) in 1989. In 1990 he gave us Let the Music Play and was inducted into the SUNSHINE Awards Calypso and Steelband Music Hall of Fame on June 24th. That same day the Brooklyn Borough President, Howard Golder proclaimed the day The Mighty Sparrow Day. Another strong social commentary, We Could Make It Easy If We Try and Precious a dedication to his daughter followed in 1991.
Sparrow continued to define the true meaning of "The Calypso King of the World. In 1992 with Both of Them, Crown Heights Justice and Man will Survive. All making a big impact in the Caribbean and the United States.
In 1993 he sang Put On Your Dancing Shoes and More the Merrier and in 1994 told the youth on his heels that Age Is Just A Number and Salvation, underscoring his roots as a choirboy in the church. In 1995 he gave us a course in history where once again he kept the linguistic involvement Democracy In Haiti (Liberte) and a keen sense of observation with the social situation at home This Is Madness, ("Why have we cast aside intelligence and abandon common sense with unprecedented violence for which there is no known defense"). Incidentally these gems earned him third place in the Calypso Monarch Competition. He gave us OJ (the juice is loose) and the Royal Divorce in 1996 and an assortment of Soca Ballads in 1997.
This illustrious lyricist/composer/singer/comedian/entertainer is an 11 time Calypso Monarch. This includes winning the King of Kings Competition (where every monarch in the calypso world is invited to compete against the Mighty Sparrow, each time suffering total defeat at his hands) in Trinidad. He also won the Trinidad and Tobago's Carnival Road March Competition eight (8) times, second only to the Lord Kitchener, (his songs were selected and played most often by the bands in this category). Sparrow received many other University citations and awards from Governments and organizations too numerous to mention.
Now in 1998, The Mighty Sparrow, continues to rule the Calypso/Soca world with his voice, lyrics and melodies. He is demonstrating once more that he is the King. His new release, The Supreme Serenader is full of dance, humor and facts. The first track Paramaribo is not only a beautiful rendition of how he was captivated by the girls in Surinam but it also demonstrates the depth of his thoughts and his gratitude for a land of style and grace.
Santo Domingo is a track full of dance and proof positive that the King is truly global with his music. He will be embraced by the Latino communities around the world for this one. Racism is a very powerful social commentary, both lyrically and musically. In this song, Sparrow once again deals with an issue of international concern while at the same time reflecting on those who have been in the forefront of the struggle.
Willie Dead is a humorously and classically executed double entendre, so convincing that you will mourn for Willie. Another powerful and appealing social commentary is Raperman. The King assumes the role of messenger and protector of women and underscores his position with the following tracks, Born To Love, and Don't Give It Up.
The Mighty Sparrow has proved himself as the Quintessential Calypsonian, par excellence, with over seventy (70) albums to his credit. He is richly endowed with many gifts. He possesses an amazing ability not only to put into works and tempo the exploits of society, but to crown it all with showmanship and appeal. His great contribution to the artform and our lives has unraveled the mysteries of Caribbean life, leaving the professionally trained sociologist and economist befuddled.
A combination of talent, hard work and opportunity enabled Sparrow's ascendance to Calypso King of the World. He brought honor, glory and dignity to an indigenous art form that was once scorned upon by the elite of Caribbean society. He is one extraordinary entertainer who utilizes the medium he masters not just to entertain but also to edify, enlighten, and educate.
The King is currently preparing for the new millennium when he will re-enter the World Monarch and Road March Competitions for a cataclysmic encounter with his competitors.
Without doubt, as The Mighty Sparrow, The King of Kings, is the real Supreme Serenader.
Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church.
Other influences included listening to American street quartets, pop tunes by Nat King Cole and Frankie Laine, Sarah Vaughn, Billy Eckstein, Frank Sinatra and Ella Fitzgerald with their jazz contributions, and the early calypsoes of Lord Melody, Lord Kitchener, Lord Christo, Lord Invader (of Rum and Coca Cola fame) and the Mighty Spoiler, to name a few.
