Bravo Muchachos
Miguel Bosé Lyrics

¡Bravo muchachos!
The singer applauds and praises the group of people they address.

Bien aquí nos tenéis
The singer declares their presence and readiness to face whatever comes their way.

Todos poetas los del ‘56 (cincuenta y seis)
The singer refers to the people they address as poets from 1956, most likely a reference to freedom fighters during the Spanish Civil War.

De paso por un mundo en agonía
The artist acknowledges that they are just passing through a world that is in agony, full of pain and suffering.

La vida es solo fantasía
The artist suggests that life is only a fantasy or illusion.

Caminamos sobre un hilo en el cielo
The singer uses a metaphor to describe how they feel like they are walking on a tightrope in the sky, unstable and risky.

A más de cien mil metros del asfalto
The singer emphasizes the great height at which they are walking, far away from civilization and comfort.

Somos puntos en lo alto
The artist compares themselves and their group to tiny dots high up in the sky, insignificant but visible from afar.

Banderas al viento de ciudad
The artist uses a poetic image to describe how they are like flags waving in the wind of the city, representing something important and meaningful.

Seguir en pié esta peor cada día
The artist acknowledges the difficulty of standing firm amidst the challenges of life, which seem to be getting worse every day.

Con tantos líos, tanta hipocresía
The singer points out the many problems and hypocrisy they encounter in the world.

Mira adelante que no hay nada detrás
The artist advises to look ahead, since there is nothing to be gained from looking back.

Y no se puede regresar
The singer emphasizes that going back is not an option.

Caminamos tirando del mundo
The singer uses another metaphor to describe how they are pulling the weight of the world, carrying its burdens.

A alguno puede parecerle absurdo
The singer acknowledges that some might find their actions absurd or pointless.

Y somos la fuerza
The artist claims to be a source of strength or power.

Que mueve mareas y volcán
The artist uses hyperbole to describe the great influence and impact they have, capable of moving not just tides but also volcanoes.

Yo vivo como puedo amiga mía
The singer admits to living life as best they can, addressing a female friend.

No sé quién soy ni sé de mí que será
The singer expresses uncertainty about their identity and future, implying that they are still searching for meaning and purpose.

Nuestro futuro ¿qué horizonte tendrá?
The artist poses a rhetorical question about what the future holds for them and their group.

Sigo la estrella que me guía
The artist declares that they are following a star that guides them, possibly a symbol of hope or inspiration.

Caminamos muy alto en el cielo
The artist repeats the image of walking high up in the sky, emphasizing their lofty position and perspective.

Apenas puedes vernos desde el suelo
The singer acknowledges that they are not easily visible or accessible to those on the ground, further emphasizing their distance and detachment.

Colgando del tiempo
The artist uses a metaphor to describe how they feel like they are hanging on to time or the passage of time, as if it were a rope or a thread that could snap at any moment.

En crisis desde una eternidad
The singer suggests that they have been in crisis for a long time, possibly for eternity, highlighting the continuous nature of their struggle and suffering.

Seremos fuertes
The singer expresses confidence that they will be strong, resilient, and able to endure whatever comes their way.

Luchando hasta la muerte
The singer emphasizes that they are fighting until the very end, unwilling to give up or surrender.

Venidos de un duro invierno
The artist uses a metaphor to describe their past as a harsh winter, full of coldness, darkness, and hardship.

Directamente del infierno
The artist uses another metaphor to describe their past as a direct path from hell, suggesting that they have faced many challenges and struggles that have tested their endurance and strength.

Buenos chicos, buena gente
The singer uses a colloquial expression to describe themselves and their group as good, decent people.

Con principios diferentes
The singer acknowledges that they have different principles or values, but still consider themselves part of the same group.

Rabia sana, sin malicia
The artist describes their anger as a healthy expression of frustration or resentment, without any malicious or harmful intent.

Rota el alma sin justicia
The artist expresses sadness or despair about the injustice they have experienced, suggesting that it has damaged or broken their soul.

Medio locos, medio tristes
The artist acknowledges that they are half crazy and half sad, implying that their struggle has taken a toll on their mental health.

Pobres cristos, siempre humildes
The singer uses a religious reference to describe themselves and their group as poor, humble martyrs, implying that they have sacrificed much in their struggle.

En esta vida tan vacía
The artist criticizes life as empty or meaningless, possibly referring to the existential angst or disillusionment they feel.

Tanta violencia, tanta envidia
The singer points out the prevalence of violence and envy in the world, highlighting the negative impact they have on people's lives.

Héroes y delincuentes
The singer uses a paradoxical expression to describe themselves and their group as both heroes and criminals, possibly suggesting that their actions may be seen as morally ambiguous or controversial.

Buenos chicos, buena gente
The singer repeats the earlier expression to reinforce their identity as good, decent people, despite their struggles and flaws.