The Minutemen were a punk rock trio which formed in 1980 in San Pedro, Cali… Read Full Bio ↴The Minutemen were a punk rock trio which formed in 1980 in San Pedro, California, United States. The band comprised guitarist/vocalist D Boon and his childhood friend, bassist/vocalist Mike Watt, along with a former high school classmate on drums, George Hurley.
The group played funk influenced punk rock music in the early 1980s, never finding (or even seeking) much mainstream success but influencing many subsequent musicians. The group ended when Boon died in an automobile accident in Arizona in December 1985.
Influences and Creativity
They were influenced heavily by bands such as Wire, Gang of Four, The Pop Group, The Urinals and also funk bands of the late '60s and '70s were an important influence. nearly all of their early songs had unusual structures and were less than a minute long — even later when the Minutemen's music became slightly more conventional, their songs rarely passed the three-minute mark.
Boon and Watt split songwriting fairly evenly (and Hurley made many contributions as well), though Watt rarely sang, and Hurley even less so. Boon's songs were typically more direct and progressively political in nature, while Watt's were often abstract, self-referential "spiels". Lyrics and themes would thus often veer from surreal humor, as in "Bob Dylan Wrote Propaganda Songs" and "One Reporter's Opinion", to the frustrations of blue collar life in California, as in the enduring "This Ain't No Picnic". While many contemporaries rarely displayed a sense of humor, the Minutemen were generally more light-hearted and whimsical. One example of this can be found in the title of their legendary album Double Nickels on the Dime, which poked fun at Sammy Hagar's "I Can't Drive 55" by implying that the Minutemen preferred to take risks with their music rather than behind the wheel of a car. Ironically, D. Boon died in a van accident in which he was not wearing a seat belt and was ejected from the vehicle.
The Minutemen were fans of Captain Beefheart, and echoes of his distinctive music can be heard in their songs, especially their early output. Through most of their career they ignored standard verse-chorus-verse song structures, in favor of experimenting with musical dynamics, rhythm and noise. Later in their career they blended in more traditional song elements they had initially avoided. They also played covers of classic rock songs by bands such as Creedence Clearwater Revival, Steely Dan and Blue Öyster Cult. Their covers were done out of appreciation for those bands' work rather than to be ironic, thereby diverging dramatically from hardcore punk orthodoxy of the 1980s.
History
They originally called themselves The Reactionaries, with additional band member and singer Martin Tamburovich. According to Watt, the name came from a Mao Tse-Tung quote about how all reactionaries are actually "paper tigers".
After the Reactionaries disbanded, Boon and Watt formed The Minutemen in January of 1980; the band's name was derived partly because of the fabled minutemen militia of colonial times, and partly to take the name back from a right-wing reactionary group of the 1960s that used to harass figures like Angela Davis through the mail. After a month with no drummer — during which Boon and Watt wrote their first batch of tunes, the band rehearsed and played a couple of early gigs with local welder Frank Tonche on drums. The group originally wanted George Hurley to join, but he had joined a new wave band called Hey Taxi after the Reactionaries disbanded. Tonche quit the group, citing a dislike of the audience the band initially drew, and Hurley took over the drum seat in June of 1980. (Rehearsal recordings with Tonche on drums later appeared as the posthumous EP Georgeless in 1987.)
Greg Ginn of Black Flag and SST Records produced the Minutemen's first 7" EP, Paranoid Time, which solidified their eclectic style. At first, they completely avoided guitar solos, choruses, and fade-outs. Later, they were known for hybridizing punk rock with forms of jazz, funk, acid rock, and R&B in novel ways, perhaps best exemplified on 1984's double-album, Double Nickels on the Dime. Though still somewhat obscure to mainstream audiences, Double Nickels has been cited as one of the more innovative and enduring albums of the 1980s American rock underground. On Double Nickels, they co-wrote some songs with other musicians, notably Henry Rollins, Chuck Dukowski and Joe Baiza.
The group's early recordings (up until their 1985 12" EP Project: Mersh) were recorded as "econo" (Pedro slang for inexpensive, short for "economic") as possible - the group would book studio time after midnight at cut rates, rehearse the songs prior to going into the studio, record on less expensive used tape, and record the songs in the order they intended to have them on the record rather than waste time editing the master tape during the sequencing phase. In fact, contrary to standard practice even in indie rock, the Minutemen saw records as a way to promote their tours, not the other way around.
