Slinger Francisco, better known as The Mighty Sparrow, affectionately dubbe… Read Full Bio ↴Slinger Francisco, better known as The Mighty Sparrow, affectionately dubbed, The Birdie is the unrivaled Calypso King of the World, with a career that spans over 40 years and counting. This artist par excellence has earned his rightful place as "King of the Calypso World" by defeating every other competitor/pretender to his throne. He has entertained audiences across the globe, including, the Caribbean, Europe, Asia, Africa, North and South America, to name but a few.

Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church.

Other influences included listening to American street quartets, pop tunes by Nat King Cole and Frankie Laine, Sarah Vaughn, Billy Eckstein, Frank Sinatra and Ella Fitzgerald with their jazz contributions, and the early calypsoes of Lord Melody, Lord Kitchener, Lord Christo, Lord Invader (of Rum and Coca Cola fame) and the Mighty Spoiler, to name a few.

At the tender age of 20, Sparrow emerged, as the leading Calypsonian with his record-breaking hit, Jean and Dinah. (Yankees Gone, 1956 covered by Harry Belafonte). Throughout the years he managed to showcase his diversity each year with the release of at least one album dating from the catchy Jean and Dinah. in 1956 to Carnival Boycott (1957, a song responsible for the many changes and improvement for mass men, calypsonians and steelband men). This song was eventually responsible for the formation of the Carnival Development Committee. An organization to assist calypsonians, steelband men and mas men. This committee was fully endorsed by the Founding Father of Trinidad and Tobago, Dr. Eric Eustace Williams.

In 1958 he became the only calypsonian to have had a triple win, in the same year, in the Road March Competition. The calypsoes were P.A.Y.E. (Pay As You Earn, a song that enabled the citizens of Trinidad and Tobago, to understand the importance of paying taxes). Russian Satellite (a song reflecting on the act of cruelty to animals) and Theresa (a number where, for the first time in his career, he utilized other languages). In an unprecedented move, he was awarded a cash prize by the Carnival Development Committee, for winning the Road March Competition that year.

In 1959 he released Federation, (a song that reflected his disappointment over the breaking up of the proposed Caribbean Federation). In 1960 his career continued to soar with the melodious May May and Leave the damn Doctor, Royal Jail and Ten to one is Murder followed in 1961. In 1962 he presented us with Sparrow Come Back Home and Model Nation. Dan is the Man in the Van came in 1963 and the Village Ram in 1964.

In 1965 we experienced Congo Man. In that same year Sparrow proved himself a balladeer with his remake of Arthur Prysock's original, Only A Fool Breaks His Own Heart accompanied by Byron Lee and the Dragonaires. This rendition won him a Gold Record in Holland. He also recorded Frank Sinatra's My Way and Lucho Gatica's "El Reloj".

In 1966, He won the Road March Competition again with Melda and 1967 he advised the youth on the importance of Education. Mr. Walker was his hit in 1968, he won the Road March Competition again in 1969 with Sa Sa Yea and in 1970 he appealed to the people of this world to Love one Another and Lend A Hand. These songs appealed to the country for unity "Unity somehow if Trinidad ever needed you is now".

In 1971 Good Citizen followed and in 1972 he won the Calypso Monarch and Road March Competitions with Drunk and Disorderly. No Kind of Man at all was released in 1973 and We Pass That Stage (a strong social commentary in 1974. In 1975 he gave us a psychological analysis, showing where the rich is envious of the poor with Neurosis of the Rich. The Mayor of Detroit, Coleman Young, also presented him with the keys to the city.

In 1976 we got the humorous Salt Fish, and in 1977 he lead the Caribbean with a tribute to Hasley Crawford, the Olympic Gold Medallist. In the same year, during FESTAC, in Nigeria, Sparrow received the honorary title of Chief of the Yorubas, (which is Chief Omo Wale of Ikoyi).

In 1978 he paid tribute to Penny Commissiong (the first black Miss Universe) with The First Black Miss Universe, and chided Idi Amin Dada, tyrant in Africa. Kerry Packer (a song about the cricket revolution) followed in 1979 and in 1980 the Shah of Iran (Wanted Dead or Alive ). This number was covered by the popular American group, Manhattan Transfer.

Sparrow continued to climb the ladder of success while becoming the most popular caypsonian of all time. He demonstrated year after year, with his social commentaries that the calypsonian is really the eyes and ears of the people. In 1981 he registered his social/political Commentaries. We Like It So and his first chutney contribution Sexy Marajhin another liguistic inclusion. In 1982 he gave us Human Rights and in 1983 another powerful, State of the Union address Capitalism Gone Mad. He added another Road March title to his record in 1984 with Doh Back Back and in 1985 he demonstrated to the youth in the business that he can step up to another level when necessary with Soca Pressure.

