Wagner has been writing songs since the age of 16. Her self-titled debut album was released in February 2011 by the Finnish indie label Kioski. It was later released in United Kingdom and Europe by Bone Voyage Recordings and in North America by Friendly Fire Recordings. In August 2012 Time Magazine listed Wagner as one of the ″11 Great Bands You Don’t Know (But Should)″. Although her debut album was not a big success, it caused a lot of attention and in February 2014 Wagner was signed by the American record label Sub Pop.
Wagner's second album When the Cellar Children See the Light of Day was released in August 2014. The album peaked number one at the Finnish Album Chart. It was a nominee for the 2014 Nordic Music Prize which is an annual award for the Best Nordic Album Of The Year. She won the prize.
On 21 April 2015, Wagner performed on the music television show Later... with Jools Holland.
She also did the trailer song for Gore Verbinski's 2017 film A Cure for Wellness, which was a cover of The Ramones song "I Wanna Be Sedated".
Ellipsis
Mirel Wagner Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Here you are, hiding in plain sight
Laughing the loudest,
but your smile don't reach your eyes
Come home, come home now
You know that's where you want to be
And time will bring you to your knees
Waiting is a long time
for you to die
You're laughing the loudest,
but your smile don't reach your eyes
Come home, come home now
You know it won't be long
To grin against these senseless winds
The song "Ellipsis" by Mirel Wagner is a poignant reflection on heartbreak and the loss of self. The lyrics begin with the singer acknowledging the presence of a heartache and the irony of it hiding in plain sight. The person in question is attempting to cover up their sadness by laughing the loudest, but the singer can see that their smile does not reach their eyes. The use of "hiding in plain sight" suggests that the person is trying to keep their sadness hidden from others, but the singer can see through their facade.
The chorus of the song serves as both a call to action and a warning. The singer urges the person to come home, acknowledging that it is where they truly want to be. However, she also warns that time will bring them to their knees. This could suggest that the person is running away from their problems and the only way to truly confront and overcome them is to come home.
The second verse continues to explore the theme of covering up sadness. The singer notes that waiting for the person to die is a long time, suggesting that they have been hiding their sadness for a while. The use of the phrase "grin against these senseless winds" further reinforces the idea of putting up a facade to mask inner turmoil.
Overall, "Ellipsis" is a haunting and emotional song that speaks to the universality of heartbreak and the struggle of trying to keep up appearances.
Line by Line Meaning
Well, speaking of a heartache
Referring to the pain of a broken heart
Here you are, hiding in plain sight
Present and visible, yet not noticed or acknowledged
Laughing the loudest,
Appearing joyful and happy
but your smile don't reach your eyes
Hiding true emotions behind a façade
Come home, come home now
Invitation to return to a place of comfort
You know that's where you want to be
Acknowledgment of true desires
And time will bring you to your knees
Time will humble and soften you
Waiting is a long time
Impatience for change to occur
for you to die
Desire for an end to suffering
You're laughing the loudest,
Continuing to feign happiness
but your smile don't reach your eyes
True emotions remain concealed
Come home, come home now
Reiteration of invitation to return
You know it won't be long
Assurance that change is imminent
To grin against these senseless winds
To persevere through meaningless challenges
Contributed by Gabriel C. Suggest a correction in the comments below.
@maldoror2007
album of the year. and very touching, on stage
@goinnewoods5314
This has the same feeling of Hurt, the Johnny Cash version. It's haunting, and graceful.
@MaiconCardoso-1
A muito não ouvia nada igual.