The Minutemen toured frequently, but usually for only a few weeks at a time--they all held down day jobs. Their "econo" practices helped ensure that their tours were always profitable, unlike some of their SST peers.
Several Minutemen album sleeves and covers, such as the Paranoid Time EP and What Makes a Man Start Fires? LP and the inner gatefold jacket for Double Nickels, feature drawings by noted artist Raymond Pettibon, who was at the time associated with the SST label, providing sleeves for Black Flag. Other album covers, like on The Punch Line and 3-Way Tie For Last, featured paintings by D. Boon.
Following Boon's death, Watt and Hurley originally intended to quit music altogether. But encouraged by Minutemen fan Ed Crawford, they formed fIREHOSE and have had solo projects since the Minutemen disbanded.
Watt has done three acclaimed solo albums, toured briefly as a member of Porno for Pyros in 1996 and J Mascis and The Fog in 2000 and 2001, and became the bassist for the reformed Iggy Pop & The Stooges in 2003. George Hurley has produced work with Vida, Mayo Thompson and Red Crayola, further indulging the free-form and off-the-wall leanings showcased on Double Nickels.
Legacy
From 1999 until the show's cancellation, an instrumental version of the Minutemen's song "Corona" (off Double Nickels) was the theme song of the MTV television show Jackass.
In 2000 Watt, as administrator of the band's publishing, allowed the auto maker Volvo to use the D. Boon instrumental "Love Dance" (from Double Nickels...) in a car ad. Watt's motivation for licensing the song was actually generosity rather than greed, as Boon's royalties at the time were being paid to his father, who was suffering from emphysema; Watt simply refers to the decision as a way for D. Boon to help his father from beyond the grave.
Since 2001 Watt and Hurley have done occasional gigs, mainly in the L.A. area except for two December 2004 shows in England, playing Minutemen songs as a duet with no guitarist. At some of these gigs, Watt would set up one of D. Boon's old guitars and amps on the side of the stage where Boon used to stand. Rather than cheapen or "vampire" the Minutemen name, these performances, at Watt's insistence, are to be billed strictly as "George Hurley and Mike Watt". They are also now involved in an improvisational music group, Unknown Instructors, with members of Saccharine Trust and Pere Ubu.
The group's career is chronicled in the book Our Band Could Be Your Life, a study of several important American underground rock groups whose title is taken from the lyrics to the Double Nickels track "History Lesson Pt.2"; and the film We Jam Econo — The Story of the Minutemen, which charts the band's history through interviews with Watt, Hurley, Henry Rollins, Flea of the Red Hot Chili Peppers, and other California punk rock contemporaries (Billboard Review). The film premiered at the Warner Grand Theatre in the Minutemen's hometown of San Pedro in February 2005.
In 2003, Watt released his own book on the Minutemen, Spiels of a Minuteman, which contains all of Watt's song lyrics from the Minutemen era as well as the tour journal he wrote during the Minutemen's only European tour with Black Flag, essays by former SST co-owner Joe Carducci, Sonic Youth's Thurston Moore, and Blue Öyster Cult lyricist and longtime Watt hero Richard Meltzer, and illustrations by Raymond Pettibon that had been used in all of the Minutemen's album artwork. The book, released by Quebec-based publisher L'ole De Cravan, is published in both English and French.
Covers and Tributes
Mike Watt has dedicated all of fIREHOSE's releases and his solo albums to the memory of D. Boon. "Disciples of the 3-Way" on fIREHOSE's final studio album Mr. Machinery Operator is about the Minutemen, and "The Boilerman" from Watt's second solo album Contemplating The Engine Room (which parallels the stories of The Minutemen, Watt's father, and the novel The Sand Pebbles) is about D. Boon.
The Minutemen track "Sickles and Hammers" (from Paranoid Time) was covered by Sebadoh on 1991's Sebadoh III.
Sublime (whose lead singer, Bradley Nowell also died prematurely) sampled "History Lesson Part II" (though, only about two seconds of it — specifically, D. Boon saying "Punk rock changed our lives") from Double Nickels... as part of their song "Waiting For My Ruca" in 1992. Watt repaid this salute by appearing in Sublime's video for "Wrong Way" in 1996. Sublime also sampled George Hurley's drum intro from "It's Expected I'm Gone" for their "Get Out! (remix)" on their posthumous release Second Hand Smoke. On their eponymous debut LP, San Diego-based indie rockers Pinback also used the same drum loop from "It's Expected I'm Gone"; in his honor, the band named the track "Hurley."
