The Motels were a New Wave music band from the Los Angeles area best known … Read Full Bio ↴The Motels were a New Wave music band from the Los Angeles area best known for "Only the Lonely" and "Suddenly, Last Summer", each of which peaked at #9 on the Billboard Hot 100 in 1982 and 1983, respectively. Their song "Total Control" reached number 7 on the Australian charts in 1979.
Martha Davis, the lead singer, reformed a version of the band called The Motels featuring Martha Davis, in 1998; as of 2008 she continues to appear under that name with various line-ups.
First incarnation
The first incarnation of The Motels formed in Berkeley, California, in 1971.[1] Lisa Brenneis (bass) coaxed Dean Chamberlain (lead guitar), Chuck Wada (rhythm guitar) and Martha Davis (vocals, guitar) into forming a band (then called The Warfield Foxes).[2] Hoping for better exposure and seeking a recording contract they made a move to Los Angeles in 1975. While in L.A., Lisa Brenneis left and the band changed its name to "Angels of Mercy" and then to "The Motels", with both Davis and Wada contributing original songs to the repertoire.[3] The band acquired two new members around this time to fill vital slots; Richard D'Andrea on bass and Robert Newman on drums.[4]
The Motels and two other local bands, The Pop and The Dogs, kicked off the local band scene with a concert at a self-produced show, 'Radio Free Hollywood' held at the old theatre, Troupers Hall. Prior to this show, few if any unsigned bands played local high profile clubs like the Whisky and The Roxy.[5] The band guested on Rodney Bingenheimer's popular radio show and, after recording a demo for Warner Brothers, which was turned down, they were offered a contract with Capitol Records. The band declined Capitol's offer and disbanded in 1977, citing musical differences amongst themselves.[4]
Chamberlain was heard again in his band Code Blue which signed to Warner Brothers Records. Richard d'Andrea joined The Pits and later enjoyed almost three years with The Know. Robert Newman is a successful art director and designer. Chuck Wada still writes and performs and is a financial advisor.[6] Lisa Brenneis has written a series of books about Final Cut Pro editing software and grows pixie tangerines in Ojai, California.[7]
Second, most successful incarnation
In March 1978, Davis and future lead guitarist Jeff Jourard (formerly of a pre-fame version of Tom Petty and the Heartbreakers) decided to reform The Motels[4] and extensive auditions resulted in a new line-up consisting of Jourard's brother Marty who played both the saxophone and keyboards, Michael Goodroe on bass, and Brian Glascock on drums.[8] Short on funds, the band shared rehearsal space with The Go-Go's at L.A.'s notorious punk basement, the Masque, and they played in Chinatown, at Madame Wong's restaurant/nightclub with such regularity, they were nearly the house band.[9] The Motels began to draw a faithful crowd around the L.A. music scene and on Mother's Day 1979 the group signed with Capitol and released their debut album The Motels 4 months later. Their first single, "Closets and Bullets," made no impact on the charts, but their second single, "Total Control," found its way to the Top 20 in France and the Top 10 in Australia.[4]
In 1980 Jourard was replaced as lead guitarist by Davis' boyfriend Tim McGovern[10] and the band went back into the recording studio to record their second album, entitled Careful. Released in June 1980, the album climbed to the #45 spot on the U.S. album charts.[4] In Europe and the UK, the songs "Days Are OK" and "Whose Problem?" were Top 50 hits; "Whose Problem?" was also a top hit in Australia[11] and "Danger" was a Top 20 hit in France.[12]
The band hired record producer Val Garay for their third album, Apocalypso. It was scheduled to be released in November 1981, but after Capitol Records heard the final product, they rejected it for being "not commercial enough" and "too weird".[9][13] The band attempted to go back and re-record the entire album but in the process, Davis and McGovern's relationship dissolved and by December 1981 McGovern was no longer in the band. (McGovern subsequently formed the band Burning Sensations.) The rest of the members forged on to finish recording the new album while using studio musicians to fill in for the vacant guitar spot for several of the tracks. Adrian Peritore (who went by the name Guy Perry because his former producer had misspelled his name on an album cover) was hired in late January and played lead guitar on some of the tracks, including "He Hit Me." The album, now titled All Four One, was released April 5, 1982.[9]
All Four One (1982) was the band's best-selling album.
