1) Moondog was the pseudonym of Louis T. Hardin (May 26, 1916 – September 8, 1999). Hardin was a blind New York City street musician, influential composer and former beat poet. From the late 1940s until 1974, he was a permanent fixture on 54th Street and 6th Avenue in Manhattan, wearing a cloak and Viking-style helmet, sometimes busking or selling music, but often just standing silent and still. He was known not only for his music and poetry, but also for the distinctive Viking garb that he wore all his life, including a horned helmet, cloak and spear. He routinely gave away copies of his work to anybody who would take them. In this way, he came to the attention of producer James William Guercio, who took him into the studio to record an album, released as "Moondog" (1969) on the CBS label. The track Stamping Ground, with its odd preamble of Moondog saying one of his epigrams, was featured on the sampler double album "Fill Your Head with Rock". A brief phrase of another track on the album, Bird's Lament (In memory of Charlie Parker) was sampled by Mr. Scruff as the basis for his 7-minute track Get A Move On.
Hardin played drums for the high school band in Hurley, Missouri before losing his sight in a farm accident involving a dynamite cap at the age of 16 After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind. The music of Moondog in the 1940s and '50s is said to have been a strong influence on many early minimalist composers; Philip Glass has written that he and Steve Reich took Moondog's work "very seriously and understood and appreciated it much more than what we were exposed to at Juilliard."
A second album produced with Guercio, and featuring both himself and his daughter as vocalists, contained song compositions in the forms of canons and rounds. It did not make an impression on popular music as the first had. The two CBS albums were re-released as a single CD in 1989.
In a search for new sounds, Moondog also invented several musical instruments, such as the "Oo", a small triangular shaped harp, and the "Trimba", a triangular percussion instrument invented in the late 40s. The Original Trimba today is still played by Stefan Lakatos, Swedish percussionist, close friend and pupil of Moondog, who also taught him how to build the instrument.
Moondog had an idealised view of Germany ("The Holy Land with the Holy River" — the Rhine), where he settled in 1974. A young German student named Ilona Goebel accommodated him, first in Oer-Erkenschwick, and later on in Muenster in Westphalia, Germany, where he spent the remainder of his life.
Moondog visited America in 1989, at the invitation of the New Music America Festival in Brooklyn, stimulating a renewed interest in his music.
He recorded many albums, and toured both in the US and in Europe — France, Germany and Sweden.
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2) Moondog was the name of the post-Gorilla Biscuits, pre-Quicksand project-band of Walter Schreifels, started due to his desire to sing for a band, and to follow the path Gorilla Biscuits had been on before their break-up (one Moondog song, “Distance”, was actually written for the 2nd Gorilla Biscuits full-length that never happened). It’s now being sold as a digital download at Anthology Recordings The band also featured Gorilla Biscuits’ drummer Luke Abbey. The band’s only recorded output is a series of demo-recordings (recorded at Don Fury’s legendary Lower East Side recording-studio). These sessions had Abbey playing drums, with Schreifels handling both guitar, bass and vocals. The few times they played live, Abbey switched to bass, with Armand Majidi (Sick of It All, Rest In Pieces) on drums, and the guitars being handled by Tom Capone (Beyond, Bold, Quicksand, Handsome, Instruction) and Howie (Alone in a Crowd). Although further sessions were planned (which most likely would have led to official releases), the band ultimately collapsed before this took place, with Schreifels shifting focus towards his new band Quicksand, who were initially meant to inherit some of the Moondog-songs, but with the band going in a very different direction than Moondog, that idea was eventually scrapped.
The band only played a handful of live shows (at infamous locations like CBGB and ABC No Rio), and the only officially released Moondog-track (Expression) appears on the “Look At All The Children Now” compilation LP (Evacuate Records, ‘90). Another post-GB band, namely CIV (featuring GB-singer Anthony “Civ” Civarelli, -bassist Arthur Smilios and -drummer Sammy Siegler) also recorded the Moondog-song “They Said We Were The Best” for their first full-length record (“Set Your Goals - an album that Schreifels also helped write songs for).