In 1994, Little Brother Records released the Minutemen tribute CD and LP Our Band Could Be Your Life. The CD version included 33 tracks by artists covering Minutemen songs, plus a track with a D. Boon interview and a live version of the Minutemen song Badges. The LP version had 23 tracks, including the interview and Minutemen items.
Jem Cohen and Fugazi dedicated their 1999 film Instrument to the memory of D. Boon.
The rising indie band Calexico covered "Corona", a staple of their live act for quite some time, on their 2004 EP Convict Pool, adding mariachi trumpets reminiscent of Johnny Cash's "Ring of Fire".
The group played funk influenced punk rock music in the early 1980s, never finding (or even seeking) much mainstream success but influencing many subsequent musicians. The group ended when Boon died in an automobile accident in Arizona in December 1985.
Influences and Creativity
They were influenced heavily by bands such as Wire, Gang of Four, The Pop Group, The Urinals and also funk bands of the late '60s and '70s were an important influence. nearly all of their early songs had unusual structures and were less than a minute long — even later when the Minutemen's music became slightly more conventional, their songs rarely passed the three-minute mark.
Boon and Watt split songwriting fairly evenly (and Hurley made many contributions as well), though Watt rarely sang, and Hurley even less so. Boon's songs were typically more direct and progressively political in nature, while Watt's were often abstract, self-referential "spiels". Lyrics and themes would thus often veer from surreal humor, as in "Bob Dylan Wrote Propaganda Songs" and "One Reporter's Opinion", to the frustrations of blue collar life in California, as in the enduring "This Ain't No Picnic". While many contemporaries rarely displayed a sense of humor, the Minutemen were generally more light-hearted and whimsical. One example of this can be found in the title of their legendary album Double Nickels on the Dime, which poked fun at Sammy Hagar's "I Can't Drive 55" by implying that the Minutemen preferred to take risks with their music rather than behind the wheel of a car. Ironically, D. Boon died in a van accident in which he was not wearing a seat belt and was ejected from the vehicle.
The Minutemen were fans of Captain Beefheart, and echoes of his distinctive music can be heard in their songs, especially their early output. Through most of their career they ignored standard verse-chorus-verse song structures, in favor of experimenting with musical dynamics, rhythm and noise. Later in their career they blended in more traditional song elements they had initially avoided. They also played covers of classic rock songs by bands such as Creedence Clearwater Revival, Steely Dan and Blue Öyster Cult. Their covers were done out of appreciation for those bands' work rather than to be ironic, thereby diverging dramatically from hardcore punk orthodoxy of the 1980s.
History
They originally called themselves The Reactionaries, with additional band member and singer Martin Tamburovich. According to Watt, the name came from a Mao Tse-Tung quote about how all reactionaries are actually "paper tigers".
After the Reactionaries disbanded, Boon and Watt formed The Minutemen in January of 1980; the band's name was derived partly because of the fabled minutemen militia of colonial times, and partly to take the name back from a right-wing reactionary group of the 1960s that used to harass figures like Angela Davis through the mail. After a month with no drummer — during which Boon and Watt wrote their first batch of tunes, the band rehearsed and played a couple of early gigs with local welder Frank Tonche on drums. The group originally wanted George Hurley to join, but he had joined a new wave band called Hey Taxi after the Reactionaries disbanded. Tonche quit the group, citing a dislike of the audience the band initially drew, and Hurley took over the drum seat in June of 1980. (Rehearsal recordings with Tonche on drums later appeared as the posthumous EP Georgeless in 1987.)
Greg Ginn of Black Flag and SST Records produced the Minutemen's first 7" EP, Paranoid Time, which solidified their eclectic style. At first, they completely avoided guitar solos, choruses, and fade-outs. Later, they were known for hybridizing punk rock with forms of jazz, funk, acid rock, and R&B in novel ways, perhaps best exemplified on 1984's double-album, Double Nickels on the Dime. Though still somewhat obscure to mainstream audiences, Double Nickels has been cited as one of the more innovative and enduring albums of the 1980s American rock underground. On Double Nickels, they co-wrote some songs with other musicians, notably Henry Rollins, Chuck Dukowski and Joe Baiza.
