Rap career:
Mos Def began his performing career on the television show The Cosby Mysteries in 1994. In 1994, Mos also began his music career, forming the short-lived group Urban Thermo Dynamics (UTD) with his younger brother DCQ and his younger sister Ces. Despite being signed to Payday Records, the group only released two singles and the group's debut album, Manifest Destiny, did not see the light of day until 2004 when released through Illson Media. In 1996 he emerged as a solo artist, working with De La Soul and Da Bush Babees before releasing his own first single, "Universal Magnetic" which was a huge underground hit. After signing with Rawkus Records, he and Talib Kweli released a full length album under the band name Black Star, entitled Black Star. It was released in 1998, with Hi-Tek producing most of the tracks. Mos Def released his solo debut, Black on Both Sides, in 1999. Filled with tracks raving about his hometown, Brooklyn and his love for Hip-Hop, Black on Both Sides also deals with racial profiling of Black men in America, with the track Mr Nigga. Mos Def was also featured on Rawkus' influential The Lyricist Lounge and Soundbombing series compilations. After the collapse of Rawkus, Def along with Kweli signed on to Interscope/Geffen Records, who released his second album The New Danger in 2004. In early 2005 Mos Def was rumored to join Jay-Z's Roc-A-Fella record label, but this was later denied by the artist himself claiming "Jay-Z and Roc-A-Fella would never allow me to release songs I plan on putting out there. I ain't down with that commercial non-sense. I'm about to deal with the fake with my next album, from George Bush to 50 Cent." But, after making that comment, Mos Def was featured rapping on a SUV commercial, endorsing the GMC Denali. Mos Def is projected to release his last solo album on Geffen Records, The Undeniable Free Flaco in early 2006. His 4th studio album The Ecstatic was released June 9, 2009 on Downtown Records. It serves as Mos Def's second highest charting album to date. Upon its release, The Ecstatic received general acclaim from most music critics, and it earned Mos Def a Grammy Award nomination for Best Rap Album. Rolling Stone magazine named it the seventeenth best album of 2009.
Impact on hip-hop
The artistic boundaries of hip-hop and rap music had been redefined by artists such as Brand Nubian, De La Soul, and Public Enemy, whose music was more thematically sophisticated and socially conscious than that of their predecessors. By the early 1990s however, this brand of rap had been eclipsed in popularity by gangsta rap. Socially aware rap music (alternative hip hop) has experienced something of a renaissance in the late 1990s and now the 2000s, in part due to artists such as Mos Def, Talib Kweli, Common, The Roots and others. "Mos Def & Talib Kweli Are … Blackstar" Mos Def's collaboration with Talib Kweli was released during the aftermath of the deaths of 2pac and The Notorious B.I.G. sparking a rebirth of "aware" and "intelligent" hip-hop. Def's music often references his Islamic faith and his contention that black artists receive little credit for their role in the birth of rock and roll music.
On Mos Def's 2004 album The New Danger, the rapper took his penchant for experimentation to a new level. Most of the songs were more hip-hop flavored stylings of Blues and Rock, with few actual raps thrown in. This threw off fans who were expecting another full-blown rap album. The New Danger also featured the controversial song "The Rape Over", a parody of Jay-Z's The Blueprint hit "The Takeover":
old white men is runnin this rap shit
corporate forces runnin this rap shit
some tall israeli is runnin this rap shit
we poke out our asses for a chance to cash in
cocaine, is runnin this rap shit
'dro, 'yac and e-pills is runnin this rap shit...
mtv is runnin this rap shit
viacom is runnin this rap shit
aol and time warner runnin this rap shit...
quasi-homosexuals is runnin this rap shit
The lyrics would seem to have chafed with higher-placed executives, who made Mos take the song off of later releases of the album, supposedly for "sample clearance issues".
In September 2005, Mos Def released the single "Katrina Clap" (utilizing the instrumental for Juvenile's "Nolia Clap"), a critical reaction to the lack of response by the Bush administration to the Hurricane Katrina disaster. He probably chose the "Nolia Clap" instrumental because the rapper Juvenile hails from New Orleans, and the song was a hit in the New Orleans area before the hurricane.
Mos Def also collaborated with Kanye West on West's track named "two words" and appeared in the music video.