At the tender age of 20, Sparrow emerged, as the leading Calypsonian with his record-breaking hit, Jean and Dinah. (Yankees Gone, 1956 covered by Harry Belafonte). Throughout the years he managed to showcase his diversity each year with the release of at least one album dating from the catchy Jean and Dinah. in 1956 to Carnival Boycott (1957, a song responsible for the many changes and improvement for mass men, calypsonians and steelband men). This song was eventually responsible for the formation of the Carnival Development Committee. An organization to assist calypsonians, steelband men and mas men. This committee was fully endorsed by the Founding Father of Trinidad and Tobago, Dr. Eric Eustace Williams.
In 1958 he became the only calypsonian to have had a triple win, in the same year, in the Road March Competition. The calypsoes were P.A.Y.E. (Pay As You Earn, a song that enabled the citizens of Trinidad and Tobago, to understand the importance of paying taxes). Russian Satellite (a song reflecting on the act of cruelty to animals) and Theresa (a number where, for the first time in his career, he utilized other languages). In an unprecedented move, he was awarded a cash prize by the Carnival Development Committee, for winning the Road March Competition that year.
In 1959 he released Federation, (a song that reflected his disappointment over the breaking up of the proposed Caribbean Federation). In 1960 his career continued to soar with the melodious May May and Leave the damn Doctor, Royal Jail and Ten to one is Murder followed in 1961. In 1962 he presented us with Sparrow Come Back Home and Model Nation. Dan is the Man in the Van came in 1963 and the Village Ram in 1964.
In 1965 we experienced Congo Man. In that same year Sparrow proved himself a balladeer with his remake of Arthur Prysock's original, Only A Fool Breaks His Own Heart accompanied by Byron Lee and the Dragonaires. This rendition won him a Gold Record in Holland. He also recorded Frank Sinatra's My Way and Lucho Gatica's "El Reloj".
In 1966, He won the Road March Competition again with Melda and 1967 he advised the youth on the importance of Education. Mr. Walker was his hit in 1968, he won the Road March Competition again in 1969 with Sa Sa Yea and in 1970 he appealed to the people of this world to Love one Another and Lend A Hand. These songs appealed to the country for unity "Unity somehow if Trinidad ever needed you is now".
In 1971 Good Citizen followed and in 1972 he won the Calypso Monarch and Road March Competitions with Drunk and Disorderly. No Kind of Man at all was released in 1973 and We Pass That Stage (a strong social commentary in 1974. In 1975 he gave us a psychological analysis, showing where the rich is envious of the poor with Neurosis of the Rich. The Mayor of Detroit, Coleman Young, also presented him with the keys to the city.
In 1976 we got the humorous Salt Fish, and in 1977 he lead the Caribbean with a tribute to Hasley Crawford, the Olympic Gold Medallist. In the same year, during FESTAC, in Nigeria, Sparrow received the honorary title of Chief of the Yorubas, (which is Chief Omo Wale of Ikoyi).
In 1978 he paid tribute to Penny Commissiong (the first black Miss Universe) with The First Black Miss Universe, and chided Idi Amin Dada, tyrant in Africa. Kerry Packer (a song about the cricket revolution) followed in 1979 and in 1980 the Shah of Iran (Wanted Dead or Alive ). This number was covered by the popular American group, Manhattan Transfer.
Sparrow continued to climb the ladder of success while becoming the most popular caypsonian of all time. He demonstrated year after year, with his social commentaries that the calypsonian is really the eyes and ears of the people. In 1981 he registered his social/political Commentaries. We Like It So and his first chutney contribution Sexy Marajhin another liguistic inclusion. In 1982 he gave us Human Rights and in 1983 another powerful, State of the Union address Capitalism Gone Mad. He added another Road March title to his record in 1984 with Doh Back Back and in 1985 he demonstrated to the youth in the business that he can step up to another level when necessary with Soca Pressure.
