1) a Canadian indie band t… Read Full Bio ↴There is more than one artist named Moonface:
1) a Canadian indie band that began as a solo project of multi-instrumentalist Spencer Krug
2) a British DJ and music producer
1. Moonface is a Canadian indie band that began in 2010 as a solo project of multi-instrumentalist Spencer Krug (perhaps best known as the pianist and singer and a primary songwriter for indie bands Wolf Parade and Sunset Rubdown, but also having featured with Frog Eyes, Swan Lake, Fifths of Seven, and more). Albums include Organ Music Not Vibraphone Like I'd Hoped (2011), With Siinai: Heartbreaking Bravery (2012), Julia With Blue Jeans On (2013).
2. Phil Thompson AKA Moonface is a DJ and producer living, breathing the underground dance music scene for over 20 years now. Since being signed to John Digweed’s label Bedrock, Moonface became resident at the monthly Bedrock London and Brighton nights. Moonface has also been a regular at high profile events in the UK as well as major club nights and dance festivals covering most of the top spots around the globe, including gigs at JUNK club, Southampton; Ministry of Sound, London; Global Underground, Moscow plus regular events in Greece.
As a producer, Moonface has an impressive discography including releases on numerous compilation CDs such as the ‘Balance Series 006’ on EQ Recordings and the legendary Global Underground and Nubreed series, including ‘GU is 10’ a must-have compilation celebrating 10 years of the Global Underground sound. Bedrock released ‘Layered Sounds’ mixed by John Digweed and Phil Thompson and the now classic sounds of ‘Between Worlds’, a six track album of Moonface tracks, was also released on the same label and in 2001 was voted album of the month by several industry magazines.
Moonface remixed Colin Dale’s ‘Joy’ out on Endemic, plus his Moonface track ‘Know So’ along with more to follow. Back in 2008 saw Paulo Mojo’s remix of ‘You Get So Give’ feature on the compilation CD ‘Bedrock 10, Past, Present and Future’. Bedrock 11 featured yet another classic Moonface track ‘Futurized Fears’ remixed by Guy J released October 2009.
2009 saw Moonface looking for a new direction and this turned up in the form of DJ, producer and friend Tim Cook. After a number of years promoting and playing at their own club nights ‘Cartel’ alongside industry heavy weights such as Terry Francis, Omid 16b and Adultnapper, Phil and Tim then created the new project ‘Animalz’. As well as working in the studio together; they have a string of remixes. They perform together; back to back with a laptop each, a 2 deck Dj midi controller each, with use of loops and fx to keep things moving, two very distinctive styles coming together to make one relentless vibe.
For bookings contact: info@moonface.org
The Fog
Moonface Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And Jupiter a healer
And so wakes up thinking they are more than stars
And he cannot tell the difference
Between a heartbeat and a wave
He has a bad, bad sense of time
And she's a queen
She gives beyond her means
She cannot tell the difference
Between a photograph of lovers on a beach
And a man in rags and feathers in the trees
She says, "don't tie the blindfold quite so tight this time"
He says, "don't love me to death and I won't love you to death"
She says, "I won't love you to death if you don't love me to death"
He says, "I won't tie the blindfold quite so tight this time"
And then he takes her by the elbow
Back down towards the sea
Where they become
Two very old and senile sailors
Going in and going out
And going in and going out
And going in and going out
Of the fog
Going in
And going out again
And going in
And going out again
Going in
And going out again
And going in and going out
And going in and going out
And going in
And going out again
Going in
And going out again
Going in and going out
And going in and going out
And going in
And going out again
Of the fog
The Fog by Moonface speaks about dreams and perception. The singer dreams that Neptune and Jupiter are more than just stars, that they are prophets and healers, blurring the lines between reality and fantasy. He also has a bad sense of time and cannot tell the difference between a heartbeat and a wave. On the other hand, his partner is depicted as a queen who is too pure to see through his ragged disguise. She is unable to differentiate between a photograph of lovers on a beach and a man in rags and feathers in the trees. Despite this, they both have communication, compromise and understanding in their relationship. They are both aware that their love can be suffocating to the point of death, and they are taking steps to prevent this from happening. They agree to loosen restrictions and not tie the blindfold as tightly as before. They proceed on their journey by the sea, where they become two old and senile sailors who come in and out of the fog.
The song speaks volumes about perception, understanding, and love. Neptune and Jupiter's dream represents the blurry, peripheral and subjective nature of dreams, which cannot be easily integrated into reality. The singers' personalities showcase the different ways of viewing the world, with one having an imaginative mind, while the other is too pure, blinding her from seeing what is beneath the surface. Lastly, the senile sailors show the aging that comes with time passing, where memory and perception may start to become more entangled.
Line by Line Meaning
He dreams that Neptune is a prophet
Moonface has a vivid imagination and often dreams of impossible things, like the planet Neptune being able to predict future events.
And Jupiter a healer
In his dreams, he believes that Jupiter has the power to cure any illness and ailment.
And so wakes up thinking they are more than stars
His dreams are so vivid that he wakes up believing that these planets are more than just distant celestial bodies and have special powers.
And he cannot tell the difference
His dreams often cloud his judgment, making it hard for him to differentiate between reality and illusion.
Between a heartbeat and a wave
He is so lost in his own thoughts that he feels like the sound of his own heartbeat is similar to the sound of the waves of the sea.
He has a bad, bad sense of time
Moonface often loses track of time or perception of it, drifting between his dreams and reality.