Acting career
The first years of the 2000s have established Mos Def as a notable actor. His performances in Brown Sugar, Monster's Ball, and the HBO made-for-TV film Something The Lord Made have been particularly acclaimed by critics. Having been nominated for several awards, Mos finally broke through, winning Best Actor, Independent Movie at the 2005 Black Reel Awards for his portrayal of Sgt. Lucas in The Woodsman. He also landed the role of Ford Prefect in the long-awaited 2005 movie adaption of The Hitchhiker's Guide to the Galaxy. Notably, in 2002 he played the role of Booth in Suzan-Lori Parks' Topdog/Underdog, a Tony-nominated and Pulitzer-winning Broadway play. He has also been a musical guest and participated in many skits on Comedy Central's Chappelle's Show.
In 2004, he hosted the MOBO awards in London, after the original presenter, Pharrell Williams pulled out at the last minute.
He has been the host of the award-winning spoken word show Def Poetry Jam since its inception. The show's sixth season aired in February 2007.
Discography
* 1998 Black Star (released with Talib Kweli under the name Black Star) Priority Records
* 1999 Black on Both Sides Rawkus Records
* 2004 The New Danger Geffen
o nominated for Best Urban/Alternative
Performance, 47th Annual Grammy Awards
* 2006 True Magic
* 2009 THE Ecstatic Downtown Records
* 2010 Mos Dub
Selected Filmography
* Cadillac Records (2009)
* Be Kind Rewind (2008)
* Talladega Nights (2006) (a quick cameo)
* Dreamgirls (2006)
* Bobby (2006)
* The Brazilian Job (2006) (pre-production)
* 16 Blocks (2006)
* The Hitchhiker's Guide to the Galaxy (2005).
* Lackawanna Blues (2005)
* Something the Lord Made (2004)
o nominated for Outstanding Lead Actor in a Miniseries or a Movie, 56th Annual Emmy Awards
o nominated for Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television, 62nd Annual Golden Globe Awards
* Chapelle Show (? year) - Black Delegation Rep for Racial Draft
* The Woodsman (2004)
* The Italian Job (2003)
* Brown Sugar (2002)
* Civil Brand (2002)
* Showtime (2002)
* Monster's Ball (2001)
* Carmen: A Hip Hopera (2001)
* Bamboozled (2000)
* Where's Marlowe? (1998)
In September 2011, Mos Def announced that he planned to use the name Yasiin Bey instead of Mos Def beginning in 2012.
http://www.myspace.com/mosdef
Brown Sugar Extra Sweet
Mos Def Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Brown Sugar, Faith Evans, Big Mos {Oh oh oh oh, OH} (Wha what)
Brooklyn is in the building, hell we own the building (Wha What)
Heh, y'all just payin' rent, see I'm sayin'? {Oh oh oh oh oh, Oh oh oh oh oh}
Listen, now honey check it out ya got me mesmerized
With your black hair and your fat ass thighs
It's the way I hold it down to make my nature rise
You make the push and I can't get it out my mind
It's that body I can't get it out my mind
Give it up ma, know it that your down to ride
Hit the dance floor and bounce your hide
You got to bounce with mine
And let me know when your down to slide
I tell Ad to swing around to ride
Let's show you how I grind
I make it splash like a thousand times
I'm like the stars fallin out the sky, Big Mos
Flaco make your waist get coast,
Make your green get smoke
Make your cat get stroke
Me and Pha make the track get dope
We stay settin' pace in the race now let's go
Brown Sugar won't cha give it to me? {Oh oh oh oh oh} (Brown Sugar)
Come on baby won't cha give it to me?{Oh oh oh oh oh} (Yeah yeah)
Make it hot like it's supposed to be {Oh oh oh oh oh} (comin' Brown Sugar)
Brown Sugar baby give it to me {Oh oh oh oh oh} (Yeah yeah)
Brown Sugar won't cha give it to me? {Oh oh oh oh oh} (Oooh Brown Sugar)
Come on baby won't cha give it to me? {Oh oh oh oh oh} (Yeah yeah)
Make it hot like it's supposed to be {Oh oh oh oh oh} (Brown Sugar)
Brown Sugar baby give it to me {Oh oh oh oh oh} (Hey yeah yeah eh)
It's like one, two, three, into the fo'
Brooklyn is runnin' the show, let em know
Former scramblers, my gamblers,
My dirty money handlers, my jugulars,
My hustlers, professional or amateur, woo (Give it to me)
C'mon (Give it to me)
I said what? (Give it to me)
Uh (Give it to me)
Uh, I got to get it all
You got to get involved
You ain't got it to give
You gotta get along (Give it to me)
C'mon (Give it to me)
I said what? (Give it to me)
Uh (Give it to me)
Yeah, and if you holdin' it
I make you let go of it
And I'm a get it
'Till my getting things is over with (Uh huh)
And why not love?
