Though it was not until 1996 that they had recorded their first untitled demo Burden when the band finally came together. Burden was recorded in eight hours with Adrian Butler at the desk. This demo contains only two songs, and it is a raw indication of where Mourning Beloveth stands in the death/doom metal scene today. Adrian Butler joined later on bass, soon after Delaney had switched to guitar duties. This was the lineup that recorded the highly acclaimed Autumnal Fires demo in 1998. It received the "Demo of the Issue" honorific by Moondance Magazine.
Autumnal Fires is a 40 minute piece of music as the songs were intertwined with classical piano and it showed a huge progression in the writing and recording stakes. Mainly classed as death/doom this was the first step into achieving a sound of our own and it saw the integration of clean vocals. An extensive tour of Ireland followed culminating in a support slot to none other than Cathedral in May 1999. Over 1200 copies of Autumnal Fires ware sold throughout the underground and the MB name spread.
We decided to take a bold step, like so many of their contemporaries, and record in the famous Academy studios with Magz at the helm. What was produced after seven intense days of recording was "Dust", a sixty-six minute Doom masterpiece harking back to the days of the early Doom/Death scene. Dust is a mixture of old and new songs and this creates some of the heaviest and most melancholic music ever. The atmosphere and originality is helped by the greater usage of clean and growling vocals and the amazing production courtesy of Mags.The strength of the material is helped in no small way by the fact that the same line-up had been together for 5 years at the time of recording Dust.
Following the release of Dust, in March 2001, we received rave reviews in many established magazines including Terrorizer, Metal Hammer (Greece), Heavy Oder,Was, Metal Ireland, Doom-metal.com, Aardshock along with many others, mostly seeing the band as the saviours of the Doom/Death style. On the strength of this we played some high profile dates with none other Cradle of Filth that was huge exposure for us; we even managed to play our first gig in the UK, in Bradford.
Towards the end of the summer 2001 and into the long winter the writing process began for the new album. It was now February and we had eight songs written, six of which were finally chosen and recorded at Academy studios, again with Magz at the helm, from April 20 to May 5, 2002.
"The Sullen Sulcus" is a torturous and epic listen that requires the usual MB listening patience - with six songs over 65 minutes.
Epic and heavy guitars with a crushing vocal display by both Frank and Darren with an overall growth in melody and production , we had shaken off the MDB tag which plagued some reviews of Dust and move into what can simply be called Doom, the Mourning Beloveth way. It was released in December 2002 by Aftermath and received rave reviews across the board, establishing Mourning Beloveth as one of the underground doom/death acts of our time
Sentinel Records from Ireland (www.sentinelireland.com) then re-released Dust in February 2003 with new artwork, a new song from the TSS recording sessions and Forever Lost Emeralds (from the Autumnal Fires demo) all of which was remastered by Stuart Anstis.
We were hungry to establish ourselves in Europe as well as the live circuit and financed a two week European tour from February 7th to 21st. Entitled "The Doomination of Europe" MB were joined by Americans Morgion who had just reformed and the UK based The Prophecy and it hit Portugal and Spain, stopping off in England, France, Belgium and Holland along the way. The tour was a success, so much so that an American leg was planned for August of the same year and it also gave the underground European doom scene a kick in the arse., showing everyone that with a little organisation and determination anything can be done.
In the meantime we recorded a new song entitled Part 1 which was released by Sentinel as a split 7" with fellow dark metallers Lunar Gate from Ireland. it was recorded in Cosmic studios in Ballymun and gave us some new ideas for our next album and has made its mark as a live song too. It was limited to 500 copies.
The American tour happened in August that year and Tim couldn't make it so we enlisted the help of our long time friend Anto who decided to sit on a bus with us for four weeks and play some doom. The tour was initially with Morgion, Orodruin and The Prophecy but after one show Morgion pulled out due to an unfortunate car accident and so it was left to us to headline the four week tour. It was a long and arduous tour with vans breaking down, complete city shutdowns, PA's exploding, heads breaking down and the usual lack of money and sleep, add to that the sweltering heat and you have a nice picture of hell but again the people we met on the road, the great shows at the Junkyard, Stoner hands of Doom, Austin made up for this and we also got to see America. While we were there the split 7" was released and we received a copy while in the US. The first MB piece of vinyl!
