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Mimi Coertse (born 12 June 1932) is a South African soprano.
On 26 January 2020, Mimi was also inaugurated as a living legend in the South African Legends Museum. She was one of only 20 legends from whom a bust was also made.
Early Live:
Coertse, born in Durban, matriculated at the Helpmekaar Girls High School in Johannesburg.[1]:5 She began vocal studies in South Africa in 1949.[2] Her first vocal coach in Johannesburg was Aimee Parkerson.[3]
Her debut performance in South Africa was singing Handel's Messiah at the Johannesburg City Hall on 11 December 1951.[3] In July 1953 she married broadcaster and composer Dawid Engela.[1]:5 She left South Africa in September 1953 for London, and then went via The Hague to Vienna. In January 1954 she started training with Maria Hittorff and Josef Witt.[3]
Opera career:
Coertse made her debut in January 1955 as the "first flower girl" in Wagner's Parsifal at the Teatro San Carlo in Naples, Karl Böhm conducting. She also sang in Basle at the Teatro San Carlo. On 17 March 1956 she made her debut at the Vienna State Opera as the Queen of the Night in Die Zauberflöte by Mozart and remained with the Vienna State Opera until 1978.[1] Her Covent Garden debut was in 1956, in the same role.[2]
Her roles were limited in the United Kingdom as the Equity boycott of South Africa due to Apartheid, prevented its members from having anything to do with South Africa's entertainment industry.[3]
Coertse sang the soprano part in Bach's Matthäus-Passion at Fritz Wunderlich's first appearance in Vienna in 1958, when he performed the tenor arias with Julius Patzak singing the Evangelist. In 1958, Coertse and Fritz Wunderlich again worked together at the Aix-en-Provence festival in Die Zauberflöte.[citation needed]
In 1965, she sang Konstanze in Die Entführung aus dem Serail at the Vienna State Opera which also featured Fritz Wunderlich as Belmonte. In 1966, Mimi was honoured by the President of Austria with the title Österreichischer Kammersänger, for her ten years of work as a permanent member at the Vienna State Opera.[1]:5
Her repertoire also includes:
The Magic Flute (Wolfgang Amadeus Mozart) – Queen of the night
Il Seraglio (Wolfgang Amadeus Mozart) – Constance
Ariadne auf Naxos (Richard Strauss) – Najade, later Zerbinetta
Rigoletto (Giuseppe Verdi) – Gilda
The Tales of Hoffmann (Jacques Offenbach) – Olympia, Antonia, Giulietta, Stella
Palestrina (Hans Pfitzner) – the Angel
Carmen (Georges Bizet) – Frasquita
Martha (Friedrich von Flotow) – Martha
Mignon (Ambroise Thomas) – Philine
La traviata (Giuseppe Verdi) – Violetta
I Pagliacci (Ruggiero Leoncavallo) – Nedda
Arabella (Richard Strauss) – Fiaker-Milli
Bastien und Bastienne (Wolfgang Amadeus Mozart) – Bastienne
The Merry Widow (Franz Lehár) – Hanna Glawari
Lucia di Lammermoor (Gaetano Donizetti) – Lucia
Die Fledermaus (Johann Strauss II) – Rosalinde
L'heure espagnole (Maurice Ravel) – Concepcion, staging Otto Schenk
Don Giovanni (Wolfgang Amadeus Mozart) – Donna Elvira
La bohème (Giacomo Puccini) – Musetta
Norma (Vincenzo Bellini) – Norma
Così fan tutte (Wolfgang Amadeus Mozart) – Fiordiligi
Falstaff (Giuseppe Verdi) – Mrs. Alice Ford
Turandot (Giacomo Puccini) – Liu, a young slave
Don Giovanni (Wolfgang Amadeus Mozart) – Donna Anna
Die schweigsame Frau (Richard Strauss) – Aminta, Timida 1968 Premiere Vienna State Opera, staging Hans Hotter
Die ägyptische Helena (Richard Strauss) – Aithra
Daphne (Richard Strauss) – Daphne
Don Carlos (Giuseppe Verdi) – Elisabeth von Valois
Later years:
Since returning to South Africa in 1973 she has been a regular guest on South African stages and also a frequent broadcaster on radio and television. She returned to the Vienna State Opera for a single farewell performance as Elisabetta in Don Carlo on 14 December 1978.
