Milli Vanilli was a German-French R&B duo from Munich. The group was founde… Read Full Bio ↴Milli Vanilli was a German-French R&B duo from Munich. The group was founded by Frank Farian in 1988 and consisted of Fab Morvan and Rob Pilatus. The group's debut album titled All or Nothing in Europe and reconfigured as Girl You Know It's True in the United States, achieved international success and earned them a Grammy Award for Best New Artist on 21 February 1990.
Milli Vanilli became one of the most popular pop acts in the late 1980s and early 1990s, with millions of records sold. However, their success turned to infamy when Morvan, Pilatus, and their agent Sergio Vendero confessed that Morvan and Pilatus did not sing any of the vocals heard on their music releases. The duo ended up giving back the Grammy Award for Best New Artist. The group recorded a comeback album in 1998 titled Back and in Attack, but the album's release was cancelled after Rob Pilatus died at the age of 32.
Beginnings, 1988–1989
Rob Pilatus met Fabrice Morvan during a dance seminar at a disco in Los Angeles. The two bonded over similar experiences they had growing up in European cities, Paris (Morvan) and Munich (Pilatus). "Something clicked between us," Pilatus said. "Maybe it's because we're both black people who grew up in foreign cities that don't have too many blacks."
The pair reunited in Munich, where they attempted to find work as backing singers, then formed their own act. After adopting the name Milli Vanilli, the pair recorded an album for a small German label that sold just a few thousand records. The pair was focused on becoming famous and struggled with poverty. "We lived in a project. We had no money. We wanted to be stars," explained Pilatus. Music producer Frank Farian learned of the duo and invited Pilatus and Morvan to his Frankfurt studio to listen to a demo.
"We got a call to come to his studio and we said, 'All right that's it,'" Pilatus recalled. "We were just dumb little kids, so we said, 'Let's go.' When we got to the studio, "Girl You Know It's True" was just a demo, he asked us our opinion of it, and if we could sing it and we said, 'Yeah, we could sing it.' And he said, 'Oh beautiful, I believe it, but next week we have shows to do, so don't worry, I'll make you into a millionaire.'"
Farian signed the duo to a contract on 1 January 1988, obligating him to record 10 songs with them a year.But the group's singing in the recording studio did not impress Farian. "These two guys came into the studio, they recorded, but they didn't have enough quality," Farian said.
The final mix of "Girl You Know It's True" was finished by studio performers — including Charles Shaw, John Davis, Brad Howell, Jodie Rocco and Linda Rocco — in March and April.
By May, Pilatus and Morvan were touring Spain, France and Italy, lip syncing to the pre-recorded tracks and thrilling crowds with their distinct style — spandex shorts, thigh-high boots and cornrow hair extensions. According to Pilatus, "We would ask Frank when are we going to be allowed to give some (artistic) input and he would say, 'Yeah, yeah, but right now we need you to go out and do promotion. Of course, you'll get to do it, just work with us.' That's how he strung us along." After "Girl You Know It's True" took off in Germany in summer 1988, Farian produced and wrote most of the material on the Milli Vanilli album All or Nothing. The album was released in Europe in November 1988.
"After Frank released the album, he told us that it was too late to stop now," Pilatus said. "Because the single was such a big success, he said, 'Now you have to go through with it. I'll cover you guys. Nobody will find out.' He said, 'Here, I'll give you $20,000 advance money.' We never had a hit before, so we went along with it. We played with fire and now we know, but it's too late." By December, Pilatus and Morvan came to the realization that their actual voices would never appear on any Milli Vanilli tracks.
All or Nothing was repackaged as Girl You Know It's True for audiences in the United States and was released in March 1989. It became a major success, producing five singles that entered the top five of the Billboard Hot 100, three of which ("Baby Don't Forget My Number", "Blame It on the Rain", and "Girl I'm Gonna Miss You") went to number one. On January 1990, Girl You Know It's True was certified 6× platinum by the RIAA after spending seven weeks atop the Billboard Top 200. Additionally, the album spent 41 weeks within the top 10 of the Billboard Top 200 and 78 weeks within the charts overall. The album was also certified Diamond in Canada, denoting shipments of over a million units there. The success of the album earned the duo a Grammy Award for Best New Artist.