When we returned we recharged the batteries for a month and then got down to writing some new material but this was interrupted by another offer of a tour with While Heaven Wept and Thee Plague of Gentlemen starting off at Doom Shall Rise where we played second so how could we refuse. Doom Shall Rise was an amazing experience; you cannot get much better than playing in front of 500 doom heads in a church. While at the DSR festival we met Tom from Grau records and he offered us a deal to release Mourning Beloveth albums but we had a weeklong tour ahead of us and so we concentrated on that. The DSR tour was also our first gigs in Germany as well as Gronigen and an appearance at Belgian Doom Night. This tour was the most successful for us so far. We have become a tight live unit and enjoy ourselves a lot more on stage now but it was also a success due to the fact that we actually came home with some money in our pockets.
Home again for May and we were finding it difficult to write the new material so we decided to set a date of October '04 for the recording of the new album. The songs were sounding a bit different than before and we decided on a new studio following weeks of discussion, finally choosing Studio E in Germany run by Markus Stock. The deadline gave us a goal and so we tried to remember where we left off in January and the new material slowly began to emerge. The contract we had spoken about with Grau on the DSR tour arrived and soon after we became a Grau band for four albums. Time to relax? No!
The writing of the new material was arduous and we had to re-write the songs several times. The music this time round is very bare, naked, almost stripped to its core and the album and lyrical content reflected this. It is still Mourning Beloveth, still two guitars, bass and drums but while more elemental it was also more experimental but only the recording sessions would really tell and so in November 2004 we arrived at Klangschmeide, Studio E in Germany to record what was later to become known as A Murderous Circus.
Discography
* Debut (demo, 1996)
* Autumnal Fires (demo, 1998)
* Dust (2000)
* The Sullen Sulcus (2002)
* Dust (re-issue, 2002)
* Split with Lunar Gate (2003)
* A Murderous Circus (2005)
* A Disease For The Ages (2008)
* Formless (2013)
* Rust & Bone (2015)
Transmissions
Mourning Beloveth Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The past had not merely been altered, it had been actually destroyed. For how could you establish even the most obvious fact when no record existed outside your own memory? All history scraped clean and re-inscribed exactly as often as was necessary. War is peace Freedom is slavery Ignorance is strength
The whole climate of thought will be different. In fact, there will be no thought, as we understand it now. Orthodoxy means not thinking-not needing to think. Orthodoxy is unconsciousness. Scraped clean and re-inscribed exactly as often as was necessary. Orthodoxy is ignorance Ignorance is slavery War is Peace
The war is not meant to be won, it is meant to be continuous. The war is waged by the ruling group against its own subjects and its object is not victory but to keep the very structure of society intact, scraped clean and re-inscribed War is peace Freedom is slavery Ignorance is strength"
they were said to be building a palace in the sky but nothing changes
everything stays the same just wrapped in different plastic I am too dead for dreaming
we will be remembered for what we destroyed a world of corpses a world of corpses decay and collapse where we spoke of pain
a rope around my neck but we will make corpses of you all
time will make us sell it so short in our race down
we think we know things and are close to mastery yet time passes
we have become gods knowing what is good and evil and so we live with the knowledge of death
sublime intoxication
will this destroy me? rot my body? groin to dry, catch my thoughts in rots?
the more I know the more I need to get me through
sublime intoxication
when did the future become a threat?
the past has been destroyed
the war is not meant to be won
all history turns to plastic
scraped clean and re-inscribed
some things are so corrupt that
the only clean act is nihilism
as we slip and disintegrate
layer by layer
if we don't build we must burn
civilisation is the infection
where we revere the sticky spoor of blood
these are brutal times
The lyrics to Mourning Beloveth's song Transmissions are full of complex ideas related to memory, power, and the manipulation of information. The song seems to be a commentary on the way that history can be altered or erased in order to serve those in power. The first verse describes the ways in which information is constantly updated and changed to fit the needs of the ruling elite: "Day by day and almost minute by minute the past was brought up to date." This process involves the destruction of historical records and the re-inscription of new ones: "Scraped clean and re-inscribed."