In recent years she has devoted her time to exposing young South African singers to the neglected art of Lieder singing which can be artistically even more demanding than opera singing. Her support for her fellow South African musicians has been outstanding – as may be witnessed in her Debut with Mimi and through the Mimi Coertse Bursary.
In 1996, Austria's Federal Ministry for Science and Art awarded her the Austrian Decoration for Science and Art (Austrian Honour, first class) honour, the highest honour an artist can receive in that country.[4]
In 1998, she received an honorary doctorate from the University of Pretoria and another in 2013 from the Unisa.[1] In 2002 she would receive the Golden Rathausmann from the mayor of Vienna.[1]
In 1998, Coertse and Neels Hansen founded The Black Tie Ensemble, a development project which enables young, classically trained singers to bridge the gap between training and professional performance.[5]
This project has developed into the most exciting classical singing ensemble in South Africa, and is now on the brink of becoming a vibrant, new, young opera company. A project for future stars of Africa! The Ensemble, sponsored by Sappi, performs operas at the State Theatre (Pretoria), Walter Sisulu National Botanical Garden (Johannesburg) and the Civic Theatre (Johannesburg).[citation needed]
On 26 January 2020, Mimi was also inaugurated as a living legend in the South African Legends Museum. She was one of only 20 legends from whom a bust was also made.
Personal life:
Coertse was married three times. Coertse's first marriage was to South African composer Dawid Engela in 1953 but the marriage ended in divorce in 1957.[1]:5 Her second marriage was to Italian business man Diego Brighi in 1965 and was again divorced in 1969.[1]:5 Her last marriage was to a businessman, Werner Ackerman, in 1970 and lasted until 1994.[1]:5 After five miscarriages, she would adopt a son and daughter, Werner and Mia.[1]
Honours and awards:
1961: Medal of Honour of the South African Academy for Science and Art (Suid-Afrikaanse Akademie vir Wetenskap en Kuns)[citation needed]
1966: Title of Kammersängerin[1]:5
1985: Decoration for Meritorious Services (South Africa) in recognition of her contribution to the Arts[1]:5
August 1996: Austrian Cross of Honour for Science and Art[4]
1998: Honorary Doctor of Philosophy (h.c.) from the University of Pretoria, South Africa[6]:5
2002: Golden "Rathausmann"[1]:5
In 2004: Voted 45th in the Top 100 Great South Africans[citation needed]
In 2008: Mimi Coertse Museum van Afrikaans opened at HAP - Huis van Afrikaanse Poësie in Capital Park, Pretoria.[1]:5
2012: 1 July–30 September: special exhibition in Staatsoper museum Vienna: "Mimi Coertse, a Viennese woman from South Africa"[citation needed]
2020: Inaugurated as a living legend in the South African Legends Museum. She was one of only 20 legends from whom a bust was also made.
References:
1.Teresa Coetzee (5 August 2017). "My lewe het verloop soos dit moet, se Mimi". Die Burger.
2.H. Rosenthal and J. Warrack, Concise Oxford Dictionary of Opera (OUP, London 1974 printing).
3.de Beer, Diane (12 June 2012). "'Onse' Mimi Coertse - a formidable woman". IOL. Retrieved 6 August 2017.
4."Reply to a parliamentary question" (PDF) (in German). p. 1067. Retrieved 25 January 2013.
5.de Beer, Diane (9 September 2014). "Opera in limbo, facing reality of funds". IOL. Retrieved 6 August 2017.
6."Maria Coertse". whoswho.co.za. Retrieved 9 January 2018
Literature:
*Helmuth Furch, 'Die Wiener Jahre von Kammersängerin Mimi Coertse,' ('The Viennese years of Kammersängerin Mimi Coertse'), Bulletin of Museums- und Kulturverein Kaisersteinbruch No. 41, 20–56, March 1996: also 'Mimi Coertse, die hochgeschätzte Konzert- und Liedsängerin' ('A reverence for a great Concert- and Lieder-singer'), ibid. No. 52, 33–54, December 1998.
*Helmuth Furch, Eva Hilda Smolik and Elfriede Werthan, Kammersängerin Mimi Coertse, eine Wienerin aus Südafrika (Kammersängerin Mimi Coertse, a Viennese woman from South Africa) (with a preface by Marcel Prawy), (Vienna 2002).