Lip-syncing exposure and media backlash, 1989–1991
Beth McCarthy-Miller, then an executive with MTV, says the duo's English language skills, when they came in for their first interview with the channel, stirred doubts among those present as to whether they had sung on their records. The first public sign that the group was lip-syncing came on 21 July 1989, during a live performance on MTV at the Lake Compounce theme park in Bristol, Connecticut. As they performed, a hard drive issue caused the recording of the song "Girl You Know It's True" to jam and skip, repeatedly playing the partial line "Girl, you know it's..." through the speakers. "I knew right then and there, it was the beginning of the end for Milli Vanilli," recalled Pilatus of the incident. "When my voice got stuck in the computer, and it just kept repeating and repeating, I panicked. I didn't know what to do. I just ran off the stage."
Downtown Julie Brown ran after Pilatus and convinced him to finish the set. "With a bit of pushing and screaming, and a couple of F-words I think as well, I got them back out there," Brown explained on VH1's Behind the Music. Despite the mishap, the concert audience seemed neither to care, nor even to notice, and the concert continued as if nothing unusual had happened.
In a March 1990 issue of Time magazine, Pilatus was quoted proclaiming himself to be "the new Elvis", reasoning that by the duo's success they were more talented musically than Bob Dylan, Paul McCartney and Mick Jagger. This was denied by Fab Morvan, as recently as 2017, saying that Pilatus never used those words and that the quote was taken out of context likely due to Pilatus still not having a full grasp of the English language.
Unlike the international release of All or Nothing, the inserts for the American version of the album explicitly attributed the vocals to Morvan and Pilatus. This prompted singer Charles Shaw to reveal in December 1989 that he was one of the three actual vocalists on the album and that Pilatus and Morvan were impostors. Farian reportedly paid Shaw $150,000 to retract his statements, though this did not stem the tide of public criticism.
Because of growing public questions as to who sang in the group, as well as Morvan and Pilatus' demand to Farian that they be allowed to sing on the next album, on 14 November 1990, Farian announced that he had fired them and confessed they did not sing on the records. Confronted by Los Angeles Times's Chuck Philips, Pilatus confirmed the deception. "It’s True: Milli Vanilli Didn’t Sing" read the headline in the newspaper. "I feel like a mosquito being squeezed," Pilatus said. "The last two years of our lives have been a total nightmare. We have had to lie to everybody. We are true singers, but that maniac Frank Farian would never allow us to express ourselves." The next week, the National Academy of Recording Arts and Sciences revoked Milli Vanilli's 1990 Grammy for Best New Artist. Pilatus and Morvan gave a press conference in front of more than 100 journalists in Los Angeles where they stated their willingness to return their Grammy Award. The duo said they had "made a deal with the devil," and they sang and rapped for the room in order to prove that, although they hadn't sung on the record, they could, in fact, sing.
After these details emerged, different lawsuits were filed under various U.S. consumer fraud protection laws against Arista Records, Pilatus and Morvan. One such filing occurred on 22 November 1990, in Ohio, where lawyers filed a class-action lawsuit asking for refunds on behalf of a local woman in Cuyahoga County, who had bought Girl You Know It's True. At the time the lawsuit was filed, it was estimated at least 1,000 Ohio residents had bought the album. On 12 August 1991, a proposed settlement of a refund lawsuit in Chicago, Illinois, was rejected. This settlement would have refunded buyers of Milli Vanilli CDs, cassettes, records, or singles. However, the refunds would only be given as a credit for a future Arista release. On 28 August, a new settlement was approved; it refunded those who attended concerts along with those who bought Milli Vanilli recordings. An estimated 10 million buyers were eligible to claim a refund and they could keep the refunded recordings as well. The deadline to claim refunds passed on 8 March 1992.
Adding to the controversy, in December 1990 singer-songwriter David Clayton-Thomas sued Milli Vanilli for copyright infringement, alleging that the title song of All or Nothing used the melody from his 1968 composition "Spinning Wheel", a hit for his group Blood, Sweat & Tears.
The Real Milli Vanilli, 1991–1992
The resulting album, released in Europe in early 1991, was renamed The Moment of Truth and spawned three singles, "Keep On Running", "Nice 'n Easy" and "Too Late (True Love)". A Morvan/Pilatus lookalike named Ray Horton was depicted on the cover along with the real singers: Brad Howell and John Davis. In addition, the album featured rappers Icy Bro on "Hard as Hell" and Tammy T on "Too Late (True Love)". Original members and vocalists Jodie Rocco and Linda Rocco remained on 95% of the tracks. Several other artists, including Farian’s No Mercy, have covered one of four Diane Warren-penned songs that are included on The Moment of Truth, “When I Die”. For the American market, Farian chose to avoid any association with Milli Vanilli and had the tracks re-recorded with Ray Horton on the majority of lead vocals. However, The Moment of Truth was never released in that format in the USA.