Before any singles were released from All Four One, the song "Mission of Mercy" had enough airplay to reach #23 on the Billboard Rock Album Cuts chart.[4][14] The first single from the album, "Only the Lonely," found its way to #6 on the U.S. rock charts by June and later #9 on the U.S. pop chart, while two other releases, "Take the L" and "Forever Mine," made the Billboard Hot 100.[13] Their first successful U.S. album coincided with the emergence of MTV, which led to music videos for both "Only the Lonely" and "Take the L." Davis won a "Best Performance in a Music Video" at the American Music Awards in 1982 for her performance in the "Only the Lonely" video.[15] For the 1982 tour the band added keyboardist/guitarist Scott Thurston.[9]
Val Garay was now firmly in control of album and video production and, upon the firing of Fritz Turner Management, became the band's new manager.[9] The Motels returned to the recording studio in February 1983 and released the album Little Robbers in the fall. The first single from the album, "Suddenly Last Summer," was a Top 10 hit in the United States, and the album went gold in the U.S., Canada, and several other countries.[14] In January the band appeared on Saturday Night Live.
In August 1983, at the insistence of producer/manager Garay, David Platshon was added on drums with Glascock reluctantly moving over to percussion.
The first leg of the Little Robbers tour started in January 1984 but ended abruptly in February with the firing of Garay as manager for personal reasons.[9] Drummer Platshon was dropped and Glascock resumed his spot on the drum chair. The band continued performing under new management with stops in Japan and Hawaii, and they recorded songs for two film soundtracks: "Long Day" was recorded for Moscow on the Hudson and "In the Jungle" was recorded for the movie Teachers. By mid-summer they were back in the recording studio to work on new material.
In late 1984 Capitol Records brought in producer Richie Zito to help maintain the band's commercialism.[16] It took well over a year but with the finishing touches done at Giorgio Moroder's hi-tech studio in the San Fernando Valley,[9] the group released their sixth album, Shock, in September 1985. The first single, "Shame," reached #21 on the U.S. pop charts and #10 on the U.S. rock charts.[14] Two other singles were released, "Shock," and "Icy Red." From early 1986 to February 1987 The Motels worked on songs for a 7th album. It was not to be. Citing that the group was broke, on February 13, 1987, Martha Davis took each member in turn to a local bar to say she had decided to dissolve the band and go solo.[9]
All members of the 1982-1987 version of the band reunited in 2004 for an appearance on VH1's Bands Reunited; rejoining Davis were Michael Goodroe, Marty Jourard, Brian Glasscock and Adrian Peritore (aka "Guy Perry.")[17]
Martha Davis solo
Davis released her first solo album entitled Policy in October 1987. Musicians who worked with her included Clarence Clemons, Kenny G and Charlie Sexton. In November, she had a number 8 hit in Australia with "Don't Tell Me the Time", but in the U.S. the song only reached #80. While reviewers still loved her voice the album was panned as too lightweight and having no atmospheric punch.[18] Soon afterwards, Davis asked to be released from her contract with Capitol.
After leaving Capitol Records, Davis focused on different music styles, and recorded songs for several movie soundtracks but it seemed her music career was coming to an end.[19] Then, in the early 1990s, she started getting occasional surprise gigs which found Davis experimenting with new songs she had written.[19] In late 1994 she played at some old haunts in Ventura, Los Angeles, and San Juan Capistrano, California.
