With drummer Stephen George, Ministry debuted with the Wax Trax! single Cold Life, which -- typical of their early output -- was in the synthpop dance style of new wavers like the Human League and Thompson Twins. The album With Sympathy, on the major label Arista in 1983, followed a similar musical direction -- one that Jourgensen was dissatisfied with. He returned to Wax Trax! and recorded several singles while rethinking the band's style and forming his notorious side project, the Revolting Cocks.
In 1986, with Jourgensen the only official member of Ministry, the Adrian Sherwood-produced Twitch was released by Sire Records. While not as aggressive as the group's later material, it took definite steps in that direction with a more industrial / ebm sound.
Following a 1987 single with Skinny Puppy's Kevin Ogilvie (aka Nivek Ogre) as PTP, Jourgensen once again revamped Ministry, with former Blackouts bassist Paul Barker officially joining the lineup to complement Jourgensen's rediscovery of the guitar. Fellow ex-Blackouts William Rieflin (drums) and Mike Scaccia (guitar), as well as vocalist Chris Connelly, were heavily showcased as collaborators for the first of several times on 1988's The Land of Rape and Honey. With Jourgensen and Barker credited as Hypo Luxa and Hermes Pan, respectively, this album proved to be Ministry's stylistic breakthrough, a taut, explosive fusion of heavy metal, industrial dance beats, samples and punk aggression.
1989's The Mind Is a Terrible Thing to Taste built on its predecessor's artistic success, and In Case You Didn't Feel Like Showing Up was recorded on its supporting tour, introducing collaborators like drummer Martin Atkins (ex-Public Image Ltd., later of Pigface), guitarist William Tucker, and Jello Biafra). Jourgensen embarked on a flurry of side projects, including the Revolting Cocks (with Barker, Barker's brother Roland, Front 242 members Luc Van Acker and Richard 23, and many more), 1000 Homo DJs (with Biafra, Rieflin, and Trent Reznor), Acid Horse (with Cabaret Voltaire), Pailhead (with Ian MacKaye), and Lard (with Biafra, Barker and Rieflin).
In late 1991, Ministry issued the single Jesus Built My Hotrod, a driving rocker featuring manic nonsense vocals by co-writer Gibby Haynes of the Butthole Surfers; its exposure on MTV helped build anticipation for the following year's full-length Psalm 69 (subtitled The Way to Succeed & the Way to Suck Eggs, although the only title that appears on the album consists of a few Greek letters and symbols). The record reached the Top 30 and went platinum, producing two further MTV hits, N.W.O. and Just One Fix. Ministry consolidated its following with a spot on the second Lollapalooza tour that summer, joined by guitarist Louis Svitek. However, drug and legal problems sidelined the band in the wake of its newfound popularity, resulting in the clouded Filth Pig being released in 1995, too late to capitalize on their prior success.
More problems with drugs and arrests followed, and Jourgensen returned to some of his side projects, recording a new album with Lard, among others. In 1999, the single Bad Blood was featured prominently in the sci-fi blockbuster The Matrix, setting the stage for the release of Dark Side of the Spoon (the title a reference to the band's heroin problems) later that summer.
Guitarist William Tucker committed suicide in May 1999.
The band was nominated for a Grammy in 2000 for "Bad Blood," but they lost to Black Sabbath, and were dropped from Warner Bros. around the same time. They were also added to the Ozzfest tour but were kicked off before it began because of a management change. To compound their sorrows, Ipecac Records announced three live albums to be released, with material from the Psalm 69 tour being the main focus, but when Warner Bros. caught wind of the project they stamped it out, despite the CDs already being ready for printing.
In 2001, the band filmed a scene for Steven Spielberg's A.I. and released the song from the film on a greatest-hits album, appropriately titled Greatest Fits. The group signed to Sanctuary Records later in the year. They released the Sphinctour album and DVD in the spring of 2002 to satisfy fans who were disappointed by the Ipecac situation. The next spring, Animositisomina was released, advertised as a return to the Psalm 69 style of songwriting, and featuring a cover of Magazine's The Light Pours Out of Me.
Barker left the Ministry camp in 2003. He stated that the trigger was his father dying while the band was wrapping up a summer tour in Europe, and also stated in early 2004 that his family life was his main focus at that particular time. Jourgensen continued Ministry with Mike Scaccia and various other musicians.
Houses of the Molé followed in June 2004. It was the first part in a trilogy of "anti-Bush" albums (Rio Grande Blood in 2006 and The Last Sucker in 2007).