Try 'N' B
In 1992, RCA signed on to release the album as the debut of the newly created group Try 'N' B. The self-titled release included three additional tracks not on the Real Milli Vanilli release: "Ding Dong", "Who Do You Love", and a remake of Dr. Hook's "Sexy Eyes", and featured original Milli Vanilli vocalists Jodie Rocco and Linda Rocco. Because of significantly better sales under the name Try 'N' B in America, a slightly modified Try 'N' B debut album was released internationally. It featured guest singer Tracy Ganser, a Ray Horton lookalike named Kevin Weatherspoon, as well as Jodie Rocco and Linda Rocco.
Rob & Fab, 1990–1993
Morvan and Pilatus moved to Los Angeles, California, and signed with the Joss Entertainment Group. Sandy Gallin was their manager. They recorded their follow-up album under the name Rob & Fab which was financed by Taj Records in 1992 and released by Joss Entertainment in 1993. Kenny Taylor and Fab Morvan wrote almost all the songs on the album, while Morvan and Pilatus provided the lead vocals. Werner Schüler, a German bassist and songwriter, was their producer. Because of financial constraints, Joss Entertainment Group was only able to release the album in the United States, the priority market to Milli Vanilli. A single, "We Can Get It On", was made available for radio play shortly before the album's release. However, the lack of publicity, poor distribution, and their steep fall from the height of pop-culture visibility after the lip-synching scandal contributed to its failure. The album only sold around 2,000 copies.
Comeback and death of Rob Pilatus, 1997–1998
In order to restore their career, Farian agreed to produce a new Milli Vanilli album with Morvan and Pilatus on lead vocals in 1997. This led up to the recording of the 1998 Milli Vanilli comeback album Back and In Attack. Even some of the original studio singers backed the performers in their attempt to bring back some of the fame that had been shed so quickly. However, Rob Pilatus encountered a number of personal problems during the production of the new album. He turned to drugs and crime, committing a series of assaults and robberies, and was ultimately sentenced to three months in jail and six months in a drug rehabilitation facility in California. Farian bailed Pilatus out of jail. On the eve of the new album's promotional tour on 2 April 1998, Pilatus was found dead of a suspected alcohol and prescription drug overdose in a hotel room in Frankfurt, Germany. His death was ruled accidental.
Fab Morvan's solo career
Morvan spent the following years as a session musician and public speaker while working on writing and performing his new music. In 1998, he was a DJ at famed L.A. radio station KIIS-FM. During this period, he also performed at the station's sold-out 1999 Wango Tango festival concert before 50,000 people at Dodger Stadium. Morvan then spent 2001 on tour before performing in 2002 as the inaugural performer at the brand-new Velvet Lounge at the Hard Rock Hotel in Orlando, Florida. In 2003, Morvan released his first solo album, Love Revolution. He marketed the album through his website and CD Baby. In April 2011, Morvan released the single "Anytime" on iTunes.
Later developments
In 1991, Pilatus and Morvan appeared in a commercial for Carefree Sugarless Gum, which parodied their lip-syncing fiasco. They portrayed animated versions of themselves in an episode of The Adventures of Super Mario Bros. 3 and even signed with a PR firm in hopes of breaking into acting. As they told the L.A. Times, "We think we have the potential to become actors. After all, we got a lot of practice while we were in Milli Vanilli. But the most important thing to us now is the new album."
The duo was featured (and interviewed) for the premiere episode of VH1's Behind the Music in 1997. In 2000, Fab Morvan was featured in a BBC documentary titled It Takes Two: The Story of the Pop Duo about musical duos.
On 14 February 2007, it was announced that Universal Pictures was developing a film based on the story of Milli Vanilli's rise and fall in the music industry. Jeff Nathanson, screenwriter for Catch Me If You Can, producers Kathleen Kennedy and Frank Marshall, and producer executive Adam Yoelin, were supposed to write and direct the film while Fab Morvan served as a consultant. However, in February 2011, it was announced the Milli Vanilli movie would be rewritten and directed by Florian Gallenberger. The documentary "Milli Vanilli: From Fame to Shame" was eventually directed by German Oliver Schwehm, and produced by Hannah Lenitzki from Bremedia Produktion, released in 2016.
In January 2014, the actual Milli Vanilli singers—Jodie Rocco and Linda Rocco, John Davis and Brad Howell—filmed an in-depth interview with the producers of Oprah: Where Are They Now for OWN TV.
In 2015, TMZ reported that Fab Morvan was working on an album with John Davis, one of the original Milli Vanilli singers, called Face Meets Voice.
