Beginnings
Originally from the small town of Saltwood,[4] just north of Hythe, Kent, the Godfrey brothers—DJ/producer Paul Godfrey and multi-instrumentalist Ross Godfrey—moved to London when they were in their late teens.[5][6][7][8] Sometime in the mid 1990s, at a party in Greenwich, the brothers met Skye Edwards, who was singing backup in a funk band, and also played guitar; before too long the three began recording songs together, and formed the trio Morcheeba.[4][9] At first they produced tracks at their home studio,[4] together with engineer Pete Norris.[8][10]
They were eventually signed to China Records[4] by Angus Blair (A&R) and the band released their debut Trigger Hippie EP,[11] in October 1995. At the same time, Paul Ablett came on board as manager.[10] The band's debut album, Who Can You Trust?, was released in April 1996 and fitted into the trip hop genre through a combination of Paul Godfrey's hip hop roots, Ross Godfrey's psychedelic rock influences and Edwards' soul-styled vocals. A second single, "Tape Loop", appeared in July 1996. The band began to play live around Europe and North America,[12] with a live band that included five additional members.[13] At this point, the band had outgrown the home recording set-up and the brothers purchased their own studio.[14] In 1997, they contributed to the David Byrne album Feelings, participating in the recording and production of the release.[8][15][16]
Mainstream success
With a more professional recording set-up, the brothers began developing their ideas for a second album. Much of the material had already been written, and, with Norris involved again, the band moved towards a more mainstream sound.[14] At the same time, Edwards appeared on the BBC charity single "Perfect Day". The follow-up, 1998's Big Calm, moved away from trip hop towards a more pop-oriented, song-based sound. This was exemplified by the band's reworking of "Moog Island" (from their debut) into the pop-song "The Music That We Hear".[17] One of the album's singles, "The Sea", became a radio favourite. The album proved to be a big seller and ensured Morcheeba's success as a breakthrough act.[18] In 1998, Morcheeba collaborated with Hubert Laws to record the classic song "Summer Time" for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.
In 2000, Morcheeba released their third album, Fragments of Freedom. This repeated the sales success of Big Calm but received a less positive critical response. The band's fourth album, Charango, was released in 2002 and saw a diminished role for Edwards. The singles "Otherwise" and "Way Beyond" followed. The lyrics for "Undress Me Now" were written with Lambchop's Kurt Wagner, while other collaborators on the album were with rappers Pace Won and Slick Rick. In January 2003, the band undertook their first significant tour of the US since 1998.[19] In 2001, the Godfrey brothers contributed three songs to the Jim White album No Such Place.[20]
Split
By the end of 2003, the Godfrey brothers split with Edwards, citing creative and personal differences.[21] Edwards received "a phone call from our manager saying that it was over. It was a relief to think we didn't have to continue".[22] She was under the impression that the band had ceased to operate. A greatest hits compilation, Parts of the Process, helped to retain interest in the band and featured two new tracks: "What's Your Name" (featuring a rhyming cameo from Big Daddy Kane) and "Can't Stand It". At around the same time, they released the live DVD Morcheeba: From Brixton to Beijing. A decade later, Ross Godfrey reflected on this period, saying: "We just felt like we couldn't breathe, I'd been in the band and on the road since I was 18, so to have any kind of break from that was just amazing".[23]
The two brothers reunited the year after, leaving Paul to explain that "Ross and I realised that Morcheeba was kind of our family company, and that we wanted very much to keep it going, hence the change".[24] In 2005, Morcheeba released their fifth studio (and first post-Edwards) album, The Antidote. Daisy Martey (formerly of the band Noonday Underground) was recruited to replace Edwards as the album vocalist. However, Martey's period with the band was brief and she was sacked in the middle of the promotional tour, to be replaced by Jody Sternberg. Martey subsequently sued the band for breach of contract and defamation.[25] Sternberg's own tenure with the band was similarly brief, and she only appeared to have been part of the band to fulfil tour dates. According to Ross, the entire episode "was difficult to say the least. It left us in near-ruin".[26]
After a break of several years, Morcheeba released their sixth studio album, Dive Deep, in February 2008. On this album, the Godfrey brothers fell back into their role as producers, selecting five vocalists to perform their songs. The folk-rock singer Judie Tzuke, Norwegian born Thomas Dybdahl and blues singer/guitarist Bradley Burgess appeared as lead vocalists together with the Korean-American rapper Cool Calm Pete and French singer Manda (Amanda Zamolo).[27] Both Manda and Burgess toured with Morcheeba as lead singers on their 2008 tour.