Third incarnation: The Motels featuring Martha Davis
In 1997 Martha Davis began appearing live with a band composed of Erik Lemaire-Guitar, Adrian Burke-Bass, Jason Loree-Drums, David Van Pattoen-Keyboards/guitar. This grouping began calling themselves Martha Davis & The Motels in March 1998. After 1998, the lineup was: Mic Taras on lead guitar, Angelo Barbera on bass, Kevin Bowen on keyboards, Michael Barbera on keyboards and sax, and Jason Loree on drums.[20] The gigs consisted almost entirely of new material. In 2001 the band changed to a compact, four piece ensemble with Davis, Taras, Fritz Lewak (drums), and David Sutton (bass).[21] By 2004 the band had performed more than 70 concerts and toured in the U.S. and Australia. As of 2006 the band included Davis on vocal and guitar, Nick Johns (bass/keyboard), Eric Gardner (drums), Clint Walsh (guitar), and Jon Siebels (guitar).[1]
In 2005 Davis and the new Motels released an independent CD titled "So the Story Goes". All copies sold out.[22] Sony Records has released a live album, recorded in 2006, titled Standing Room Only, which was recorded live at the famed Coach House Club in San Juan Capistrano, a small suburb seaside town about an hour out of Los Angeles. Martha Davis and the Motels still tour and record and they have plans for more music releases in the future.[1] The Motels featuring Martha Davis appeared on the U.S. version of Hit Me Baby One More Time and toured the U.S. and Australia in 2007.[23]
In 2005, Martha Davis performed at Seattle, Washington's Teatro ZinZanni.[24] For which she collaborated with TZ Maestro Norm Durkee" to make the special CD "Omnium" which is available only through their Gift Shop. In August 2007, she joined other 70s and 80s acts for the Australian concert series Countdown Spectacular 2. She sang 3 Motels songs solo. Her second solo album "So the Story Goes" was released in 2005, although being recorded with many of the new Motels members, it was released as a solo album, not until Standing Room Only was the band referred to on the albums as the Motels.
The album "Clean Modern and Reasonable", issued in September 2007, was the first release under the banner "the Motels" in 22 years. The album contains acoustic versions of past hits, b sides and Martha Davis solo material including new takes on 'Take The L' , 'Only the Lonely' and 'Suddenly Last Summer'. In April 2008 The Motels released two new albums on the same day, "This," and "Beautiful Life," the latter taking the listener on a dark journey through Martha's life.[1]
On April 9, 2008, Martha Davis and the Motels performed on the reality TV program High School Reunion shown on the TV Land channel. The program staged a mock prom for the show's participants on the last evening. The two songs performed were 'Only the Lonely' and 'Suddenly Last Summer'.
Notes
1 a b c d Davis, Martha. "Martha Davis Bio," MarthaDavis.com, official website. Retrieved 24 April 2007.
2 VH1. "VH1 Biographies."
3 Anthologyland CD, liner notes. EMI Music, 2000, isbn 7-9005-81607-2
4 a b c d e f Exclusive Magazine. Interview by Russell Trunk in 'Lonely No More' article, January 2007 edition.
5 "The Mod Pop Punk Archives," PunkModPop.free.fr. Retrieved 24 April 2007.
6 Management Consulting Services Company, Woodland Hills, CA.
7 John Krist, "Farming on the Edge: A Future in Doubt, Ventura County Star. Retrieved April 21, 2009.
8 Los Angeles Times, "The Motels: Booked Solid", by Don Snowden. April 29, 1979.
9 a b c d e f g h Jourard, Marty. "Marty Jourard Bio," Jourard.com, official website. Retrieved 24 April 2007.
10 Los Angeles Times, "Martha Davis: Rock Singer On The Rise", by Robert Hilburn, June 17, 1980.
11 Guest, Thomas J. "Thirty Years Of Hits." 1991. Carter & Ormsby Books
12 Music Week trade paper. August 1980
13 a b No Vacancy. Liner notes from album insert, 1990.
14 a b c Essential Collection. Liner notes from album insert, 2005. isbn 724386370624.