Milli Vanilli became one of the most popular pop acts in the late 1980s and early 1990s, with millions of records sold. However, their success turned to infamy when Morvan, Pilatus, and their agent Sergio Vendero confessed that Morvan and Pilatus did not sing any of the vocals heard on their music releases. The duo ended up giving back the Grammy Award for Best New Artist. The group recorded a comeback album in 1998 titled Back and in Attack, but the album's release was cancelled after Rob Pilatus died at the age of 32.
Beginnings, 1988–1989
Rob Pilatus met Fabrice Morvan during a dance seminar at a disco in Los Angeles. The two bonded over similar experiences they had growing up in European cities, Paris (Morvan) and Munich (Pilatus). "Something clicked between us," Pilatus said. "Maybe it's because we're both black people who grew up in foreign cities that don't have too many blacks."
The pair reunited in Munich, where they attempted to find work as backing singers, then formed their own act. After adopting the name Milli Vanilli, the pair recorded an album for a small German label that sold just a few thousand records. The pair was focused on becoming famous and struggled with poverty. "We lived in a project. We had no money. We wanted to be stars," explained Pilatus. Music producer Frank Farian learned of the duo and invited Pilatus and Morvan to his Frankfurt studio to listen to a demo.
"We got a call to come to his studio and we said, 'All right that's it,'" Pilatus recalled. "We were just dumb little kids, so we said, 'Let's go.' When we got to the studio, "Girl You Know It's True" was just a demo, he asked us our opinion of it, and if we could sing it and we said, 'Yeah, we could sing it.' And he said, 'Oh beautiful, I believe it, but next week we have shows to do, so don't worry, I'll make you into a millionaire.'"
Farian signed the duo to a contract on 1 January 1988, obligating him to record 10 songs with them a year.But the group's singing in the recording studio did not impress Farian. "These two guys came into the studio, they recorded, but they didn't have enough quality," Farian said.
The final mix of "Girl You Know It's True" was finished by studio performers — including Charles Shaw, John Davis, Brad Howell, Jodie Rocco and Linda Rocco — in March and April.
By May, Pilatus and Morvan were touring Spain, France and Italy, lip syncing to the pre-recorded tracks and thrilling crowds with their distinct style — spandex shorts, thigh-high boots and cornrow hair extensions. According to Pilatus, "We would ask Frank when are we going to be allowed to give some (artistic) input and he would say, 'Yeah, yeah, but right now we need you to go out and do promotion. Of course, you'll get to do it, just work with us.' That's how he strung us along." After "Girl You Know It's True" took off in Germany in summer 1988, Farian produced and wrote most of the material on the Milli Vanilli album All or Nothing. The album was released in Europe in November 1988.
"After Frank released the album, he told us that it was too late to stop now," Pilatus said. "Because the single was such a big success, he said, 'Now you have to go through with it. I'll cover you guys. Nobody will find out.' He said, 'Here, I'll give you $20,000 advance money.' We never had a hit before, so we went along with it. We played with fire and now we know, but it's too late." By December, Pilatus and Morvan came to the realization that their actual voices would never appear on any Milli Vanilli tracks.
All or Nothing was repackaged as Girl You Know It's True for audiences in the United States and was released in March 1989. It became a major success, producing five singles that entered the top five of the Billboard Hot 100, three of which ("Baby Don't Forget My Number", "Blame It on the Rain", and "Girl I'm Gonna Miss You") went to number one. On January 1990, Girl You Know It's True was certified 6× platinum by the RIAA after spending seven weeks atop the Billboard Top 200. Additionally, the album spent 41 weeks within the top 10 of the Billboard Top 200 and 78 weeks within the charts overall. The album was also certified Diamond in Canada, denoting shipments of over a million units there. The success of the album earned the duo a Grammy Award for Best New Artist.
Lip-syncing exposure and media backlash, 1989–1991
Beth McCarthy-Miller, then an executive with MTV, says the duo's English language skills, when they came in for their first interview with the channel, stirred doubts among those present as to whether they had sung on their records. The first public sign that the group was lip-syncing came on 21 July 1989, during a live performance on MTV at the Lake Compounce theme park in Bristol, Connecticut. As they performed, a hard drive issue caused the recording of the song "Girl You Know It's True" to jam and skip, repeatedly playing the partial line "Girl, you know it's..." through the speakers. "I knew right then and there, it was the beginning of the end for Milli Vanilli," recalled Pilatus of the incident. "When my voice got stuck in the computer, and it just kept repeating and repeating, I panicked. I didn't know what to do. I just ran off the stage."
