Years before, when he started what became Mother Falcon, it never crossed cellist Nick Gregg’s mind that his goal to make playing cello as cool as playing quarterback at his football obsessed high school (alma mater of Super Bowl MVP Drew Brees) would get anywhere. Jamming on original material after school with fellow orchestra students at Westlake High was fun, but not radical and certainly not goal oriented. Yet, over months, word of this orchestra jam session spread and the group, now named Mother Falcon after a misheard TV overdub from Die Hard (“Yippee-ki-ay Mother Falcon!), began to include people from McCallum High as well. Before any of its members had graduated, Mother Falcon was featured on the cover of the Austin Chronicle and was playing gigs all over town. While most of them were still teens, Mother Falcon, now numbering up to twenty two players, had become one of Austin’s most popular and beloved “bands” with the release of Still Life, their debut EP of classical-crossover pop songs, and another Austin Chronicle cover story. The next year their first full length, Alhambra, saw major local airplay and a series of sold out local shows. Somehow, while its members were focused on being college sophomores, this wild idea of being as cool as a quarterback had made Nick Gregg the founder of one of the coolest bands in one of the world’s coolest music cities. Yet, as Mother Falcon won multiple Austin Music Awards, collaborated with Austin legends like Alejandro Escovedo and Christopher Cross and ventured to Houston and Denton, it still didn’t seem plausible that such a huge ensemble could make an impact outside of Austin.
With the bulk of the collective’s musicians set to graduate college in 2013, this unlikely indie orchestra was at a cross roads. With the need for employment looming, perhaps the easiest choice would be to backburner the band, maybe keep playing around Austin until everyone spun off on their own: grad school, jobs, other bands. Mother Falcon, by now a community with deep ties (among them two pairs of siblings and several relationships begun in childhood) made a tougher choice, committing to a new album and an unusual strategy of moving to other cities for a month at a time to cut costs of touring such a large group. After making a huge splash at SXSW 2013, second album You Knew dropped in May 2013, strongly impacted national radio and gained major support from NPR. June residencies at Joe’s Pub in New York and Littlefield in Brooklyn were followed by residencies at The Echo in Los Angeles and Soda Bar in San Diego. Subsequent national tours found Mother Falcon unexpectedly selling out small clubs all over the country within months of their first tentative steps outside of Austin. Nick Gregg was now undeniably as cool as a quarterback.
Two years later, Mother Falcon return with their third full-length album Good Luck Have Fun, slated for release August 14th on BitCandy. Seven years, two albums and hundreds of shows on from Westlake High, this unlikely indie orchestra takes a leap into the unknown, blowing up their usual way of composing and recording together in a conscious effort to push themselves into new stylistic and sonic realms.
As such, Good Luck Have Fun doubles down on both sides of Mother Falcon. The adventurousness is more adventurous, with fully half the album comprised of experimental instrumental soundscapes composed as the score to an upcoming documentary about competitive gaming. Inspired by Bowie’s Low, 60s improv iconoclasts AAM, Koji Kondo’s score for Majora’s Mask and the psychedelic drone of Fuck Buttons, the instrumental pieces ebb and flow in tension between unresolved crescendos and throbbing, jagged minimalism. Conversely, the rest of the album may be Mother Falcon’s most accessible music ever, with a stronger emphasis on rhythm, concise arrangements that move the vocals to the fore, lyrics grounded in universal themes and a wealth of hooks, upon hooks, upon hooks.
Lead single “Kid” sets the bar high with instrumental layers progressively piling up those hooks behind a shimmering vocal from Claire Puckett. “Quiet Mind” gradually builds from stark violin pizzicatos to jazzy horn blasts as Tamir Kalifa’s choirboy voice soars above lush swells of strings with the emotionalism that has always characterized the Mother Falcon “sound.” Taking a sharp turn from that maximalist approach, “You Are” sees founder Nick Gregg almost whispering in vulnerable intimacy amid softly fingerpicked guitar, a dark cello line and a fluttering violin. “Water,” a reworking of the dreamy final track from their previous album, is cathartically transformed into something startlingly different with relentless Latin rhythms, dissonant strings, jittery funk guitar and swirling horns, all pointing toward a more aggressive approach in the future. Most closely connected to the sound of previous releases, “Naked & Alive” places a lyric of melancholy reminiscence against gang vocals, multiple interlocking horn sections and classical guitar.
