Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church.
Other influences included listening to American street quartets, pop tunes by Nat King Cole and Frankie Laine, Sarah Vaughn, Billy Eckstein, Frank Sinatra and Ella Fitzgerald with their jazz contributions, and the early calypsoes of Lord Melody, Lord Kitchener, Lord Christo, Lord Invader (of Rum and Coca Cola fame) and the Mighty Spoiler, to name a few.
At the tender age of 20, Sparrow emerged, as the leading Calypsonian with his record-breaking hit, Jean and Dinah. (Yankees Gone, 1956 covered by Harry Belafonte). Throughout the years he managed to showcase his diversity each year with the release of at least one album dating from the catchy Jean and Dinah. in 1956 to Carnival Boycott (1957, a song responsible for the many changes and improvement for mass men, calypsonians and steelband men). This song was eventually responsible for the formation of the Carnival Development Committee. An organization to assist calypsonians, steelband men and mas men. This committee was fully endorsed by the Founding Father of Trinidad and Tobago, Dr. Eric Eustace Williams.
In 1958 he became the only calypsonian to have had a triple win, in the same year, in the Road March Competition. The calypsoes were P.A.Y.E. (Pay As You Earn, a song that enabled the citizens of Trinidad and Tobago, to understand the importance of paying taxes). Russian Satellite (a song reflecting on the act of cruelty to animals) and Theresa (a number where, for the first time in his career, he utilized other languages). In an unprecedented move, he was awarded a cash prize by the Carnival Development Committee, for winning the Road March Competition that year.
In 1959 he released Federation, (a song that reflected his disappointment over the breaking up of the proposed Caribbean Federation). In 1960 his career continued to soar with the melodious May May and Leave the damn Doctor, Royal Jail and Ten to one is Murder followed in 1961. In 1962 he presented us with Sparrow Come Back Home and Model Nation. Dan is the Man in the Van came in 1963 and the Village Ram in 1964.
In 1965 we experienced Congo Man. In that same year Sparrow proved himself a balladeer with his remake of Arthur Prysock's original, Only A Fool Breaks His Own Heart accompanied by Byron Lee and the Dragonaires. This rendition won him a Gold Record in Holland. He also recorded Frank Sinatra's My Way and Lucho Gatica's "El Reloj".
In 1966, He won the Road March Competition again with Melda and 1967 he advised the youth on the importance of Education. Mr. Walker was his hit in 1968, he won the Road March Competition again in 1969 with Sa Sa Yea and in 1970 he appealed to the people of this world to Love one Another and Lend A Hand. These songs appealed to the country for unity "Unity somehow if Trinidad ever needed you is now".
In 1971 Good Citizen followed and in 1972 he won the Calypso Monarch and Road March Competitions with Drunk and Disorderly. No Kind of Man at all was released in 1973 and We Pass That Stage (a strong social commentary in 1974. In 1975 he gave us a psychological analysis, showing where the rich is envious of the poor with Neurosis of the Rich. The Mayor of Detroit, Coleman Young, also presented him with the keys to the city.
In 1976 we got the humorous Salt Fish, and in 1977 he lead the Caribbean with a tribute to Hasley Crawford, the Olympic Gold Medallist. In the same year, during FESTAC, in Nigeria, Sparrow received the honorary title of Chief of the Yorubas, (which is Chief Omo Wale of Ikoyi).
In 1978 he paid tribute to Penny Commissiong (the first black Miss Universe) with The First Black Miss Universe, and chided Idi Amin Dada, tyrant in Africa. Kerry Packer (a song about the cricket revolution) followed in 1979 and in 1980 the Shah of Iran (Wanted Dead or Alive ). This number was covered by the popular American group, Manhattan Transfer.
Sparrow continued to climb the ladder of success while becoming the most popular caypsonian of all time. He demonstrated year after year, with his social commentaries that the calypsonian is really the eyes and ears of the people. In 1981 he registered his social/political Commentaries. We Like It So and his first chutney contribution Sexy Marajhin another liguistic inclusion. In 1982 he gave us Human Rights and in 1983 another powerful, State of the Union address Capitalism Gone Mad. He added another Road March title to his record in 1984 with Doh Back Back and in 1985 he demonstrated to the youth in the business that he can step up to another level when necessary with Soca Pressure.
Around this same time, Mayor Ed Koch of New York proclaimed March 18th, The Mighty Sparrow Day. He dealt with another evil of society in 1986 advising the vulnerable that Coke Is Not It. In 1987 he thrilled the world with another classic, the humorous Lying Excuses. He made another appearance in Nigeria, this time as Chief Omo Wale of Ikoyi, during his National Tour of Afirca and upon his return he was awarded an Honorary Doctorate Degree, Doctor of Letters, from the University of the West Indies. Hence, the reason for Dr. Bird his chronicling of the event at the University of the West Indies, (using humor again as he always does She had a headache and this Dr. Bird performed a myomectamy on her) in 1988.