Downtown Julie Brown ran after Pilatus and convinced him to finish the set. "With a bit of pushing and screaming, and a couple of F-words I think as well, I got them back out there," Brown explained on VH1's Behind the Music. Despite the mishap, the concert audience seemed neither to care, nor even to notice, and the concert continued as if nothing unusual had happened.
In a March 1990 issue of Time magazine, Pilatus was quoted proclaiming himself to be "the new Elvis", reasoning that by the duo's success they were more talented musically than Bob Dylan, Paul McCartney and Mick Jagger. This was denied by Fab Morvan, as recently as 2017, saying that Pilatus never used those words and that the quote was taken out of context likely due to Pilatus still not having a full grasp of the English language.
Unlike the international release of All or Nothing, the inserts for the American version of the album explicitly attributed the vocals to Morvan and Pilatus. This prompted singer Charles Shaw to reveal in December 1989 that he was one of the three actual vocalists on the album and that Pilatus and Morvan were impostors. Farian reportedly paid Shaw $150,000 to retract his statements, though this did not stem the tide of public criticism.
Because of growing public questions as to who sang in the group, as well as Morvan and Pilatus' demand to Farian that they be allowed to sing on the next album, on 14 November 1990, Farian announced that he had fired them and confessed they did not sing on the records. Confronted by Los Angeles Times's Chuck Philips, Pilatus confirmed the deception. "It’s True: Milli Vanilli Didn’t Sing" read the headline in the newspaper. "I feel like a mosquito being squeezed," Pilatus said. "The last two years of our lives have been a total nightmare. We have had to lie to everybody. We are true singers, but that maniac Frank Farian would never allow us to express ourselves." The next week, the National Academy of Recording Arts and Sciences revoked Milli Vanilli's 1990 Grammy for Best New Artist. Pilatus and Morvan gave a press conference in front of more than 100 journalists in Los Angeles where they stated their willingness to return their Grammy Award. The duo said they had "made a deal with the devil," and they sang and rapped for the room in order to prove that, although they hadn't sung on the record, they could, in fact, sing.
After these details emerged, different lawsuits were filed under various U.S. consumer fraud protection laws against Arista Records, Pilatus and Morvan. One such filing occurred on 22 November 1990, in Ohio, where lawyers filed a class-action lawsuit asking for refunds on behalf of a local woman in Cuyahoga County, who had bought Girl You Know It's True. At the time the lawsuit was filed, it was estimated at least 1,000 Ohio residents had bought the album. On 12 August 1991, a proposed settlement of a refund lawsuit in Chicago, Illinois, was rejected. This settlement would have refunded buyers of Milli Vanilli CDs, cassettes, records, or singles. However, the refunds would only be given as a credit for a future Arista release. On 28 August, a new settlement was approved; it refunded those who attended concerts along with those who bought Milli Vanilli recordings. An estimated 10 million buyers were eligible to claim a refund and they could keep the refunded recordings as well. The deadline to claim refunds passed on 8 March 1992.
Adding to the controversy, in December 1990 singer-songwriter David Clayton-Thomas sued Milli Vanilli for copyright infringement, alleging that the title song of All or Nothing used the melody from his 1968 composition "Spinning Wheel", a hit for his group Blood, Sweat & Tears.
The Real Milli Vanilli, 1991–1992
The resulting album, released in Europe in early 1991, was renamed The Moment of Truth and spawned three singles, "Keep On Running", "Nice 'n Easy" and "Too Late (True Love)". A Morvan/Pilatus lookalike named Ray Horton was depicted on the cover along with the real singers: Brad Howell and John Davis. In addition, the album featured rappers Icy Bro on "Hard as Hell" and Tammy T on "Too Late (True Love)". Original members and vocalists Jodie Rocco and Linda Rocco remained on 95% of the tracks. Several other artists, including Farian’s No Mercy, have covered one of four Diane Warren-penned songs that are included on The Moment of Truth, “When I Die”. For the American market, Farian chose to avoid any association with Milli Vanilli and had the tracks re-recorded with Ray Horton on the majority of lead vocals. However, The Moment of Truth was never released in that format in the USA.
Try 'N' B
In 1992, RCA signed on to release the album as the debut of the newly created group Try 'N' B. The self-titled release included three additional tracks not on the Real Milli Vanilli release: "Ding Dong", "Who Do You Love", and a remake of Dr. Hook's "Sexy Eyes", and featured original Milli Vanilli vocalists Jodie Rocco and Linda Rocco. Because of significantly better sales under the name Try 'N' B in America, a slightly modified Try 'N' B debut album was released internationally. It featured guest singer Tracy Ganser, a Ray Horton lookalike named Kevin Weatherspoon, as well as Jodie Rocco and Linda Rocco.