Reunion
As a solo artist, Edwards remained with the same management company as Morcheeba—Chris Morrison the CM of CMO Management represented both artists—which led to a chance meeting in their London offices sometime in 2009. Edwards and the Godfrey brothers met again to discuss her possible involvement in a new project. Initially the singer was hesitant and pointed out that she "really enjoyed doing my solo stuff and writing my own lyrics".[28] Eventually, Edwards rejoined the band and the trio began work on a new album,[21] with Edwards still on tour promoting her solo album, Ross Godfrey living in California and Paul Godfrey in France.[29] On 12 February 2010, NME revealed that Edwards was once again back with the band, which was confirmed by Paul Godfrey the day after on the band's Myspace blog. Edwards made her live return with the band at the Caprices Festival, Switzerland on 9 April 2010.[30] Edwards' role in the band changed, as she had "become more confident" in her "ability as a singer and a songwriter", and found that during the recording process they were "more honest with each other", and thus they produced "a more honest record".[22]
Morcheeba released their seventh album, Blood Like Lemonade, on PIAS in June 2010, preceded by the single "Even Though". It was produced by Paul Godfrey, who described the album as "a warm, fuzzy blanket of psychedelia", while Edwards described the lyrics as "having dark themes".[22] She also remarked on how the brothers had made her part of the creative process again.[28] An eighteen-month tour followed that saw the band play around the Americas and Europe.[31]
Their eighth album, Head Up High, was released on 14 October 2013, again on PIAS.[32] In 2014, the band toured Australia,[33] with a line-up consisting of Skye Edwards (vocals), Ross Godfrey (guitars), Steve Gordon (bass), Richard Milner (keyboards), Martin Carling (drums) and James Anthony (decks).
Departure of Paul Godfrey
In 2014, Paul Godfrey left the band.[34][35] Ross Godfrey later explained that: "Paul and I had not been getting on musically, or personally for a long time, and after the Head Up High album in 2013, Paul told us he was leaving the band, and he wanted Skye and I to buy him out of his share of the name. We disagreed on how much it was worth so no deal was struck. Skye and I thought it best to just release the record we had made under our own names. There will be no more Morcheeba albums".[2] Paul Godfrey has since established a recording studio, Sacrosync Sound, in Hastings and recorded a new album "Cool Your Soul" with Rachel Cuming under the moniker Morcheeba Productions.[36][37]
Ross Godfrey and Skye Edwards announced a new project in 2016 named Skye & Ross.[38] They have toured, and released an eponymous album on 2 September 2016.[39] The band started as an acoustic duo but soon included Edward's son Jaega (drums), her husband Steve Gordon (bass) and Godfrey’s wife Amanda Zamolo (backing vocals).[40][41] Edwards took responsibility for the lyrics while Ross Godfrey noted that the recording process was "a very organic experience".[42]
What New York Couples Fight About
Morcheeba Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It becomes an it
Like it's no longer alive
It's like a loss of vision
Or some dark impression
Or a black spot on your eye
My little sweet baboo
Through the shouting and the fever
Think of life as queer
Think of it my dear
And some knobs or a fancy tone
From here there is no reason
Baby's got it made
But it's not what the life's about
What is imagination
May become a fact
If we think of it that way
If you want to know
I can tell you now
Oh if you make it through somehow
Or is it best to keep or fall to sleep
it isn't looking very good to me
from here
Hey
He's distressed and I forget
I don't want to know cause I forget
He's distressed and I forget
I don't want to know cause I forget
He's distressed and I forget
I don't want to know cause I forget
He's distressed and I forget
I don't want to know
I don't want to know
I don't want to know
What do, new york
Couples fight about
Brothers gonna work it out
(Baby's got the bed sheet)
How do
(That was under you)
New york
(When your time and life expires)
Couples Fight it out
What these couples fight about
(Keeps it in the closet)
What do
(Keeps it to herself)
New york
(She should throw the damn thing out)
Couples fight about
But this gonna work it out
(Why should you continue)
How do
(To shake it off)
New york
(Would you write things on the wall?)