Categories:
1932 births *Living people *Musicians from Durban *Afrikaans-language singers *Afrikaner people *South African female singers *South African operatic sopranos *20th-century opera singers *20th-century women opera singers *20th-century South African singers *University of Pretoria alumni *Classical music *radio presenters *Recipients of the Austrian Cross of Honour for Science and Art *Österreichischer Kammersänger *Women radio presenters
(https://en.wikipedia.org/wiki/Mimi_Coertse)
Mimi Coertse (born 12 June 1932) is a South African soprano.
On 26 January 2020, Mimi was also inaugurated as a living legend in the South African Legends Museum. She was one of only 20 legends from whom a bust was also made.
Early Live:
Coertse, born in Durban, matriculated at the Helpmekaar Girls High School in Johannesburg.[1]:5 She began vocal studies in South Africa in 1949.[2] Her first vocal coach in Johannesburg was Aimee Parkerson.[3]
Her debut performance in South Africa was singing Handel's Messiah at the Johannesburg City Hall on 11 December 1951.[3] In July 1953 she married broadcaster and composer Dawid Engela.[1]:5 She left South Africa in September 1953 for London, and then went via The Hague to Vienna. In January 1954 she started training with Maria Hittorff and Josef Witt.[3]
Opera career:
Coertse made her debut in January 1955 as the "first flower girl" in Wagner's Parsifal at the Teatro San Carlo in Naples, Karl Böhm conducting. She also sang in Basle at the Teatro San Carlo. On 17 March 1956 she made her debut at the Vienna State Opera as the Queen of the Night in Die Zauberflöte by Mozart and remained with the Vienna State Opera until 1978.[1] Her Covent Garden debut was in 1956, in the same role.[2]
Her roles were limited in the United Kingdom as the Equity boycott of South Africa due to Apartheid, prevented its members from having anything to do with South Africa's entertainment industry.[3]
Coertse sang the soprano part in Bach's Matthäus-Passion at Fritz Wunderlich's first appearance in Vienna in 1958, when he performed the tenor arias with Julius Patzak singing the Evangelist. In 1958, Coertse and Fritz Wunderlich again worked together at the Aix-en-Provence festival in Die Zauberflöte.[citation needed]
In 1965, she sang Konstanze in Die Entführung aus dem Serail at the Vienna State Opera which also featured Fritz Wunderlich as Belmonte. In 1966, Mimi was honoured by the President of Austria with the title Österreichischer Kammersänger, for her ten years of work as a permanent member at the Vienna State Opera.[1]:5
Her repertoire also includes:
The Magic Flute (Wolfgang Amadeus Mozart) – Queen of the night
Il Seraglio (Wolfgang Amadeus Mozart) – Constance
Ariadne auf Naxos (Richard Strauss) – Najade, later Zerbinetta
Rigoletto (Giuseppe Verdi) – Gilda
The Tales of Hoffmann (Jacques Offenbach) – Olympia, Antonia, Giulietta, Stella
Palestrina (Hans Pfitzner) – the Angel
Carmen (Georges Bizet) – Frasquita
Martha (Friedrich von Flotow) – Martha
Mignon (Ambroise Thomas) – Philine
La traviata (Giuseppe Verdi) – Violetta
I Pagliacci (Ruggiero Leoncavallo) – Nedda
Arabella (Richard Strauss) – Fiaker-Milli
Bastien und Bastienne (Wolfgang Amadeus Mozart) – Bastienne
The Merry Widow (Franz Lehár) – Hanna Glawari
Lucia di Lammermoor (Gaetano Donizetti) – Lucia
Die Fledermaus (Johann Strauss II) – Rosalinde
L'heure espagnole (Maurice Ravel) – Concepcion, staging Otto Schenk
Don Giovanni (Wolfgang Amadeus Mozart) – Donna Elvira
La bohème (Giacomo Puccini) – Musetta
Norma (Vincenzo Bellini) – Norma
Così fan tutte (Wolfgang Amadeus Mozart) – Fiordiligi
Falstaff (Giuseppe Verdi) – Mrs. Alice Ford
Turandot (Giacomo Puccini) – Liu, a young slave
Don Giovanni (Wolfgang Amadeus Mozart) – Donna Anna
Die schweigsame Frau (Richard Strauss) – Aminta, Timida 1968 Premiere Vienna State Opera, staging Hans Hotter
Die ägyptische Helena (Richard Strauss) – Aithra
Daphne (Richard Strauss) – Daphne
Don Carlos (Giuseppe Verdi) – Elisabeth von Valois
Later years:
Since returning to South Africa in 1973 she has been a regular guest on South African stages and also a frequent broadcaster on radio and television. She returned to the Vienna State Opera for a single farewell performance as Elisabetta in Don Carlo on 14 December 1978.