Rob & Fab, 1990–1993
Morvan and Pilatus moved to Los Angeles, California, and signed with the Joss Entertainment Group. Sandy Gallin was their manager. They recorded their follow-up album under the name Rob & Fab which was financed by Taj Records in 1992 and released by Joss Entertainment in 1993. Kenny Taylor and Fab Morvan wrote almost all the songs on the album, while Morvan and Pilatus provided the lead vocals. Werner Schüler, a German bassist and songwriter, was their producer. Because of financial constraints, Joss Entertainment Group was only able to release the album in the United States, the priority market to Milli Vanilli. A single, "We Can Get It On", was made available for radio play shortly before the album's release. However, the lack of publicity, poor distribution, and their steep fall from the height of pop-culture visibility after the lip-synching scandal contributed to its failure. The album only sold around 2,000 copies.
Comeback and death of Rob Pilatus, 1997–1998
In order to restore their career, Farian agreed to produce a new Milli Vanilli album with Morvan and Pilatus on lead vocals in 1997. This led up to the recording of the 1998 Milli Vanilli comeback album Back and In Attack. Even some of the original studio singers backed the performers in their attempt to bring back some of the fame that had been shed so quickly. However, Rob Pilatus encountered a number of personal problems during the production of the new album. He turned to drugs and crime, committing a series of assaults and robberies, and was ultimately sentenced to three months in jail and six months in a drug rehabilitation facility in California. Farian bailed Pilatus out of jail. On the eve of the new album's promotional tour on 2 April 1998, Pilatus was found dead of a suspected alcohol and prescription drug overdose in a hotel room in Frankfurt, Germany. His death was ruled accidental.
Fab Morvan's solo career
Morvan spent the following years as a session musician and public speaker while working on writing and performing his new music. In 1998, he was a DJ at famed L.A. radio station KIIS-FM. During this period, he also performed at the station's sold-out 1999 Wango Tango festival concert before 50,000 people at Dodger Stadium. Morvan then spent 2001 on tour before performing in 2002 as the inaugural performer at the brand-new Velvet Lounge at the Hard Rock Hotel in Orlando, Florida. In 2003, Morvan released his first solo album, Love Revolution. He marketed the album through his website and CD Baby. In April 2011, Morvan released the single "Anytime" on iTunes.
Later developments
In 1991, Pilatus and Morvan appeared in a commercial for Carefree Sugarless Gum, which parodied their lip-syncing fiasco. They portrayed animated versions of themselves in an episode of The Adventures of Super Mario Bros. 3 and even signed with a PR firm in hopes of breaking into acting. As they told the L.A. Times, "We think we have the potential to become actors. After all, we got a lot of practice while we were in Milli Vanilli. But the most important thing to us now is the new album."
The duo was featured (and interviewed) for the premiere episode of VH1's Behind the Music in 1997. In 2000, Fab Morvan was featured in a BBC documentary titled It Takes Two: The Story of the Pop Duo about musical duos.
On 14 February 2007, it was announced that Universal Pictures was developing a film based on the story of Milli Vanilli's rise and fall in the music industry. Jeff Nathanson, screenwriter for Catch Me If You Can, producers Kathleen Kennedy and Frank Marshall, and producer executive Adam Yoelin, were supposed to write and direct the film while Fab Morvan served as a consultant. However, in February 2011, it was announced the Milli Vanilli movie would be rewritten and directed by Florian Gallenberger. The documentary "Milli Vanilli: From Fame to Shame" was eventually directed by German Oliver Schwehm, and produced by Hannah Lenitzki from Bremedia Produktion, released in 2016.
In January 2014, the actual Milli Vanilli singers—Jodie Rocco and Linda Rocco, John Davis and Brad Howell—filmed an in-depth interview with the producers of Oprah: Where Are They Now for OWN TV.
In 2015, TMZ reported that Fab Morvan was working on an album with John Davis, one of the original Milli Vanilli singers, called Face Meets Voice.