Look what you got love
You get me all charged up
Expect me to stop what? (Oh yeah)
C'mon mami, why you playin' with me?
Fix your face while your waist face say it with me (What it is, oooh)
Brown Sugar won't cha give it to me? {Oh oh oh oh oh}
Come on baby won't cha give it to me?{Oh oh oh oh oh} (Ooooooh)
Make it hot like it's supposed to be {Oh oh oh oh oh} (Uh, it's that Brown
Sugar)
Brown Sugar baby give it to me {Oh oh oh oh oh}
Brown Sugar won't cha give it to me? {Oh oh oh oh oh} (Ah Yeah yeah)
Come on baby won't cha give it to me? {Oh oh oh oh oh} (Ah ah)
Make it hot like it's supposed to be {Oh oh oh oh oh} (Yeah rock out that Brown
Sugar ah)
Brown Sugar baby give it to me {Oh oh oh oh oh}
(Give it to me) Hah
(Give it to me) Yeah
(Give it to me, Give it to me) (Uh huh)
(Oooh Yeah) C'mon
(Give it to me, Give it to me) Hah
(Give it to me, Give it to me) My call right here
(Ooooh Yeah) My call comin' up right here (Oooh Yeah Yeah Yeah)
Yeah Faith let em know (It's unbelievable what Brown Sugar does to me)
Haha, yeah (It's unbelievable what Brown Sugar does to me) (What it is)
Yes Indeed (What it is, what it is now)
What it is, what it, what it is now (What it is, what it is now)
(That's what it is) (Brown Sugar) (What it is, what it is now)
Uh (What it is, what it is now) sing ya steppin' (Gimme my Brown Sugar) Ah
Brown Sugar won't cha give it to me? {Oh oh oh oh oh}
Come on baby won't cha give it to me?{Oh oh oh oh oh} (Oooh Yeah)
Make it hot like it's supposed to be {Oh oh oh oh oh} (Oh Yeah)
Brown Sugar baby give it to me {Oh oh oh oh oh} (And make it, and make it hot
for me)
Brown Sugar won't cha give it to me? {Oh oh oh oh oh}
Come on baby won't cha give it to me? {Oh oh oh oh oh}
Make it hot like it's supposed to be {Oh oh oh oh oh} (Oooh, Brown Sugar Baby)
Brown Sugar baby give it to me {Oh oh oh oh oh}
Brown Sugar won't cha give it to me? (Give it to me)
Come on baby won't cha give it to me? (Eeee)
Make it hot like it's supposed to be
Brown Sugar baby give it to me (Got to make it hot for me)
The song Brown Sugar Extra Sweet is a classic ode to the sweet and sensual nature of black women. The song's opening uses a play on words with "official" and "brown sugar" to state that the woman in question is the genuine article. The lyrics go on to describe the captivating qualities of this woman's body, including her black hair and "fat ass thighs." Mos Def is spellbound by her body, and even takes her shopping to pick out her clothes.
Faith Evans' vocals complement Mos Def's rapping in this dynamic duet, as they both express their admiration for black women. The chorus repeats the phrase "Brown Sugar won't you give it to me?" as an invitation to bask in the splendor of these women's beauty. The song also employs call and response lyrics, with Mos Def urging the audience to chant "Give it to me!" with him. The song celebrates the beauty and sensuality of black women in a way that is uplifting and empowering.