The group's early recordings (up until their 1985 12" EP Project: Mersh) were recorded as "econo" (Pedro slang for inexpensive, short for "economic") as possible - the group would book studio time after midnight at cut rates, rehearse the songs prior to going into the studio, record on less expensive used tape, and record the songs in the order they intended to have them on the record rather than waste time editing the master tape during the sequencing phase. In fact, contrary to standard practice even in indie rock, the Minutemen saw records as a way to promote their tours, not the other way around.
The Minutemen toured frequently, but usually for only a few weeks at a time--they all held down day jobs. Their "econo" practices helped ensure that their tours were always profitable, unlike some of their SST peers.
Several Minutemen album sleeves and covers, such as the Paranoid Time EP and What Makes a Man Start Fires? LP and the inner gatefold jacket for Double Nickels, feature drawings by noted artist Raymond Pettibon, who was at the time associated with the SST label, providing sleeves for Black Flag. Other album covers, like on The Punch Line and 3-Way Tie For Last, featured paintings by D. Boon.
Following Boon's death, Watt and Hurley originally intended to quit music altogether. But encouraged by Minutemen fan Ed Crawford, they formed fIREHOSE and have had solo projects since the Minutemen disbanded.
Watt has done three acclaimed solo albums, toured briefly as a member of Porno for Pyros in 1996 and J Mascis and The Fog in 2000 and 2001, and became the bassist for the reformed Iggy Pop & The Stooges in 2003. George Hurley has produced work with Vida, Mayo Thompson and Red Crayola, further indulging the free-form and off-the-wall leanings showcased on Double Nickels.
Legacy
From 1999 until the show's cancellation, an instrumental version of the Minutemen's song "Corona" (off Double Nickels) was the theme song of the MTV television show Jackass.
In 2000 Watt, as administrator of the band's publishing, allowed the auto maker Volvo to use the D. Boon instrumental "Love Dance" (from Double Nickels...) in a car ad. Watt's motivation for licensing the song was actually generosity rather than greed, as Boon's royalties at the time were being paid to his father, who was suffering from emphysema; Watt simply refers to the decision as a way for D. Boon to help his father from beyond the grave.
Since 2001 Watt and Hurley have done occasional gigs, mainly in the L.A. area except for two December 2004 shows in England, playing Minutemen songs as a duet with no guitarist. At some of these gigs, Watt would set up one of D. Boon's old guitars and amps on the side of the stage where Boon used to stand. Rather than cheapen or "vampire" the Minutemen name, these performances, at Watt's insistence, are to be billed strictly as "George Hurley and Mike Watt". They are also now involved in an improvisational music group, Unknown Instructors, with members of Saccharine Trust and Pere Ubu.
The group's career is chronicled in the book Our Band Could Be Your Life, a study of several important American underground rock groups whose title is taken from the lyrics to the Double Nickels track "History Lesson Pt.2"; and the film We Jam Econo — The Story of the Minutemen, which charts the band's history through interviews with Watt, Hurley, Henry Rollins, Flea of the Red Hot Chili Peppers, and other California punk rock contemporaries (Billboard Review). The film premiered at the Warner Grand Theatre in the Minutemen's hometown of San Pedro in February 2005.
In 2003, Watt released his own book on the Minutemen, Spiels of a Minuteman, which contains all of Watt's song lyrics from the Minutemen era as well as the tour journal he wrote during the Minutemen's only European tour with Black Flag, essays by former SST co-owner Joe Carducci, Sonic Youth's Thurston Moore, and Blue Öyster Cult lyricist and longtime Watt hero Richard Meltzer, and illustrations by Raymond Pettibon that had been used in all of the Minutemen's album artwork. The book, released by Quebec-based publisher L'ole De Cravan, is published in both English and French.
Covers and Tributes
Mike Watt has dedicated all of fIREHOSE's releases and his solo albums to the memory of D. Boon. "Disciples of the 3-Way" on fIREHOSE's final studio album Mr. Machinery Operator is about the Minutemen, and "The Boilerman" from Watt's second solo album Contemplating The Engine Room (which parallels the stories of The Minutemen, Watt's father, and the novel The Sand Pebbles) is about D. Boon.
The Minutemen track "Sickles and Hammers" (from Paranoid Time) was covered by Sebadoh on 1991's Sebadoh III.