The next verse takes this idea even further, suggesting that the very concept of history itself is being eroded: "For how could you establish even the most obvious fact when no record existed outside your own memory?" The repetition of the phrase "scraped clean and re-inscribed" emphasizes the idea that information can be manipulated and controlled by those in power. The chorus reinforces this message, with phrases like "Ignorance is strength" and "Orthodoxy is unconsciousness" serving as an indictment of the way that authoritarian regimes seek to control their subjects.
The final verses of the song turn towards a more personal reflection on the nature of existence. The line "when did the future become a threat?" suggests a kind of existential dread, as the singer realizes that the world is constantly changing and that their own life is finite. The repetition of the phrase "sublime intoxication" suggests that the singer is seeking some kind of escape from this reality, but ultimately acknowledges that "these are brutal times" and that there may be no way to escape the decay and collapse of the world around us.
Line by Line Meaning
Day by day and almost minute by minute the past was brought up to date. In this way every prediction could be shown by documentary evidence to have been correct; nor was any item of news, or any expression of opinion, which conflicted with the needs of the moment, ever allowed to remain on record. Scraped clean and re-inscribed
The past was constantly changed and updated to fit the current needs, and any evidence or opinion that didn't match was erased. The past was re-written multiple times.
The past had not merely been altered, it had been actually destroyed. For how could you establish even the most obvious fact when no record existed outside your own memory? All history scraped clean and re-inscribed exactly as often as was necessary. War is peace Freedom is slavery Ignorance is strength The whole climate of thought will be different. In fact, there will be no thought, as we understand it now. Orthodoxy means not thinking-not needing to think. Orthodoxy is unconsciousness. Scraped clean and re-inscribed exactly as often as was necessary. Orthodoxy is ignorance Ignorance is slavery War is Peace
The past was destroyed completely, making it impossible to know what really happened. The concept of thinking will be eradicated, and people will abide by the rules set by the ruling group. The rules will be changed as often as necessary to keep control. The idea is to keep people ignorant and in slavery while making them believe that war, slavery, and ignorance are good for them.
The war is not meant to be won, it is meant to be continuous. The war is waged by the ruling group against its own subjects and its object is not victory but to keep the very structure of society intact, scraped clean and re-inscribed War is peace Freedom is slavery Ignorance is strength
The war is not about winning, it is about maintaining control over society to keep the ruling group in power. The ruling group wants people to believe that war, slavery, and ignorance are good for them.
they were said to be building a palace in the sky but nothing changes everything stays the same just wrapped in different plastic I am too dead for dreaming
The ruling group promises progress, but nothing changes. Society remains the same but with different appearances. The artist is too disillusioned to have any hope for change.
we will be remembered for what we destroyed a world of corpses a world of corpses decay and collapse where we spoke of pain a rope around my neck but we will make corpses of you all time will make us sell it so short in our race down
The ruling group has destroyed the world and left behind corpses. People are in pain, and soon everyone will die. The artist is aware of how little time they have left before they too decay and become corpses.
we think we know things and are close to mastery yet time passes we have become gods knowing what is good and evil and so we live with the knowledge of death sublime intoxication will this destroy me? rot my body? groin to dry, catch my thoughts in rots? the more I know the more I need to get me through sublime intoxication
People believe they have mastered the world, but time keeps moving. They are aware of good and evil, and they know they will die someday. The singer wonders if this awareness will damage them physically and mentally. They need to keep up their state of intoxication to deal with their knowledge of death and the world's corruption.
when did the future become a threat? the past has been destroyed the war is not meant to be won all history turns to plastic scraped clean and re-inscribed some things are so corrupt that the only clean act is nihilism as we slip and disintegrate layer by layer if we don't build we must burn civilisation is the infection where we revere the sticky spoor of blood these are brutal times
The future is now a threat since the past has been destroyed, and people don't know what really happened. History is manipulated, and people have become corrupt. Nihilism is a pure act in these times. People are slipping away and civilization is spreading like an infection. People are fascinated by violence and brutality.
Contributed by Michael F. Suggest a correction in the comments below.