Around this same time, Mayor Ed Koch of New York proclaimed March 18th, The Mighty Sparrow Day. He dealt with another evil of society in 1986 advising the vulnerable that Coke Is Not It. In 1987 he thrilled the world with another classic, the humorous Lying Excuses. He made another appearance in Nigeria, this time as Chief Omo Wale of Ikoyi, during his National Tour of Afirca and upon his return he was awarded an Honorary Doctorate Degree, Doctor of Letters, from the University of the West Indies. Hence, the reason for Dr. Bird his chronicling of the event at the University of the West Indies, (using humor again as he always does She had a headache and this Dr. Bird performed a myomectamy on her) in 1988.

Manjhay, and Dutch Romance (which gave us a touch of French and Dutch languages) in 1989. In 1990 he gave us Let the Music Play and was inducted into the SUNSHINE Awards Calypso and Steelband Music Hall of Fame on June 24th. That same day the Brooklyn Borough President, Howard Golder proclaimed the day The Mighty Sparrow Day. Another strong social commentary, We Could Make It Easy If We Try and Precious a dedication to his daughter followed in 1991.

Sparrow continued to define the true meaning of "The Calypso King of the World. In 1992 with Both of Them, Crown Heights Justice and Man will Survive. All making a big impact in the Caribbean and the United States.

In 1993 he sang Put On Your Dancing Shoes and More the Merrier and in 1994 told the youth on his heels that Age Is Just A Number and Salvation, underscoring his roots as a choirboy in the church. In 1995 he gave us a course in history where once again he kept the linguistic involvement Democracy In Haiti (Liberte) and a keen sense of observation with the social situation at home This Is Madness, ("Why have we cast aside intelligence and abandon common sense with unprecedented violence for which there is no known defense"). Incidentally these gems earned him third place in the Calypso Monarch Competition. He gave us OJ (the juice is loose) and the Royal Divorce in 1996 and an assortment of Soca Ballads in 1997.

This illustrious lyricist/composer/singer/comedian/entertainer is an 11 time Calypso Monarch. This includes winning the King of Kings Competition (where every monarch in the calypso world is invited to compete against the Mighty Sparrow, each time suffering total defeat at his hands) in Trinidad. He also won the Trinidad and Tobago's Carnival Road March Competition eight (8) times, second only to the Lord Kitchener, (his songs were selected and played most often by the bands in this category). Sparrow received many other University citations and awards from Governments and organizations too numerous to mention.

Now in 1998, The Mighty Sparrow, continues to rule the Calypso/Soca world with his voice, lyrics and melodies. He is demonstrating once more that he is the King. His new release, The Supreme Serenader is full of dance, humor and facts. The first track Paramaribo is not only a beautiful rendition of how he was captivated by the girls in Surinam but it also demonstrates the depth of his thoughts and his gratitude for a land of style and grace.

Santo Domingo is a track full of dance and proof positive that the King is truly global with his music. He will be embraced by the Latino communities around the world for this one. Racism is a very powerful social commentary, both lyrically and musically. In this song, Sparrow once again deals with an issue of international concern while at the same time reflecting on those who have been in the forefront of the struggle.

Willie Dead is a humorously and classically executed double entendre, so convincing that you will mourn for Willie. Another powerful and appealing social commentary is Raperman. The King assumes the role of messenger and protector of women and underscores his position with the following tracks, Born To Love, and Don't Give It Up.

The Mighty Sparrow has proved himself as the Quintessential Calypsonian, par excellence, with over seventy (70) albums to his credit. He is richly endowed with many gifts. He possesses an amazing ability not only to put into works and tempo the exploits of society, but to crown it all with showmanship and appeal. His great contribution to the artform and our lives has unraveled the mysteries of Caribbean life, leaving the professionally trained sociologist and economist befuddled.

A combination of talent, hard work and opportunity enabled Sparrow's ascendance to Calypso King of the World. He brought honor, glory and dignity to an indigenous art form that was once scorned upon by the elite of Caribbean society. He is one extraordinary entertainer who utilizes the medium he masters not just to entertain but also to edify, enlighten, and educate.

The King is currently preparing for the new millennium when he will re-enter the World Monarch and Road March Competitions for a cataclysmic encounter with his competitors.

Without doubt, as The Mighty Sparrow, The King of Kings, is the real Supreme Serenader.

The Outcast
Mighty Sparrow Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Society in Trinidad for a steel band man
Was just as hard or even harder than that for any calypsonian
Don't care how you talented, you must go outside
And no appreciation, here society have too much false pride

Calypsonians really catch hell for a long time
To associate yourself with them was a big crime
If your sister talk to a steel band man

Your family want to break she hand
Put she out, lick out every teeth in she mouth
Pass you outcast!

The reason why I said "false pride" it is simply this:
They enjoy your song, they enjoy your music
But still they're so damn prejudiced
They bracket you in a category so low and mean
Man they leave the impression that the Caribbean's unclean

Calypsonians really catch hell for a long, long time
To associate yourself with them was a big, big crime
If your sister talk to a steel band man
Your family want to break she hand
Put she out, lick out every teeth in she mouth
Pass you outcast!