In September 2005 Ministry celebrated their 25th anniversary with Rantology. Jourgensen remixed such hits as Jesus Built My Hotrod and N.W.O. for the set, which also included live material, rarities, and the new track The Great Satan. An extensive tour with the newly reformed Revolting Cocks followed.
In 2007, after nearly three decades, nearly a dozen studio albums, and four Grammy nominations, Ministry announced that the album The Last Sucker would be its last. The album completed an uber-critical trilogy aimed at exposing the foils, failures and fabrications of the George W. Bush administration. Ministry embarked on its "final" world tour in the spring of 2008 – the “C U LaTour.”
Jourgenson then concentrated on running his label, 13th Planet Records. Three post-break-up Ministry albums were released: The Last Dubber, a remix album of The Last Sucker; Cover Up, a compilation of new and old cover versions by Ministry; and Adios, a live album documenting the "C U LaTour".
On August 7, 2011, it was announced that Ministry was reforming and would play at Germany's Wacken Open Air festival, set to take place August 2-4, 2012. The reunion lineup featured Jourgensen on vocals, Scaccia and Tommy Victor both on guitar, Aaron Rossi on drums, John Bechdel on keyboards and Tony Campos on bass.
Jourgensen told Metal Hammer in August 2011 that Ministry had been working on a new album called Relapse. "Bush is gone, so it's time for something new," he said. "I think this is actually gonna wind up being the fastest and heaviest record I've ever done."
Ministry announced on their website that they entered the studio on September 1, 2011 with engineer Sammy D'Ambruoso to begin recording their new album. On December 23, 2011, Ministry released "99%", the first single from Relapse. The album was released on March 23, 2012.
On December 23, 2012, guitarist Mike Scaccia died following an on-stage heart attack, while playing with his other band, Rigor Mortis.
In an interview with Noisey in March 2013, Jourgensen announced that Ministry would break up again, explaining that he does not want to carry on without Scaccia. "Mikey was my best friend in the world and there's no Ministry without him", he said. "But I know the music we recorded together during the last weeks of his life had to be released to honor him. So after his funeral, I locked myself in my studio and turned the songs we had recorded into the best and last Ministry record anyone will ever hear. I can't do it without Mikey and I don't want to. So yes, this will be Ministry's last album."
The album, titled From Beer to Eternity, was released on September 6, 2013. Jourgensen has stated that Ministry plans to tour in support of From Beer to Eternity, but will not record any more albums.
Current Members:
Al Jourgensen – vocals, keyboards, synths, guitar, bass, drums, and various others (1981–present)
John Bechdel – keyboards (2006–2008, 2011–present)
Sin Quirin – guitars, bass (2007–2008, 2012–present)
Aaron Rossi – drums (2007–2008, 2011–present)
Casey Orr – bass, keyboards (2012–present)
Former Members:
John Davis – keyboards (1981–1982)
Stephen George – drums (1981–1985)
Robert Roberts – keyboards (1981–1984)
Marty Sorenson – bass (1981–1982)
Shay Jones – vocals (1982–1983)
Brad Hallen – bass (1983–1985)
John Soroka – keyboards/collaboration (1984–1986)
Paul Barker – bass, keyboards, programming, vocals (1986–2003)
Bill Rieflin – drums, keyboards, programming, guitar (1986–1995)
Chris Connelly – vocals, keyboards & various songwriting credits (1987–1993)
Nivek Ogre – vocals, guitar, keyboards (1988–1990)
Mike Scaccia – guitars, bass (1989–1995, 2003–2006, 2011–2012)
Howie Beno – programming, editing (1990–1993)
Michael Balch – keyboards, programming (1991–1992)
Louis Svitek – guitar (1992–1999, 2003)
Duane Buford – keyboards (1995–1999)
Zlatko Hukic – electronics, guitar (1995–1999)
Rey Washam – drums, percussion, programming (1995–1999, 2003)
Max Brody – drums, percussion, programming, saxophone (1999–2004)
Mark Baker – drums (2004–2005)
John Monte – bass (2004)
Paul Raven – bass, keyboards, guitar, drums (2005–2007)
Tommy Victor – guitars, bass (2005–2008, 2011–2012)
Tony Campos – bass (2007–2008, 2011–2012)
Discography (Studio albums):
1983 - With Sympathy
1986 - Twitch
1988 - The Land of Rape and Honey
1989 - The Mind is a Terrible Thing to Taste
1992 - ΚΕΦΑΛΗΞΘ (Psalm 69: The Way to Succeed and the Way to Suck Eggs)
1996 - Filth Pig
1999 - Dark Side of the Spoon
2003 - Animositisomina
2004 - Houses of the Molé
2006 - Rio Grande Blood
2007 - The Last Sucker
2012 - Relapse
2013 - From Beer to Eternity
2018 - AmeriKKKant
2021 - Moral Hygiene
2024 - HOPIUMFORTHEMASSES
Paint It Black
Ministry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No colors anymore I want them to turn black
I see the girls walk by dressed in their summer clothes
I have to turn my head until the darkness goes
I see a line of cars and they're all painted black
With flowers and my love both never to come back
I see people turn their heads and quickly look away
I look inside myself and see my heart is black
I see my red door and must have it painted black
Maybe then I'll fade away and not have to face the facts
It's not easy facin' up when your whole world is black
