The band consisted of Joe Carnall (lead vocals/bass), Louis Carnall (vocals/rhythm guitar), Tom Rowley (lead guitar) and Joe Green (drummer). They produced ear-grabbing riffs and essential Melodies, underpinned by the raw tones of the mod-punk era, which epitomises the youthfulness and abundant potential of the band. Milburn's sound has most recently been described as the aggressive riffs of the Jam, with a touch of ska mixed with the hooks and sound of modern contemporaries such as the Libertines and Razorlight.
The first vibrations of a buzz surfaced well back in 2002 when Milburn twice sold out the Boardwalk, a local venue respected nationwide, playing to a 350 capacity each time. 2002 also saw the band showcase for a band development programme at Sheffield's Red Tape Studio's. They were chosen to enter the programme from a selection of around 70 local acts and gathered essential recording and performance experience over that period. They went on to play successful gigs at the famous Cavern Club venue in Liverpool, The Garage in London and the Leadmill, Sheffield supporting Laika Dog (new band of Tony Wright (ex Terrorvision) and Cosmic Rough Riders.
July 2003 saw the recording and distribution of a demo which coincided with Milburn's biggest gig at the time; Over 600 people at the Nelson Mandela building at Sheffield Hallam, followed by a further appearance at The Music Box in Manchester. After a further sell out late 2003 at the boardwalk, the band were invited to perform as part of a youth development at In The City.
The band have used their gigging time to develop their performance and most importantly, their music and are not developing that essential sound. Their next demo, Lipstick Lickin', was regarded as their finest to date gaining rave reviews and earning radio time on Zane Lowe's show on Radio 1.
Milburn released their second album These Are The Facts on 24 September 2007 whilst releasing the first single from this album "What Will You Do (When the Money Goes)?" beforehand on 17 September.
Milburn promoted this new album with a UK tour running from 13 September to 28 September ending with a hugely anticipated home-coming gig at The Leadmill in Sheffield on the last night of the tour which sold out in just 3 days.
The latest gigs that Milburn played were at the Sheffield Octagon on 29 November 2007, which they headlined, and the Doncaster Dome on 30 November 2007 where they supported The Pigeon Detectives.
Milburn announced on 28th March 2008 that they have decided to call it a day with the band, however 'there’s been no malice or falling out between us and we still remain friends and supporters of each other as we move on and explore new musical horizons.'.
Roll Out The Barrel
Milburn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm sorry if I caught your eye
What is she wearing? That's a bit daring
Oh, please put away those thunderous thighs
Do you see what I see?
He's looking straight at me as if I've done something wrong
And I looked at his missus, high heels, pink lipstick
But I'm alright, they all cried as they stumble down the stairs
I'm just fine, got no inhibitions, no rhythm, worries or cares
And you're unstoppable now, moving on the dance floor
You're unstoppable the world is at your feet if only for tonight
I was just passing you dancing, you asked me to walk to the floor
Where are we going? Stop tooing and frowning
Don't ask me 'cause I don't know, you tried to control her
I can't control her, mascara runs down her cheek
Call 'em a bastards, oh when plastered
They'll be back together next week, by the end of next week
But I'm alright, they all cried as they stumble down the stairs
I'm just fine, got no inhibitions, no rhythm, worries or cares
And you're unstoppable now, moving on the dance floor
You're unstoppable the world is at your feet if only for tonight
Ooh no, when they've had too much
Everybody wants her, everybody wants him
Oh, just a faintest touch
The bouncers shout to the screams on top of the bar
And the crowd disappears as the police arrive
And throw the thugs in the back of the car
Yeah, it all comes part of the package
Front row viewing at no extra cost
Just fill 'em up with the barrel
Now you've lit the fuse so watch the fireworks go of
Roll out the barrel
Bring out the barrel
Roll out the barrel
Don't bring out the barrel now
Roll out the barrel
Bring out the barrel
Roll out the barrel
Don't bring out the barrel now
Milburn's "Roll Out The Barrel" is a song that describes the atmosphere of a rough club where people are drinking and dancing, and tension is high due to the presence of people with rough behavior who are keen to instigate fights. The lyrics appear to be from the perspective of someone who frequents the club and is subjected to the leering and crude behavior of others in the club, and details the frustrating experiences of dealing with toxic relationships and unhappy couples. The verses of the song demonstrate how one can lose themselves in the moment, feeling unstoppable as they dance on the floor while the world is at their feet, only to encounter unruly scenes at the end of the night. Meanwhile, the chorus features the phrase "Roll Out the Barrel" being shouted out several times, which is the name of the song and likely a reference to the heritage of the popular German drinking song.
