With drummer Stephen George, Ministry debuted with the Wax Trax! single Cold Life, which -- typical of their early output -- was in the synthpop dance style of new wavers like the Human League and Thompson Twins. The album With Sympathy, on the major label Arista in 1983, followed a similar musical direction -- one that Jourgensen was dissatisfied with. He returned to Wax Trax! and recorded several singles while rethinking the band's style and forming his notorious side project, the Revolting Cocks.
In 1986, with Jourgensen the only official member of Ministry, the Adrian Sherwood-produced Twitch was released by Sire Records. While not as aggressive as the group's later material, it took definite steps in that direction with a more industrial / ebm sound.
Following a 1987 single with Skinny Puppy's Kevin Ogilvie (aka Nivek Ogre) as PTP, Jourgensen once again revamped Ministry, with former Blackouts bassist Paul Barker officially joining the lineup to complement Jourgensen's rediscovery of the guitar. Fellow ex-Blackouts William Rieflin (drums) and Mike Scaccia (guitar), as well as vocalist Chris Connelly, were heavily showcased as collaborators for the first of several times on 1988's The Land of Rape and Honey. With Jourgensen and Barker credited as Hypo Luxa and Hermes Pan, respectively, this album proved to be Ministry's stylistic breakthrough, a taut, explosive fusion of heavy metal, industrial dance beats, samples and punk aggression.
1989's The Mind Is a Terrible Thing to Taste built on its predecessor's artistic success, and In Case You Didn't Feel Like Showing Up was recorded on its supporting tour, introducing collaborators like drummer Martin Atkins (ex-Public Image Ltd., later of Pigface), guitarist William Tucker, and Jello Biafra). Jourgensen embarked on a flurry of side projects, including the Revolting Cocks (with Barker, Barker's brother Roland, Front 242 members Luc Van Acker and Richard 23, and many more), 1000 Homo DJs (with Biafra, Rieflin, and Trent Reznor), Acid Horse (with Cabaret Voltaire), Pailhead (with Ian MacKaye), and Lard (with Biafra, Barker and Rieflin).
In late 1991, Ministry issued the single Jesus Built My Hotrod, a driving rocker featuring manic nonsense vocals by co-writer Gibby Haynes of the Butthole Surfers; its exposure on MTV helped build anticipation for the following year's full-length Psalm 69 (subtitled The Way to Succeed & the Way to Suck Eggs, although the only title that appears on the album consists of a few Greek letters and symbols). The record reached the Top 30 and went platinum, producing two further MTV hits, N.W.O. and Just One Fix. Ministry consolidated its following with a spot on the second Lollapalooza tour that summer, joined by guitarist Louis Svitek. However, drug and legal problems sidelined the band in the wake of its newfound popularity, resulting in the clouded Filth Pig being released in 1995, too late to capitalize on their prior success.
More problems with drugs and arrests followed, and Jourgensen returned to some of his side projects, recording a new album with Lard, among others. In 1999, the single Bad Blood was featured prominently in the sci-fi blockbuster The Matrix, setting the stage for the release of Dark Side of the Spoon (the title a reference to the band's heroin problems) later that summer.
Guitarist William Tucker committed suicide in May 1999.
The band was nominated for a Grammy in 2000 for "Bad Blood," but they lost to Black Sabbath, and were dropped from Warner Bros. around the same time. They were also added to the Ozzfest tour but were kicked off before it began because of a management change. To compound their sorrows, Ipecac Records announced three live albums to be released, with material from the Psalm 69 tour being the main focus, but when Warner Bros. caught wind of the project they stamped it out, despite the CDs already being ready for printing.
In 2001, the band filmed a scene for Steven Spielberg's A.I. and released the song from the film on a greatest-hits album, appropriately titled Greatest Fits. The group signed to Sanctuary Records later in the year. They released the Sphinctour album and DVD in the spring of 2002 to satisfy fans who were disappointed by the Ipecac situation. The next spring, Animositisomina was released, advertised as a return to the Psalm 69 style of songwriting, and featuring a cover of Magazine's The Light Pours Out of Me.
Barker left the Ministry camp in 2003. He stated that the trigger was his father dying while the band was wrapping up a summer tour in Europe, and also stated in early 2004 that his family life was his main focus at that particular time. Jourgensen continued Ministry with Mike Scaccia and various other musicians.
Houses of the Molé followed in June 2004. It was the first part in a trilogy of "anti-Bush" albums (Rio Grande Blood in 2006 and The Last Sucker in 2007).