Line by Line Meaning
Woo, Ah, Official, Official, Ah, {Oh oh oh oh oh}
Expressing excitement and emphasis, acknowledging the official status and declaring ownership
Brown Sugar, Faith Evans, Big Mos {Oh oh oh oh, OH} (Wha what)
Acknowledging the presence and contribution of Faith Evans and Mos Def in the song
Brooklyn is in the building, hell we own the building (Wha What)
Proudly asserting the dominance and ownership of Brooklyn
Heh, y'all just payin' rent, see I'm sayin'? {Oh oh oh oh oh, Oh oh oh oh oh}
Suggesting that others are merely temporary occupants while highlighting one's long-term commitment
Listen, now honey check it out ya got me mesmerized
Expressing fascination and captivation by someone
With your black hair and your fat ass thighs
Appreciating physical attributes, particularly the person's hair and thighs
It's the way I hold it down to make my nature rise
Describing how one's actions and presence can inspire passion and desire
You got me in the boutiques pickin' out your size
Indicating a willingness to provide for the person's needs and desires, even when it comes to choosing clothing sizes
You make the push and I can't get it out my mind
Referring to the person's sexual appeal and how it occupies the thoughts
It's that body I can't get it out my mind
Continuing to emphasize the allure of the person's body and its impact on the artist's thoughts
Give it up ma, know it that your down to ride
Encouraging the person to be open and willing to engage in a committed relationship or adventure
Hit the dance floor and bounce your hide
Encouraging the person to let loose and enjoy themselves on the dance floor
You got to bounce with mine
Expressing a desire for the person to synchronize their movements with the singer's
And let me know when your down to slide
Asking the person to inform the singer when they are ready to engage in intimate activities
I tell Ad to swing around to ride
Referring to someone named Ad and suggesting their involvement in the activities mentioned earlier
Let's show you how I grind
Implying a demonstration of the artist's skills and abilities, particularly in a sexual context
I make it splash like a thousand times
Claiming to bring intense pleasure and satisfaction repeatedly
I'm like the stars fallin out the sky, Big Mos
Comparing oneself to something grand and celestial, specifically mentioning Mos Def's presence
Flaco make your waist get coast,
Referring to someone named Flaco and attributing their impact on the person's waist movements
Make your green get smoke
Suggesting the ability to generate and enjoy financial success
Make your cat get stroke
Referring to sexual pleasure and gratification
Me and Pha make the track get dope
Emphasizing the collaborative effort between the artist and someone named Pha in creating an excellent song
We stay settin' pace in the race now let's go
Asserting dominance and ambition in the music industry, urging others to keep up
Brown Sugar won't cha give it to me? {Oh oh oh oh oh} (Brown Sugar)
Expressing a desire for the person referred to as Brown Sugar to engage in intimate activities
Come on baby won't cha give it to me?{Oh oh oh oh oh} (Yeah yeah)
Encouraging the person to embrace their desires and act upon them
Make it hot like it's supposed to be {Oh oh oh oh oh} (comin' Brown Sugar)
Requesting the person to intensify the passion and heat in their interactions
Brown Sugar baby give it to me {Oh oh oh oh oh} (Yeah yeah)
Further emphasizing the desire and willingness for the person to engage in intimate activities
It's like one, two, three, into the fo'
Counting down and preparing for an upcoming intense moment or action
Brooklyn is runnin' the show, let em know
Asserting the dominance and influence of Brooklyn in the music industry, urging others to acknowledge it
Former scramblers, my gamblers,
Referring to individuals involved in illegal activities in the past, suggesting resilience and perseverance
My dirty money handlers, my jugulars,
Referring to trustworthy individuals who handle illegal finances and provide strong support
My hustlers, professional or amateur, woo (Give it to me)
Acknowledging the hardworking and resourceful individuals, regardless of their level of experience
C'mon (Give it to me)
Urging others to provide what is desired, in this case, support and recognition
I said what? (Give it to me)
Reiterating the request for what is desired, emphasizing the importance of receiving it
Uh (Give it to me)
Expressing anticipation and eagerness to receive what is desired
I got to get it all
Demonstrating determination and a desire to obtain everything desired
You got to get involved
Encouraging others to participate and engage in the endeavors
You ain't got it to give
Implying that others may not possess what is desired, suggesting the singer is the only source
You gotta get along (Give it to me)
Expressing the need for others to adapt and cooperate in order to receive what is desired
Yeah, and if you holdin' it
Referring to someone who possesses what is desired
I make you let go of it
Claiming the ability to take what is desired from the person who possesses it
And I'm a get it
Asserting determination and confidence in obtaining what is desired
'Till my getting things is over with (Uh huh)
Declaring the persistence and commitment to pursue what is desired until satisfaction is achieved
And why not love?