In recent years she has devoted her time to exposing young South African singers to the neglected art of Lieder singing which can be artistically even more demanding than opera singing. Her support for her fellow South African musicians has been outstanding – as may be witnessed in her Debut with Mimi and through the Mimi Coertse Bursary.
In 1996, Austria's Federal Ministry for Science and Art awarded her the Austrian Decoration for Science and Art (Austrian Honour, first class) honour, the highest honour an artist can receive in that country.[4]
In 1998, she received an honorary doctorate from the University of Pretoria and another in 2013 from the Unisa.[1] In 2002 she would receive the Golden Rathausmann from the mayor of Vienna.[1]
In 1998, Coertse and Neels Hansen founded The Black Tie Ensemble, a development project which enables young, classically trained singers to bridge the gap between training and professional performance.[5]
This project has developed into the most exciting classical singing ensemble in South Africa, and is now on the brink of becoming a vibrant, new, young opera company. A project for future stars of Africa! The Ensemble, sponsored by Sappi, performs operas at the State Theatre (Pretoria), Walter Sisulu National Botanical Garden (Johannesburg) and the Civic Theatre (Johannesburg).[citation needed]
On 26 January 2020, Mimi was also inaugurated as a living legend in the South African Legends Museum. She was one of only 20 legends from whom a bust was also made.
Personal life:
Coertse was married three times. Coertse's first marriage was to South African composer Dawid Engela in 1953 but the marriage ended in divorce in 1957.[1]:5 Her second marriage was to Italian business man Diego Brighi in 1965 and was again divorced in 1969.[1]:5 Her last marriage was to a businessman, Werner Ackerman, in 1970 and lasted until 1994.[1]:5 After five miscarriages, she would adopt a son and daughter, Werner and Mia.[1]
Honours and awards:
1961: Medal of Honour of the South African Academy for Science and Art (Suid-Afrikaanse Akademie vir Wetenskap en Kuns)[citation needed]
1966: Title of Kammersängerin[1]:5
1985: Decoration for Meritorious Services (South Africa) in recognition of her contribution to the Arts[1]:5
August 1996: Austrian Cross of Honour for Science and Art[4]
1998: Honorary Doctor of Philosophy (h.c.) from the University of Pretoria, South Africa[6]:5
2002: Golden "Rathausmann"[1]:5
In 2004: Voted 45th in the Top 100 Great South Africans[citation needed]
In 2008: Mimi Coertse Museum van Afrikaans opened at HAP - Huis van Afrikaanse Poësie in Capital Park, Pretoria.[1]:5
2012: 1 July–30 September: special exhibition in Staatsoper museum Vienna: "Mimi Coertse, a Viennese woman from South Africa"[citation needed]
2020: Inaugurated as a living legend in the South African Legends Museum. She was one of only 20 legends from whom a bust was also made.
References:
1.Teresa Coetzee (5 August 2017). "My lewe het verloop soos dit moet, se Mimi". Die Burger.
2.H. Rosenthal and J. Warrack, Concise Oxford Dictionary of Opera (OUP, London 1974 printing).
3.de Beer, Diane (12 June 2012). "'Onse' Mimi Coertse - a formidable woman". IOL. Retrieved 6 August 2017.
4."Reply to a parliamentary question" (PDF) (in German). p. 1067. Retrieved 25 January 2013.
5.de Beer, Diane (9 September 2014). "Opera in limbo, facing reality of funds". IOL. Retrieved 6 August 2017.
6."Maria Coertse". whoswho.co.za. Retrieved 9 January 2018
Literature:
*Helmuth Furch, 'Die Wiener Jahre von Kammersängerin Mimi Coertse,' ('The Viennese years of Kammersängerin Mimi Coertse'), Bulletin of Museums- und Kulturverein Kaisersteinbruch No. 41, 20–56, March 1996: also 'Mimi Coertse, die hochgeschätzte Konzert- und Liedsängerin' ('A reverence for a great Concert- and Lieder-singer'), ibid. No. 52, 33–54, December 1998.