All Or Nothing
Milli Vanilli Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All or nothing... push
All or nothing... Girl let it be
Night after night it starts the same
Talking with my baby on lovers lane
You're real sweet and all a glow
Turn me on and then you're ready to go
I ask her, baby can I walk you home
She says okay I hate to be alone
I'm dreaming, you're smiling
You're my girl
My fantasy in this world
Nothing is wrong with being in love
It's a wonderful feeling from heaven above
Squeeze me
Please me
Turn me on
I love you so much
You can never go wrong
I like your smile
I like your touch
All or nothing
'Cos I want you so much
I'm longing for your tender kiss
Baby I wanna tell you this :
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
I'm under heat oh baby
Please take it slow
Give me some time and maybe
Our love will grow
I wanna suit you baby
And make it right
Take it from me babe
I wanna rock all night
If it's good for me
It's good for you, you gotta
Never let your mood get dry
Just keep it wet and my 740 jet
Is pushing right on high
You're the girl of my dream
You're making me hot
You're looking good
You're too ot to trot
I wanna be with you through all the hours and shower you with all my
flowers
I like your smile
I like your touch
All or nothing
'Cos I want you so much
I'm longing for your tender kiss
Baby I wanna tell you this :
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
I'm under heat oh baby
Please take it slow
Give me some time and maybe
Our love will grow
I wanna suit you baby
And make it right
Take it from me babe
I wanna rock all night
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
All or nothing... Girl let it be
Night after night it starts the same
Talking with my baby on lovers lane
You're real sweet and all a glow
Turn me on and then you're ready to go
I ask her, baby can I walk you home
I'm dreaming, you're smiling
You're my girl
My fantasy in this world
Nothing is wrong with being in love
It's a wonderful feeling from heaven above
Squeeze me
Please me
Turn me on
I love you so much
You can never go wrong
I like your smile
I like your touch
All or nothing
'Cos I want you so much
I'm longing for your tender kiss
Baby I wanna tell you this :
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
I'm under heat oh baby
Please take it slow
Give me some time and maybe
Our love will grow
I wanna suit you baby
And make it right
Take it from me babe
I wanna rock all night
If it's good for me
It's good for you, you gotta
Never let your mood get dry
Just keep it wet and my 740 jet
Is pushing right on high
You're the girl of my dream
You're making me hot
You're looking good
You're too ot to trot
I wanna be with you through all the hours and shower you with all my
flowers
I like your smile
I like your touch
All or nothing
'Cos I want you so much
I'm longing for your tender kiss
Baby I wanna tell you this :
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
I'm under heat oh baby
Please take it slow
Give me some time and maybe
Our love will grow
I wanna suit you baby
And make it right
Take it from me babe
I wanna rock all night
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
The lyrics of Milli Vanilli's song "All or Nothing" express the passionate and intense feelings of a young man who is madly in love with his girl. The song takes us on a journey of a typical lovers' conversation on lovers' lane, where the singer expresses his desire to spend time with her and his longing for her love. The singer uses a lot of imagery that shows how much he is attracted to his girl, and how he wishes to have her in his life forever. He wants to give her his all, and he wants her to reciprocate his feelings.
The repetitive line "All or nothing" represents the singer's determination and conviction to give his all to the relationship, and he expects the same from his girl. The phrase "Push" adds an urgent and assertive tone to the song, emphasizing the degree of passion and commitment that the singer has for his girl. Overall, the lyrics of "All or Nothing" emphasize the importance of giving your all to the person you love and how love should be a two-way street, where both parties have to put in an equal amount of effort.
Line by Line Meaning
All or nothing... push
The singer wants an all or nothing relationship and is willing to put in effort.
All or nothing... Girl let it be
The singer wants an all or nothing relationship and is willing to wait for the right girl.
Night after night it starts the same
The singer spends time with their lover regularly.
Talking with my baby on lovers lane
The artist and their lover have intimate conversations.
You're real sweet and all a glow
The lover is attractive and pleasant to be around.
Turn me on and then you're ready to go
The lover is willing to be intimate with the singer.
I ask her, baby can I walk you home
The singer wants to accompany their lover.
She says okay I hate to be alone
The lover doesn't want to be alone and is happy to have the company.
I'm dreaming, you're smiling
The artist fantasizes about being with their lover.
You're my girl
The artist is committed to their relationship with their lover.
My fantasy in this world
The singer imagines their lover as the perfect partner.
Nothing is wrong with being in love
The artist believes that love is a positive thing.
It's a wonderful feeling from heaven above
The singer believes that love is a heavenly experience.
Squeeze me
The singer wants physical intimacy with their lover.
Please me
The singer wants to satisfy their lover's desires.
Turn me on
The artist wants to be sexually aroused.
I love you so much
The artist has strong feelings for their lover.
You can never go wrong
The singer believes that their love is always right.
