Zenzile Miriam Makeba (1932-2008), also known as Mama Africa, was beyond di… Read Full Bio ↴Zenzile Miriam Makeba (1932-2008), also known as Mama Africa, was beyond dispute one of South Africa's true legends. Born March 4, 1932 in Johannesburg, Miriam Makeba was barely 21 years old when she, as a member of the Manhattan Brothers, reached for the stars in her home country. It didn't take long before Miriam Makeba's career was brought to another level. In 1966 she received a Grammy Award for the album An Evening with Harry Belafonte & Miriam Makeba, making her the first African artist to win a Grammy. Her star rose further when she released her 1967 globally acclaimed Pata Pata, including the worldwide hit "Qongqothwane" (better known as the 'Click Song'). Shortly thereafter she published her autobiography .
Miriam Makeba used her voice to entertain, but also to give a voice to millions of oppressed fellow South Africans who suffered as a result of apartheid. The price she had to pay for her actions was high, namely her South African citizenship. After she appeared, in 1960, in the an anti-apartheid documentary Come Back, Africa, the South African regime banned her from returning to her home country and took away her citizenship.
This event didn't stop her from continuing to raise her voice against the apartheid regime. Between 1964 and 1975, as a United Nations delegate of Guinea where she was granted asylum, Miriam Makeba addressed the General Assembly of the United Nations regularly on the tragic developments in South Africa.
Meanwhile she carried on singing, a process in which she put South African music on the map. Over the years Makeba worked with artists as Joe Sample, Stix Hooper, Arthur Adams, and David T. Walker of The Crusaders. In the late 1980's she joined Paul Simon and Ladysmith Black Mambazo during their world-wide Graceland tour and in 1990 she worked with Odetta and Nina Simone for the One Nation tour.
Following Nelson Mandela's release from prison, the citizen of the world Makeba returned to South Africa in December 1990; more than thirty years after she went in exile. In April 1991 she performed her first concert in her homeland in three decades.
The years after were busy ones for Makeba. She starred in the South African award-winning musical Sarafina! , about the 1976 Soweto youth uprisings, playing the role of the title character's mother. She then reunited with her first husband, trumpeter Hugh Masekela, for the Tour Of Hope. She also performed at the Vatican's Nevi Hall during the world-wide broadcasted show, Christmas In The Vatican. In 2000 Makeba released the grammy-nominated Homeland, her first studio album in a decade. In 2002 she shared the Polar Music Prize with Sofia Gubaidulina, in recognition of her exceptional achievements in the creation and advancement of music.
After her return to South Africa Miriam Makeba recorded over ten albums. In 2004, at the age of 72, she relased Reflections honoring the tenth anniversary of the end of apartheid in South Africa. In that same year Makeba was voted 38th in the Top 100 Great South Africans. She also started a 14 month worldwide farwell tour in 2005, holding concerts in all countries she had visited during her life.
With an impressive career spanning more than four decades Miriam Makeba is, indeed, one of the most respected, loved and cherished treasures in (South) Africa.
On the early morning of 10th of November 2008 she died at the age of 76 after being taken ill near the southern Italian town of Caserta, after performing at a concert against organized crime.
Source: Miriam Makeba, A true South African musical Legend
Discography on last.fm
External links:
Official website
Unofficial website
Movie database
Miriam Makeba used her voice to entertain, but also to give a voice to millions of oppressed fellow South Africans who suffered as a result of apartheid. The price she had to pay for her actions was high, namely her South African citizenship. After she appeared, in 1960, in the an anti-apartheid documentary Come Back, Africa, the South African regime banned her from returning to her home country and took away her citizenship.
This event didn't stop her from continuing to raise her voice against the apartheid regime. Between 1964 and 1975, as a United Nations delegate of Guinea where she was granted asylum, Miriam Makeba addressed the General Assembly of the United Nations regularly on the tragic developments in South Africa.
Meanwhile she carried on singing, a process in which she put South African music on the map. Over the years Makeba worked with artists as Joe Sample, Stix Hooper, Arthur Adams, and David T. Walker of The Crusaders. In the late 1980's she joined Paul Simon and Ladysmith Black Mambazo during their world-wide Graceland tour and in 1990 she worked with Odetta and Nina Simone for the One Nation tour.
Following Nelson Mandela's release from prison, the citizen of the world Makeba returned to South Africa in December 1990; more than thirty years after she went in exile. In April 1991 she performed her first concert in her homeland in three decades.