Sublime (whose lead singer, Bradley Nowell also died prematurely) sampled "History Lesson Part II" (though, only about two seconds of it — specifically, D. Boon saying "Punk rock changed our lives") from Double Nickels... as part of their song "Waiting For My Ruca" in 1992. Watt repaid this salute by appearing in Sublime's video for "Wrong Way" in 1996. Sublime also sampled George Hurley's drum intro from "It's Expected I'm Gone" for their "Get Out! (remix)" on their posthumous release Second Hand Smoke. On their eponymous debut LP, San Diego-based indie rockers Pinback also used the same drum loop from "It's Expected I'm Gone"; in his honor, the band named the track "Hurley."
In 1994, Little Brother Records released the Minutemen tribute CD and LP Our Band Could Be Your Life. The CD version included 33 tracks by artists covering Minutemen songs, plus a track with a D. Boon interview and a live version of the Minutemen song Badges. The LP version had 23 tracks, including the interview and Minutemen items.
Jem Cohen and Fugazi dedicated their 1999 film Instrument to the memory of D. Boon.
The rising indie band Calexico covered "Corona", a staple of their live act for quite some time, on their 2004 EP Convict Pool, adding mariachi trumpets reminiscent of Johnny Cash's "Ring of Fire".
The Politics of Time
Minutemen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Man's law
Man creates Hitler
From the grassroots
To the UN
A year a minute
Man setting watches
On/off Hitlers
Time dictates order
We must be schizo
To brave the bullshit!
We're time Nazis
We strip out tunes
We jam econo
It makes us stench
Man creates Hitler
From the grassroots
To the UN
A year a minute
Man setting watches
On/off Hitlers
We must be schizo
To brave the bullshit!
We're time Nazis
We strip out tunes
We jam econo
It makes us stench
The Minutemen's song "The Politics of Time" is a reflection on the consequences of man-made laws and the role of time in creating order and chaos. The lyrics suggest that time, represented by man's creation of clocks and watches, is used to regulate and control society. However, this has also led to the creation of figures like Hitler, who rose to power through the manipulation of time and the use of propaganda.
The lyrics also touch on the idea that perhaps we as a society have become "schizo" and desensitized to the constant barrage of political rhetoric and manipulation. This has led to the rise of a culture that values efficiency over all else, even at the expense of artistic expression. The line "We strip out tunes" speaks to this idea, suggesting that we have lost touch with the human element of music in favor of standardization and commodification.
Overall, "The Politics of Time" is a critique of the systems we have put in place to govern society and the impact they have on our culture and humanity.
Line by Line Meaning
Man's law
The laws created by men
Man creates Hitler
Men are responsible for creating dictators like Hitler
From the grassroots
Starting from the basic level of society
To the UN
Reaching up to the global level of United Nations
A year a minute
Time seems to be moving very quickly
Man setting watches
Men set the rules for how society should function
On/off Hitlers
Dictators rise and fall as time passes
Time dictates order
Order is maintained by society keeping a strict adherence to the passage of time
We must be schizo
We have to be crazy to tolerate society's absurdity
To brave the bullshit!
To rise above the nonsense
We're time Nazis
We have strict rules about how we use our time
We strip out tunes
We simplify our music by removing unnecessary elements
We jam econo
We work hard to make music without spending much money
It makes us stench
Even with all of our efforts, we're still not perfect and have our own faults
Contributed by Christian O. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
handymandan2k
If today's youth got into only one old punk band and it was the Minutmen, they'd have done themselves a huge service
Matt John
Truth! Truth is better than conformity
Standard Deviation
My biggest regret is that I got into Rancid and Green Day and the Misfits at a young age and the Minutemen in my 20's and not the other way around.
Joey Lummox
Today's youth is tragically without taste.
Ramen Vac
for sure.. One band to rule them ALL
Evan Middlekauff
+handymandan100 18 here, been listening to them for 2 years now.
Jon Jones
I thought I was listening to Hawkwind at one point. Great record , greatly underrated band!
HermanWaldorf
every single Minutemen song is so full of creativity. To me, this is one of those "out of this world bands", not comparable to other bands
Robin Linn
Haha - recent real life case studies prove The Minutemen have the power to motivate - uplift and even CURE depression. Overall feelings of mellaise melt into these grooves......designer drugs for the aging drug culture! Ha-ha.....So rad!
Damon9
Great music from my youth.