Millie Scott was born in Savannah, Georgia and sang in the gospel groups Th… Read Full Bio ↴Millie Scott was born in Savannah, Georgia and sang in the gospel groups The Pilgrim Gospel Singers and The Sermonettes before moving into jazz.
After a spell with Bobby Dilworth & The Blazers she moved to New York and began working on the session scene.
Soon she formed a group The Glories which released one single 'I Stand Accused' for the local Date label.
When The Temptations came to New York they tempted Millie to move to Detroit, where she remains to this day.
She formed a new group Quiet Elegance an toured with The Temptations and The Detroit Spinners before Willie Mitchell signed Quiet Elegance to the Hi label down in Memphis.
After touring as a backing singer with AI Green, Millie formed Cut Glass with Ortheia Barnes (1976), and worked with the group for three years.
In 1986, she was signed to D&B Productions in Detroit, helmed by Producer/Writer Bruce Nazarian, whose recordings led to Millie's being signed as a solo artist to Island Records and releasing her debut single 'Prisoner Of Love' (U.K. Top 75).
The track was followed by an album 'Love Me Right', including 'Automatic' (UK Top 75) and 'Every Little Bit' (UK Top 75).
Her second Island album, 'I Can Make It Good For You', (1988), included 'A Love Of Your Own' and 'To The Letter'.
Both of her 80's albums were produced by Bruce Nazarian and the late Duane Bradley, and featured the writing skills of Ronn Matlock, along with artistic input from the likes of Earl Klugh, Michael Powell (Chapter 8 and Anita Baker), Paulette McWilliams, Dave McMurray and Jeff Lorber.
Albums:
Love Me Right (4th & Broadway 1987)
I Can Make It Good for You (4th & Broadway 1988)
After a spell with Bobby Dilworth & The Blazers she moved to New York and began working on the session scene.
Soon she formed a group The Glories which released one single 'I Stand Accused' for the local Date label.
When The Temptations came to New York they tempted Millie to move to Detroit, where she remains to this day.
She formed a new group Quiet Elegance an toured with The Temptations and The Detroit Spinners before Willie Mitchell signed Quiet Elegance to the Hi label down in Memphis.
After touring as a backing singer with AI Green, Millie formed Cut Glass with Ortheia Barnes (1976), and worked with the group for three years.
In 1986, she was signed to D&B Productions in Detroit, helmed by Producer/Writer Bruce Nazarian, whose recordings led to Millie's being signed as a solo artist to Island Records and releasing her debut single 'Prisoner Of Love' (U.K. Top 75).
The track was followed by an album 'Love Me Right', including 'Automatic' (UK Top 75) and 'Every Little Bit' (UK Top 75).
Her second Island album, 'I Can Make It Good For You', (1988), included 'A Love Of Your Own' and 'To The Letter'.
Both of her 80's albums were produced by Bruce Nazarian and the late Duane Bradley, and featured the writing skills of Ronn Matlock, along with artistic input from the likes of Earl Klugh, Michael Powell (Chapter 8 and Anita Baker), Paulette McWilliams, Dave McMurray and Jeff Lorber.
Albums:
Love Me Right (4th & Broadway 1987)
I Can Make It Good for You (4th & Broadway 1988)
Ev'ry Little Bit
Millie Scott Lyrics
We have lyrics for these tracks by Millie Scott:
Love Me Right Oh Yeah C'mon Take your time 왠지 두근대는 밤이야 Na Na Na Na Na…
Prisoner of Love No, I can't seem to break away From this lovin' man…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@NeilBHINRGBOY
Classic 80s soul. This lady had huge success here in the UK between 86-88. Huge club anthem.
@davidmellard3485
Love Millie Scott. every time I listen to this it always sounds as though it was recorded for the years ahead as it dose not sound dated at all and still sounds as good as when it was released back in the middle to late eighties. baseline sound very similar to a UK soul duo of around about the time called Total Contrast. they did a track called what you gonna do about it. very similar groove.
@maccagrabme
Yes funny enough it does remind me of Total Contrast, hadnt realised after all these years!
@kennethbrown5206
This is one of my favorite jam from the late 80's. I can listen to this song forever. Love you Millie. You have such a beautiful voice.
@BruceNazarian
Thanks for posting this - it's my song (with Ronn Matlock) and my production - very proud of this
@jabbafunk
+Bruce Nazarian Hi Bruce, what Synth do you use on this production ? Only the Synclavier ??
Bets from funky Germany
oLiver
@jabbafunk
+Bruce Nazarian : AND, remember the Reverbs ? Esp. on Vocals, Drums, Keys
@edgeofbed
+Wan Nan very sad bro
@ChrisNova777
rest in peace bruce (oct 2015)
@juliaoko2208
Wow!