Posing a rhetorical question about the need for love and affection
Look what you got love
Acknowledging the positive effects and benefits of receiving love and affection
You get me all charged up
Expressing the excitement and energy acquired from experiencing love and affection
Expect me to stop what? (Oh yeah)
Challenging anyone to question the singer's determination and refusal to stop pursuing what is desired
C'mon mami, why you playin' with me?
Expressing frustration or impatience towards someone who is hesitant or teasing
Fix your face while your waist face say it with me (What it is, oooh)
Encouraging the person to align their words and actions, suggesting honesty and directness
Hah
An expression of amusement or satisfaction
My call right here
Referring to a personal decision or preference
My call comin' up right here (Oooh Yeah Yeah Yeah)
Anticipating a significant moment or opportunity in the near future
Yeah Faith let em know (It's unbelievable what Brown Sugar does to me)
Acknowledging Faith's presence and influence, highlighting the impact of Brown Sugar's actions and effects on the artist
Haha, yeah (It's unbelievable what Brown Sugar does to me) (What it is)
Conveying amusement and agreement about the overwhelming effects of Brown Sugar's influence
Yes Indeed (What it is, what it is now)
Expressing agreement and acknowledgement of the current situation
What it is, what it, what it is now (What it is, what it is now)
Repeating the question or acknowledgement of the current state
(That's what it is) (Brown Sugar) (What it is, what it is now)
Confirming that the previous assessment or statement is accurate, mentioning Brown Sugar once again
Uh (What it is, what it is now) sing ya steppin' (Gimme my Brown Sugar) Ah
Encouraging the person to express themselves and celebrating their presence, while playfully demanding the fulfillment of desires
(Give it to me) Hah
Urging others to provide what is desired, expressing excitement
(Give it to me) Yeah
Continuing to urge the fulfillment of desires
(Give it to me, Give it to me) (Uh huh)
Emphasizing the importance and persistence in requesting what is desired
(Oooh Yeah) C'mon
Encouraging participation and action
(Give it to me, Give it to me) Hah
Continuing to urge the fulfillment of desires, expressing excitement
(Give it to me, Give it to me) My call right here
Reiterating the request for what is desired, claiming personal authority and decision-making
(Ooooh Yeah) My call comin' up right here (Oooh Yeah Yeah Yeah)
Reaffirming personal authority and anticipating a significant moment or opportunity
Yeah Faith let em know (It's unbelievable what Brown Sugar does to me)
Acknowledging Faith's presence and influence, highlighting the impact of Brown Sugar's actions and effects on the singer
Haha, yeah (It's unbelievable what Brown Sugar does to me) (What it is)
Conveying amusement and agreement about the overwhelming effects of Brown Sugar's influence
Yes Indeed (What it is, what it is now)
Expressing agreement and acknowledgement of the current situation
What it is, what it, what it is now (What it is, what it is now)
Repeating the question or acknowledgement of the current state
(That's what it is) (Brown Sugar) (What it is, what it is now)
Confirming that the previous assessment or statement is accurate, mentioning Brown Sugar once again
Uh (What it is, what it is now) sing ya steppin' (Gimme my Brown Sugar) Ah
Encouraging the person to express themselves and celebrating their presence, while playfully demanding the fulfillment of desires
Brown Sugar won't cha give it to me? {Oh oh oh oh oh}
Expressing a desire for the person referred to as Brown Sugar to engage in intimate activities
Come on baby won't cha give it to me?{Oh oh oh oh oh} (Ooooooh)
Encouraging the person to embrace their desires and act upon them
Make it hot like it's supposed to be {Oh oh oh oh oh} (Uh, it's that Brown Sugar)
Requesting the person to intensify the passion and heat in their interactions
Brown Sugar baby give it to me {Oh oh oh oh oh}
Further emphasizing the desire and willingness for the person to engage in intimate activities
Brown Sugar won't cha give it to me? {Oh oh oh oh oh} (Oooh Brown Sugar)
Expressing a desire for the person referred to as Brown Sugar to engage in intimate activities
Come on baby won't cha give it to me? {Oh oh oh oh oh} (Yeah yeah)
Encouraging the person to embrace their desires and act upon them
Make it hot like it's supposed to be {Oh oh oh oh oh} (Brown Sugar)