Around this same time, Mayor Ed Koch of New York proclaimed March 18th, The Mighty Sparrow Day. He dealt with another evil of society in 1986 advising the vulnerable that Coke Is Not It. In 1987 he thrilled the world with another classic, the humorous Lying Excuses. He made another appearance in Nigeria, this time as Chief Omo Wale of Ikoyi, during his National Tour of Afirca and upon his return he was awarded an Honorary Doctorate Degree, Doctor of Letters, from the University of the West Indies. Hence, the reason for Dr. Bird his chronicling of the event at the University of the West Indies, (using humor again as he always does She had a headache and this Dr. Bird performed a myomectamy on her) in 1988.
Manjhay, and Dutch Romance (which gave us a touch of French and Dutch languages) in 1989. In 1990 he gave us Let the Music Play and was inducted into the SUNSHINE Awards Calypso and Steelband Music Hall of Fame on June 24th. That same day the Brooklyn Borough President, Howard Golder proclaimed the day The Mighty Sparrow Day. Another strong social commentary, We Could Make It Easy If We Try and Precious a dedication to his daughter followed in 1991.
Sparrow continued to define the true meaning of "The Calypso King of the World. In 1992 with Both of Them, Crown Heights Justice and Man will Survive. All making a big impact in the Caribbean and the United States.
In 1993 he sang Put On Your Dancing Shoes and More the Merrier and in 1994 told the youth on his heels that Age Is Just A Number and Salvation, underscoring his roots as a choirboy in the church. In 1995 he gave us a course in history where once again he kept the linguistic involvement Democracy In Haiti (Liberte) and a keen sense of observation with the social situation at home This Is Madness, ("Why have we cast aside intelligence and abandon common sense with unprecedented violence for which there is no known defense"). Incidentally these gems earned him third place in the Calypso Monarch Competition. He gave us OJ (the juice is loose) and the Royal Divorce in 1996 and an assortment of Soca Ballads in 1997.
This illustrious lyricist/composer/singer/comedian/entertainer is an 11 time Calypso Monarch. This includes winning the King of Kings Competition (where every monarch in the calypso world is invited to compete against the Mighty Sparrow, each time suffering total defeat at his hands) in Trinidad. He also won the Trinidad and Tobago's Carnival Road March Competition eight (8) times, second only to the Lord Kitchener, (his songs were selected and played most often by the bands in this category). Sparrow received many other University citations and awards from Governments and organizations too numerous to mention.
Now in 1998, The Mighty Sparrow, continues to rule the Calypso/Soca world with his voice, lyrics and melodies. He is demonstrating once more that he is the King. His new release, The Supreme Serenader is full of dance, humor and facts. The first track Paramaribo is not only a beautiful rendition of how he was captivated by the girls in Surinam but it also demonstrates the depth of his thoughts and his gratitude for a land of style and grace.
Santo Domingo is a track full of dance and proof positive that the King is truly global with his music. He will be embraced by the Latino communities around the world for this one. Racism is a very powerful social commentary, both lyrically and musically. In this song, Sparrow once again deals with an issue of international concern while at the same time reflecting on those who have been in the forefront of the struggle.
Willie Dead is a humorously and classically executed double entendre, so convincing that you will mourn for Willie. Another powerful and appealing social commentary is Raperman. The King assumes the role of messenger and protector of women and underscores his position with the following tracks, Born To Love, and Don't Give It Up.
The Mighty Sparrow has proved himself as the Quintessential Calypsonian, par excellence, with over seventy (70) albums to his credit. He is richly endowed with many gifts. He possesses an amazing ability not only to put into works and tempo the exploits of society, but to crown it all with showmanship and appeal. His great contribution to the artform and our lives has unraveled the mysteries of Caribbean life, leaving the professionally trained sociologist and economist befuddled.
A combination of talent, hard work and opportunity enabled Sparrow's ascendance to Calypso King of the World. He brought honor, glory and dignity to an indigenous art form that was once scorned upon by the elite of Caribbean society. He is one extraordinary entertainer who utilizes the medium he masters not just to entertain but also to edify, enlighten, and educate.
The King is currently preparing for the new millennium when he will re-enter the World Monarch and Road March Competitions for a cataclysmic encounter with his competitors.
Without doubt, as The Mighty Sparrow, The King of Kings, is the real Supreme Serenader.