15 Mars Talent Agency. "The Motels Biography." Retrieved 26 April 2007.
16 Los Angeles Times, "Davis, Motels Recharge With Shock", by Dennis Hunt. October 6, 1985.
17 VH1 Bands Reunited. "Bands Reunited Official Website"
18 Los Angeles Times, "Davis Checks Out Of Motels With Policy", by Connie Johnson. October 18, 1987
19 a b Ventura Theatre Guide. June 1998
20 Rolling Stone Magazine. "The Motels Return With Their Version 2.0" by Blair Fischer. September 2, 1999.
21 Chicago Sun-Times. "Out And About." November 15, 2002.
22 CDBaby. "cdbaby.com"
23 Countdown Spectacular 2 Tour. "countdown.com.au"
24 Charles Campbell (26 May 2005). "Vaudeville lives in Seattle". The Georgia Straight.
References
Rolling Stone Magazine - The Motels Return With Their "Version 2.0" - 9/2/99
Orange County Register - Entertainment Section - 7/16/05
Personal Writings from band members - Official website themotels.com
Former band member Marty Jourard - Jourard.com
Creem Magazine - Take The El Out Of MOTELS And It's Motes - February 1983
Creem Magazine - The Motels: Martha Davis Feeds Her Family - December 1980
Los Angeles Times - The Motels: Booked Solid - 4/29/79
Orange County Weekly - No Vacancy - 10/5/2000
Martha Davis, the lead singer, reformed a version of the band called The Motels featuring Martha Davis, in 1998; as of 2008 she continues to appear under that name with various line-ups.
First incarnation
The first incarnation of The Motels formed in Berkeley, California, in 1971.[1] Lisa Brenneis (bass) coaxed Dean Chamberlain (lead guitar), Chuck Wada (rhythm guitar) and Martha Davis (vocals, guitar) into forming a band (then called The Warfield Foxes).[2] Hoping for better exposure and seeking a recording contract they made a move to Los Angeles in 1975. While in L.A., Lisa Brenneis left and the band changed its name to "Angels of Mercy" and then to "The Motels", with both Davis and Wada contributing original songs to the repertoire.[3] The band acquired two new members around this time to fill vital slots; Richard D'Andrea on bass and Robert Newman on drums.[4]
The Motels and two other local bands, The Pop and The Dogs, kicked off the local band scene with a concert at a self-produced show, 'Radio Free Hollywood' held at the old theatre, Troupers Hall. Prior to this show, few if any unsigned bands played local high profile clubs like the Whisky and The Roxy.[5] The band guested on Rodney Bingenheimer's popular radio show and, after recording a demo for Warner Brothers, which was turned down, they were offered a contract with Capitol Records. The band declined Capitol's offer and disbanded in 1977, citing musical differences amongst themselves.[4]
Chamberlain was heard again in his band Code Blue which signed to Warner Brothers Records. Richard d'Andrea joined The Pits and later enjoyed almost three years with The Know. Robert Newman is a successful art director and designer. Chuck Wada still writes and performs and is a financial advisor.[6] Lisa Brenneis has written a series of books about Final Cut Pro editing software and grows pixie tangerines in Ojai, California.[7]
Second, most successful incarnation
In March 1978, Davis and future lead guitarist Jeff Jourard (formerly of a pre-fame version of Tom Petty and the Heartbreakers) decided to reform The Motels[4] and extensive auditions resulted in a new line-up consisting of Jourard's brother Marty who played both the saxophone and keyboards, Michael Goodroe on bass, and Brian Glascock on drums.[8] Short on funds, the band shared rehearsal space with The Go-Go's at L.A.'s notorious punk basement, the Masque, and they played in Chinatown, at Madame Wong's restaurant/nightclub with such regularity, they were nearly the house band.[9] The Motels began to draw a faithful crowd around the L.A. music scene and on Mother's Day 1979 the group signed with Capitol and released their debut album The Motels 4 months later. Their first single, "Closets and Bullets," made no impact on the charts, but their second single, "Total Control," found its way to the Top 20 in France and the Top 10 in Australia.[4]
In 1980 Jourard was replaced as lead guitarist by Davis' boyfriend Tim McGovern[10] and the band went back into the recording studio to record their second album, entitled Careful. Released in June 1980, the album climbed to the #45 spot on the U.S. album charts.[4] In Europe and the UK, the songs "Days Are OK" and "Whose Problem?" were Top 50 hits; "Whose Problem?" was also a top hit in Australia[11] and "Danger" was a Top 20 hit in France.[12]
The band hired record producer Val Garay for their third album, Apocalypso. It was scheduled to be released in November 1981, but after Capitol Records heard the final product, they rejected it for being "not commercial enough" and "too weird".[9][13] The band attempted to go back and re-record the entire album but in the process, Davis and McGovern's relationship dissolved and by December 1981 McGovern was no longer in the band. (McGovern subsequently formed the band Burning Sensations.) The rest of the members forged on to finish recording the new album while using studio musicians to fill in for the vacant guitar spot for several of the tracks. Adrian Peritore (who went by the name Guy Perry because his former producer had misspelled his name on an album cover) was hired in late January and played lead guitar on some of the tracks, including "He Hit Me." The album, now titled All Four One, was released April 5, 1982.[9]
All Four One (1982) was the band's best-selling album.