Lyrically, Good Luck Have Fun explores a complicated stew of regret, betrayal, yearning and nostalgia for childhood, set among some of the most ambitious music of Mother Falcon's burgeoning career. With an insistent focus on trying new methods of creation, this young collective has delivered a third album that defies expectations but stays rooted in their desire to be simultaneously adventurous and accessible. Pressing forward toward fresh and innovative ground, Good Luck Have Fun shows Mother Falcon, never afraid of long odds, continuing to take risks in search of something radiant and new.
Sleep
Mother Falcon Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Crushed by weightless, reticent dreams
in a bedroom, where we only sleep
when dawn blows out the street lights
though wise men, at their end, know dark is right*
Sleep, beautiful sleep
promised kiss from a king
it will carry you into this dark night
it will carry you in this good night
Don't worry, we will see through this
nonsense
your essence
I dont know what I could do
Don't worry, we will see through this
(I don't know what I could do)
Don't worry, we will see through this
nonsense
your essence
my darkness
*in homage to Dylan Thomas
The song "Sleep" by Mother Falcon is a captivating representation of the beauty and importance of sleep, specifically the kind of sleep that is characterized by weightless, reticent dreams. The lyrics of the song suggest that sleep is not just a physical rest, but a refuge for our minds and souls from the chaos of everyday life. In the first verse, the lyrics describe the bedroom as the only place where we truly sleep, and only when the streets are quiet and calm. The reference to "wise men" knowing that dark is right is a nod to Dylan Thomas' poem "Do Not Go Gentle Into That Good Night", which discusses the inevitability of death and the importance of fighting against it. The lyrics suggest that even in darkness, there is beauty and wisdom to be found.
The second verse of the song speaks to the power of sleep to alleviate fear and anxiety. The "promised kiss from a king" could represent the reassurance and protection that sleep provides us. The lyrics suggest that sleep is a safe haven from the fears and worries that plague us during our waking hours. The repetition of the phrase "Don't worry, we will see through this" reinforces the idea that sleep is a source of comfort and strength.
Overall, the lyrics of "Sleep" evoke a sense of peace and serenity that can be found in the act of surrendering oneself to sleep. The song is a reminder that in a world that can often feel overwhelming, sleep can be a sanctuary where we can find rest, comfort, and solace.
Line by Line Meaning
Sleep, beautiful sleep
A call to rest and be at peace.
Crushed by weightless, reticent dreams
Overwhelmed by dreams that are quiet and difficult to express.
in a bedroom, where we only sleep
A space that serves only to facilitate rest.
when dawn blows out the street lights
When morning comes and the night lights fade away.
though wise men, at their end, know dark is right*
Even the most knowledgeable people know that darkness and death are inevitable.
promised kiss from a king
The reward for being brave and facing one's fears is a gift fit for royalty.
if you feel afraid
When fear arises, there is comfort to be found in sleep.
it will carry you into this dark night
Sleep will allow you to journey through the darkness of the night.
it will carry you in this good night
Sleep will take you through the finality of death.
Don't worry, we will see through this
There is a sense of reassurance in knowing that someone will be there to help you through hard times.
nonsense
The irrationality of life's difficulties.
your essence
Your unique spirit that perseveres in the face of adversity.
I dont know what I could do
There are times when one feels powerless in the face of life's challenges.
my darkness
The personal struggles and fears that we must face alone.
Don't worry, we will see through this
The repeated reassurance of support in times of difficulty.
Contributed by Alexander M. Suggest a correction in the comments below.
Chilly
This song makes me imagine someone awake while everyone is sleeping and enjoying the beauties of life while they’re all alone~ maybe the rest of the world is nocturnal and it’s switched around
Rabies *.•
I just discovered this in 2018 and I think I found my new favorite song
Fransiskus Frumentius
this band is amazing, and the best so far
Cool_beans
This deserves more likes !!!
Saint Saltine
"when dawn blows out the street lights" is so lyrically genius
tequiness061
Such a beautiful song!!!!
SirMango
My favourite track in the new album!
Manny A
This gives me life
ANISKUL
This song sounds like hope to me, for some reason
f40f50enzof60
Can't wait to see you guys in Louisville!