Manjhay, and Dutch Romance (which gave us a touch of French and Dutch languages) in 1989. In 1990 he gave us Let the Music Play and was inducted into the SUNSHINE Awards Calypso and Steelband Music Hall of Fame on June 24th. That same day the Brooklyn Borough President, Howard Golder proclaimed the day The Mighty Sparrow Day. Another strong social commentary, We Could Make It Easy If We Try and Precious a dedication to his daughter followed in 1991.
Sparrow continued to define the true meaning of "The Calypso King of the World. In 1992 with Both of Them, Crown Heights Justice and Man will Survive. All making a big impact in the Caribbean and the United States.
In 1993 he sang Put On Your Dancing Shoes and More the Merrier and in 1994 told the youth on his heels that Age Is Just A Number and Salvation, underscoring his roots as a choirboy in the church. In 1995 he gave us a course in history where once again he kept the linguistic involvement Democracy In Haiti (Liberte) and a keen sense of observation with the social situation at home This Is Madness, ("Why have we cast aside intelligence and abandon common sense with unprecedented violence for which there is no known defense"). Incidentally these gems earned him third place in the Calypso Monarch Competition. He gave us OJ (the juice is loose) and the Royal Divorce in 1996 and an assortment of Soca Ballads in 1997.
This illustrious lyricist/composer/singer/comedian/entertainer is an 11 time Calypso Monarch. This includes winning the King of Kings Competition (where every monarch in the calypso world is invited to compete against the Mighty Sparrow, each time suffering total defeat at his hands) in Trinidad. He also won the Trinidad and Tobago's Carnival Road March Competition eight (8) times, second only to the Lord Kitchener, (his songs were selected and played most often by the bands in this category). Sparrow received many other University citations and awards from Governments and organizations too numerous to mention.
Now in 1998, The Mighty Sparrow, continues to rule the Calypso/Soca world with his voice, lyrics and melodies. He is demonstrating once more that he is the King. His new release, The Supreme Serenader is full of dance, humor and facts. The first track Paramaribo is not only a beautiful rendition of how he was captivated by the girls in Surinam but it also demonstrates the depth of his thoughts and his gratitude for a land of style and grace.
Santo Domingo is a track full of dance and proof positive that the King is truly global with his music. He will be embraced by the Latino communities around the world for this one. Racism is a very powerful social commentary, both lyrically and musically. In this song, Sparrow once again deals with an issue of international concern while at the same time reflecting on those who have been in the forefront of the struggle.
Willie Dead is a humorously and classically executed double entendre, so convincing that you will mourn for Willie. Another powerful and appealing social commentary is Raperman. The King assumes the role of messenger and protector of women and underscores his position with the following tracks, Born To Love, and Don't Give It Up.
The Mighty Sparrow has proved himself as the Quintessential Calypsonian, par excellence, with over seventy (70) albums to his credit. He is richly endowed with many gifts. He possesses an amazing ability not only to put into works and tempo the exploits of society, but to crown it all with showmanship and appeal. His great contribution to the artform and our lives has unraveled the mysteries of Caribbean life, leaving the professionally trained sociologist and economist befuddled.
A combination of talent, hard work and opportunity enabled Sparrow's ascendance to Calypso King of the World. He brought honor, glory and dignity to an indigenous art form that was once scorned upon by the elite of Caribbean society. He is one extraordinary entertainer who utilizes the medium he masters not just to entertain but also to edify, enlighten, and educate.
The King is currently preparing for the new millennium when he will re-enter the World Monarch and Road March Competitions for a cataclysmic encounter with his competitors.
Without doubt, as The Mighty Sparrow, The King of Kings, is the real Supreme Serenader.
Roy Sweeter Than You
Mighty Sparrow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
He ain't getting no pay
He never have money
And he always hungry
The woman make up she mind
She ain't want no man make she see hard time
So, as he went off to Barbados
She marry to Roy and throw out he clothes
She write and tell him:
"Darling, this is goodbye
Darling, don't worry to cry, cry, cry
Oh honey, I know how you feel, love
And your love is real
I can't help it, dou dou"
(Roy sweeter than you!)
Yes, you think what she said was true?
(Roy sweeter than you!)
Nah, ah know you believe it too
(Roy sweeter than you!)
Marjorie, you inside this callaloo
(Roy sweeter than you!)
Yes, you eat all the callaloo
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
Yes, the woman was candid
The Sagaman take too much for granted
And he always sweaty
Smelling like a fish vendor on the jetty
Then the woman bounce with Roy
Who is a much more refined and decent boy
She let go Sagaman so cool:
"Go in the ring and take cuff, you big belly fool!"
"Darling, this is goodbye
Darling, don't worry to cry, cry, cry
Oh honey, I know how you feel, love
And your love is real
I can't help it, dou dou!"
(Roy sweeter than you!)
So you be in the wedding too
(Roy sweeter than you!)
Yes, you eat all the callaloo
(Roy sweeter than you!)
Frankie, you believe it too?
(Roy sweeter than you!)