Couples fight it out
What these couples fight about
(You could make it hard)
To be
In the shouting you will see
Or is it best to change the world you're keeping
Down again
Hey
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
Such is the sound of sorry
Without the shy report
or the grips that could hold you down
(just when things were looking up you act just like a horse's butt)
Everything was simple
but the body's worn
Got the life spread on the ground
(Powder pink and general, the kitchen sink, a funeral)
Every loving other
Don't you fade on me
Like a bomb that's about to blow
(Often we will overlook the things that make it undercooked)
We can make it hard
Or we can take the world apart
Or you'd never be that sure
Of the simple things that makes you want
To cry, again
Hey
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know, I don't want to know
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know 'cause I forget
He's distressed
And I forget
I don't want to know, I don't want to know
The lyrics to Morcheeba's song "What New York Couples Fight About" explore themes of labeling and loss of identity, as well as the complexities of love and relationships. The first verse discusses the idea that once a label is placed on something, it loses its life and identity. This loss of identity is compared to a loss of vision or a black spot on the eye. The chorus then asks what couples in New York fight about, implying that the label "couple" and the expectations attached to it can cause conflict.
The second verse delves deeper into the concept of imagination becoming reality if one believes it to be true. The line "if you make it through somehow" suggests that relationships can be a struggle, but ultimately worth it if a couple can overcome their issues. The repeated refrain "he's distressed and I forget" may indicate either the singer's inability to handle her partner's distress, or her own forgetfulness in regard to their issues.
Overall, the lyrics of "What New York Couples Fight About" suggest that relationships can be complex, and the labels and expectations attached to them can cause conflict. However, there is hope for overcoming these struggles if one can maintain a positive outlook and trust in the power of love.
Line by Line Meaning
Once a label is on something
When we categorize something, it becomes just an object or a thing, losing its liveliness and uniqueness.
It becomes an it
Our tendency to label things makes us objectify them.
Like it's no longer alive
Our labeling and categorizing behavior leads us to stop understanding everything as a living organism and see it more as a mere thing.
It's like a loss of vision
It is as if our ability to see everything as unique and individual gets lost amidst our need to categorize and label things.
Or some dark impression
Our categorizing habit leads to a negative impression on the unique aspect of everything around us.
Or a black spot on your eye
Our categorizing habit is like a black spot on our eye, obscuring our view and preventing us from seeing things as they are.
If it's up to you
If you have a say in the matter,
My little sweet baboo
My dear one
Through the shouting and the fever
Despite the argument and the tension that come with love and relationships,
Think of life as queer
Consider life as unusual or strange.
Think of it my dear
Reflect on it, my love.
And some knobs or a fancy tone
Little trifles, they may not mean much, but some value them highly.
From here there is no reason
When you are in the midst of a fight or an argument, you should not look for a logical reason behind it but rather trying to understand the emotions and feelings of each other without pointing fingers.
Baby's got it made
The child has everything he/she needs to be comfortable and happy, without a care in the world.
But it's not what the life's about
However, life is not just about material comfort and having everything you need, but it is also about human relationships and feelings.
What is imagination
What is the power of imagination
May become a fact
Can turn into a reality
If we think of it that way
If we think of our imagination as a way to create or bring things into existence, it can become a reality
If you want to know
If you wish to understand
I can tell you now
I can explain it to you immediately.
Oh if you make it through somehow
If you manage to survive in some way,
Or is it best to keep or fall to sleep
Is it better to hold onto something or let it go and forget it?
It isn't looking very good to me from here
It does not seem like a good idea to me at the moment.
He's distressed and I forget
When he is in trouble, I tend to forget everything.
I don't want to know cause I forget
I do not want to know because I am afraid I might forget.
What do new york couples fight about
What are the issues that cause quarrels between couples in New York?
Brothers gonna work it out
The couple has to resolve their issues and find a way to work them out.
(Baby's got the bed sheet)
(Baby is safe and drapes the bedline)
How do
How to do that?