Jook For Jook
Mighty Sparrow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
De reason she man playin' jook for jook
Right in me eye, I say I 'shamed to look
De reason she man playin' jook for jook
He got a long needle in she arm which she hook
I know, jookin' is a painful thing
But de' reason like she vexed when he stop jookin'
He jook she in she belly like he jook she bad
Teresa start to bawl like if she goin' mad
Ah-hoo, doo-doo, don't jook so hard
I beggin' you
Woye! Pepper! Don't jook so hard
Ay-yi-yi, I beggin' you
Stay in de corner
Not in de center
She shout, oh gosh
You gotta take it out!
Oh, dey start back again in a different style
De two of dem close dey eyes and dey jookin' wild
Dey jook and dey jook 'til de couch break down
She lock de neck and she jookin' him on de ground
I say, I better go and part
Before any bloodshed start
She says, Sparrow boy, does it concern you?
If you come too close, we jook you too
Ah-hoo, doo-doo, don't jook so hard
Ay-yi-yi, I beggin' you
Woye! Pepper! Don't jook so hard
I beggin' you
Stay in de corner
Not in de center
She shout, oh gosh
You gotta take it out!
Well, I tired see people play lash-for-lash
Foot-for-foot and mash-for-mash
But dis jook for jook is a brand new one
See dem how dey havin' fun on de ground
My belly start to boil I'm tellin' you
I feel I could go and jook she too
She perspiring buckets of drops
She complaining but she wouldn't stop
Ah-hoo, doo-doo, don't jook so hard
Ay-yi-yi, I beggin' you
Woye! Pepper! Don't jook so hard
I beggin' you
Stay in de corner
Not in de center
She shout, oh gosh
You go jook it out!
Oh well, I never see nothing so since I born
For hours and hours, dey carryin' on
De man felt a jook and say she dead for sure
But he miss and de needle stick in de floor
She push him 'way and she call on me
Bawlin' "jookie-jookie-jook", 42 I win
I don't know if I jookin' if I touch a vein
Man, she react like if she in pain, bawlin'
Ah-hoo, doo-doo, don't jook so hard
Ay-yi-yi, I beggin' you
Woye! Pepper! Don't jook so hard
I beggin' you
Stay in de' corner
Not in de' center
She bawl, oh gosh
You go dig it out!
Right in me eye, I say I 'shamed to look
De reason she man playin' jook for jook
He got a long needle in she arm which she hook
I know, jookin' is a painful thing
But de' reason like she vexed when he stop jookin'
He jook she in she belly like he jook she bad
Teresa start to bawl like if she goin' mad
Ah-hoo, doo-doo, don't jook so hard
I beggin' you
Woye! Pepper! Don't jook so hard
Ay-yi-yi, I beggin' you
Stay in de corner
Not in de center
She shout, oh gosh
You gotta take it out!
Oh, dey start back again in a different style
De two of dem close dey eyes and dey jookin' wild
Dey jook and dey jook 'til de couch break down
She lock de neck and she jookin' him on de ground
I say, I better go and part
Before any bloodshed start
She says, Sparrow boy, does it concern you?
If you come too close, we jook you too
Ah-hoo, doo-doo, don't jook so hard
Ay-yi-yi, I beggin' you
Woye! Pepper! Don't jook so hard
I beggin' you
Stay in de corner
Not in de center
She shout, oh gosh
Well, I tired see people play lash-for-lash
Foot-for-foot and mash-for-mash
But dis jook for jook is a brand new one
See dem how dey havin' fun on de ground
My belly start to boil I'm tellin' you
I feel I could go and jook she too
She perspiring buckets of drops
She complaining but she wouldn't stop
Ah-hoo, doo-doo, don't jook so hard
Ay-yi-yi, I beggin' you
Woye! Pepper! Don't jook so hard
I beggin' you
Stay in de corner
Not in de center
She shout, oh gosh
You go jook it out!