A bootleg 7” of Moondog-songs did appear sometime in the early 90’s, featuring 2 songs from the demos, making them gain a certain cult status. After years of pressure from fans, Schreifels recently (2006) “released” a number of songs from the demos through the online label Anthology Recordings, making them officially available for the first time.
I'm Just a Hop Head
Moondog Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I started hopping when first I hopped into bed.
I took up hop scotch, which had me hopping all day;
But that was kid stuff, and soon I put it away.
I took up fishing, and when the river was low,
I took to hopping from stone to stone, fish or no.
As I grew older I took up sailing at sea;
I'm now a space-man; my flying saucer is fast.
Though slow in coming, I'm planet-hopping, at last.
I've reached my limit; no wider worlds to be won.
I'm so unhappy, I wish I'd never begun.
The song "I'm Just A Hop Head" by Moondog speaks about an individual who is addicted to "hopping" or jumping from one activity to another. The opening line of the song "I'm just a hop-head, and so I'll be till I'm dead" sets the tone for the rest of the lyrics. The singer explains that they started "hopping" when they were young and just hopped into bed. This could be interpreted as a metaphor for being restless or unable to stay still.
The second line mentions "hop scotch" as an activity that the singer engaged in as a child, and how it was not enough for them. They then move on to fishing and the feeling of hopping from stone to stone, which could signify the need to constantly be moving and searching for something new.
As the singer grows older, they continue to hop from one activity to another. They take up sailing and go island-hopping, but eventually, they graduate to space travel. The singer's final line, "I'm so unhappy, I wish I'd never begun," leaves the impression that their need to hop has not brought them contentment or happiness.
Overall, "I'm Just A Hop-Head" implies that constantly trying out new things might lead to an addiction to novelty and the inability to find satisfaction in any one thing. The song speaks volumes on how people can be addicted to anything!
Line by Line Meaning
I'm just a hop-head, and so I'll be till I'm dead.
I am addicted to the feeling of the literal or figurative act of hopping and will remain so until I die.
I started hopping when first I hopped into bed.
I began a life-long fascination with the act of hopping from a very young age.
I took up hop scotch, which had me hopping all day;
I began playing hopscotch, which kept me hopping all day, but I eventually outgrew it.
But that was kid stuff, and soon I put it away.
I found hopscotch to be childish and moved on to other forms of hopping.
I took up fishing, and when the river was low,
I started fishing and even used the opportunity to hop from one rock to another when the river was shallow.
I took to hopping from stone to stone, fish or no.
I enjoyed the sensation of hopping so much that I continued to do it while fishing, even when there were no fish to be caught.
As I grew older I took up sailing at sea;
I started sailing and used it as another opportunity to hop from island to island.
Went island-hopping, a navigational spree.
I became obsessed with traveling from island to island, which became my main focus while sailing.
I'm now a space-man; my flying saucer is fast.
I am now a space explorer, using my fast flying saucer to venture to new planets.
Though slow in coming, I'm planet-hopping, at last.
Although it took me a long time to achieve, I am now able to travel from planet to planet, which I consider the ultimate form of hopping.
I've reached my limit; no wider worlds to be won.
I have reached the end of the line regarding the possibility of exploring new worlds to hop on.
I'm so unhappy, I wish I'd never begun.
I am extremely unsatisfied with the fact that I have nothing else to explore and wish that I had never started hopping in the first place.
Writer(s): Louis Hardin
Contributed by Annabelle N. Suggest a correction in the comments below.
Jacob Johnson
on Coffee Beans
Coffee beans make the finest coffee of all
it's time to take
a coffee break
to sit a while and savor
the rarest coffee flavor
of bean coffee
I make with bottled spring water
is my day
Maru Lazzaroggi
on Maybe
Maybe someday, I'll be recognized for what I am before I'm dead and gone.