Before any singles were released from All Four One, the song "Mission of Mercy" had enough airplay to reach #23 on the Billboard Rock Album Cuts chart.[4][14] The first single from the album, "Only the Lonely," found its way to #6 on the U.S. rock charts by June and later #9 on the U.S. pop chart, while two other releases, "Take the L" and "Forever Mine," made the Billboard Hot 100.[13] Their first successful U.S. album coincided with the emergence of MTV, which led to music videos for both "Only the Lonely" and "Take the L." Davis won a "Best Performance in a Music Video" at the American Music Awards in 1982 for her performance in the "Only the Lonely" video.[15] For the 1982 tour the band added keyboardist/guitarist Scott Thurston.[9]
Val Garay was now firmly in control of album and video production and, upon the firing of Fritz Turner Management, became the band's new manager.[9] The Motels returned to the recording studio in February 1983 and released the album Little Robbers in the fall. The first single from the album, "Suddenly Last Summer," was a Top 10 hit in the United States, and the album went gold in the U.S., Canada, and several other countries.[14] In January the band appeared on Saturday Night Live.
In August 1983, at the insistence of producer/manager Garay, David Platshon was added on drums with Glascock reluctantly moving over to percussion.
The first leg of the Little Robbers tour started in January 1984 but ended abruptly in February with the firing of Garay as manager for personal reasons.[9] Drummer Platshon was dropped and Glascock resumed his spot on the drum chair. The band continued performing under new management with stops in Japan and Hawaii, and they recorded songs for two film soundtracks: "Long Day" was recorded for Moscow on the Hudson and "In the Jungle" was recorded for the movie Teachers. By mid-summer they were back in the recording studio to work on new material.
In late 1984 Capitol Records brought in producer Richie Zito to help maintain the band's commercialism.[16] It took well over a year but with the finishing touches done at Giorgio Moroder's hi-tech studio in the San Fernando Valley,[9] the group released their sixth album, Shock, in September 1985. The first single, "Shame," reached #21 on the U.S. pop charts and #10 on the U.S. rock charts.[14] Two other singles were released, "Shock," and "Icy Red." From early 1986 to February 1987 The Motels worked on songs for a 7th album. It was not to be. Citing that the group was broke, on February 13, 1987, Martha Davis took each member in turn to a local bar to say she had decided to dissolve the band and go solo.[9]
All members of the 1982-1987 version of the band reunited in 2004 for an appearance on VH1's Bands Reunited; rejoining Davis were Michael Goodroe, Marty Jourard, Brian Glasscock and Adrian Peritore (aka "Guy Perry.")[17]
Martha Davis solo
Davis released her first solo album entitled Policy in October 1987. Musicians who worked with her included Clarence Clemons, Kenny G and Charlie Sexton. In November, she had a number 8 hit in Australia with "Don't Tell Me the Time", but in the U.S. the song only reached #80. While reviewers still loved her voice the album was panned as too lightweight and having no atmospheric punch.[18] Soon afterwards, Davis asked to be released from her contract with Capitol.
