Perry's musical journey began in 2007 with the release of "Psycadelic," a collaborative effort with Stephan M. In 2012, he continued to make strides in the industry with the release of "Put Me Up," an electronic dance music production on the Mark Brown label, published by CR2 Records. Perry further expanded his repertoire with collaborations such as "We Don't Sleep in the Night" alongside Cecilia Axeland and "Whompin" featuring Filip Jenven.
Transitioning to a "big room" style, Perry remixed Miriam Bryant's "Push & Play" in 2013, showcasing his versatility as a producer. Over the years leading up to 2016, he consistently released music, establishing himself as a notable artist in the electronic music scene.
Perry's breakthrough came in 2016 with the release of his single "The Ocean" on April 15. The track, featuring vocals from Shy Martin, achieved remarkable success, reaching number 1 on the Swedish Singles Chart. It also attained Top 10 positions in several countries, including Austria, Finland, Germany, the Netherlands, Norway, Poland, and Switzerland, and reached the Top 20 and Top 40 in various other territories.
Following his breakthrough, Perry released the single "Inside the Lines" on October 21, 2016, featuring vocals by Casso. This track reached number 19 in Finland and number 25 in Sweden. He continued his momentum in 2016 with the tropical house track "Touching You Again," produced in collaboration with Hot Shade, Jane XØ, and singer Phoebe Ryan.
In 2017, Perry announced his forthcoming single "Hands" featuring American singer Sabrina Carpenter and British boy band The Vamps. The track was released later that month, further adding to Perry's discography.
Continuing to release music, Perry dropped singles in 2018, including "California" featuring Hot Shade and Karlyn, and "Don't Hide" with Willemijn May. These tracks achieved chart success in Sweden, reaching number 35 and number 31, respectively.
On January 18, 2019, Perry released "Runaway," which secured the number 1 position in the United States, Chile, and Hungary. In the same year, he collaborated with fellow DJs Ten Times and Dmitri Vangelis, along with vocals from The Companions, for the single "Changes," which reached number 65 in Sweden.
Mike Perry's musical career has been marked by consistent releases and collaborations, earning him recognition in the electronic music scene and building a strong fan base.
Hands
Mike Perry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We don't have to talk 'cause talk is cheap
In the dark silence so loud
You only gotta lay your hands on me
You say you're better with
(Hands yeah yeah yeah)
(Hands yeah yeah yeah)
(Hands yeah yeah yeah)
(Hands yeah yeah yeah)
I've been thinking about it
I've been thinking all night
Every time I try to learn your body language
Never get it right
You're so hard to read baby
So I turn off the light
And you just drop that dress to the floor
We can talk until sunrise
I've been thinking about it
The way that you blow my mind
I've been thinking about it, all night
Come on lay your hands, your hands on me
We don't have to talk 'cause talk is cheap
In the dark silence so loud
You only gotta lay your hands on me
You say you're better with
(Hands yeah yeah yeah)
(Hands yeah yeah yeah
You say you're better with
(Hands yeah yeah yeah)
(Hands yeah yeah yeah)
Don't tell me about it
Keep on blowing my mind
'Cause your lips are made for kissing baby
So I put them on mine
No conversation
I've heard every line
So leave your shit at the door
Come on lay your hands, your hands on me
We don't have to talk
'Cause talk is cheap
In the dark silence so loud
You only gotta lay your hands on me
You say you're better with
(Hands yeah yeah yeah)
(Hands yeah yeah yeah)
You say you're better with
(Hands yeah yeah yeah)
(Hands yeah yeah yeah)
The song "Hands" by Mike Perry is a sensual and intimate track, with the singer pleading with his lover to touch him instead of talking. The lyrics describe a moment of passion between two people where words are unnecessary, and silence speaks louder than words. The singer is longing for physical connection and is frustrated with his inability to read his partner's body language. And so, he invites her to lay her hands on him, emphasizing his belief that they will communicate better through touch than through conversation.
The repetition of the phrase "hands yeah yeah yeah" in the chorus and throughout the song gives it a catchy and memorable hook. The lyrics are straightforward and evocative, and the simple melody and rhythmic beat amplify the sensuality of the song.
Overall, the song is a celebration of physical intimacy and the power of touch to communicate emotions that words cannot express. It is a plea for lovers to forget their differences and surrender to each other in the moment, letting instinct guide their actions.
Line by Line Meaning
Come on lay your hands, your hands on me
The singer wants the listener to physically touch and comfort him/her
We don't have to talk 'cause talk is cheap
The singer doesn't want verbal communication, as they believe it's not as meaningful as physical communication
In the dark silence so loud
The environment is quiet, yet chaotic for the singer's thoughts and feelings
You only gotta lay your hands on me
The singer believes that physical touch is the only way to solve their inner turmoil
You say you're better with (Hands yeah yeah yeah)
The listener has claimed to have a special skillset or ability with their hands
I've been thinking about it
The singer has been contemplating a situation, most likely regarding their relationship with the listener
Every time I try to learn your body language, Never get it right
The singer is struggling to understand the listener's non-verbal communication
You're so hard to read baby
The listener is very difficult to understand or interpret
So I turn off the light
The singer is taking away their sense of sight to rely solely on the sense of touch
And you just drop that dress to the floor
The listener is physically undressing, possibly indicating sexual intimacy
We can talk until sunrise
The singer is willing to talk through their problems for an extended period of time
The way that you blow my mind
The listener impresses or astonishes the singer in some way
Don't tell me about it
The singer does not want to hear the listener's words, only their actions
Keep on blowing my mind
The listener continues to impress or astonish the singer
'Cause your lips are made for kissing baby
The listener's mouth is attractive and meant for kissing
So I put them on mine
The singer kisses the listener, possibly leading to more intimacy
No conversation
The singer conveys that they don't want any verbal communication
I've heard every line
The singer has already heard all of the listener's words and does not find them meaningful
So leave your shit at the door
The singer wants the listener to leave their problems or baggage outside and focus on the moment
Lyrics © CTM Outlander Music LC, Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Andreas Wiman, Bradley Simpson, Connor Ball, Dimitri Vangelis, George Henry Tizzard, James Daniel McVey, Mikael Persson, Rachel Furner, Richard James Parkhouse, Samuel Preston, Tristan Oliver Evans
Lyrics Licensed & Provided by LyricFind
Destiny
on The Ocean
Its Amazing