Overall, the song is a commentary on the darker aspects of nightlife, and how alcohol and adrenaline can create an intense and occasionally violent atmosphere. The song criticizes those who engage in inappropriate behavior and suggests that such incidents can be avoided if people take responsibility for their actions and avoid toxic relationships. Ultimately, the song seems to be urging people to lose themselves in the music rather than the negative energy of the club.
Line by Line Meaning
Bitches and glances, rough romances
The singer is describing a scene of debauchery, with people staring and engaging in reckless sexual behavior.
I'm sorry if I caught your eye
The singer is apologizing for attracting someone's attention.
What is she wearing? That's a bit daring
The singer is commenting on someone's clothing, noting that it's risqué.
Oh, please put away those thunderous thighs
The artist is asking someone to cover up their exposed body part.
Do you see what I see?
The artist is questioning if the listener sees the same debauchery and recklessness around them.
He's looking straight at me as if I've done something wrong
The singer feels uncomfortable under someone's accusing gaze.
And I looked at his missus, high heels, pink lipstick
The singer takes note of someone's wife or girlfriend, describing her fashion choices.
I won't be for very long, oh, I won't be for very long
The artist knows their time in this situation is limited.
But I'm alright, they all cried as they stumble down the stairs
Despite the chaos around them, the artists and others are trying to convince themselves that everything is okay.
I'm just fine, got no inhibitions, no rhythm, worries or cares
The artist is stating that they feel carefree and uninhibited.
And you're unstoppable now, moving on the dance floor
The singer is addressing someone who is dancing confidently, likening them to an unstoppable force.
You're unstoppable the world is at your feet if only for tonight
The artist is encouraging the dancer, noting that they have a carefree moment of empowerment.
I was just passing you dancing, you asked me to walk to the floor
The singer was merely observing someone dancing, but that person requested their presence on the dance floor.
Where are we going? Stop tooing and frowning
The singer is exasperated by someone who is indecisive and anxious.
Don't ask me 'cause I don't know, you tried to control her
The singer is refusing to provide answers to someone who is trying to exert control over the situation.
I can't control her, mascara runs down her cheek
The artist acknowledges that they have no control over someone who seems to be crying (hence the runny mascara).
Call 'em a bastards, oh when plastered
Someone (perhaps the crying woman) is using harsh language when they are drunk.
They'll be back together next week, by the end of next week
Despite their quarrels, the singer believes that the couple in question will reconcile in the near future.
Ooh no, when they've had too much
The singer is acknowledging that things tend to go downhill when people drink too much.
Everybody wants her, everybody wants him
In the midst of the chaos, the artist notes that everyone seems to be attracted to someone else.
Oh, just a faintest touch
Physical contact is being made between people, perhaps with little discretion.
The bouncers shout to the screams on top of the bar
The situation has escalated to the point where bouncers have to intervene, resulting in loud noises and chaos.
And the crowd disappears as the police arrive
The situation has gotten so out of hand that law enforcement has been called to the scene.
And throw the thugs in the back of the car
The police arrest the troublemakers and take them away.
Yeah, it all comes part of the package
The singer is acknowledging that this kind of chaos is par for the course in their lifestyle.
Front row viewing at no extra cost
Despite the widespread chaos, the singer seems to relish being in the midst of it.
Just fill 'em up with the barrel
The singer is possibly encouraging people to drink more, with the 'barrel' (presumably alcohol) being the solution to their problems.
Now you've lit the fuse so watch the fireworks go of
The artist is suggesting that the situation is a ticking time bomb, and that things will likely get crazier before they calm down.
Roll out the barrel
The artist is repeating a phrase (likely a drinking song) for emphasis and possibly to encourage further drinking.
Bring out the barrel
The singer is repeating a phrase (likely a drinking song) for emphasis and possibly to encourage further drinking.
Don't bring out the barrel now
The singer is perhaps acknowledging that the situation has gotten out of hand, and that it's time to stop drinking (for the moment).
Lyrics © Universal Music Publishing Group
Written by: JOSEPH CARNALL, JOSEPH THOMAS GREEN, LOUIS IAN CARNALL, THOMAS LEE ROWLEY
Lyrics Licensed & Provided by LyricFind
@fdw...
❤ it takes me back to Sheffield in my ' younger ' years ❤ Millburn is underated as fuck
@fionaroberts1941
Brilliant