Requesting the person to intensify the passion and heat in their interactions
Brown Sugar baby give it to me {Oh oh oh oh oh} (Hey yeah yeah eh)
Further emphasizing the desire and willingness for the person to engage in intimate activities
Brown Sugar won't cha give it to me? {Oh oh oh oh oh} (Ah Yeah yeah)
Expressing a desire for the person referred to as Brown Sugar to engage in intimate activities
Come on baby won't cha give it to me? {Oh oh oh oh oh} (Ah ah)
Encouraging the person to embrace their desires and act upon them
Make it hot like it's supposed to be {Oh oh oh oh oh} (Yeah rock out that Brown Sugar ah)
Requesting the person to intensify the passion and heat in their interactions
Brown Sugar baby give it to me {Oh oh oh oh oh}
Further emphasizing the desire and willingness for the person to engage in intimate activities
(Give it to me) Hah
Urging others to provide what is desired, expressing excitement
(Give it to me) Yeah
Continuing to urge the fulfillment of desires
(Give it to me, Give it to me) (Uh huh)
Emphasizing the importance and persistence in requesting what is desired
(Oooh Yeah) C'mon
Encouraging participation and action
(Give it to me, Give it to me) Hah
Continuing to urge the fulfillment of desires, expressing excitement
(Give it to me, Give it to me) My call right here
Reiterating the request for what is desired, claiming personal authority and decision-making
(Ooooh Yeah) My call comin' up right here (Oooh Yeah Yeah Yeah)
Reaffirming personal authority and anticipating a significant moment or opportunity
Brown Sugar won't cha give it to me? {Oh oh oh oh oh}
Expressing a desire for the person referred to as Brown Sugar to engage in intimate activities
Come on baby won't cha give it to me? {Oh oh oh oh oh}
Encouraging the person to embrace their desires and act upon them
Make it hot like it's supposed to be {Oh oh oh oh oh} (Oooh, Brown Sugar Baby)
Requesting the person to intensify the passion and heat in their interactions
Brown Sugar baby give it to me {Oh oh oh oh oh}
Further emphasizing the desire and willingness for the person to engage in intimate activities
Brown Sugar won't cha give it to me? {Oh oh oh oh oh}
Expressing a desire for the person referred to as Brown Sugar to engage in intimate activities
Come on baby won't cha give it to me? {Oh oh oh oh oh}
Encouraging the person to embrace their desires and act upon them
Make it hot like it's supposed to be
Requesting the person to intensify the passion and heat in their interactions
Brown Sugar baby give it to me
Further emphasizing the desire and willingness for the person to engage in intimate activities
Brown Sugar won't cha give it to me? (Give it to me)
Expressing a desire for the person referred to as Brown Sugar to engage in intimate activities
Come on baby won't cha give it to me? (Eeee)
Encouraging the person to embrace their desires and act upon them
Make it hot like it's supposed to be
Requesting the person to intensify the passion and heat in their interactions
Brown Sugar baby give it to me (Got to make it hot for me)
Further emphasizing the desire and willingness for the person to engage in intimate activities
Lyrics © FOX MUSIC, INC., BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: TALIB KWELI, DANTE SMITH, KANYE OMARI WEST
Lyrics Licensed & Provided by LyricFind
@mentesfabulosas7302
April - 2023 and still bumping this banger! Respect from BRazil...amazing song!
@emilyramsey2372
Imma 2000s baby but I’m so thankful my parents raised me on gems like this, also one of the best movies I’ve seen period 🙌🏼
@conniemoore4801
YouTube all Ol Skool black movie soundtracks, especially 80'-90's!!!
@regalpaintingsvccorp4588
The movie was very cool. I agree.
And with 90’s hip hop era the parent / child music difference in option matter, done broke.
Kids are supposed to dislike their parents way and style but like I said that barrier broke with hip hop in this time period.
I give you props for shouting’ out your parents and props to them for for opening your mind and heart to the best of the heart that is hip hop. Bless you
@roperjuliano1234
Lip Syncing in 2023 like I’m as cold as Mos Def! 🔥
@MrFlyVisuals
I was today old when I found out Scott Storch produced this song
@brycethemadmaxfan1997
Who’s listening in 2021?
@ThugLifeModafocah
this beat is insane. Mos Def was on point and Faith was superb.
@Sicario-Gamer
2019 and still bumping this banger! Who with me?
@racksityentertainment
We are 💪🏾