I like your smile
The singer finds their lover's smile attractive.
I like your touch
The artist enjoys physical contact with their lover.
All or nothing
The artist is committed to their relationship and wants full commitment from their lover.
'Cos I want you so much
The artist has strong feelings for their lover and desires a committed relationship.
I'm longing for your tender kiss
The singer wants physical affection from their lover.
Baby I wanna tell you this :
The artist has something important to say to their lover.
Something's gotta show
The singer wants to see effort and commitment from their lover.
When you're living under heat
The singer is under pressure in their relationship.
Take it from a pro
The singer is experienced in love and relationships.
Who's rocking to the beat
The artist is enjoying their relationship despite the pressure.
Please take it slow
The artist wants their lover to be patient with them.
Give me some time and maybe
The singer needs time before committing fully to the relationship.
Our love will grow
The singer is optimistic that their relationship will develop positively.
I wanna suit you baby
The artist wants to please their lover.
And make it right
The artist wants their relationship to be successful.
Take it from me babe
The artist is experienced in relationships and knows what they're talking about.
I wanna rock all night
The singer wants to have a passionate and fulfilling relationship.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: DAVID CLAYTON-THOMAS, FRANK FARIAN, B NAIL, P G WILDER
Lyrics Licensed & Provided by LyricFind
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@malita8
LYRICS:
All or nothing... push
All or nothing... Girl let it be
Night after night it starts the same
Talking with my baby on lovers lane
You're real sweet and all a glow
Turn me on and then you're ready to go
I ask her, baby can I walk you home
She says okay I hate to be alone
I'm dreaming, you're smiling
You're my girl
My fantasy in this world
Nothing is wrong with being in love
It's a wonderful feeling from heaven above
Squeeze me
Please me
Turn me on
I love you so much
You can never go wrong
I like your smile
I like your touch
All or nothing
'Cos I want you so much
I'm longing for your tender kiss
Baby I wanna tell you this :
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
I'm under heat oh baby
Please take it slow
Give me some time and maybe
Our love will grow
I wanna suit you baby
And make it right
Take it from me babe
I wanna rock all night
If it's good for me
It's good for you, you gotta
Never let your mood get dry
Just keep it wet and my 740 jet
Is pushing right on high
You're the girl of my dream
You're making me hot
You're looking good
You're too ot to trot
I wanna be with you through all the hours and shower you with all my
flowers
I like your smile
I like your touch
All or nothing
'Cos I want you so much
I'm longing for your tender kiss
Baby I wanna tell you this :
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
I'm under heat oh baby
Please take it slow
Give me some time and maybe
Our love will grow
I wanna suit you baby
And make it right
Take it from me babe
I wanna rock all night
All or nothing... push
It's got to be
Something's gotta show
When you're living under heat
All or nothing... push
Girl let it be
Take it from a pro
Who's rocking to the beat
@liwaywaycelosa8784
Whatever the scandal, these two dudes rock the 80's and they will remain as one of the best pop music then..
@ColdWarAviator
I agree! You can say what you want to about the whole scandal thing... it wasn't their fault. You have two musicians who are non-native English speakers who the record company pressured into performing as an act in the United states. The record company is offering tons of money, and saying all you've got to do is get up there and lip sync and dance. Which one of you guys wouldn't do the same? Yeah eventually it came out that they weren't the one singing but again, it's not their fault. And they continued to perform even after that. If you ask some of the people in Europe who knew them before the scandal and after the scandal they'll tell you these guys are good singers and good musicians .
@armandagomes6302
Como certeza mesmo 🙏
@mtotheboom
So true! Still remains one of my favorites from middle school! ❤
@alenaelena6
Скандала Не Вижу!) Вообще)
@timhulsizer
@Falcon Films It wasn't even the record company, they got screwed by Frank Farian. He lied and made them think their vocals would be on the album, then he gave the record label the album with the studio musician vocals instead. By the time they knew, things were in motion and they didn't feel like they could say anything. He's kind of a scumbag
@texlahomagirl9809
Fab still rocks and looks pretty damn good. Man can actually sing! It’s a shame that they didn’t let them sing. Just wish that Rob could of gotten his life straight. RIP ☹️
@veronicacuello9890
And had 4 kids, blessed with twins too. Beautiful Fab.
@robitaillecopeland1996
Rob could sing he just wasn't fluid in English so he sounded bad. Regardless, the artists that DID perform and made this album deserve their grammy's back
@VanessaPierce-yi1bh
Rob was found dead with multiple head wounds which isvandwhatI classify as a murderr.