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BIO
Miles Mosley is an upright bassist, vocalist, producer, composer and arranger.

As a teen, Mosley was selected to play bass for the 1996 Grammy All-American High School Jazz Band & Choir, and was acclaimed as a “technical virtuoso” by Los Angeles Times jazz critic, Don Heckman. He received his classical training at the Colburn School of Music in Los Angeles, had numerous years of study with jazz bass legends John Clayton, Ray Brown, and Al McKibbon, and received his undergraduate degree in music at UCLA. Since then Mosley has greatly expanded his repertoire, mastering the bass and a vast array of instruments, deftly blending Jazz with Rock, Pop, Funk, and R&B. Mosley has successfully combined bow work, effects, and ‘in-your-face’ dexterity to give his instrument his own signature sound.

The last few years have been the busiest of Mosley’s career. He has been featured twice in Bass Player Magazine , (US and Brazil), and Bass Gear Magazine. He recently c0-designed his signature line of upright basses for BLAST CULT. He appeared as a featured performer on numerous TV shows and music videos. He spent time in the studio recording and collaborating with artists including India Arie, Christina Aguilera, Jason Mraz, Chris Cornell, and Avenged Sevenfold. He co-produced, composed, arranged and performed on actor Terrence Howard’s debut CD ‘Shine through It’, which debuted at #6 on the Billboard R&B/Hip-Hop charts, and #31 on the Billboard 200. Miles also toured across the globe with many artists including Lauryn Hill, Mos Def, and Herbie Hancock, as well as making appearances at the Grammy Awards telecast with the Gnarls Barkley Orchestra, at the Greek Theater with Jeff Beck, at the Staples Center with Rihanna, and headlined at The Alex Theatre with the Glendale Pops Orchestra. He accompanied singer Jonathan Davis of rock group Korn on a tour of Europe, where he pulled double duty as the opening performer with his band, and as Davis’ solo band bassist. He recently opened for NAS at Capcom’s Resident Evil 6 Launch party, and was also the recipient of Bass Gear Magazine’s Best Show Award for his performance at Dunlop’s and NAMM’s acclaimed Bass Bash.

In addition to performing and producing, Mosley is an accomplished composer, scoring for Film, TV and Video Games. His compositions have been used by numerous entertainment companies including DreamWorks, Warner Brothers, The Weinstein Company, Relativity Media, Capcom and Activision. One of his original compositions was featured on Disney Motion Picture Studio’s “The Muppets” movie trailer, receiving over 1.8 million hits on YouTube it was listed as one of MTV’s Top 10 trailers of 2011, received a 2012 Golden Trailer Nomination for Best Music and a 2012 Key Art Award win for Best Music. Additionally, Mosley’s score for Island Creek Picture’s (no dialogue) short “Me and Her” was an official entry for the 2014 Sundance Film Festival. He has been commissioned to compose for the Elisa Monte Dance Company’s (NY) 2014/15 season, and is currently contracted to score three feature films over the next two years.

Mosley performs live every month at the Piano Bar in Hollywood. Backed by his stellar band, The West Coast Get Down, this is one of the most successful residencies in Hollywood. Now in its’ fourth year, the bands’ performances are attended by over 800 fans every week. Mosley also has a new duo project, BFI, with drummer and producer Tony Austin. BFI will tour Europe in the summer of 2015.

Brother
Miles Mosley Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Brother O Brother
Did you ever kick that cocaine?
Now things these days
Just ain't the same
And time proves dearly
That nothing's changed
Fear makes great men take
Courage up by mistake

Slew foot won't lift you up
For heaven's sake

Never give it up
They're never gonna give it up
Unless you take it
There ain't enough
There's never gonna be enough
Unless you save it

Hold the line
Hold the line
Hold the line

Cos ya' built to survive
Built to survive
Built to survive
Built to survive

Damn the disappointment
Damn the same slave wage
When what we've got all but fades away
We fumble and fight through these modern days
Rich men never trade
Their future for fame
False gods are not to blame
For heaven's sake

Never give it up
They're never gonna give it up
Unless you take it
There ain't enough
There's never gonna be enough
Unless you save it

Hold the line
Hold the line
Hold the line

Cos ya' built to survive
Built to survive
Built to survive
Built to survive

Cos ya' built to survive
Built to survive

Built to survive
Built to survive

Overall Meaning

The song "Brother" by Miles Mosley is an introspective conversation between two brothers, discussing the struggles of addiction, disappointment, and resilience. The lyrics of the song begin with a direct question to the singer's brother if he has ever kicked his cocaine addiction. However, it seems as though times have changed, but the struggles still persist, and nothing seems to have changed over time. The lyrics express how fear can sometimes lead people to take up courage by mistake, but it is essential to hold the line, persist and remain resilient in confronting our demons.

The repeated chorus lines "Never give it up, they're never gonna give it up unless you take it" and "Hold the line, cos ya' built to survive" suggest a continuous struggle that requires perseverance and strength. The lyrics express the importance of being built to survive and having the resilience to overcome any obstacle that comes in our way. Instead of succumbing to the disappointment and the slave wage mindset of modern life, the singer advocates for fighting through these tough times, holding on to hope, and not giving up.

Overall, the song is a powerful ballad that highlights the struggle of addiction and the importance of resilience in overcoming hardships. The lyrics are deep and thought-provoking, inspiring listeners to reflect on their own struggles and find the strength to endure.

Line by Line Meaning

Brother O Brother
Addressing a close friend or family member

Did you ever kick that cocaine?
Asking if the listener has overcome a personal struggle

Now things these days Just ain't the same
Changes in society have made life difficult

And time proves dearly That nothing's changed
Despite the passage of time, problems persist

Fear makes great men take Courage up by mistake
In moments of fear, bravery may come by accident

Slew foot won't lift you up For heaven's sake
Avoid relying on luck to get ahead in life

Never give it up They're never gonna give it up Unless you take it
Nothing is given freely, one must work to achieve their goals

There ain't enough There's never gonna be enough Unless you save it
Resources are limited and must be carefully managed

Hold the line Hold the line Hold the line
Stay strong in the face of adversity

Cos ya' built to survive Built to survive Built to survive Built to survive
Encouragement to persevere through challenges

Damn the disappointment Damn the same slave wage When what we've got all but fades away
Frustration with the status quo and the struggle to maintain what has been achieved

We fumble and fight through these modern days
The difficulty of navigating life in the present day

Rich men never trade Their future for fame
Wealth should be used to secure a successful future, not fame

False gods are not to blame For heaven's sake
The responsibility for personal success or failure lies with the individual, not external factors

Writer(s): Abraham Miles Mosley, Tony Austin

Contributed by Gabriella Y. Suggest a correction in the comments below.

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