*Helmuth Furch, Eva Hilda Smolik and Elfriede Werthan, Kammersängerin Mimi Coertse, eine Wienerin aus Südafrika (Kammersängerin Mimi Coertse, a Viennese woman from South Africa) (with a preface by Marcel Prawy), (Vienna 2002).
Categories:
1932 births *Living people *Musicians from Durban *Afrikaans-language singers *Afrikaner people *South African female singers *South African operatic sopranos *20th-century opera singers *20th-century women opera singers *20th-century South African singers *University of Pretoria alumni *Classical music *radio presenters *Recipients of the Austrian Cross of Honour for Science and Art *Österreichischer Kammersänger *Women radio presenters
(https://en.wikipedia.org/wiki/Mimi_Coertse)
Kokkewiet
Mimi Coertse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Het jy gehoor by die voor hoe die kokkewiet fluit
En die wêreld bekoor met sy heerlik geluid
Dis kokkewiet, kokkewiet
Dan eers weer rus, heen en weer op 'n takkie gesus
En hy luister en wag op sy maatjie se koer
En hy luister en wag op sy maatjie se koer
Wiet-wiet-woer, wiet-wiet-woer
Daar in die boom by die stroom, hoor jy hom
Hoor jy hom
Borsie van goud, lentes herout, luister hoe fluit hy dit glorieryk uit
Stilte en luister hoe bly dat hy fluit
Lente kom, lente kom
En die wêreld bekoor met sy heerlik geluid
Dis kokkewiet, kokkewiet
Dan eers weer rus, heen en weer op 'n takkie gesus
En hy luister en wag op sy maatjie se koer
En hy luister en wag op sy maatjie se koer
Wiet-wiet-woer, wiet-wiet-woer
Daar in die boom by die stroom, hoor jy hom
Hoor jy hom
Borsie van goud, lentes herout, luister hoe fluit hy dit glorieryk uit
Stilte en luister hoe bly dat hy fluit
Lente kom, lente kom
The lyrics to Mimi Coertse's song Kokkewiet is an ode to the beautiful and cheerful sound of the Kokkewiet bird. At the beginning of the song, the listener is asked if they have heard the Kokkewiet bird singing and charming the world with its delightful sound. The song goes on to describe the bird's behavior as it sways back and forth on a branch, waiting and listening for its mate's call. The bird's call is described as "wiet-wiet-woer," giving the listener a sense of the beauty and uniqueness of the bird's song.
The chorus of the song is a celebration of the bird's song and its presence in nature. The listener is invited to hear the bird's music in the tree by the river, where it sings with a golden chest and a glorious tune. The song emphasizes the significance of the bird's sound as a herald of the coming of spring - "Lente kom, Lente kom" (spring is coming, spring is coming).
Overall, "Kokkewiet" is a beautiful and poetic tribute to the sound and beauty of nature, specifically the Kokkewiet bird. The lyrics depict the bird's behavior and the significance of its song in a way that transports the listener to the South African landscape where the bird is found.
Line by Line Meaning
Het jy gehoor by die voor hoe die kokkewiet fluit
Have you heard upfront how the cuckoo whistles?
En die wêreld bekoor met sy heerlik geluid
And enchants the world with its splendid sound
Dis kokkewiet, kokkewiet
It's the cuckoo, the cuckoo
Dan eers weer rus, heen en weer op 'n takkie gesus
Only then it rests, swaying back and forth on a twig
En hy luister en wag op sy maatjie se koer
And it listens and waits for the call of its mate
Wiet-wiet-woer, wiet-wiet-woer
Cuckoo-cuckoo-call, cuckoo-cuckoo-call
Daar in die boom by die stroom, hoor jy hom
There, in the tree by the stream, you can hear it
Hoor jy hom
Can you hear it?
Borsie van goud, lentes herout, luister hoe fluit hy dit glorieryk uit
Golden chest, spring's herald, listen to how it splendidly whistles
Stilte en luister hoe bly dat hy fluit
Be still and listen, how happy it is while whistling
Lente kom, lente kom
Spring is coming, spring is coming
Lyrics © O/B/O APRA AMCOS
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