In September 2005 Ministry celebrated their 25th anniversary with Rantology. Jourgensen remixed such hits as Jesus Built My Hotrod and N.W.O. for the set, which also included live material, rarities, and the new track The Great Satan. An extensive tour with the newly reformed Revolting Cocks followed.
In 2007, after nearly three decades, nearly a dozen studio albums, and four Grammy nominations, Ministry announced that the album The Last Sucker would be its last. The album completed an uber-critical trilogy aimed at exposing the foils, failures and fabrications of the George W. Bush administration. Ministry embarked on its "final" world tour in the spring of 2008 – the “C U LaTour.”
Jourgenson then concentrated on running his label, 13th Planet Records. Three post-break-up Ministry albums were released: The Last Dubber, a remix album of The Last Sucker; Cover Up, a compilation of new and old cover versions by Ministry; and Adios, a live album documenting the "C U LaTour".
On August 7, 2011, it was announced that Ministry was reforming and would play at Germany's Wacken Open Air festival, set to take place August 2-4, 2012. The reunion lineup featured Jourgensen on vocals, Scaccia and Tommy Victor both on guitar, Aaron Rossi on drums, John Bechdel on keyboards and Tony Campos on bass.
Jourgensen told Metal Hammer in August 2011 that Ministry had been working on a new album called Relapse. "Bush is gone, so it's time for something new," he said. "I think this is actually gonna wind up being the fastest and heaviest record I've ever done."
Ministry announced on their website that they entered the studio on September 1, 2011 with engineer Sammy D'Ambruoso to begin recording their new album. On December 23, 2011, Ministry released "99%", the first single from Relapse. The album was released on March 23, 2012.
On December 23, 2012, guitarist Mike Scaccia died following an on-stage heart attack, while playing with his other band, Rigor Mortis.
In an interview with Noisey in March 2013, Jourgensen announced that Ministry would break up again, explaining that he does not want to carry on without Scaccia. "Mikey was my best friend in the world and there's no Ministry without him", he said. "But I know the music we recorded together during the last weeks of his life had to be released to honor him. So after his funeral, I locked myself in my studio and turned the songs we had recorded into the best and last Ministry record anyone will ever hear. I can't do it without Mikey and I don't want to. So yes, this will be Ministry's last album."
The album, titled From Beer to Eternity, was released on September 6, 2013. Jourgensen has stated that Ministry plans to tour in support of From Beer to Eternity, but will not record any more albums.
Current Members:
Al Jourgensen – vocals, keyboards, synths, guitar, bass, drums, and various others (1981–present)
John Bechdel – keyboards (2006–2008, 2011–present)
Sin Quirin – guitars, bass (2007–2008, 2012–present)
Aaron Rossi – drums (2007–2008, 2011–present)
Casey Orr – bass, keyboards (2012–present)
Former Members:
John Davis – keyboards (1981–1982)
Stephen George – drums (1981–1985)
Robert Roberts – keyboards (1981–1984)
Marty Sorenson – bass (1981–1982)
Shay Jones – vocals (1982–1983)
Brad Hallen – bass (1983–1985)
John Soroka – keyboards/collaboration (1984–1986)
Paul Barker – bass, keyboards, programming, vocals (1986–2003)
Bill Rieflin – drums, keyboards, programming, guitar (1986–1995)
Chris Connelly – vocals, keyboards & various songwriting credits (1987–1993)
Nivek Ogre – vocals, guitar, keyboards (1988–1990)
Mike Scaccia – guitars, bass (1989–1995, 2003–2006, 2011–2012)
Howie Beno – programming, editing (1990–1993)
Michael Balch – keyboards, programming (1991–1992)
Louis Svitek – guitar (1992–1999, 2003)
Duane Buford – keyboards (1995–1999)
Zlatko Hukic – electronics, guitar (1995–1999)
Rey Washam – drums, percussion, programming (1995–1999, 2003)
Max Brody – drums, percussion, programming, saxophone (1999–2004)
Mark Baker – drums (2004–2005)
John Monte – bass (2004)
Paul Raven – bass, keyboards, guitar, drums (2005–2007)
Tommy Victor – guitars, bass (2005–2008, 2011–2012)
Tony Campos – bass (2007–2008, 2011–2012)
Discography (Studio albums):
1983 - With Sympathy
1986 - Twitch
1988 - The Land of Rape and Honey
1989 - The Mind is a Terrible Thing to Taste
1992 - ΚΕΦΑΛΗΞΘ (Psalm 69: The Way to Succeed and the Way to Suck Eggs)
1996 - Filth Pig
1999 - Dark Side of the Spoon
2003 - Animositisomina
2004 - Houses of the Molé
2006 - Rio Grande Blood
2007 - The Last Sucker
2012 - Relapse
2013 - From Beer to Eternity
2018 - AmeriKKKant
2021 - Moral Hygiene
2024 - HOPIUMFORTHEMASSES
So What
Ministry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Scum sucking depravity debauched!