(That was under you)
(That was under your responsibility)
New York
The couple in question belongs to New York
(When your time and life expires)
(At the end of your existence)
Couples Fight it out
The couples must work together to resolve their issues.
What these couples fight about
What are the issues that trouble these couples?
(Keeps it in the closet)
(Keeps it secret from others)
What do
What is it about?
(Keeps it to herself)
(Keeps it silent inside her)
New York
The couple in question belongs to New York
(She should throw the damn thing out)
(She should dispose of it)
Couples fight about
The problems that couples fight about
But this gonna work it out
However, they can eventually resolve the issues and make it work.
(Why should you continue)
(Why should you persist to do it anyway)
How do
What's the way to do so?
(To shake it off)
(To get rid of the past/mistake)
New York
The couple in question belongs to New York
(Would you write things on the wall?)
(Are you able to express yourself honestly and directly)
What these couples fight about
What the quarrels amongst these couples are
(You could make it hard)
(You could make it more complicated)
To be
To exist
In the shouting you will see
Amidst the argument or disagreement, you'll notice
Or is it best to change the world you're keeping down again?
Is it better to change the world you're suppressing than to continue bottling it up again?
Such is the sound of sorry
The sound of sorry is sometimes painful to hear.
Without the shy report or the grips that could hold you down
Being sorry is sometimes difficult, and you must face it without any reservations or restrictions.
(just when things were looking up you act just like a horse's butt)
(Just when things were going well, you spoil it all!)
Everything was simple
Everything used to be so easy.
but the body's worn
But we have been through a lot, and things are not as easy anymore.
Got the life spread on the ground
We have lost our footing and control of our life.
(Powder pink and general, the kitchen sink, a funeral)
(Everything seems to blend and mix, nothing makes sense, and the ambiance is dreary and grim.)
Every loving other
Every person we encounter, whether we love them or not.
Don't you fade on me
Don't let go of me or abandon me.
Like a bomb that's about to blow
Like a ticking time bomb, that is about to explode.
(Often we will overlook the things that make it undercooked)
(We tend to miss out on the necessary ingredients that are essential to complete it perfectly)
We can make it hard
We can choose to complicate it further, making it more challenging and troublesome than it needs to be.
Or we can take the world apart
Alternatively, we can deconstruct the issues and find solutions to each part of the problem.
Or you'd never be that sure
Otherwise, you will never be entirely confident of the solution.
Of the simple things that makes you want to cry, again
Of the smallest things that can bring tears to your eyes, even after a long time.
He's distressed
He is worried, anxious or in trouble.
And I forget
But I tend to overlook or forget about it.
I don't want to know cause I forget
I do not want to hear about it because I am afraid I might forget or overlook it.
Lyrics © BMG Rights Management, SCHUBERT MUSIC PUBLISHING INC.
Written by: KURT F WAGNER, PAUL DAVID GODFREY, ROSS CHARLES GODFREY, SKYE EDWARDS
Lyrics Licensed & Provided by LyricFind
@applefullify
Brilliant!!! This Song is so damn beautifull! Their Voices sound so great together! I love it! Everything is perfect - the music, the lyrics, their voices! This song gives you such a fantastic feeling!
@Tommyfazz
I think Morcheeba is a collection of talented and thoughtful musicians who produce a unique sound with insightful lyrics.
@sarahharman7492
Such a brilliant song , sad but uplifting at the same time
@Oggmiestergeneral
Stunning! One of my all time favourite songs!
@noodypood
What a beautiful voice, I've loved that song from the very first time I heard it
@bda2bda4
można słuchać godzinami. nigdy się nie znudzi. i can listen to all the time. never get bored!
@varshykable
I adore this song! This is music from Heaven. It's just absolutely perfect/
@Beatmyguest001
heard this on CSI and I had to download Shazam to find it!!! love it!!
@naty2rc
Beatmyguest001 omg me too! I was rewatching High and Low, heard the song, and was surprised when I shazamed it. It's a great song!
@x-75hurricane65
I'm a bit late to the party but that's exactly how I ended up here too....good 'old CSI reruns May 2022! Cheers from Aotearoa New Zealand.