After leaving Capitol Records, Davis focused on different music styles, and recorded songs for several movie soundtracks but it seemed her music career was coming to an end.[19] Then, in the early 1990s, she started getting occasional surprise gigs which found Davis experimenting with new songs she had written.[19] In late 1994 she played at some old haunts in Ventura, Los Angeles, and San Juan Capistrano, California.
Third incarnation: The Motels featuring Martha Davis
In 1997 Martha Davis began appearing live with a band composed of Erik Lemaire-Guitar, Adrian Burke-Bass, Jason Loree-Drums, David Van Pattoen-Keyboards/guitar. This grouping began calling themselves Martha Davis & The Motels in March 1998. After 1998, the lineup was: Mic Taras on lead guitar, Angelo Barbera on bass, Kevin Bowen on keyboards, Michael Barbera on keyboards and sax, and Jason Loree on drums.[20] The gigs consisted almost entirely of new material. In 2001 the band changed to a compact, four piece ensemble with Davis, Taras, Fritz Lewak (drums), and David Sutton (bass).[21] By 2004 the band had performed more than 70 concerts and toured in the U.S. and Australia. As of 2006 the band included Davis on vocal and guitar, Nick Johns (bass/keyboard), Eric Gardner (drums), Clint Walsh (guitar), and Jon Siebels (guitar).[1]
In 2005 Davis and the new Motels released an independent CD titled "So the Story Goes". All copies sold out.[22] Sony Records has released a live album, recorded in 2006, titled Standing Room Only, which was recorded live at the famed Coach House Club in San Juan Capistrano, a small suburb seaside town about an hour out of Los Angeles. Martha Davis and the Motels still tour and record and they have plans for more music releases in the future.[1] The Motels featuring Martha Davis appeared on the U.S. version of Hit Me Baby One More Time and toured the U.S. and Australia in 2007.[23]
In 2005, Martha Davis performed at Seattle, Washington's Teatro ZinZanni.[24] For which she collaborated with TZ Maestro Norm Durkee" to make the special CD "Omnium" which is available only through their Gift Shop. In August 2007, she joined other 70s and 80s acts for the Australian concert series Countdown Spectacular 2. She sang 3 Motels songs solo. Her second solo album "So the Story Goes" was released in 2005, although being recorded with many of the new Motels members, it was released as a solo album, not until Standing Room Only was the band referred to on the albums as the Motels.
The album "Clean Modern and Reasonable", issued in September 2007, was the first release under the banner "the Motels" in 22 years. The album contains acoustic versions of past hits, b sides and Martha Davis solo material including new takes on 'Take The L' , 'Only the Lonely' and 'Suddenly Last Summer'. In April 2008 The Motels released two new albums on the same day, "This," and "Beautiful Life," the latter taking the listener on a dark journey through Martha's life.[1]
On April 9, 2008, Martha Davis and the Motels performed on the reality TV program High School Reunion shown on the TV Land channel. The program staged a mock prom for the show's participants on the last evening. The two songs performed were 'Only the Lonely' and 'Suddenly Last Summer'.
Notes
1 a b c d Davis, Martha. "Martha Davis Bio," MarthaDavis.com, official website. Retrieved 24 April 2007.
2 VH1. "VH1 Biographies."
3 Anthologyland CD, liner notes. EMI Music, 2000, isbn 7-9005-81607-2
4 a b c d e f Exclusive Magazine. Interview by Russell Trunk in 'Lonely No More' article, January 2007 edition.
5 "The Mod Pop Punk Archives," PunkModPop.free.fr. Retrieved 24 April 2007.
6 Management Consulting Services Company, Woodland Hills, CA.
7 John Krist, "Farming on the Edge: A Future in Doubt, Ventura County Star. Retrieved April 21, 2009.
8 Los Angeles Times, "The Motels: Booked Solid", by Don Snowden. April 29, 1979.
9 a b c d e f g h Jourard, Marty. "Marty Jourard Bio," Jourard.com, official website. Retrieved 24 April 2007.