Oh well, I never see nothing so since I born
For hours and hours, dey carryin' on
De man felt a jook and say she dead for sure
But he miss and de needle stick in de floor
She push him 'way and she call on me
Bawlin' "jookie-jookie-jook", 42 I win
I don't know if I jookin' if I touch a vein
Man, she react like if she in pain, bawlin'
Ah-hoo, doo-doo, don't jook so hard
Ay-yi-yi, I beggin' you
Woye! Pepper! Don't jook so hard
I beggin' you
Stay in de' corner
Not in de' center
She bawl, oh gosh
You go dig it out!
The song "Jook For Jook" by Mighty Sparrow tells the story of a woman named Teresa who is being "jooked," or injected with drugs, by her man. The singer witnesses this happening and is ashamed to look. Teresa seems addicted to the painful jooking and becomes upset when her man stops. He jooks her aggressively in her belly, causing her to cry out like she's going mad. The chorus pleads with the man to stop jooking so hard.
The situation escalates when the man and Teresa start jooking each other wildly, breaking furniture and causing the singer to fear for his safety. Despite Teresa's complaints and cries for him to take it out, she continues to engage in the behavior. The song ends with the needle becoming stuck in the floor and Teresa calling for the singer to try it out, which he hesitates to do.
Line by Line Meaning
De reason she man playin' jook for jook
The woman's partner is playing a game of jooking (jabbing with a needle) with her
Right in me eye, I say I 'shamed to look
The singer is embarrassed to watch the jooking happening right in front of them
He got a long needle in she arm which she hook
The man is using a long needle which the woman seems to have become addicted to injecting into her arm
I know, jookin' is a painful thing
The artist understands that jooking can be a painful experience
But de' reason like she vexed when he stop jookin'
The woman gets upset when her partner stops jabbing her with the needle
He jook she in she belly like he jook she bad
The man jabs the woman in the belly, as if he is punishing her
Teresa start to bawl like if she goin' mad
Teresa starts crying as if she is going crazy from the pain
Woye! Pepper! Don't jook so hard
The artist begs the jooker (Pepper) to not jab so hard
Ay-yi-yi, I beggin' you
Another plea for the jooker to be less forceful
Stay in de corner, not in de center
The artist advises the jooker to stay in a corner instead of being in the center of the room
She shout, oh gosh, you gotta take it out!
The woman is begging for the needle to be removed from her arm
But dis jook for jook is a brand new one
The artist has never seen this type of interaction before
See dem how dey havin' fun on de ground
The jookers are having fun rolling around on the ground
My belly start to boil I'm tellin' you
The singer is feeling upset and angry watching this situation
I feel I could go and jook she too
The singer feels anger towards the woman's partner and wants to harm him too
You go jook it out!
The woman is urging the man to continue jooking her
For hours and hours, dey carryin' on
The jooking has been happening for a long time
The man felt a jook and say she dead for sure
The man thinks he may have accidentally killed the woman with a jab from the needle
But he miss and de needle stick in de floor
The needle misses the woman and sticks in the floor instead
She push him 'way and she call on me
The woman pushes her partner away and reaches out to the artist instead
Bawlin' 'jookie-jookie-jook', 42 I win
The woman is crying out for more jooking, and seems to win the game by reaching 42 jabs
I don't know if I jookin' if I touch a vein
The artist is unsure if he is actually jabbing the woman or just touching a vein
Man, she react like if she in pain, bawlin'
The woman is crying out in pain when the singer touches her arm
Writer(s): Slinger Francisco
Contributed by Jackson O. Suggest a correction in the comments below.
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Verne
on Both o'Dem
"in that" not enough
Verne
on Both o'Dem
"If i was a different chap" not different shot
Joy A.
on Capitalism gone Mad
I hope there's a 2020 appearance in NYC!
I will definitely get tickets!
Amina Phillip
on Education Is Essential
I love your video and it is a good calypso that Ican makeone about education to
Bokaille Bodlo
on Witch Doctor
Bokaille Bodlo
Who could send me The lyrics of WITCH DOCTOR from Mighty Sparrow.
Thank you.
Bokaille Bodlo
on Witch Doctor
Who could send me The lyrics of WITCH DOCTOR from Mighty Sparrow.
Thank you.