It's true we had some real unambitious steel band men
I'm talking calypsonians even a dog wouldn't be their friend
But immaturity was carefully sent for me, there was more
Society blacked out everybody and wanted to shut the door

Calypsonians really catch hell for a long time
To associate yourself with them was a big crime
If your sister talk to a steel band man
Your family want to break she hand

Put she out, lick out every teeth in she mouth
Pass you outcast!

Tell them!

For years and years we struggled hard, the fight went on
A new caring pan man bring the steel band to one big association
Calypsonian too raise their head, no more rum-drinking
Had their big big office in Salvatore building

Calypsonians really catch hell for a long time
To associate yourself with them was a big crime
If your sister talk to a steel band man
Your family want to break she hand
Put she out, lick out every teeth in she mouth
Pass you outcast!

Overall Meaning

The song "The Outcast" by Mighty Sparrow speaks to the societal discrimination faced by steel pan musicians and calypsonians in Trinidad. Sparrow begins by asserting that the conditions for steel pan musicians were just as difficult as those faced by calypsonians. This was especially true as society did not appreciate or respect musicians from either category. The false pride of Trinidadian society was such that they enjoyed their music but still looked down upon them. Society was quick to label them as being from a low and mean category.

Sparrow also highlights the discrimination faced by individuals associated with steel band musicians and calypsonians. Families would break their children's teeth and put them out if they associated with members of these groups. Sparrow uses this challenging social condition as evidence of the degree of societal marginalization. Still, despite the stigma, Sparrow asserts that some steel band and calypso musicians also lacked the desire to improve or get better, thereby slowing down any progress towards acceptance.

According to Sparrow, the critical turning point came when a new generation of caring pan musicians, who played a more significant role in bringing together all the steel bands, also paved the way for calypsonians to unite, create a building and become more organized for the collective benefits of their community. This emphasizes the importance of perseverance, unity, commitment, and organization in creating change in society. In other words, The Outcast is not just about societal discrimination but also about the journey towards equal rights and recognition.

Line by Line Meaning

Society in Trinidad for a steel band man
The society in Trinidad makes it difficult for steel band musicians to make a living.

Was just as hard or even harder than that for any calypsonian
This is because the society is prejudiced and has false pride.

Don't care how you talented, you must go outside
Regardless of their talent, steel band musicians must leave the society to be appreciated.

And no appreciation, here society have too much false pride
The society enjoys their music but is too prejudiced to appreciate them fully.

Calypsonians really catch hell for a long time
Calypsonians have been facing difficulties for a long time.

To associate yourself with them was a big crime
Being associated with calypsonians was considered a crime.

If your sister talk to a steel band man
Families disapproved if women interacted with steel band musicians.

Your family want to break she hand
Families may resort to violence to prevent women from interacting with steel band musicians.

Put she out, lick out every teeth in she mouth
Families may even disown their daughters for associating with steel band musicians.

Pass you outcast!
This leads to a person being treated as an outcast from their own society.

The reason why I said "false pride" it is simply this:
The song suggests that the society has false pride.

They enjoy your song, they enjoy your music
The society does enjoy the music of steel band musicians.

But still they're so damn prejudiced
Despite their enjoyment, they still hold prejudiced beliefs.

They bracket you in a category so low and mean
Society puts steel band musicians in a low and disrespectful category.

Man they leave the impression that the Caribbean's unclean
This perception by society adds to the negative stereotype that Caribbean music is low and unclean.

It's true we had some real unambitious steel band men
Admittedly, some steel band musicians lacked ambition and dedication.

I'm talking calypsonians even a dog wouldn't be their friend
Some calypsonians were disliked to such an extent that even animals wouldn't befriend them.

But immaturity was carefully sent for me, there was more
However, this was not the only issue at hand.

Society blacked out everybody and wanted to shut the door
Society blacked out and rejected everyone, preventing success for any musician.

For years and years we struggled hard, the fight went on
Despite these issues, musicians kept fighting for their recognition and appreciation.

A new caring pan man bring the steel band to one big association
Eventually, a steel band musician organized an association for all musicians to come together.

Calypsonian too raise their head, no more rum-drinking
Calypsonians also started changing their image and eliminating unhealthy habits.

Had their big big office in Salvatore building
Eventually, the musicians achieved success and established themselves with an office in the Salvatore building.

Calypsonians really catch hell for a long time
Repeating the same point that calypsonians face difficulties for a long time.

To associate yourself with them was a big crime
Repeating the same point that being associated with calypsonians was a big crime.

If your sister talk to a steel band man
Repeating the same point that families disapprove of women interacting with steel band musicians.

Your family want to break she hand
Repeating the same point that families may react violently to prevent such interactions.

Put she out, lick out every teeth in she mouth
Repeating the same point that families may even disown such women.

Pass you outcast!
Repeating the same point that being associated with steel band musicians leads to being treated as an outcast.

Contributed by Reagan A. Suggest a correction in the comments below.

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TRACKS