10 Los Angeles Times, "Martha Davis: Rock Singer On The Rise", by Robert Hilburn, June 17, 1980.
11 Guest, Thomas J. "Thirty Years Of Hits." 1991. Carter & Ormsby Books
12 Music Week trade paper. August 1980
13 a b No Vacancy. Liner notes from album insert, 1990.
14 a b c Essential Collection. Liner notes from album insert, 2005. isbn 724386370624.
15 Mars Talent Agency. "The Motels Biography." Retrieved 26 April 2007.
16 Los Angeles Times, "Davis, Motels Recharge With Shock", by Dennis Hunt. October 6, 1985.
17 VH1 Bands Reunited. "Bands Reunited Official Website"
18 Los Angeles Times, "Davis Checks Out Of Motels With Policy", by Connie Johnson. October 18, 1987
19 a b Ventura Theatre Guide. June 1998
20 Rolling Stone Magazine. "The Motels Return With Their Version 2.0" by Blair Fischer. September 2, 1999.
21 Chicago Sun-Times. "Out And About." November 15, 2002.
22 CDBaby. "cdbaby.com"
23 Countdown Spectacular 2 Tour. "countdown.com.au"
24 Charles Campbell (26 May 2005). "Vaudeville lives in Seattle". The Georgia Straight.
References
Rolling Stone Magazine - The Motels Return With Their "Version 2.0" - 9/2/99
Orange County Register - Entertainment Section - 7/16/05
Personal Writings from band members - Official website themotels.com
Former band member Marty Jourard - Jourard.com
Creem Magazine - Take The El Out Of MOTELS And It's Motes - February 1983
Creem Magazine - The Motels: Martha Davis Feeds Her Family - December 1980
Los Angeles Times - The Motels: Booked Solid - 4/29/79
Orange County Weekly - No Vacancy - 10/5/2000
Shame
Motels Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A very simple statement
A very simple crime
A lot of grief reflecting in how we spend our time
I want to change things
I want to make a change
I'm tired of spending time agonizing yesterdays
Shame on me
Shame on you
Shame on every little thing that we do
Shame on me
Shame on you
Now's there's only one thing that we can do.
Another empty day
Another day comes true
A lot of selfish dreams are waiting here for you
I've got to have you
I've got no one to blame
It's just the two of us
With nothing left to say
But..
Shame on me
Shame on you
Shame on every little thing that we do
Shame on me
Shame on you
Now there's only one thing we can do
Shame on me
Shame on you
Shame on me
Shame on you
I've got to change things
I've got to make a change
I'm tired of spending time agonizing yesterdays
Shame on me
Shame on you
A very simple crime
A lot of grief reflecting in how we spend our time
I want to change things
I want to make a change
I'm tired of spending time agonizing yesterdays
Shame on me
Shame on every little thing that we do
Shame on me
Shame on you
Now's there's only one thing that we can do.
Another empty day
Another day comes true
A lot of selfish dreams are waiting here for you
I've got to have you
I've got no one to blame
It's just the two of us
With nothing left to say
But..
Shame on me
Shame on you
Shame on every little thing that we do
Shame on me
Shame on you
Now there's only one thing we can do
Shame on me
Shame on you
Shame on me
Shame on you
I've got to change things
I've got to make a change
I'm tired of spending time agonizing yesterdays
Shame on me
Shame on you
In the song "Shame" by The Motels, lead singer Martha Davis delivers a message about personal accountability and a desire to move forward from past mistakes. The lyrics suggest that the singer (and perhaps others) have been living with a lot of regret and guilt, indicated by the repetition of the phrase "shame on me/shame on you" throughout the song. However, rather than dwell on those negative emotions, the singer wants to take action to change things for the better. The lyrics are direct and powerful, emphasizing the need for personal responsibility and growth.