I wish I was there to get a piece of manicou
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
Then they had an at all talk
Sagaman say he want to go to New York
He can't get a visa
The police record too bad, he can't go away
All ah that have him mad
Life was really getting hard
So now he out to destroy
Walkin' round with a big dagger to kill Roy
Now what's the chorus:
"Darling, boy this is goodbye
Darling, don't worry to cry, cry, cry, oh yeah
Honey, I know how you feel, love
And your love is real
I can't help it, dou dou!"
(Roy sweeter than you!)
Yes, you kill Roy believe it too
(Roy sweeter than you!)
Frankie, you was in the wedding too
(Roy sweeter than you!)
You eat all the grub and callaloo
(Roy sweeter than you!)
I wish I was there to taste all the manicou
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
(Roy sweeter than you!)
The song "Roy Sweeter Than You" by the Mighty Sparrow tells the story of a man, referred to as the Sagaman, who is in love with a woman named Marjorie. However, Marjorie is not interested in him because he is poor and always hungry. She decides to leave him and marry someone named Roy, who is more financially stable and refined. The Sagaman is heartbroken and eventually becomes enraged, seeking revenge on Roy by attempting to kill him with a dagger.
The chorus of the song, "Roy sweeter than you!" is a sarcastic statement, emphasizing that Marjorie saw Roy as a better option than the Sagaman, despite the Sagaman's feelings for her.
This song highlights issues of social class, financial stability, and the societal pressure of needing to have money to secure a relationship. It also touches on the destructive nature of jealousy and how it can lead to violent behavior.
Line by Line Meaning
Oh he ain't working, no way
He is not employed
He ain't getting no pay
He is not receiving any salary
He never have money
He does not have any money
And he always hungry
He is always hungry
The woman make up she mind
The woman has made up her mind
She ain't want no man make she see hard time
She does not want to be with a man who will give her a hard time
So, as he went off to Barbados
He went off to Barbados
She marry to Roy and throw out he clothes
She married Roy and threw his clothes out
"Darling, this is goodbye
She wrote to him saying 'Darling, this is goodbye'
Darling, don't worry to cry, cry, cry
She asks him not to worry about crying
Oh honey, I know how you feel, love
She understands his feelings
And your love is real
She acknowledges that his love is real
I can't help it, dou dou"
She cannot help it
Yes, you think what she said was true?
Do you believe what she said was true?
Nah, ah know you believe it too
No, I know you also believe it
Marjorie, you inside this callaloo
Marjorie, you were involved in this situation
Yes, you eat all the callaloo
You had all the benefits
Yes, the woman was candid
The woman was honest
The Sagaman take too much for granted
The man took too much for granted
And he always sweaty
He was always sweating
Smelling like a fish vendor on the jetty
He smelled like a fish vendor on the jetty
Then the woman bounce with Roy
Then the woman left with Roy
Who is a much more refined and decent boy
Roy is a much more refined and decent man
She let go Sagaman so cool:
She let go of the man she was with calmly
"Go in the ring and take cuff, you big belly fool!"
She insulted and threatened the man
"Darling, this is goodbye
She wrote to him saying 'Darling, this is goodbye'
So you be in the wedding too
So you were at the wedding also
Yes, you eat all the callaloo
You had all the benefits
Frankie, you believe it too?
Frankie, do you believe it too?
I wish I was there to get a piece of manicou
I wish I was there to have a piece of manicou
Then they had an at all talk
They had a disagreement
Sagaman say he want to go to New York
The man said he wanted to go to New York
He can't get a visa
He cannot get a visa
The police record too bad, he can't go away
His police record is too bad, so he cannot leave
All ah that have him mad
All of that made him angry
Life was really getting hard
Life was really difficult
So now he out to destroy
So now he wants to destroy
Walkin' round with a big dagger to kill Roy
He is walking around with a big dagger to kill Roy
"Darling, boy this is goodbye
She wrote to him saying 'Darling, this is goodbye'
Darling, don't worry to cry, cry, cry, oh yeah
She asks him not to worry about crying
Honey, I know how you feel, love
She understands his feelings
And your love is real
She acknowledges that his love is real
I can't help it, dou dou!"
She cannot help it
Yes, you kill Roy believe it too
Do you believe that you killed Roy?
Frankie, you was in the wedding too
Frankie, you were also at the wedding
You eat all the grub and callaloo
You had all the benefits
I wish I was there to taste all the manicou
I wish I was there to have a taste of the manicou
Contributed by Christian T. Suggest a correction in the comments below.
@normanosborne7367
MASTERPIECE UPLOAD ""GLENROY JOSEPH"" I'M BIG FOLLOWER OF VINTAGE CALYPSO / KAISO. THE ORCHESTRA OF YESTERYEAR SOUNDS SO MUCH DIFFERENT FROM NOWADAYS BAND.....ONLY A MATTER OF TIME WHEN THE ""NEXT GENERATION"" COMES ALONG, JUST COMPUTER MUSIC THEY WANT NO BANDS INVOLVED.