No more will my green sea go turn a deeper blue
I could not foresee this thing happening to you
If I look hard enough into the settin' sun
My love will laugh with me before the mornin' comes
I see a red door and I want it painted black
No colors anymore I want them to turn black
I see people turn their heads and quickly look away
Like a new born baby it happens every day
I wanna see it tainted, tainted, tainted black
Black as night, black as coal
I wanna see the sun blotted out from the sky
I wanna see it tainted, tainted, tainted black
The lyrics to Ministry's song Paint It Black are about an individual who is feeling a deep sense of emptiness and despair. The opening line of the song "I see a red door and I want it painted black" sets the tone for the rest of the song. The singer is so consumed with their feelings of despair that they want everything around them to reflect that. They want the world to be just as dark and bleak as they are feeling. The lines "No colors anymore I want them to turn black" further emphasize this same theme.
The middle section of the song talks about the singer's reaction to the world around them. They see people walking by and cars driving around, but everything seems to be painted black. The line "With flowers and my love both never to come back" suggests that the singer has experienced some kind of loss that they are unable to recover from. The final section of the song talks about the singer's desire to stop feeling this way. They want to "fade away and not have to face the facts," but they are unable to do so. The line "It's not easy facin' up when your whole world is black" sums up the overall theme of despair that runs throughout the song.
Overall, the song can be interpreted as a commentary on the feelings of hopelessness and despair that can sometimes overtake a person's life. It speaks to the desire to shut out the world and retreat into a dark, empty space.
Line by Line Meaning
I see a red door and I want it painted black
The singer desires to remove all color from their surroundings, starting with this specific red door that they want painted black
No colors anymore I want them to turn black
The singer longs for a world without vibrant hues, wishing for everything to be painted black
I see the girls walk by dressed in their summer clothes
The singer observes people enjoying the brightness of summer, a contrast to their own desire for darkness
I have to turn my head until the darkness goes
The sight of others enjoying life's colors is difficult for the artist, causing them to turn away until those feelings fade
I see a line of cars and they're all painted black
A procession of black cars reminds the artist of lost loved ones who will never come back
With flowers and my love both never to come back
The cars represent a funeral procession, with flowers and the singer's love gone forever
I see people turn their heads and quickly look away
Others are uncomfortable with the bleakness the singer desires, turning away from them and their desires
Like a new born baby it happens every day
The artist notes that this rejection is a daily occurrence, much like a baby being ignored by busy adults
I look inside myself and see my heart is black
The artist recognizes that their bleak outlook stems from their own dark heart and feelings of despair
I see my red door and must have it painted black
The artist's desire to remove color from their surroundings is so strong that they feel they must paint their red door black
Maybe then I'll fade away and not have to face the facts
The singer hopes that by living in a bleak environment, they can distance themselves from the harsh realities of life
It's not easy facin' up when your whole world is black
The artist acknowledges that their bleak outlook makes it difficult to face reality and deal with life's challenges
No more will my green sea go turn a deeper blue
The singer expects that their desire for a black world will eliminate the natural beauty of the sea, turning it from green to an even darker hue
I could not foresee this thing happening to you
The singer is surprised by the events that have occurred in their life and the world around them
If I look hard enough into the settin' sun
The singer searches for hope and light by gazing at the sun as it sets, seeking a glimmer of optimism in the darkness
My love will laugh with me before the mornin' comes
The artist hopes to find someone who shares their sense of humor and can find joy in the bleakness, providing them with comfort
I wanna see it tainted, tainted, tainted black
The artist's desire for a black world becomes more urgent and insistent, as they repeat their desire to see everything tainted black
Black as night, black as coal
The singer emphasizes their desire for complete darkness, wanting everything to be as dark as coal or the night sky
I wanna see the sun blotted out from the sky
The singer desires the ultimate darkness, wishing for the very source of light to be eliminated from the world
I wanna see it tainted, tainted, tainted black
The song ends with the artist's persistent desire for a world devoid of color, driven by their own sense of despair and darkness.
Contributed by Gianna Y. Suggest a correction in the comments below.