The lines "A very simple statement, a very simple crime" hint at the idea that the singer's regret stems from a mistake that may not seem like a big deal to others, but has had a significant impact on their life. They go on to talk about the "selfish dreams" that are waiting for them, suggesting that they have been distracted or misguided in their pursuits. Yet despite this, the refrain emphasizes that there is a shared responsibility between the singer and others for their actions: "shame on every little thing that we do."
The repetition of the phrase "now there's only one thing we can do" suggests a determination to move forward and make things better, perhaps by admitting fault or seeking forgiveness. Overall, the song has a sense of urgency and conviction, with Martha Davis's powerful vocals driving home the idea that personal accountability is key to growth and change.
Line by Line Meaning
A very simple statement
This opening line indicates that what is to come will be simple, but poignant.
A very simple crime
The crime in question is likely something small, but still significant in its impact.
A lot of grief reflecting in how we spend our time
Our daily actions and choices can reveal deeper, underlying feelings of sadness or regret.
I want to change things
Despite the grief felt, there is a desire to make things better.
I want to make a change
A commitment to taking action is made.
I'm tired of spending time agonizing yesterdays
There is a feeling of exhaustion from dwelling on past mistakes or regrets.
Shame on me
This is an expression of personal accountability and regret for one's actions.
Shame on you
Holding others accountable for their actions as well.
Shame on every little thing that we do
Every small action can contribute to larger negative consequences.
Now's there's only one thing that we can do.
The situation may seem dire, but there is still a possibility for change.
Another empty day
A day that feels hopeless or unfulfilling.
Another day comes true
The same patterns and routines continue to repeat themselves.
A lot of selfish dreams are waiting here for you
There may be desires or aspirations, but they are overshadowed by selfish motivations.
I've got to have you
There may be a need for someone else to help bring about change.
I've got no one to blame
Taking ownership for one's actions and recognizing that blaming others is not productive.
It's just the two of us
Emphasizing that the situation and resolution relies on the actions of a few individuals.
With nothing left to say
Words are not enough to bring about change; action is required.
Shame on me
Reiterating the continued personal accountability and motivation for change.
Shame on you
Holding others accountable for their role in the situation.
Now there's only one thing we can do
Despite the difficulty, there is still an opportunity for change and action.
Shame on me
Continued recognition of one's actions and the desire for change.
Shame on you
Holding others accountable and encouraging them to also seek change.
Lyrics © RESERVOIR MEDIA MANAGEMENT INC
Written by: MARTHA DAVIS
Lyrics Licensed & Provided by LyricFind
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@bradleyfarrow1998
I’m turning 60 next and I’ve been reminiscing about the 80’s all weekend, great memories! We were fabulous
@KrazeeClark
Same here. This music reminds me of a time right before my life when to.shiz.
@timelessmusicfamilymusic9175
This is the type of song, when you 1st hear it on the radio you know you have to head to the record store to buy it, which I did, never get tired of hearing it.
@shoulderlift
That was exactly the reaction I got when I first heard "Shame". Perfectly said!
@kathysemrau2301
The Motels were so different at the time , their vintage look. I wouldn't say they were a feel good band at all.
They were the best musically and visualizing the stories to the songs. The stories were about a woman' s life . Moments of passion and shame which tough us all.
@Yes-gz9qs
Check out Southern Sons Lead me to water. Their whole CD from that song is fantastic. CHEERS!
@brettsprang7991
Actually I think all their big songs were really goood, Shame, Suddenly Last Summer, Only The Lonely.....I felt like there was a least one more...but didn't I find it...
@davidgeisler9885
@@brettsprang7991 Take the L
@AI_Surfer
The summer of 1985 had a lot of great songs, but none better than 'Shame'. I loved this song from the first few notes. And the video is as perfect as the song is, with Martha looking as beautiful and hot as she ever had/has. Another great song from the album 'Shock', is 'Cries and Whispers'. It took a long time to show up on YouTube, but it's up now and it's a great listen.
@alejandrosanhueza1534
Marta David .
Hermosa .he icono 80.
Una voz para enamorar .
Sigue hermosa al paso de los. Años.
Siempre bella Marta David.❤️🥰