Millie Scott was born in Savannah, Georgia and sang in the gospel groups Th… Read Full Bio ↴Millie Scott was born in Savannah, Georgia and sang in the gospel groups The Pilgrim Gospel Singers and The Sermonettes before moving into jazz.
After a spell with Bobby Dilworth & The Blazers she moved to New York and began working on the session scene.
Soon she formed a group The Glories which released one single 'I Stand Accused' for the local Date label.
When The Temptations came to New York they tempted Millie to move to Detroit, where she remains to this day.
She formed a new group Quiet Elegance an toured with The Temptations and The Detroit Spinners before Willie Mitchell signed Quiet Elegance to the Hi label down in Memphis.
After touring as a backing singer with AI Green, Millie formed Cut Glass with Ortheia Barnes (1976), and worked with the group for three years.
In 1986, she was signed to D&B Productions in Detroit, helmed by Producer/Writer Bruce Nazarian, whose recordings led to Millie's being signed as a solo artist to Island Records and releasing her debut single 'Prisoner Of Love' (U.K. Top 75).
The track was followed by an album 'Love Me Right', including 'Automatic' (UK Top 75) and 'Every Little Bit' (UK Top 75).
Her second Island album, 'I Can Make It Good For You', (1988), included 'A Love Of Your Own' and 'To The Letter'.
Both of her 80's albums were produced by Bruce Nazarian and the late Duane Bradley, and featured the writing skills of Ronn Matlock, along with artistic input from the likes of Earl Klugh, Michael Powell (Chapter 8 and Anita Baker), Paulette McWilliams, Dave McMurray and Jeff Lorber.
Albums:
Love Me Right (4th & Broadway 1987)
I Can Make It Good for You (4th & Broadway 1988)
After a spell with Bobby Dilworth & The Blazers she moved to New York and began working on the session scene.
Soon she formed a group The Glories which released one single 'I Stand Accused' for the local Date label.
When The Temptations came to New York they tempted Millie to move to Detroit, where she remains to this day.
She formed a new group Quiet Elegance an toured with The Temptations and The Detroit Spinners before Willie Mitchell signed Quiet Elegance to the Hi label down in Memphis.
After touring as a backing singer with AI Green, Millie formed Cut Glass with Ortheia Barnes (1976), and worked with the group for three years.
In 1986, she was signed to D&B Productions in Detroit, helmed by Producer/Writer Bruce Nazarian, whose recordings led to Millie's being signed as a solo artist to Island Records and releasing her debut single 'Prisoner Of Love' (U.K. Top 75).
The track was followed by an album 'Love Me Right', including 'Automatic' (UK Top 75) and 'Every Little Bit' (UK Top 75).
Her second Island album, 'I Can Make It Good For You', (1988), included 'A Love Of Your Own' and 'To The Letter'.
Both of her 80's albums were produced by Bruce Nazarian and the late Duane Bradley, and featured the writing skills of Ronn Matlock, along with artistic input from the likes of Earl Klugh, Michael Powell (Chapter 8 and Anita Baker), Paulette McWilliams, Dave McMurray and Jeff Lorber.
Albums:
Love Me Right (4th & Broadway 1987)
I Can Make It Good for You (4th & Broadway 1988)
FERNANDO EN FILIPPO
Millie Scott Lyrics
We have lyrics for 'FERNANDO EN FILIPPO' by these artists:
Milly Scott Toki to tiki tong tong tong riki tong tong tong…
We have lyrics for these tracks by Millie Scott:
Love Me Right Oh Yeah C'mon Take your time 왠지 두근대는 밤이야 Na Na Na Na Na…
Prisoner of Love No, I can't seem to break away From this lovin' man…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@Schwarz-ge7wl
Tong-ki tong ti-ki kong-kong-kong
Ri-ki kong-kong-kong ti-ki kong-kong
Ri kong-kong ti-ki kong-kong-kong
Ti-ki kong-kong-kong
Fernando, Fernando
Gitarist uit Santiago
Speelt de hele avond solo
En rijdt dan nog naar San Antonio
Filippo, Filippo
Is heel anders dan Fernando
Heus die stapt niet in z’n auto
En rijdt dan nog naar San Antonio
Maar Fernando die verlangt zo naar haar
Ook al is hij moe, hij pakt z’n gitaar
Geeft z’n liedjes en z’n liefde cadeau aan haar
In San Antonio
Fernando, Fernando
Gitarist uit Santiago
Speelt de hele avond solo
En rijdt dan nog naar San Antonio
Tong-ki tong ti-ki tong-tong-tong
Ri-ki tong-tong-tong ti-ki kong-kong
Ri kong-tong ti-ki tong-tong-rong
Ti-ki tong-tong-tong
Fernando, Fernando
Gitarist uit Santiago
Speelt de hele avond solo
En rijdt dan nog naar San Antonio
Ongelukkig valt het lot op een keer
Op een nacht vindt hij zijn meisje niet meer
Zij ging ‘s avonds naar Filippo
Verdween alleen uit San Antonio
Filippo, Filippo
Zegt nu ‘s avonds tot Fernando:
“Wacht nog even, want ze komt zo”
“Ze komt voor mij uit San Antonio”
Tong-ki tong ri-ki kong-kong-tong
Ti-ki kong-kong-kong ti-ki kong-kong
Ri kong-kong ti-ki kong-kong-kong
Ti-ki kong-kong-kong
@connor6694
this queen, and she didn't just stand there doing nothing, she had choreography!!, first black singer and first contestant to use a portable microphone, legend tings
@lucaswallo8127
How
@lemmegetmyglassesyall2213
@@lucaswallo8127 what how? Ive seen your other comment too. Stop commentşng dumb things and just enjoy the song
@lucaswallo8127
@@lemmegetmyglassesyall2213 Getting third to last place and using a different type of mic are not legend tings
@lewis7515
@@lemmegetmyglassesyall2213 He maybe has a point? Calling the weird hoofing she's doing, "Choreography", is stretching the word until there's just two molecules touching each other - that, alone, throws the rest of the opinion into doubt.
It's a creditable, notable, performance - but, "Legend"? "Legend, TINGS"?....
I mean......
@surprisedadrianlol
Her exit is legendary!
@leandrobayonito
Singing while going upstairs at the backroom.
Original gimmick. 😁
@lucaswallo8127
Lol how
@lucaswallo8127
What do you mean?
@PauloVictorAlves1920
@@lucaswallo8127 It was about how her performance ended great