Anal fuck-fest, thrill olympics
Savage scourge supply and sanctify
So what? so what?
Die! die! die! die!
Die! die! die! die!
Sedatives supplied become laxatives
My eyes shit out lies
I only kill to know I'm alive
So what? so what?
Die! die! die! die!
Die! die! die! die!
So what, it's your problem to learn to live with
Destroy us, or make us saints
We don't care, it's not our fault that we were born too late
A screaming headache on the brow of the state
Killing time is appropriate
To make a mess and fuck all the rest, we say, we say
So what? so what?
Die! die! die! die!
Die!
Now I know what is right
I'll kill them all if I like
I'm a time bomb inside
No one listens to reason,
It's too late and I'm ready to fight!
So what? now I'm ready to fight!
The lyrics to Ministry's song "So What" paint a picture of nihilistic and anarchic behavior. The repeated chant of "die! die! die! die!" serves to emphasize the disregard for life and the acceptance of death. The imagery of "scum sucking depravity" and "anal fuck-fest" are intentionally shocking and vulgar, representing the glorification of debauchery and hedonism. The phrase "thrill olympics" suggests a competition of sorts, where the goal is to push boundaries and engage in reckless behavior for the sake of excitement.
The second half of the lyrics are equally chaotic but also touch upon a sense of apathy towards authority and societal norms. The lines "Destroy us, or make us saints / We don't care, it's not our fault that we were born too late" suggest a sense of disconnect from the world and a desire to rebel against established structures. The phrase "a screaming headache on the brow of the state" paints a picture of a society in turmoil, with individuals struggling to find their place in it.
Overall, the lyrics to "So What" are intentionally provocative and rebellious, reflecting a desire to push boundaries and reject established norms.
Line by Line Meaning
Die! die! die! die!
The singer is emphasizing the desire for destruction and death.
Scum sucking depravity debauched!
The subjects of the singer's disdain are immoral and perverted.
Anal fuck-fest, thrill olympics
The behavior in question is perverse and sexually promiscuous.
Savage scourge supply and sanctify
Violence and destruction are not only condoned, but celebrated by the group in question.
So what? so what?
The artist is dismissive of anyone who takes issue with their behavior.
You said it!
The singer agrees with a previous statement made by someone else.
Sedatives supplied become laxatives
The singer is referencing a deceptive manipulation of drugs.
My eyes shit out lies
The artist admits to frequently lying and being untrustworthy.
I only kill to know I'm alive
The artist enjoys the feeling of power and control that comes with violent behavior.
So what? so what?
The artist continues to dismiss anyone who takes issue with their behavior.
So what, it's your problem to learn to live with
The singer is stating that their behavior is not their concern, but rather the responsibility of others to tolerate.
Destroy us, or make us saints
The artist sees only two options for themselves: complete destruction or glorification. There is no middle ground.
We don't care, it's not our fault that we were born too late
The singer is attempting to absolve themselves of blame for their behavior, citing their generation as a factor.
A screaming headache on the brow of the state
The singer views themselves as a nuisance, to the point of causing problems for those in power.
Killing time is appropriate
The singer views violence and destruction as an acceptable way to pass the time.
To make a mess and fuck all the rest, we say, we say
The group in question is intentionally causing chaos and destruction, with no regard for others.
Now I know what is right
The artist has come to the conclusion that their violent behavior is the correct way to live.
I'll kill them all if I like
The singer is threatening to use violence against anyone who opposes them.
I'm a time bomb inside
The singer feels as though they are constantly on the brink of exploding into a violent rage.
No one listens to reason,
The artist believes that their behavior is justified and logical, but nobody else recognizes this.
It's too late and I'm ready to fight!
The artist has given up trying to be understood and is prepared to use violence to get their way.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Peermusic Publishing, Warner Chappell Music, Inc.
Written by: Alien Jourgensen, Christopher John Connelly, Paul G. Barker, William Fredrick Rieflin
Lyrics Licensed & Provided by LyricFind