And she's a queen
Moonface's love interest is like a queen to him, with a kind heart and generous spirit.
She gives beyond her means
The queen-like woman in his life is selfless and gives generously without counting the cost, always wanting to help others.
To pure to see through his raggedy disguise
Despite his apparent shortcomings, she is too kind and forgiving to see him as anything less than what he tries to project.
She cannot tell the difference
Just like him, she has trouble separating truth from fiction and can't distinguish reality from fantasy.
Between a photograph of lovers on a beach
She can't tell the difference between an idealized image of love and romance and the harsher reality of life.
And a man in rags and feathers in the trees
She is unable to distinguish between an individual in a poor state and a happier, more fortunate version of the same person.
She says, "don't tie the blindfold quite so tight this time"
She is worried that Moonface is losing himself so much in his dreams that he may no longer be able to see reality clearly, and asks him to ground himself.
He says, "don't love me to death and I won't love you to death"
Moonface is concerned that they may love each other so much and so deeply that it may become harmful for both of them.
She says, "I won't love you to death if you don't love me to death"
She reassures Moonface that the love they feel is not toxic or unhealthy if they work together on it and support each other.
He says, "I won't tie the blindfold quite so tight this time"
Moonface is willing to listen to her concerns and try to be more grounded and present in their relationship.
And then he takes her by the elbow
Moonface takes her arm in his, leading her to a new place or experience with his confidence and guidance.
Back down towards the sea
He leads her towards the sea, which often represents possibilities for new beginnings, hope, and reflection.
Where they become
They arrive at the sea and collectively become something else, something imaginative and possibly frivolous.
Two very old and senile sailors
They embrace a caricature of tired old sailors, lost in their own imaginings or reminiscences, with the weight of time bearing down on them.
Going in and going out
They move in and out of varying states of consciousness, as though lost in their own heads and imaginations.
And going in and going out
Their movements become repetitive, going back and forth between present reality and their own dreams.
And going in and going out
Their movements become a metaphor for the cyclical nature of life, with highs and lows and repeated patterns.
Of the fog
They disappear into the fog, implying the mist of confusion and lack of clarity, lost in their own self-doubts and delusions.
Going in
The process starts again.
And going out again
Repeating the past.
Contributed by Carter I. Suggest a correction in the comments below.
Andy Houston
A profound work of art. I am very grateful for this song. Thanks.
valeria medici
LYRICS
He dreams that Neptune is a prophet and Jupiter, a healer
And so wakes up thinking they are more than stones
And he cannot tell the difference between a heartbeat and a wave
He has a bad, bad sense of time
And she's a queen, she gives beyond her means
Too pure to see through his raggedy disguise
She cannot tell the difference between a photograph of lovers on a beach and a man in rags and feathers in the trees
She says, "Don't tie the blindfold quite so tight this time"
He says, "Don't love me to death and I won't love you to death"
She says, "I won't love you to death if you don't love me to death"
He says, "I won't tie the blindfold quite so tight this time"
And then he takes her by the elbow, back down towards the sea where they become two very old and senile sailors
Going in and going out, and going in and going out, and going in and going out of the fog
Going in and going out again
Going in and going out again
Going in and going out again
And going in and going out, and going in and going out, and going in and going out again
Going in and going out again
And going in and going out, and going in and going out, and going in and going out again of the fog
Ricardo Fonseca
music that can soothe a wounded heart
Sea Glass
Some of Krug's best lyrics for sure.
Mattydigs
I've been waiting years for him to drop the greek allusion stuff.
Orbulas
Mattydigs Well, your wait is over, Jupiter and Neptune are the Romanized versions of Poseidon and Zeus, respectively.
And beyond the smug symantic distinction I pointed out, he is not really referencing the Greco/Roman myth so much as the "Stars" that now bare their names, beyond that he makes specific reference to the portents of these celestial bodies as it applies to the beliefs of the character he's singing about, which leads me to believe that he is actually referencing these objects as they pertain to the Western Zodiac, which has as much to do with the Alchemy/Gnosticism/Aristotle/Hellenic and Medieval cosmology as an intrinsic connection to Greek Mythology.
Moreover, Neptune is not a prophet in any of those traditions and Jupiter far from a healer.
What I believe he's singing about does not actually concern Greek myth at all but rather certain maladities of mind and belief and judgement that these two lovers seem have in common... "he cannot tell the difference between a heartbeat and a wave", "has a bad, bad sense of time" and "she cannot tell the difference between two lovers on the beach and a man in rags and feathers in the trees"
I think the Greek references are incidental and used to represent a Fog of the mind.
No doubt he has employed a great deal of symbolism over the years (Actually he's been trying to estue his habits of abstraction and obfuscation for a while now) but working with archetypes makes it very difficult to avoid centuries of trod territory like the Greeks, the Abrahamic religions (Noah and Mary are mentioned quite explcitily on his last LP) or some other familiar symbols (Hungry Ghosts = Buddhist)
He could sing about Star Wars, Comic Books, A Song of Ice and Fire or Mad Men if he wanted to stay fresh... it's all better than Zep or Rush songs about Middle Earth or renigging on his recent lyrics and deciding that he has found Jesus and wants to sing prog-rock songs about the Dragon of Revelations instead of the Dragon in the Mountain.
A concept record about Smaug vs the Dragon in the book of rev might be good!
Alina
Gawd. Too beautiful. <3
Brando H
God, Spencer's words.
saba462
oh man spencer, this kills me : /