The years after were busy ones for Makeba. She starred in the South African award-winning musical Sarafina! , about the 1976 Soweto youth uprisings, playing the role of the title character's mother. She then reunited with her first husband, trumpeter Hugh Masekela, for the Tour Of Hope. She also performed at the Vatican's Nevi Hall during the world-wide broadcasted show, Christmas In The Vatican. In 2000 Makeba released the grammy-nominated Homeland, her first studio album in a decade. In 2002 she shared the Polar Music Prize with Sofia Gubaidulina, in recognition of her exceptional achievements in the creation and advancement of music.
After her return to South Africa Miriam Makeba recorded over ten albums. In 2004, at the age of 72, she relased Reflections honoring the tenth anniversary of the end of apartheid in South Africa. In that same year Makeba was voted 38th in the Top 100 Great South Africans. She also started a 14 month worldwide farwell tour in 2005, holding concerts in all countries she had visited during her life.
With an impressive career spanning more than four decades Miriam Makeba is, indeed, one of the most respected, loved and cherished treasures in (South) Africa.
On the early morning of 10th of November 2008 she died at the age of 76 after being taken ill near the southern Italian town of Caserta, after performing at a concert against organized crime.
Source: Miriam Makeba, A true South African musical Legend
Discography on last.fm
External links:
Official website
Unofficial website
Movie database
Kutheni Sithandwa
Miriam Makeba Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Undijonga undigqitha nje?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Kutheni sithandwa
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undijonga undigqitha nje?
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Kutheni sithandwa
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Sithandana, sibulisana
Singagqithani nxa sidiban'estalatweni
Kutheni sithandwa ndenzeni na?
In "Kutheni Sithandwa", Miriam Makeba is questioning her lover's reluctance to openly show affection towards her. She asks why he looks at her but avoids physical contact, and wonders if there is something that he is withholding from her. Makeba then expresses frustration in their relationship, indicating that they love each other and should be open and honest with each other, but instead they keep their emotions hidden. She questions the meaning of their love and the purpose of their relationship, all while hoping for a resolution to their issues.
The song suggests that Makeba is experiencing some sort of barrier in her romantic relationship which she cannot identify, and it is clear that she desires a more transparent and open communication from her lover. The song is both romantic and introspective, as Makeba reflects on her own emotions and urges her partner to be more honest and open with her.
Line by Line Meaning
Kutheni sithandwa
Why do we love each other?
Undijonga undigqitha nje?
Why do you stare at me like that?
Undigqith'ungandibulisi heh (Undijonga undigqitha nje?)
Why do you stare without telling me anything?
Sithandana, sibulisana
We love and respect each other
Singagqithani nxa sidiban'estalatweni
Why do we fight when we're in the same boat?
Kutheni sithandwa ndenzeni na?
What should we do about our love?
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
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Mfundo Piti
on To Those We Love (Nongqongqo)
At the time the song was composed and released all the people mentioned ((Mangaliso) Sobukhwe, (Albert) Luthuli, (Nelson) Mandela, and (Walter) Sisulu were alive. While the three were in prison at Robben Island, Luthuli was not in prison, hence the question to Luthuli asking what "will you do?". Luthuli was the president of the banned African National Congress (ANC). Sobukhwe the president of Pan Africanist Congress (PAC). Mandela and Sisulu occupied executive leadership positions within the ANC at the time of their sentencing to serve life sentences in prison (1964). The same question is asked to all Africans.
Mfundo Piti
on To Those We Love (Nongqongqo)
The lyrics of "To Those We Love" by Miriam Makeba are about the struggles, sacrifices, and resilience of great African leaders who fought for freedom, justice, and equality. The repetitive chorus, "Bahleli bonke entilongweni, Bahleli bonke kwaNongqongqo" refers to how all these leaders, including Sobukwe, Luthuli, Mandela, and Sisulu, are resting in peace or buried in their respective homes. The verses pose questions about their legacy and the continuation of their work, asking "Why, Baba Luthuli? What will you do?" and "What will happen to us, MaAfrica?" These questions are a call to action for listeners to carry on the struggle for freedom and justice.
Junior
on Soweto Blues
The melancholy in her voice
Junior
on Mama
It makes me cry I could not bury my mother cause I was in prison when I ask prison authorities to allow me an opportunity to go and attend the funeral they refused. We always underestimate the role of women
no
on Beware, Verwoerd! (Ndodemnyama)
no
hi! i enjoted. this song. i loved it
Matt Olomu
on Noweva
This is your challenge, South Africans who understand the lyrics of NOWEVER. Do yourselves and Africa a favour. Interpret it.